It’s that time again! And lucky for you this time the reviews are on time. I hope you appreciate how much effort goes into that because I really don’t feel like being analytical at 8:00 am on a Thursday morning. I’m doing this all for you. Really. Because I sure as hell am not getting paid to do this.
I’m apologetically pro-Damien. I think he’s one of the best things to come out of Grant Morrison’s Batman run. There’s something about him that sets him apart from all the other Robins and I would say that it’s mostly the fact that he’s what Jason Todd could have been. The whole “Sidekick with an attitude” thing works for some and doesn’t for others and Damien works. Now, I will admit that too much of his schtick can be tiresome. But the same can be said for any character. I love me some Deadpool but I got some serious DP burnout following the 87 series he had going on at once last year. Luckily, DC seems to realize that Damien provokes strong reactions and therefore uses him with a deal of finesse. What I mean by this is that usually his personality is either downplayed or dialed up depending on the context of the story. In this debut issue, he’s far more antagonistic than usual because we’re being reintroduced to his dynamic with Bruce. That level of mutual respect that we had seen in previous stories seems to have been scaled back because of this new timeline and as such we get some interesting character beats from both Bruce and Damien in regards to their views on the sentiment of death and the ethos of fighting crime.
Like some other books this week, it’s clear that some holdover elements from the old continuity will be front and center for certain characters. In this case, it’s the worldwide enterprise of Batman, Inc. The fact that Batman has only been around for five years in this continuity doesn’t seem to hinder that storyline at all. We’ve yet to see exactly what parts of Batman’s history are still relevant. I don’t know if Knightfall, No Man’s Land, Murderer/Fugitive, etc. have happened in this timeline but we do know that Damien is still around and Batman Inc is still happening around the globe. Again I have to point out how troublesome this is to new readers if that’s truly what DC is trying to draw in with this relaunch. Someone picking up Batman and Robin # 1 without a prior knowledge of Morrison’s work on the character might be a little perplexed as to when exactly Batman had a son and what the hell Batman, Inc. is. Fans of those particular storylines will not be let down however, as this is a pretty direct continuation of those themes in a similar sort of style.
Overall Rating: 3/5
I’ll just go ahead and say upfront that this is my favorite title of the bunch so far and if you haven’t already you need to go buy a copy and read it right now. The rest of this review is just going to be me gushing over how amazing the book is and how lucky we as readers are to have someone like Paul Cornell writing a book like this. Seriously, if there is one thing that I have to applaud DC for in this whole stunt it’s giving good writers chances to work on books that otherwise would have never seen the light of day. There are a lot of people who are going to pick this up just because of its connection to the “new 52″ and they’re going to find one of the most fun, well-written fantasy adventure comics to come along in a long damned time.
I’ve always been a fan of Etrigan. I think he’s one hell of a character and he really hasn’t been given his due in the last few years. That changes here and I think it’s mostly due to the fact that Cornell knows how to write him and that he is a character that works best when he has appropriate characters to bounce off of and he gets that here with Madame Xanadu, Vandal Savage, and a whole host of medieval side-characters. The fact that this is set entirely in the middle-ages allows Cornell to go wild and do whatever he pleases without worrying about bumping up against someone else’s plans. The recent dust-up with Gail Simone being displeased about Batgirl’s appearance in Birds of Prey without her prior knowledge comes to mind. I don’t think anyone is going to try to appropriate anybody in Demon Knights anytime soon. There is an artistic freedom that comes with a book like this that I really can get behind.
Seriously, go buy the book. It’s the shining pinnacle of what this relaunch has to offer.
Overall Rating: 5/5
This one is hard to review. It’s not a bad book. It’s actually quite an interesting read. It’s just so hard for me to disconnect this version of the character from the previous incarnation. Even more so than last week’s Green Arrow, not a whole lot of this book felt like what I would associate with Superboy. That having been said, what we’re presented with is a fresh take on the character. The scientific procedural element of the story is interesting and provides an excellent framework for progressing the issue. My only problem with the book has been that Superboy’s personality is defined by NOT having a personality. That can only last for so long before it becomes a chore to read through. I think that Scott Lobdell knows this, but he’s trying to match the character’s personality to the expected tropes of the genre he’s presenting the character in. He’s a clone, so he needs to be a blank slate at the beginning. That’s how these stories work. I think he’s trying to play with expectations a little bit and it’ll be interesting to see where he goes with it.
Superboy is a title that I’m cautiously optimistic about. The final page seems to indicate that this storyline somehow informs the new Teen Titans, which doesn’t look very interesting at all to me. I can’t really say for sure how much I’ll enjoy this past the first issue. I’ll just have to keep reading to find out.
Overall Rating: 3/5
I am very tempted just to write *facepalm* and leave it at that. There really are no words to express how much I disliked this book. Anything not involving King Shark (he’s a shaaaaarrrk!) was pretty much terrible. Deadshot has lost his mustache and Amanda Waller is a young, thin slice of bland. This was just…well, a mess. I don’t imagine any other DC book has missed the mark as hard as this one has. Or let us hope, at least. I’d hate to see what could be worse than this slap in the face to what was once an amazing title.
I don’t want to sound like a cranky fanboy, but seriously…I just can’t imagine how anyone would find this interpretation of the title appealing. It’s generic, bland, and brings nothing new to the table while disregarding the elements of the characters involved that made them interesting in the first place. It’s just one big ball of missed opportunity, because these characters in their pre-reboot forms on the same team would have been interesting to see. Now? not so much.
Overall rating: 1/5
So, controversy, huh? We’ve got an African-American/Hispanic Ultimate Spider-Man and that has some people angry and other people bored and other people happy as hell. Emotions! Does any of that have any bearing on how good the book is or isn’t? Not really. The initial PR stunt nature of the book is a bit disheartening because I think it might have been a little bit better received if it had come out of the box as a surprise. It’s actually a pretty decent book. It doesn’t feel like a continuation of the old series as much as it feels like an entirely new story where someone who isn’t Peter Parker somehow winds up getting spider-based powers. It’s got Bendis’ usual sense of story-flow, that is to say that it begins a bit slowly, but the slice-of-life soap-opera elements of Bendis’ writing were what made that book work so well in the early days.
I’m not going to call this one better or worse than the Parker years because it’s only been one issue and it’ll be another twenty-three or so until I’m able to see what sort of book this is really going to be. All we know right now is that Miles is going to have a little bit of a different power-set from Parker judging from that final page cliffhanger, and that he probably won’t have a costume until around issue six if Bendis keeps to his usual pace. But if everything between then and now is well written as it was back when he first launched USM, then I doubt we’ll really care.
Overall Rating: 3.5/5
And that’s our show everybody. Join us next week for another round of my telling you what you should do with your money. See you then.
You know the drill by now. I hope.
I learned something this week. Comic books are not an easy habit to downgrade. While last week I remarked that due to my financial situation, comic books would have to be scaled back for a little while alongside other things like blu-ray movies and steak dinners in order to help me build up a little extra cash in the bank, this week I found out that I can’t seem to stop myself from throwing stuff on the pile. Let me just say that while I still am going to try to restrain myself, hard as it may be because there is so much good stuff out there that I really want to read, I’m not going to hamstring myself either. If you can’t enjoy your hobbies the way you want, they sorta cease to be hobbies in my opinion.
ACTION COMICS #889 3.99
AMAZING SPIDER-MAN #629 2.99
CAPTAIN AMERICA #605 3.99
DEADPOOL #22 2.99
DETECTIVE COMICS #864 3.99
FALL OF HULKS RED HULK #4 (OF 4) 3.99
FANTASTIC FOUR #578 2.99
GOTHAM CITY SIRENS #11 2.99
HACK SLASH SERIES #32 A CVR SEELEY (MR) 3.5
INVINCIBLE IRON MAN #25 HA 3.99
JLA DELUXE EDITION HC VOL 03 29.99
JUSTICE SOCIETY OF AMERICA #38 2.99
LAST DAYS OF AMERICAN CRIME #2 (OF 3) A CVR MALEEV (MR) 4.99
MIGHTY AVENGERS #36 SIEGE 2.99
NEW AVENGERS #64 SIEGE 3.99
PREVIEWS #260 MAY 2010 (NET) 2.7
PUNISHER #16 2.99
RANDOM ACTS OF VIOLENCE GN (MR) 6.99
SHUDDERTOWN #2 (MR) 3.5
SUPERMAN #699 2.99
SUPERMAN LAST STAND OF NEW KRYPTON #3 (OF 3) 3.99
THOR #609 SIEGE 2.99
TRANSFORMERS ONGOING #6 3.99
ULTIMATE COMICS AVENGERS 2 #1 3.99
X-FORCE #26 XSC 2.99
And now, your weekly biased opinions.
I love a good one-off Deadpool story in which all kinds of ludicrous wackiness ensues. When you try to go epic with this particular character you can either get some amazing results like the Cable/cult stuff in Cable & Deadpool or you can get something like Deadpool Corps which doesn’t have quite the same *oomph*. This story has Deadpool being Deadpool somewhere in Georgia and wreaking vengea-justice against some corrupt backwoods hillbilly cops. It’s not high art in any way shape or form, but it feels like Deadpool, moreso than any universe-hopping counterpart he may have in another book.
In all fairness, this is the only Deadpool book on my list now. I cut off DPC and Team-Up because I wasn’t caring for them at all. They felt empty and bloated at the same time and didn’t give me anything that I was looking for in the character. Merc With A Mouth is still mostly excellent but it ends in three issues, so it might as well be gone already. I’m going to hold off on the upcoming Wade Wilson’s War mini-series, despite my immense love for Duane Sweircantspellhislastnameski because I’m pretty sure they’re gonna make an oversized hardcover for it that will look nice next to my Suicide Kings hardcover. What can I say? I’m a sucker for the aesthetic of a bookshelf brimming with Marvel hardcovers.
My point is that the main Deadpool book is actually better than it gets credit for, and that I find it interesting that writers at Marvel, like the fanbase, have such wide and varying ideas of what a Deadpool book should be like, given that a few short years ago, Deadpool was one of the simplest characters to write. But exposure has forced multiple interpretations and I’m glad that I found the one that works for me. Maybe Deadpool Corps is the one that works for you. I can’t say. I barely made it through the first issue without vomiting in revulsion.
This issue featured maybe one of the most horrible and obvious plays on words that I’ve ever read in a comic book. I mean, it was too easy and it was telegraphed a mile away and I can’t believe that Paul Dini wrote it. The rest of the comic was pretty damned good. But I keep going back to that one cringe-worthy panel, which I would totally scan if my machine weren’t on the fritz. (Yeah, that’s why the panel of the week segment got cut, because I spend too much money on comics to afford a new scanner. I have no shame.)
The majority of this issue centers around Selina and Harley searching for a lost dog while Poison Ivy makes a first impression at her new job. I will say I was surprised by how that little section of this issue turned out. It looks like they’re not going with the secret identity idea for Poison Ivy as a long-term idea, which I was interested in seeing play out over the course of a few issues.
I think this is a good book. I really do. But this issue is a definate drop in quality from the last arc with Riddler. But then again, that could be on account of my epic Riddler-positive bias. I truly do love the Riddler, I think he’s underappreciated and misunderstood. Thankfully, Dini gets the Riddler better than just about anybody and I think he’s got plans for him down the road.
The heroic age is here. Kind of odd that Siege still technically hasn’t ended and we’re already moving on to the aftermath. Better than holding up all the books while we wait but still a bit odd. This issue is just about everything you could want in an Iron Man comic. Matt Fraction might be God, I’ll have to ask his wife if their new baby was immaculately conceived in order to prove my hypothosis. (Congrats to the both of them on that, by the way)
One thing I think that is immediately noticeable about this book is the timing. A week before the new film drops and we get a comic featuring the return of Hammer Industries, the company founded by Justin Hammer, a prominently featured character in the new movie. Coincidence? I doubt it. Just as when this book launched in the wake of the first film with a story featuring Ezekiel Stane, Fraction has organically found a way to grab the interest of any new readers who might jump on board following the release of the new movie.
The tone of the book has reverted to the same sort that it had around it’s launch. Whereas the last arc was very hyper-real with a good chunk taking place in Tony’s mind, we’re now back to the corporate warfare and industrial terrorism actioner vibe that started in The Five Nightmares. It’s a tone that really works for Iron Man, and even with all the changes Stark is going through, he seems to fit into the puzzle with ease. This truly is some of the best Iron Man writing in ages.
Here’s one of the books that proves my point about the inevitability of my comic collecting nature. I didn’t know this book was coming out this week. I completely overlooked it. But when presented with it, I took one look at the cover, saw Palmiotti and Gray’s name on the credits and tossed it on the pile. If there ever were a dream-team of comic writers, those two are it. Right up there with Brubaker/Rucka as far as I’m concerned. I mean, have you read Jonah Hex? Power Girl? Those guys are amazing.
This book utilizes what they know about the comic book business and builds an effective meta-textual story that comments on the world of comics from the inside and out. From publishing to the fans that read the product, to the media that capitilizes on its burdgeoning popularity. At the same time they manage to make a statement about the current state of the horror genre, both in the world of film and in the graphic literature medium. It’s a mixed message that they put out, I’ll admit, but then again that mirrors the content that they’re deconstructing here. Honestly, the book feels very cinematic. It has a very clear first, second, and third act and is illustrated in such a way that I felt like I was reading an adaptation of a mini-series on HBO.
I’m not going to say that this is their best work, but it is an interesting read. My only real complaints stem from the fact that due to the nature of the book, which seems to be a deconstruction of the modern horror story, the plot turns seem telegraphed and predictible. A problem that seems to plague a great deal of horror movies/novels/comics nowadays. Aside from maybe The Walking Dead, I can’t recall being shocked by a horror title in a long time. Crossed came close, but Garth Ennis can’t stop himself from being Garth Ennis, so a good deal of that book felt predictable as well, sad to say.
However, in the case of Random Acts of Violence, I can say that for the price tag, you get your money’s worth and then some. It’s a very meaty book, it feels full and complete without the need for decompression or rushed…anything. It’s simply a well put together book with a few slight snags applied due to the nature of the beast.
Optimus Prime gets dropped out of a helicopter onto Swindle. Of course I fucking liked it.
See you next week….maybe. I’m taking a trip to Louisiana that weekend and I might space out between the middle of next week and the following Monday.
I have no clue WHY Lexi Belle (twitter alias @OMG_LEXIBELLE) is dressed up like Harley Quinn. I’m assuming it’s for that forthcoming Batman porno parody I mentioned about a month ago. That having been said, there is no reason NOT to post a cute girl essentially cosplaying as the Joker’s main squeeze. So enjoy!
You see? And I did it without going to the “Wonder Woman well.” I imagine if I did this entry would have over 15,000 images, and I imagine that would be the number of page views as well.
I would try to say something worthwhile, but I believe the pictures speak for themselves.
Offered Without Context:
From “Catwoman # 83“