I want to come out and say that as far as comics to film translations go, the franchise that seems to have taken the essense of the stories and chracters and adapted them best for the screen has to be the Iron Man series. Every character retains their core in ways that are lost with films like Batman, Superman, and the X-Men films. I think the most telling moment in Iron Man 2 is when Tony Stark is clutching a bottle of champagne, suited up in the armor and scratching the turntables at his birthday party. The film is very comfortable in portraying the character in moments that otherwise would seem awkward. The films embrace the atmosphere that a billionare in a weaponized suit creates. It’s a level of fantasy fulfillment and straightforward production that seems lost in other films. It doesn’t feel very tongue in cheek, it’s just presented at face value and the audience goes with it, because it seems natural.
Which really needs to be the case in a film like Iron Man. It’s like a ride, and you have to be willing to realize that. Iron Man 2 certainly has some setbacks that are evident in most sequels. I however do not see the problem that certain people do, claiming that the film has too many new characters. All the characters introduced in the film do wonders with the time they are given. Sam Rockwell probably does the most with the limited screen time he’s given, making Justin Hammer his own and providing an excellent foil for Tony Stark and the scenes where the two share the screen are absolutely phenomenal. The chemistry between the two actors is amazing. And I think that’s another crux of what makes the film work the way it does; the chemistry that all these actors bring to their roles is as top tier as you can get. Gwenyth Paltrow, who I normally despise, works well with anyone she’s put up against. The same goes for Downey, or Don Cheadle or even Mickey Rourke, who just seethes a sort of dirty despicability. What I like about this film is that it feels like a Marvel book come to life. We get Nick Fury and the Black Widow sharing scenes with Iron Man and War Machine, all these heroes converging on screen in a way we’ve never seen before. In films like The Dark Knight, we got Batman and multiple villains, creating a miniature scale version of this effect, but that was a microcosm while this feels grander in scope.
While some will argue that War Machine and Black Widow don’t get enough time to be fleshed out completely, and therefore giving the producers no reason to use them in the first place, I think the film does a sufficient job in presenting them in such a way that when the inevitable spin-off films happen, they can hit the ground running in ways they previously could not. The origin story is such a boring aspect to most heroes, and most of the time we’re so familiar with them that we get bored when they play out on the screen, or we get angry if they change something in such a way that it betrays the spirit of the source material. I believe that with Iron Man, Marvel is doing an amazing job of world building. They have more room to maneuver than they ever have previously and it’s sad that DC can’t pull off the same feat. I personally would love to see a post-credits scene in Green Lantern where Hal Jordan is tracking a fast moving bogey only to happen upon a red blur that slows down just enough for us to get a glimpse of The Flash. Or maybe he crashes an F-15 into an invisible jet. Who cares, but let us see a larger world.
Like I said, the film is not perfect, and It probably could have used another big action scene to offset the more character driven dialogue pieces. I don’t need action all the time but the first film felt more balanced in this regard. I will admit however that the final set piece in this film trumps the less than stellar Iron Monger fight in the original, even if it is somewhat derivitive of that particular setup.
Legendary artist and living legend Frank Frazetta passed away today. He was 82.
Frank Frazetta, the great painter of fantasy book covers, has died. The artist, most closely associated with Robert E. Howard’s “Conan the Barbarian” character, was the subject of the 2003 documentary “Frazetta: Painting With Fire.” After a series of strokes, Frazetta trained himself to paint using his left hand. His signature work often featured bare-chested “sword and sorcery” heroes, helpless women and fantasy creatures. His paintings often sell in the million-dollar range. Frazetta was 82.
via Brand X Daily
Truly one of the greats, he will be sorely missed.