Unilaterally Sarcastic, Dangerously Cheesy

Comic Review – Harley Quinn # 0

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There has been a lot of ink spilled about the controversy surrounding this Harley Quinn series. Mainly around that “tryout” page where artists were encouraged to draw a scene depicting the title character preparing to commit suicide in a bathtub with electrical devices hanging above her. There were plenty of good arguments made as to why that was a bad idea. The fact that it got hyped up in the middle of suicide prevention awareness month was a major blunder. We could easily spend a couple thousand words talking about whether a book focusing on a character who is clearly mentally deranged needs to walk the logistical tightrope of addressing a topic like suicide. No amount of context or satirical intent will silence certain elements on either side of the argument. I’m going to say that Jimmy Palmiotti and Amanda Conner are good people. I’ve never seen anything that would indicate either of them was looking for a cheap laugh, or to make light of suicide as a topic. It just isn’t in their character.

So the first thing I have to do while discussing this issue is point out that the panel in question does not appear in the final product. The talent search yielded a page by Jeremy Roberts where most of the page remains intact but the panel depicting the suicide is absent, replaced by a panel with Harley riding an Apollo style rocket in outer space. Within the context of the book, the fourth-wall breaking creators are discussing Harley’s role in the Suicide Squad, which would explain the panel in question. Honestly, with that context, it makes perfect sense. I applaud everyone involved for seeing that it is a sensitive topic however and going in a different direction. The page in question gives off a vibe of Harley’s perceived death wish without diving into the mental illness/suicide quagmire.

I know I dedicated a lot more space on that little issue than I intended. I wanted to cover the actual issue, not the issues people had before the book came out. So let’s start from the beginning.

This book is good. It’s fun. It put a smile on my face. Why? Well, Palmiotti and Conner have a playful tone that carries throughout and they manage to find a through-line for Harley criss-crossing through various art styles while breaking the fourth wall and showing us that Harley truly can be a versatile character. The book is essentially Amanda and Jimmy showing that there are an infinite number of possibilities for Harley as a character and, with the correct art team, any one of them could be a viable long-running series. This is an introductory issue where Harley has to figure out what Harley wants to be. It’s a metatextual commentary on the creation of comics itself filtered through a character who, for all intents and purposes, could be viewed as simply one dimensional.

I think that freed from the constraints placed upon her by the Suicide Squad book, this title could truly be a blast. Honestly, I was reminded of the way that Jimmy and Justin Gray put such a fun spin on Power Girl, who much like Harley had infinite numbers of interpretations waiting in the wings. No character is without merit, and while I personally don’t have much of a connection to Harley and only really found her intriguing within the context of Batman The Animated Series, I think this issue is one of the more solid releases DC has put out in a while. It certainly surprised me in ways I wasn’t expecting.

I say go in with an open mind and see where the issue takes you. You may find yourself surprised where you end up.

Rating: 4/5

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