Weekly Comic Reviews
This was not a huge week as far as comic books go. Thank god, because my wallet needed a break after the companies seemingly unleashed every major title in their arsenal on me last week, a volley I was not prepared with and was nearly washed away by. This week however, we got a different sort of approach. A few books came out that I was downright looking forward to, and some new titles launched that I was able to pick up because the rest of the week was so slim. Touche marketing department, touche.
AMAZING SPIDER-MAN #630 2.99
ASTONISHING SPIDER-MAN WOLVERINE #1 3.99
BATMAN AND ROBIN #12 2.99
BOYS #42 (MR) 2.99
BRIGHTEST DAY #1 2.99
BUFFY THE VAMPIRE SLAYER #35 TWILIGHT PT 4 (OF 4) 2.99
IZOMBIE #1 (MR) 1.00
JSA ALL STARS #6 3.99
MANY LOVES OF AMAZING SPIDER-MAN #1 3.99
RED ROBIN #12 2.99
SAVAGE SWORD OF CONAN TP VOL 07 (C: 0-1-2) 19.99
SECRET SIX #21 2.99
SUPERMAN WAR OF THE SUPERMEN #1 (OF 4) 2.99
UNCANNY X-MEN #524 XSC 2.99
WALKING DEAD HC VOL 05 (C: 0-1-2) 34.99
It took a lot of willpower not to throw aside this week’s books and just read Walking Dead, as I’ve been waiting for that book since…well, for-fucking-ever. But you people need to know what I thought about Brightest Day, so I have restrained myself.
I love Jason Aaron. I think he’s one of the fresher talents that Marvel has and I love that he’s getting more exposure. I think that he’s doing better work with the Punisher than Garth Ennis did in the last years of his run. If he can make the Punisher seem fresh, he might be some sort of genius. So obviously I was going to pick up this issue. In all honesty, the first issue is a slow burn that slightly turned me off of picking up the subsequent issues. In a six issue miniseries, decompression can be a killer and this issue is fairly decompressed. There is great effort taken to establish the world that these two characters now occupy, a world at the dawn of time with giant spiders and neanderthals who think Wolverine is their god. The narration by Parker and Logan is very much in line with the characters but it seems very roundabout at times.
If there is one saving grace for this book it is that the final page begs the reader to return for issue two. Jason Aaron realizes that the previous content of the book was indeed a very slow, methodical setup for a killer finale and the reader can’t help but jump on board. Unless they just don’t like comics that rock harder than Judas Priest on a Wednesday.
I didn’t like Brightest Day # . This is well documented. I think that’s because Aquaman didn’t summon an undead Kraken to kill pedophile pirates in that particular issue. Yes, you just read that sentence. Geoff Johns is turning into some sort of mad scientist with a pen. I would love to see him write a Lex Luthor mini-seri at this point, because I’m pretty damn sure that Johns is bordering on that level of insane right about now. I’m pretty sure the pressure of his time at DC has melted his brain down to the point that he watched the scene from Megashark vs. Giant Octopus where the shark jumps out of the water and chowed down on a flying airplane and thought “What if that shark was a zombie and the plane were a person?”
Geoff Johns is my hero, for all the wrong reasons.
Vertigo really knows how to sell a book. The dollar intro issues are just the sort of thing that Marvel and DC proper should be doing with their series. I might have passed on this series if it had started out with a higher cost on the cover. In fact, since the dollar intro series has started, I think I’ve picked up all of them. Joe the Barbarian, Unwritten, etc., I picked them all up because for such a price it’d be stupid to pass up what could be an amazing series.
iZombie could be one of those amazing series. It’s an interesting premise, as allVertigo books are, with the all the style that Mike Allred’s art style can provide. I spent much of the issue trying to second guess the narrative in finding out what the crux of the story was really about. When the reveal finally comes, the simplicity of it sort of smacks you in the face. The multiple genre crossing looks like it could make it a classic, and I’m going to give at least the first arc a full read.
This issue featured some great character moments. Especially from Wolverine. When was the last time we got some great character development out of Wolverine? Anyhow, the issue was essentially a breather issue. Where the action beats slow down long enough for the reader to catch his breath before they head into the final confrontation with Bastion and his minions. It’s obvious that this issue was basically a buffer; one where everything basically moves in slow motion. This issue was perfectly timed and really helped to drive home the importance of the crossover on both a small scale in how it affects the characters personally, in addition to the changes it will bring to the mutant community on a universal level for the months to come.
*Note: this post will be edited to include a review of War of the Supermen # 1 when I locate my copy. I think I may have left it at the shop. I have the dumb.