It’s Friday. Time for the final installment of the costume showcase theme. I’ve saved…whatever I had left for last.
You know the drill by now. I hope.
Costume showcase continues today. I wish I had something more witty to throw up here as a lead-in but unfortunately I’ve exhausted most of my brainpower just trying to find the pictures.
And the fun continues here with more costumes and whatnot. I’ve spent countless hours trying to find pictures worthy of this event! I deserve your adulation.
You know what’s this week? Halloween. That’s right. The yearly excuse for ladies to choose a profession and somehow make it sexy for a costume. I’ve been hard at work for my costume, thought it’ll be anything but sexy. Anyhow, in the spirit of the season I’ve decided to showcase some awesome cosplay, which has become a staple of this here blog. Hope you enjoy it!
This week I had more than a few papers due in more than a few classes so the reviews weren’t the first thing on my mind. I’m trying to better myself through education and whatnot. Anyhow, I did read quite a few books and some of them surprised me so I figured it’d be a waste not to get something posted.
AMAZING SPIDER-MAN #645 2.99
AMAZING SPIDER-MAN PRESENTS BLACK CAT #4 (OF 4) 3.99
BATMAN RETURN OF BRUCE WAYNE #5 (OF 6) 3.99
BOOSTER GOLD #37 2.99
DAKEN DARK WOLVERINE #2 2.99
GREEN LANTERN #58 (BRIGHTEST DAY) 2.99
HACK SLASH ANNUAL 2010 MURDER MESSIAH #1 CVR A (MR) 5.99
INCREDIBLE HULKS #614 3.99
INVINCIBLE IRON MAN #31 2.99
JONAH HEX #60 2.99
KNIGHT & SQUIRE #1 (OF 6) 2.99
NEW AVENGERS #5 3.99
SECRET SIX #26 2.99
SHADOWLAND #4 (OF 5) SL 3.99
SHADOWLAND BLOOD ON STREETS #3 (OF 4) SL 3.99
SICKNESS IN THE FAMILY HC (MR) 19.99
SUPERIOR #1 (OF 6) (MR) 2.99
SUPERMAN #703 2.99
THOR #616 3.99
THOR MIGHTY AVENGER #5 2.99
TUROK # 1 3.50
X-MEN #4 3.99
Now let’s do this thing.
Tim Seeley has me hooked on Hack/Slash. It’s a great book that is easily accessible if you’re willing to deal with the content and manages the kind of self-referential tone that a lot of books try to reach but can’t because they don’t know how to handle it. With this Annual, we get the bridge between the old Devil’s Due series and the new relaunch coming around at Image. It’s got a definite middle ground feeling to it, where I’m sure new readers could catch what was going on while long-time fans like myself are happy to see plot threads start to re-align after a four month mini-series that felt a little too much like wheel-spinning.
I seriously cannot wait for the upcoming relaunch. I hope that people will take a chance on the book and hop on when the new #1 issue comes out because Hack/Slash is one of those books that understands that comic books can be fun. It’s not a full on comedy book, and it’s not always serious. Which makes me happy because a lot of books nowadays cannot balance tone at all. It’s an art and Seeley should give lectures.
Also, whoever had the idea to have Six Sixx wear a Fastway shirt in the opening part of the book is my hero, because I freaking unabashedly love that band.
Matt Fraction is writing the definitive run of Iron Man for the modern age. The world he is creating for Tony Stark here is one that builds not only off of Marvel’s rich history but off of the technological and political history of our own world. Fraction is saying something about technology and society that others have tried to in the book before but never found the right tone to make the story click. Here we’re getting an Iron Man that works on multiple levels. Stark’s unending quest for personal worth through altruism and progressive thought that has become the defining characteristic that pushes the narrative forward and it feels genuine. Tony Stark has truly become a multi-layered character in the last decade and Fraction is doing a good job of building Tony as a character while at the same time giving us the kind of story that we expect to read in an Iron Man comic.
I’m just not British enough to like this book. I love me some Doctor Who and I thought Blackadder was hilarious, but even still, Cornell’s first issue of this mini-series went over my head like nobody’s business. I think that it could possibly be a great series for those who understand what happened. But that’s not me. I’m admitting this up front so that you know I can’t accurately criticise the book. It’s just the truth. I’m sorry.
The art was pretty though. So there’s always that. *sheepish grin*
I’ve been a massive detractor when it comes to Mark Millar. I really haven’t enjoyed anything he’s written since Ultimates 2 or thereabouts. He’s obviously capable of writing some amazing stuff, as I loved Red Son and his work on The Authority but his recent output hasn’t been in any way intriguing to me. Kickass was a solid concept made better when translated to film, Old Man Logan was inconsequential and Nemesis just doesn’t work for me.
With Superior, Millar finds his once impeccable knack for dialog and pathos that was so prevalent in his Red Son days. The story works with established superhero tropes but doesn’t seek to subvert them the way that Kickass or Nemesis do. Instead he shows that an interesting story can be told out of tried and true ideas and still feel fresh if you have a story worth telling. I didn’t think Millar had it in him to create sympathetic characters, or characters that didn’t feel paper thin for that matter. His recent work certainly wouldn’t indicate that as being the case. However he downright surprised me here.
I think this could be the strongest work he’s turned in for quite some time, though I doubt it will be his most popular because so far it’s a solid book but lacks the hyped up sensationalism that makes Millar’s books fanboy-bait. I hope people will look past the fact that there’s no forced incest or pre-pubescent female murderers and pick the book up knowing that it’s a glowing testament to the superhero genre.
It’s hard for me to say this, as a Superman fan, but the current run of the title is just about the worst Superman stuff I’ve ever read. No middle ground to this anymore, it’s just steadily headed toward absolute horrendousness since the second JMS took over the title. And like 90% of bad Superman stories it comes from the writer just not getting what makes Superman work. Superman is not a thug who holds a stalker hundreds of feet in the air and threatens to drop him if the man doesn’t change his ways. That’s kind of what Batman does, but not Superman. Superman would talk to the guy and the mere experience of meeting Superman would cause him to re-evaluate his life and that person would go on to do great things.
Superman also doesn’t lecture Batman about saving ordinary folk. I’m sorry. I know Superman is on some sort of self-reflection kick, but he cannot reshape his entire worldview in three issues to the point where he can lecture Dick Grayson about staying grounded to reality.
I get that some people don’t like the fact that Superman isn’t edgy. But JMS doesn’t need to try to “fix” all of Superman’s percieved problems. He needs to take what works with the character and go from there, not write a character that barely resembles him in any way shape or form. For the love of God, let this little expirement wrap up soon so we can get back to the title just being mediocre instead of nearly unreadable garbage.
My only experience with Turok comes from wasting several hours playing the N64 game back in the late nineties. That’s about it. I never read any of the classic comics or anything of that nature. I picked up the new series wondering what it was like and it felt fairly generic and tepid, so far as I could tell. It feels about the same as the other relaunched-through-Dark Horse properties like Magnus or Doctor Solar. There’s obviously some effort put into making a modern feel to a classic character but the story progression feels choppy and though I’ve never read Turok before in my life, a lot of this felt like a rehash of something I’d read before.
The series has potential to grow, obviously, as the character wouldn’t have warranted a relaunch if there wasn’t something worth exploring with the property. I just hope that the flow of the book gets a little smoother because it certainly felt rough around the edges throughout the course of the first issue.
The End. I’m gonna go have a sandwich and watch all the crap I’ve DVR’d this week but haven’t had a chance to watch.
At the NYCC this past weekend, both Marvel and DC promised that costs on their publications would drop in early 2011, with DC stating that their books would drop two pages of content and return to a $2.99 price tag. A good majority of comic fans rejoiced, knowing that most of their books have been $3.99 for a while and that saving a dollar on each of those books would be a huge relief in the long run. Others voiced concerns that cutting content is not the answer and that paying what was the norm not too long ago for less material is not an acceptible comprimise.
Marvel has remained vague on their price changes, noting only that no new regular books will be launching next year at $3.99. I doubt that their major moneymakers like the Avengers or X-Men franchises will decrease in price anytime soon. I think they would sell more issues at $2.99, especially considering the way Bendis writes. I’m not going to lie, sometimes I feel like I don’t get my money’s worth with his decompressed writing. In the long run I greatly enjoy his work, but if I had to pay $3.99 for his Daredevil run way back when I might have gone insane. Seriously, go back and read that run sometime, it’s amazing stuff but I’ll be damned if it isn’t a little padded in some areas.
But I digress…
What does this mean for those of us who still have the disposable income in this economy to collect comic books? I think a good majority of people won’t change their buying habits one bit. They’re not going to use the money saved to buy other titles, they’re going to put it back in their pocket and walk away. It’s not going to do anything to help out the comic publishers. While I’m sure a select few will spread some money around, the majority most likely will not. I’ve been working in a comic shop for close to five years now and I see the way people react to price changes. Granted, this is the first time prices have dropped after going up, but it’s not that dissimilar to running a discount sale. You offer a discount and people will use it on what they were already getting and then shove the money they save back in their wallet and walk away. I don’t blame them. All I hear from people is how most of the mainline books have been declining in quality while the prices increased. I hear that gripe about Amazing Spider-Man just about every week. Not everybody feels this way. I personally haven’t liked Spidey this much in years. But the mindset of the consumer right now is heavily influenced by the recession we’re in. They’re picking and choosing their books with a lot more insight. I’m hoping that this price cut will help people discover new books. Take that four extra bucks and buy a book you normally don’t. Jonah Hex is amazing. Supergirl is getting a new creative team and looks like it should be pretty epic. Freedom Fighters is solid. Over at Marvel you’ve got Avengers Academy, Young Allies, or the new Spider-Girl. I’m just saying there’s good stuff out there you should give a chance.
The real interesting element of all this will be to see how the stores handle it. If people do only buy the same books they buy now, that means that the shops will be looking at a smaller profit for the same amount of books sold. In an industry where a lot of stores are hurting for business, this isn’t going to help. I’m lucky enough to work in a shop where even if one department starts to dip, like comics, the others can pick it up; ie. gaming, toys, statues, etc. But what about the small shop in the strip center down the road who works on a very thin margin? It’s not fun to think about but it needs to be discussed so that everybody can stay in business.
Basically this is just me telling you that if you’ve got the extra cash and you really love this industry, put it toward another book when these price shifts happen. You’ll get the added enjoyment of reading something you previously didn’t have the chance to and everybody from the writers and the artists to the people who sell the books get to keep doing so for a long time to come.