Synopsis: Mentally defeated and physically broken, Bruce Wayne suffered a crippling blow while battling the brutal Bane. Now, the mantle of the Bat must be passed on to another, and Jean Paul Valley answers the call! But as the new Caped Crusader slowly loses his grip on sanity, his idea of justice takes a violent and deadly turn. Witnessing this dangerous behavior firsthand, Nightwing and Robin try to come to grips with Bruce’s highly controversial decision while the new Batman sets his sights on taking revenge against Bane! Collecting DETECTIVE COMICS #667-675, BATMAN #501-508, BATMAN: SHADOW OF THE BAT #19-28, CATWOMAN #6-7 and ROBIN #7!
When I reviewed the first volume of Knightfall, I spoke about how the book had a charming old-school quality that seemed to rage against the pitfalls of nineties comics’ tropes. The first installment seems to rally against the idea of comics in the Image mold of the time where everything was grim and gritty and the hero must be as violent as the crime he combats. In the second volume, it seems that the nineties enveloped the Batman mythos and everything about the title got flipped upside down to fit with the established status quo of the time. Readers apparently wanted my blood, more bullets, more outlandish mechanical costumes, and a darker, more violent Batman. Or maybe they didn’t and these issues were written to show them that point.
I don’t want to say that Knightquest is a terrible story. I appreciate the fact that the arc of the narrative does build to a satisfying climax and that Jean-Paul’s decent into madness is very carefully spelled out and detailed. That having been said, his story could have been truncated because after a while it begins to get repetitive. His constant struggle with his own inner programming as well as his progressive upgrades to his armor become staples of the story and you can tell when we are going to get a scene with Jean-Paul talking to the ghost of St. Dumas or becoming frustrated with his own results and redesigning the suit. There are several scenes like this and by the end of the book you wonder why they couldn’t have streamlined it a little bit.
My other major gripe with this collection is that Bruce Wayne’s side-story of flying off to rescue Tim Drake’s father is introduced but then never followed up on. He simply returns and we don’t know what exactly happened on that trip. It is a somewhat frustrating element to the collection because it feels like there is something important to that story and yet they do not bother to tell it.
All in all, it is not a horrible story but the first volume is superior in every way and makes these issues look poor by comparison.
Synopsis: In the first installment of this classic storyline, the Dark Knight’s greatest enemies have all simultaneously escaped from Arkham Asylum and are preying on Gotham City. With his city under siege, Batman pushes his body to the limit as he takes on The Joker, the Mad Hatter, Poison Ivy, Killer Croc, The Riddler and the Scarecrow. But things get much worse when Bane, the man behind all the madness, confronts an exhausted Batman – and breaks his back.This massive first KNIGHTFALL volume collects BATMAN: VENGEANCE OF BANE SPECIAL #1, BATMAN #491-500, DETECTIVE COMICS #659-660, SHOWCASE ’93 #7 and 8 and BATMAN: SHADOW OF THE BAT #17-18, including chapters never previously reprinted.
With The Dark Knight Rises coming out soon, DC Comics has decided to collect the entirety of the now-classic Knightfall storyline into three massive volumes. Never before has the entire story been collected in trade. The tale spanned multiple books and is one of the largest crossovers I can think of. I have all of these issues in their original magazine form stuffed in a longbox somewhere but haven’t revisited the series in quite some time. This collected edition makes that task much simpler by assembling all the pieces of the puzzle together for the first time. Previous collected editions have only contained the very core of the story, leaving out the ancillary pieces. By creating a multi-volume omnibus style collection of the story, it is much easier to get a real feel for one of the biggest cornerstones of the Batman mythos. I have to say that Bane’s introduction and the breaking of Bruce Wayne’s spine is one of the most important stories in Batman’s history. It’s definitely up there with the death of Jason Todd. As far as crossovers go, I would say it’s one of the better handled ones I can think of. I think the closest comparison would be something like the Death of Superman or Spider-Man’s The Other. I would argue that it is easily better than either of those.
The story begins with a special issue detailing the origins of Bane, from his birth and time spent in prison on Santa Prisca to his eventual escape and migration to Gotham. I feel like this is where the story makes its best effort to ensure that it is differentiated from something like The Death of Superman in that we get a true feeling for Bane as a character. His introduction strikes me as gloriously silver age in design despite being a character very much cut from the nineties cloth. There is a deliberate nature to his creation and his motives that seems very much like what you would have seen for a new character in the seventies. The only difference is that Bane was created with the storyline of taking Bruce Wayne out in mind and so arguments will be made that he came secondary to the story itself. It could have been anyone who pulled his scheme on the Batman. However, Bane is such an inventive character that you truly have to respect the effort that went into his creation. Imagine if Doomsday had this sort of development instead of having the personality of a rock. I think The Death of Superman would hold up much better. Bane was created to serve a purpose, but he was created in such a manner that after this storyline ran its course he could be used again and allowed to evolve. Doomsday never had that option. Nor did the villain in Spider-Man’s The Other storyline whose name I can’t remember, thereby proving my point. Bane made an impact. He wouldn’t be around now if he didn’t. He wouldn’t be the focal point of a new Batman film if he hadn’t made an impact. He’s been in two major motion picture adaptations of the Batman mythos. There are other high profile villains who don’t even have that honor.
Looking back at this particular volume it is easy to see that it does have some of the trappings that we hold against stories of its time. There is a definite 90′s feel to some of the story but there is a lingering feel of classic Batman style to it as well. Only when Azrael begins upgrading his Batman armor do we get a tinge of the ninetiess comics era that was dominated by the hard-edge pioneered by the folks at Image where violence and grit became the status quo. This story however, utilizing Tim Drake as the audience surrogate, seems to intimate that by going in that direction you lose what makes comic characters like Batman special. While some will call this story the epitome of what was wrong with comics in the nineties, its easy to see how, just as easily, it can be a crusade to uphold what has come before. I never truly recognized that until I gave it a read-through again this time around.
Anyhow, the book is a great deal even at the 29.99 cover price, but many retailers are selling it for almost half of that. You really could find worse things to spend your money on. DC has plenty of lesser offerings at the moment, if that’s what you’re going for. This thing does deserve the title of classic. I’m convinced of that now.