Yesterday I bought a statue. Yeah. I didn’t have a whole lot of comics this week to put my money into so I bought that Bowen designed Kitty Pryde with Lockheed statue. It’s amazing. Okay, well, I didn’t BUY it as much as make a down payment because the thing is expensive as hell. But it’s a twelve inch statue so I should have expected the damned price to be up there in the multiple digits. I’m rambling again. This happens usually whenI know there’s not much in the way of substance to put into the review section. Check out the pull list and guess why.
BATGIRL #16 2.99
HALCYON #2 2.99
LADY MECHANIKA #1 2.99
NEW AVENGERS #7 3.99
SHADOWLAND AFTER FALL #1 3.99
THOR #618 3.99
THOR MIGHTY AVENGER #7 2.99
WIDOWMAKER #1 (OF 4) 3.99
Yeah, a whopping eight books total. You can thank the light week for the reviews being on time at least, I suppose that counts for something.
I’m really glad I picked this up. This book is a perfect example of the world that exists due to a series of books having been published over time. Specifically this is the child that Watchmen, Wildcats, The Authority, and The Ultimates spawned. As an Image title, we expect a certain tone and attitude from the book, and it’s there in place but at the same time it seems to be making a statement on the way modern comics work. The story of malice being erased and thus making the superheroes obsolete runs parallel to the current feeling that perhaps the overwhelming negativity and bleak cynicism of the modern comic reader is making them obsolete as well. The book seems to be working out in a way that champions the idea of things running their course in due time. It’s a thesis that warns that if things don’t change, nature will erase their usefulness.
It’s good to see Image is publishing so many great titles again. Image more than any company has re-invented itself in the last few years. With Invincible, Chew, The Walking Dead, as well as new titles like this one and Morning Glories, they’ve proved that there is an audience for books that don’t fit the mold that Marvel and DC seem to have poured by pushing writers like Bendis and Johns to the forefront. While there’s nothing inherently wrong with either of those writers, it can’t be argued that they don’t write for the masses in a way that makes the overall product seem diluted and repetitive.
Halcyon, along with the rest of the Image books I’m addicted to at the moment, do a great job of breaking from the norm and that is where their true value lies.
Aspen Comics have a certain tone in the same way that Image books do. There is a pattern that is followed in the style that tries to echo that of the late Michael Turner. The artists seem to subscribe to his school of thought in the way they design and push the product. Michael Turner was a nice guy who I was lucky enough to meet before his untimely passing and it pains me to speak ill of the departed but I was never a fan of his style when it came to interior artwork. I love his covers, and always will. It’s the same with Alex Ross in that regard. But the Turner style doesn’t do anything for me as far as interior storytelling. There’s shades of his work here in Lady Mechanika but at the same time it’s not a carbon copy. While I find that the style is all too familiar, as is the steampunk setting, the book itself is interesting and does a good job of giving us interesting characters that feel developed enough to care about, which is a problem a lot of books can’t seem to overcome.
I can say that steampunk fans will immediately love this book, as far as anybody else, that remains to be seen. I think fans of Warren Ellis would enjoy the backwards retro-science sensibilities of the story and I think fans of Turner would appreciate the style and tone. The uninitiated could go either way. It’s $2.99, so you could do worse for your dollar. That much is certain.
This issue is nothing but talking but all of that is okay because Squirrel Girl is in this issue. So is D-Man. Seriously, for that alone you ought to pick this one up. I can’t really go into more detail than that because I’m still fanboy-ing out over the Squirrel Girl thing. Bendis basically implied that she and Wolverine did the horizontal mambo, so he’s my hero at the moment.
Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.
While I’m sad to see Hawkeye and
Black Canary Mockingbird go, at least they’re getting a proper sendoff in what seems to be one of the more intriguing miniseries of the last few months. Someone is killing off spies in the Marvel universe and so Hawkeye, Mockingbird, her team of espionage masters and the Black Widow must team up to stop it all before it’s too late. The premise is simple but the manner that the action is handled makes it a step above what it might have been under lesser writers. The fact that they’re dealing with the Ronin identity that Hawkeye took up for a while makes me happy, as I was wondering what the hell they were going to be doing with that following Barton’s return to his original mantle.
New readers should be able to follow the action easily, it’s not so entrenched in any particular character’s lore to the point where you can’t pick up the plot threads. Everything seems to be handled organically within the story in a way that makes it seem like the first issue of a new ongoing series. They know they have to inform new readers but they don’t spend time bombarding you with unnecessary exposition. That sort of thing kills momentum and its better to just go with the flow in instances such as these.
And that’s it for this week. I hope you enjoyed my words.
Holy crap, it’s been nearly forever since I posted a review. That’s just sad. I’m sorry. I know you’ve probably been going through withdrawals of some sort. I explained myself somewhat in that post earlier but I don’t think I can really explain how busy I’ve been lately using words. You would just have to touch my mind.
ACTION COMICS ANNUAL #13 4.99
BOYS #49 (MR) 3.99
BUFFY VAMPIRE SLAYER #39 LAST GLEAMING PT 4 (OF 5) 2.99
DAREDEVIL #512 SL 2.99
GENERATION HOPE #2 2.99
JONAH HEX #62 2.99
MARINEMAN #1 3.99
SECRET SIX #28 2.99
SHADOWLAND #5 (OF 5) SL 3.99
SHE-HULKS #2 (OF 4) 2.99
SUPERGOD #5 (OF 5) (MR) 3.99
WOLVERINE BEST THERE IS #1 3.99
And here’s the usual witticisms;
MARINEMAN # 1
You know, I can’t ever remember seeing an Image title and thinking it’d be kid appropriate. Even Invincible, which is one of the best modern superhero books on the stands, is too violent to ever be considered all-ages appropriate. And most Image books are along the lines of Haunt with enough viscera to please established gorehounds. Honestly, Image has been diversifying its books quite well recently with stuff like Skullkickers and Morning Glories so it’s not surprising that they’d have another mold-breaker with Marineman.
It’s actually quite good too. I should probably point that out in a revew. It’s kind of a slow start, but the art is wonderful and the writing simply pops. I feel like this one could stick around on my pull list for quite a while.
SHADOWLAND # 5
The finale of this book is like hitting a brick wall at seventy miles per hour. It’s about as abrupt as you can get. It gets fleshed out in the satellite books, especially the final issue of Daredevil before Black Panther takes over, but the issue itself is short, choppy, and somewhat disappointing. I think the event just dragged on for too long, as most events will do. I can’t really say much beyond that because there’s not a whole lot on the pages to analyze. It feels more like setup for the post Shadowland world than it does a conclusion of the Shadowland arc. It’s sad because the series started off with such great promise.
WOLVERINE – BEST THERE IS # 1
They were stupid not to call this Wolverine MAX. It feels like that’s what they were going for, and I feel like they could have moved twice as many books if they’d labeled it as such. It’s definitely violent and it’s not a cookie-cutter Wolverine story by any stretch of the imagination. Ryp’s style is evocotive of his work for Avatar which only helps make the book feel like a Max title. The first issue was frantic and kinetic as all hell, disorienting at times even. If you’ve been waiting for Wolverine MAX, this is about as close as you’re going to get so go ahead and give it a shot.
Sorry this is so short. Again, been busy. Reviews next week should be better as I’ll be finished with finals for the most part and should have some time to breathe.
The new novel is almost finished…again. See, this is what happens when I work in “Drafts.” So in between that, school, work, and a revitalized social life that includes actually having to go outside of the house for stuff like concerts (on Thursday nights), don’t be surprised if the blog starts to lie dormant for chunks of time. I try to avoid it but I’m a one man operation here. That having been said, I’m not gonna deny you guys the comic reviews you so deserve. By that I mean that I’m going back to the old format of cherry-picking what issues to review instead of doing the whole stack because it’s getting harder to go through the whole stack in a single evening.
AVENGERS ACADEMY #5 2.99
BOYS #47 (MR) 3.99
BUFFY VAMPIRE SLAYER #37 LAST GLEAMING PT 2 (OF 5) 2.99
CHAOS WAR #1 (OF 5) 3.99
DEADPOOLMAX #1 (MR) 3.99
HAWKEYE & MOCKINGBIRD #5 2.99
JSA ALL STARS #11 3.99
SECRET SIX #26 2.99
SHADOWLAND SPIDER-MAN #1 SL 3.99
STARMAN OMNIBUS HC VOL 05 49.99
ULTIMATE COMICS THOR #1 (OF 4) 3.99
UNCANNY X-FORCE #1 3.99
WOLVERINE #2 3.99
YOUNG ALLIES #5 2.99
And let’s get this show on the road:
Garth Ennis is underrated when it comes to giving us character moments that stay with the reader in their gut long after they’ve finished reading the issue. Here we get the inevitable confrontation between Hughie and his superhero girlfriend for the first time since he found out she was a supe and since he saw her “initiation” video into the Seven where she did more with her mouth than give a convincing presentation of her resume.
The pathos and emotion on display between Hughie and Starlight here is gutwrenching. While Garth Ennis is able to craft visceral gore and violence with reckless abandon, his ability to make you care for the characters he writes is generally overlooked, which is a huge shame because it’s stuff like this that shows what the serialized medium of comics is capable of pulling off with a competent writer at the helm. This issue has been building for some time. It’s not rushed, it hasn’t been drawn out or decompressed, it’s simply been building to a boiling point.
This may be some of Garth Ennis’ best work. I know it’s not as roundly applauded as Preacher or Punisher Max, but it is probably his most carefully crafted since Preacher ended and I think that in the end people will recognize it for the treasure that it truly is.
I am happy to see Hercules back. I truly am. I love the guy. As far as this particular issue, I’m not so sold on the event after the premiere as I was with Shadowland a few months ago. I think that Greg Pak and company did a good job of getting us pumped up for some good old fashioned theological thrashing in what is coming down the road, but there was no big moment that made me step firmly on board with the series. That’s not to say that it’s a bad issue, there is some good stuff set up here, and it’s bound to get much more epic as it goes on. I simply think that a good portion of people are going to be underwhelmed by the debut issue, as not a whole lot really happens. It’s a setup issue pure and simple.
The question this series needs to answer is whether or not the setup is going to pay off. This is going to be one of those series that won’t have a whole lot of impact on the larger Marvel universe the way that Shadowland will because the Marvel Gods don’t seem to get a whole lot of focus in the grand scheme of things unless they somehow relate to Thor, but seeing how Fraction is doing his own thing with the Thor-verse, the reverberations of this series will have to be felt elsewhere, and unless they relaunch an ongoing Herc series, I’m not sure where that will be.
This is the one people have been waiting a good long while for. We’ve wanted some unrestrained Deadpool action forever and we finally get it courtesy of Kyle Baker and David Lapham. In the first issue however, we don’t actually get a whole lot of Wade Wilson. We get a lot more Agent Bob and sodomy. The violence is there, as is the swearing and the sexual situations. It’s definitely a max book. What seems to be lacking is, well, Deadpool. He really only shows up for maybe 5% off the book.
What remains to be seen is how this book will work out in regard to how they want to portray Deadpool. I doubt he’ll be breaking the fourth wall or being as goofy as he is in the 616. We already know from this issue that Deadpool will be treated more as a government assassin than a freelance merc for hire, and that he’s more mentally damaged and dangerous than gutlaugh funny. This book follows the pervasive Marvel trend of waiting until issue two to give us the full picture of what the series will end up being like in the long run. Luckily, the first issue was entertaining enough that I won’t feel like an idiot for picking up issue three.
Jonathan Hickman can do no wrong apparently. According to the internets, Kurt Busiek doens’t like him but he seems to be the lone dissenting voice. With Ultimate Comics Thor he gives us a look into the origins of the Ulimate U’s version of Thor and it seems to be a basic mirror of the regular Thor, except in the Ultimate scheme of things, there are a lot more nazis.
This series is likely going to be one of the best to come out of the Ultimate relaunch. It’s obvious that this one is being produced to be shoved into a hardcover and rushed into bookstores around the time the Thor film hits theaters. I’m not sure how that worked for the Black Widow miniseries from Paul Cornell, but it seems like a smart enough move. It helps that it’s a damned good read. If you’re going to try to introduce someone to a character, you could do worse than the setup they use here. It’s integrated enough into the Ultimate Universe that those with familiarity will be able to place it in continuity, but new readers will be able to jump in just as easily. That’s not an easy feat, no matter what universe you’re working in.
This one is the winner of the week. Rick Remender may be Marvel’s new secret weapon, as the man has yet to produce a book that doesn’t totally kick all sorts of ass. He’s managed to make Deadpool funny without being over the top. He’s made X-Force not seem like a cliche. He’s managed to give X-Force a purpose beyond being an unnecessary ancilliary title predicated on having a place where Wolverine can stab people with reckless abandon.
I was originally going to skip out on this one. The last X-Force title did nothing for me. Everything about it pretty much went against my established sensibilities. I was afraid this was going to be more of the same. I should have known better. Rick Remender, who is rapidly climbing the ladder of my favorite writers following Last Days of American Crime and FrankenCastle, brings us a new X-Force that seems fresh and new, despite building off of plot threads that have been hanging for quite some time. (Archangel, people. Archangel) And while it definitely plays off some rich history, it isn’t like say, New Mutants, where people unfamiliar with the original story of Inferno might be a little bit lost with the new storyline.
So, long story short, pretty please, go buy the damn book.
And that does it for this week. Join us next time when hopefully DC puts something out worth Reviewing. (I’d review Secret Six, but c’mon, you know how I feel about that book. I’d marry it if I could.)
I wasn’t kidding when I said that school was going to interrupt my working on this site. I didn’t get to do the reviews last week because I was working on another paper. Priorities are making this a bitch to write, so the reviews are going to be a little shorter than usual. Also, the format is going to get a little change. I’m going to review EVERYTHING I possibly can, but they’ll be shorter reviews. Basically I’m trying to cover more ground by hitting the major points as directly as possible. If nobody likes the changes, I’ll switch back, but I think this is better for everybody.
Let’s attempt this, shall we?
AMAZING SPIDER-MAN # 643
I’m still washing the bad taste of OMIT out of my mouth. It seems like the book is back on the right track, but once again, the issue feels a little light. I feel like if I had paid a full 3.99 for this issue I would be a little disappointed because this was probably the quickest read of the week.
BATMAN BEYOND # 4
We find out who Hush is in this issue. And once again, I feel like the reveal was a bit of a cop out. I won’t tell you who it is, I’ll just say that it fits with everything I’ve come to expect both from the Hush character and the Batman Beyond universe. From what I’ve seen so far with this miniseries, I don’t expect myself to pick up the ongoing when it hits stands.
BIRDS OF PREY # 5:
Gail Simone kicks off a new arc on Birds of Prey picking up where she left off last month with Babara trying to make things right with Creote and Savant, and Dinah flying off to China with the White Canary. The issue has Simone’s usual flair for dialogue and the storyline is progressing in a way that seems interesting, with the action having a good amount of organic flow to it, but the artwork leaves something to be desired this time around. It seems like the very definition of “Fill In,” with sketchy line work that seems a bit rushed and doesn’t convey the same amount of detail that there was in the debut arc of the new volume. It’s not horrible, it’s just distracting.
DEADPOOL # 27:
This book is becoming so middle of the road that it frightens me. I think they’re trying to keep the tone at a certain level so that the upcoming MAX title seems to have an edge over the regular 616 version. That’s not to say that the book isn’t worth a read. It’s fun and light. It’s basically worth reading if you want something that makes you laugh while you read it and not much else.
HACK/SLASH : MY FIRST MANIAC # 4
Hack/Slash is pretty consistent. This issue hits all the marks that the series should and I’m primed and pumped for the relaunch under the Image banner. I think having the ongoing back will make up for the flaws of the miniseries, which feels almost too small compared to the overarching continuity of the regular series.
THUNDERBOLTS # 148:
I don’t know why they decided to work this title into the Shadowland crossover. I mean, yeah, Luke Cage is in it, but beyond that it doesn’t seem to fit. I thought the crossover with Avengers Academy made more sense. The issue itself isn’t really bad, especially in the moments that have nothing to do with Shadowland. Anything dealing with the Thunderbolts in the prison setting, where Crossbones and the rest of the team really get a chance to shine are some great moments indeed. It’s only when Luke Cage shows up and reminds us that since he’s involved the Thunderbolts have to be involved as well. Sadly, once the action does move into Shadowland territory it seems to fall apart. It’s all a matter of abrupt change that doesn’t seem to really do much for the story we’ve had thus far.
X-23 # 1:
This one sort of comes off as a New X-Men reunion. It picks up on a lot of threads that have been gestating since the end of that particular series. The characters have been in use since then but it seems like this is the first time in a while since anybody did anything with them that advanced what had been set up before. X-23 was really the only one who had any sort of character development since then, and that’s because she had some time in X-Force to deal with her issues.
Now, with her own ongoing series, she should be able to continue to develop, and it looks like the New X-Men cast will be her supporting cast here. Which is definitely a good thing considering that I loved that series and I still get a little mad that its gone sometimes. The story itself seems to be starting off by tossing Laura into a situation that’s more personal than the usual do-or-die situations she’s been dealing with in X-Force. Hopefully this can grow into a good series with a little time.
It was a pretty small week this week. With the one book I didn’t read being the sixth volume of Empowered which is a perennial favorite of mine. Because, c’mon, bondage. Anyhow, next week might be a bigger one, so we’ll see how things pan out. Later!
Man, this week has been hectic. I had to write a 2,000 word short-story for my creative writing class in addition to a two page essay on the importance of studying history as it relates to current events all on the first week of the semester. And then new comic book day rolls around and bombards me with a friggin’ huge stack of books, all of which are the ones that I eagerly anticipate every month. (Secret Six and Jonah Hex, yo.) So I’m not sure what kind of creative mojo I have left for the reviews but an attempt will be made anyhow.
AMAZING SPIDER-MAN PRESENTS BLACK CAT #3 (OF 4) 3.99
BOYS #46 (MR) 3.99
BUFFY THE VAMPIRE SLAYER #36 LAST GLEAMING PT 1 (OF 5) 2.99
CHOKER #4 (OF 6) (MR) 3.99
FRANKEN-CASTLE #20 2.99
INCREDIBLE HULKS #612 3.99
IZOMBIE #5 (MR) 2.99
JONAH HEX #59 2.99
JSA ALL STARS #10 3.99
LAST DAYS OF AMERICAN CRIME #3 (OF 3) A CVR MALEEV 4.99
SCARLET #2 3.95
SECRET SIX #25 2.99
SHADOWLAND #3 (OF 5) SL 3.99
SHADOWLAND ELEKTRA #1 SL 3.99
STUMPTOWN #4 (OF 4) (RES) (MR) 3.99
VERONICA #202 2.99
WOLVERINE #1 3.99
X-MEN CURSE OF MUTANTS SMOKE AND BLOOD #1 3.99
YOUNG ALLIES #4 2.99
So, yeah, lots of good stuff. Let’s get started, shall we?
It’s been months since the last issue of BTVS hit shelves. So long in fact that I cannot remember for the life of me what the hell was going on in the series at the time. I remember Spike came back and Angel was boffing Buffy again. But that’s really about it. I understand why they went on hiatus, but it really caused me to lose interest in the series while it was away. With its return this issue, we get a sort of hazy explaination for Angel’s motives as Twilight and Spike makes with the witty banter for a few panels, but not much else happens. It’s probably the quickest issue of any comic book I’ve read in quite some time, which is saying something considering I still read Archie books on occaision and that sort of light-hearted fluff still takes longer to digest than this particular issue.
I will say that the book’s final page did surprise me, although it probably shouldn’t have. It’s sort of a “pandering to the fans” move that comics like this one pull on a regular basis, that having been said, I’m interested to see where Joss goes with it. I’m still a Buffy fan at heart and no matter how blah the book has been over the last few months it’s still got the nostalgia bump going for it that forces me to see past the major flaws and enjoy it for all its worth. I don’t know how much mileage anyone else would get out of the book, but I doubt there are many people out there who aren’t already die-hard fans picking up the book on a casual basis. This book is for the people who stuck with the show to the end and then some.
We get a title change this issue, and a major tone shift from the events of World War Hulks. In the first of two stories, a gamma-family barbeque goes haywire when Betty and Bruce get into a little disagreement over their relationship as it relates to the whole “Betty Was Dead” thing and it escalates, as it always does, into a super-powered fight between Hulk and Red Shulkie.
I think what sets this book apart from Loeb’s Hulk book is that if the same scenes were tackled in the other book, the character development which is handled so masterfully here would have been lost in the manic insanity of the action. Hulk reads like a cartoon show while Pak’s reads more like a melodramatic stage play. I’m not going to call this issue high-art, as it doesn’t come close to matching issue #609, which I think might have been one of the best issues of Hulk I’ve ever read. But it still works on multiple levels because of the way the interactions feel so genuine. I really look forward to seeing how the multiple Hulks come to terms with each other.
In the second story, we catch up with the other Son of Hulk, who I admittedly have not been following and thus didn’t really understand where everything was coming from. They did their best to catch me up but I still felt a bit lost and I think that more people will enjoy the second story if they followed that character from the beginning, which I admittedly did not. I really didn’t care. I might have to find some Son of Hulk trades and get myself up to speed, because the mythology seemed interesting, I just wish I could have grasped it a little better.
Even if this weren’t a pretty good issue, it would be essential reading just so people could understand where the hell Elektra comes from when she shows up out of the blue in Shadowland # 3. I get the feeling that Shadowland might have a bit of Infinite Crisis syndrome when collected in trade unless they do it omnibus style and present all the side-stories in the collection in chronological order.
This one fills in some important gaps in the timeline while at the same time giving a damn interesting glimpse into Elektra’s mind and her feelings about Matt’s turn to the dark side, especially as it pertains to the death of Bullseye. As you can imagine, Elektra has some pretty raging emotions when it comes to that particular psycho, and the scene where she witnesses his death on a big screen in the heart of the city with the rest of the natives is particularly well written.
I am really enjoying Shadowland, but I think that in order to fully enjoy it you have to immerse yourselves in the tie-ins, and that’s something not a lot of people can do. It’s part of my complaint about Marvel’s business strategy. I know it makes them money, but in the long run they are going to burn folks out if this continues in such a fashion.
People have been talking about this one for a while now and I think it’s kind of funny. There’s nothing here that could possible offend anybody and yet neo-con right wingers are using it as an example of how the liberals are infecting children’s entertainment and trying to brainwash children to homosexuality and blah blah blah.
The fact that in this book the new gay character who Veronica lusts after is a well-adjusted healthy young man is admirable. His parents don’t in any way give him the side-eye, nobody bats an eye when he admits his sexual orientation, and there is not a hint of judgment. It’s a subtle message that tolerance should be the immediate reaction, and in that I have to applaud Archie comics for what it’s done here. Nevermind the fact that the issue is actually pretty freaking hilarious, with Jughead trying to keep Veronica from finding out the truth and thus driving her insane. There are some great gags here and I think it’s admirable that Archie can still be worth reading after all these years.
I wasn’t going to buy this one. I was going to pass it by and not look back. I read Wolverine in like eighteen other books and quite frankly I don’t really have much interest in him anymore. But then I started thinking about how much I enjoyed Weapon X and how Jason Aaron has never really written anything I didn’t like, and so I threw it on the stack anyway.
I’m glad I did because he once again manages to knock it out of the park. I think that for the longest time most people didn’t know what made a decent solo Wolverine story. They simply tried to ape the parts of stories that they themselves liked when the first became enamored with the character and it never quite worked. Aaron is able to create something that builds off of Wolverine’s over-arching history while at the same time feeling fresh and modern. The amazingly beautiful art by Renato Guedes only serves to better bring the action to life. I’ve loved Guedes since I discovered his art on Supergirl and think he’s one of the most talented artists working right now. The level of detail he gives is astounding and here he sort of reminds me of Steve McNiven, but that might just be my mind playing tricks on me.
Either way this looks like it’ll be a series to keep on the pull list. I don’t see this one taking a downward turn anytime soon. If it’s anything like Weapon X was, it’ll only get better with each subsequent arc.
And that’s it for this week. If you take away anything from these reviews its that you should probably be buying more Archie comics. Seriously. That stuff is a gold mine.
Fear not, helpless masses! I am returned! After delays and setbacks and general stuff happening in life that doesn’t have much to do with comic books, I’m back to tell you about the weekly pull and what it has to offer. This week was pretty darned massive. It was a tough choice figuring out what to review, because there’s not a much of a point in reviewing part three of a given series, you’ve largely made up your mind by then. I’m more of a startup/wrapup sorta guy. I like to review the beginning or the end, thus chronicling the entirety of the story. Luckily I was able to find some criticism fodder in the pile this week.
AMAZING SPIDER-MAN #639 3.99
AVENGERS PRIME #2 (OF 5) 3.99
BATMAN ODYSSEY #2 (OF 6) 3.99
BOYS #45 (MR) 3.99
CAPTAIN AMERICA #608 3.99
DEADPOOL #1000 4.99
GI JOE A REAL AMERICAN HERO #157 3.99
IRON MAN LEGACY #5 2.99
IZOMBIE #4 (MR) 2.99
JONAH HEX #58 2.99
JSA ALL STARS #9 3.99
LOSERS TP BOOK 02 (MR) 24.99
SECRET SIX #24 2.99
SHADOWLAND #2 (OF 5) SL 3.99
SHADOWLAND BULLSEYE #1 SL 3.99
SUPERGOD #4 (OF 5) WRAP CVR (MR) 3.99
ULTIMATE COMICS AVENGERS 2 #6 (OF 6) 3.99
YOUNG ALLIES #3 2.99
And let’s hope I can remember how to do this!
Let’s get this out of the way right now, this book didn’t need to exist. As such, it fits in well with the majority of the Deadpool books being published right now. The only difference, as far as I can tell, is that this one is actually pretty damned good. Unlike that 900 fiasco, which was largely hit and miss. Every segment in this issue was darned entertaining. Especially the Blackest Night parody which I feel was written just for me to warm the cockles of my still-beating black heart! Also of note is the Canada-man segment, which was downright hilarious.
I have to say that for the 4.99 price, you get a hell of a lot for your dollar. I mean, yeah there’s a superflous catalog of artwork showcasing Deadpool comprised of mostly covers from the Deadpool variant month that does nothing but add heft to the book and could have been tossed aside. But then again, this entire book is technically superflous as it adds nothing to Deadpool’s ongoing arc and is simply a showcase of Marvel talent having a go at the merc with a mouth.
One thing that stood out for me when reading this particular issue, is that it’s been so long since I saw Deadpool kill anyone that it was actually kind of shocking how much actual killing he does in this issue. I know it’s odd to say that, but it’s the truth, at least for me. It’s not a bad thing, it’s just kind of an interesting look at what Deadpool has become as opposed to what he began as. Something to ponder…
I need to reiterate that Jonah Hex is probably the one book I would keep reading if I dropped everything else altogether. Or possibly Secret Six, but we’ll get to that later. With this issue, we get what is essentially a poem about the nature of a bullet’s reason for existence juxtaposed against the wild west backdrop of Jonah Hex’s world. The issue deals with a revolving door of people with revolvers and the intent to use them and the consequences of their decision to cock the hammer.
It’s just the sort of thing that works for this book. It’s probably the most oblique type of subtlety you can get. You know there’s a message but with the shades of grey that our characters occupy, the reader can take the message in all sorts of directions. There’s been a lot of good literature written about the toll that the soul takes when confronted with the realities of vengeance and the guilt of taking a life. My next novel touches on just such subjects. Jonah Hex isn’t high literature, but it’s not schlock either. It’s almost the perfect venue to air such a debate. The book is as unflinching as the impact of a bullet.
Also, for no reason, here’s a picture of Jimmy Palmiotti as Watchmen‘s the Comedian taken from Dave Gibbons’ twitter:
Yeah, that’s about right…
After a brief guest writer spot, Gail Simone returns to write the six again in a weird little story that sees the group transplanted into the old west. It’s an interesting little what-if story that confused the hell out of me for a while because I spent more time than I did reading the issue trying to understand its implications. Were they in some sort of virtual reality? Were they transplanted through time? Is Gail Simone a timelord? Is this a one-shot or a full arc? Will we ever get another tub-sex scene as awesome as the one in this issue?
Seriously, it’s a perplexing issue. It’s interesting, just like the entirety of the series has been so far, but it’s jarring as all hell. There’s no segue into the issue, it just hits you and tosses you into this alternate reality with no regard for your brain’s safety. You just have to roll with it. Listen to Ragdoll’s little puppet show and shut your mouth, there is no refuge for you here.
Also, I totes have a crush on Cowgirl Scandal now.
I was going to pass on ALL the Shadowland spinoffs. I was just gonna get Daredevil and the main mini-series and wouldn’t allow myself to get suckered down the long and winding road of books that I don’t normally read. That plan was torpedoed however when I noticed that this particular issue was written by John Layman, him of Chew fame. And so with full faith in the authorship I put the book in my stack, because I figured I’d regret it later if I didn’t.
I was right.
The issue concerns itself with members of the criminal underworld hosting a funeral for the recently perforated Bullseye in the middle of Hell’s Kitchen Park with a kidnapped Ben Urich there to cover the story. The principle character in the narrative is a fellow who can supposedly commune with the dead, and the dead person currently on his telepathic telephone is Bullseye, constantly screwing with his head the whole of the issue.
I would say that this issue acts as an excellent sort of #1.5 interlude between issues one and two. It feels like a story that needed to be told. The underworld’s reaction to Bullseye’s death isn’t something that needs to mentioned in periphery, it’s an important detail and it deserved a full issue. We get the heroes’ reaction in Shadowland 2, but this presented a different perspective that I think readers will definitely enjoy.
I had a horrible night last night. Like, soul crushingly horrible. I was crestfallen and engulfed by rage. I ripped the towel rack out of the wall in the bathroom and punched a wall. Luckily, all of this happened after I read this week’s comics because I’m sure my feelings would have tainted my reading experience. Maybe they’ll hamper my reviewing experience but I can’t say for sure. You’ll have to judge that.
AMAZING SPIDER-MAN #636 GRIM 3.99
BATMAN AND ROBIN #13 2.99
BATMAN ODYSSEY #1 (OF 6) 3.99
BOYS #44 (MR) 3.99
IRON MAN LEGACY #4 2.99
JONAH HEX #57 2.99
JSA ALL STARS #8 3.99
SCARLET #1 (MR) 3.95
SECRET SIX #23 2.99
SHADOWLAND #1 (OF 5) SL 3.99
STEVE ROGERS SUPER-SOLDIER #1 (OF 4) 3.99
X-FORCE #28 XSC 2.99
X-MEN #1 3.99
YOUNG ALLIES #2 2.99
Now let’s get to it…
BATMAN AND ROBIN # 13
Yeah, Grant Morrison may have written his best issue of Batman yet. Everything that he has laid the groundwork for comes to a head in this issue. Morrison is not a fool, nor has he done anything that didn’t have a point. All the attention to detail that has gone into creating a tapestry of different plot threads that all reveal themselves in this issue.
I explained to people when it was finished that Batman RIP was not a self contained story. Everyone looked at it like a graphic novel in and of itself, this simply isn’t the best way to view the story. It’s a chapter in the overall story the same way that The Black Glove or Batman and Son were. It all is a piece of the puzzle that Morrison has presented. The events of this issue would not have worked without the events of RIP.
Morrison is doing some of the best Batman work of all time, and it’s not a gimmick. It’s not like Dark Knight Returns where it has no real bearing on the character aside from what writers choose to take from the message. This is a book that takes major risk on a monthly basis, in continuity. It’s not easy to do stuff like that and get away with it. Fanboys do not like change. And while we know that the status quo will eventually return, it will be changed by the events of this book in a manner that will almost be undetectable. After a run like Morrison’s, it will be hard to accept anything less than what he has delivered. It’s why what came after Hush was so rejected. Not that Hush is anywhere in the league of what Morrison is doing, but it hooked readers in and it had people looking for things that weren’t there in an attempt to keep up with the writer’s pace.
Seriously, I would rank Morrison as one of the best Bat writers of the last twenty years thanks solely to what he has done since launching Batman and Robin as a title. This is just another direct example I can point to when people ask me why.
BATMAN ODYSSEY # 1
This was probably my most anticipated book this week. I adore Neal Adams. I think he is the definitive Batman artist, alongside Jim Aparo of course. That having been said, I have never been exposed to anything that he has done as a writer. He may be one of the greatest artists ever to work in the comic business but as a writer, he’s largely a blank slate as far as I can tell. With the first issue of Odyssey, we can see that his writing style is clearly influenced by the writers he worked with back in the glory days of the dark knight. There is a little Denny O’Neil in his wordsmithery. I’ll admit that alot of the dialog seemed forced, and the flow of certain word balloons was distracting, but then again, that can be said of alot of comic books nowadays. I think it was just more noticeable because I was aware of the fact that Adams was writing for his own pen. I saw the same stuff on Tony Daniel’s work on the main Bat title.
Is the book good, though? That’s the main question that needs answering I suppose, and it is a decent little Batman yarn. The art is great, as if it needed to be said. I think the thing that strikes me is that it’s clearly a tale set in Batman’s past, though I can’t place where. I would have loved to see Adams write a contemporary Batman. I’m sure that would have sold better than a mini-series, as I can see a bunch of people trade waiting on this one. I won’t, because I want to support Adams in whatever he does, but I think from a marketing standpoint they may have stumbled a bit.
Still, no matter how you read it, you shouldn’t be disappointed.
THE BOYS # 44
So we finally get the moment we’ve known was going to happen since early on in the series. The only problem is that Garth Ennis gives it to us in the last panel so we have to wait a month to see the aftermath. Fuck you, Garth. Your mastery of toying with your audience is unparalleled.
Seriously, Ennis knows exactly when to drop the necessary bomb on the readers. He’s been escalating things for months now and everything is coming to a boil. I think the fact that Ennis stated when he began that the series would be finite with a pre-established ending helps to inform the reader that the pacing is deliberate. There are moments where the book comes close to seeming dull and then the veil is removed to show us something we didn’t expect.
This is definitely some of Ennis’ best work. I say that with conviction. I find it on par with his Hitman run and a shade close to matching some of the stuff he did on Preacher. The reason people don’t latch on to this book the way they did with Preacher is that The Boys isn’t as broad as Preacher was. Ennis knew that he could stir up controversy with the tiniest flair on Preacher. With the Boys he’s not really seeking to offend, but to play with heroes in a way that makes a statement on how he feels about the world in general. I don’t believe that Ennis believed everything he did in Preacher but I’m almost sure he does when it comes to The Boys.
SCARLET # 1
I think the easiest way to describe Scarlet is that Bendis has written what Millar wishes he could have with Nemesis. We get a violent subversive anti-hero protagonist who is introduced in the middle of murdering a cop and who is clearly willing to upset the system in any way she can. But unlike Millar who goes broad stroke in every manner imaginable, Bendis prefers to focus on the character first rather than the spectacle of the character’s actions. I think that the narrating directly to reader helps to facilitate this. Nemesis blows up a train to make a point and I felt nothing except dirty because the book wants me to view his actions as extreme with a measure of awesome, whereas when Scarlet chokes out a cop the gut reaction I had was one of knowing there was probably a reason for it beyond “here’s a villain.”
Bendis knows his storytelling. If he didn’t he wouldn’t be teaching classes about it at the collegiate level. It all comes down to whether you like his style. If you enjoy his work on Goldfish, Jinx, or the Powers books, you’ll probably enjoy this one. But there will be a number of people who hate it without reading it just because it has Bendis’ name on it.
SHADOWLAND # 1
This is gonna be a good one folks. Daredevil has been on a tear for years and finally he’s getting the spotlight he deserves. Each successive writer on the title has been outdoing the last since Bendis took over the book and we’ve finally reached a place where the boiling point has been hit.
Writer Andy Diggle has taken Matt Murdock to a place that we never really could have expected. It’s a shocking turn to see him in charge of the Hand, but at the same time the events that led to where Matt has ended up in no way work against what has developed. Normally, you would think there would be no way Matt Murdock would become the leader of the Hand. It just goes against everything that Daredevil has fought for, but the way that it’s been set up makes you feel like if it didn’t work out this way, it would be a cop out.
As for the issue itself, let’s just say that you know how it’s going to end a few pages in but you don’t care because you want to see it happen and you know that the ensuing shitstorm will be an amazing story. Simply put, it does not disappoint in any department. It’s an event book done right and I cannot wait for the second issue.
X-MEN # 1
I don’t know Vic Gischler personally. He bought a Lady Deadpool poster from my store on the one day that week I wasn’t at work. We banter about really dumb shit on twitter from time to time and that’s about it. So don’t think there’s some conspiracy when I praise his work on a regular basis. He just happens to write stuff that I think is really good. If I can ever find a damned copy, I’d like to review his book The Deputy but none of the local bookstores carry it and I don’t feel like ordering anything else off of the internet until I pay off my latest Amazon bill.
Anyway, yeah, X-Men # 1 is pretty good. It’s got Jubilee, so you know I’m going to like it. But it also isn’t the unending doom and gloom that’s taking place in every other title, and while Second Coming has been awesome thus far, it’s also starting to wear me down with it’s unending bleakness. It’s almost too much to take sometimes. So it’s a welcome change just to get Wolverine slashing apart a bunch of vampires. It’s just the sort of thing I want in an X-Men title right now. Problems solved with claws and laser eyes.
And Jubilee. I freaking love Jubilee.
And we’re done. I’ll be back tomorrow with a review of Predators.