Greetings from Austin, Texas where I’m having just a huge blast at the Wizard World Austin Comic Convention. Our first day here has been productive, as I’ve procured commissions from Mike Grell as well as Chew artist Rob Guillory. We ran into our good friends over at Angel Comics pretty early and if you’re in town for the convention be sure to drop by their booth and mention that you read about them on this blog. I try to give the guys as much publicity as I can muster because they do some great work and hopefully they’ll all be big names sometime in the future.
Met up with and got signatures from Mike McKone, Michael Golden and Greg Horn. All of whom are great guys who do great work. If you’re not enjoying McKone’s work on Avengers Academy you’re just plain wrong. Or not reading the book, either way you make me sad. Golden signed the first issue of Micronauts for me, which will be hung with care beside the original art page from a later issue of that series drawn by Gil Kane. I was happy that Greg Horn made it to the convention today as he was twittering quite ferociously yesterday about travel issues at the airport he was flying out of that included a plane on fire. Not his, mind you, but still a flaming plane.
Managed to snag a decent copy of Conan The Barbarian # 1 for about 1/2 of guide price for myself and then decided to retire for the day because there weren’t any panels I was particularly interested in, although I will probably get into one or two tomorrow if I can possibly manage it. I know I’m meeting up with a friend for lunch so it’ll be a task to juggle the scheduling.
And as the cold weather breezes into Houston about a month later than it should have, we get the first new books of November. It’s an interesting haul of titles filled with debuts and final touches. This is all very poetic and whatnot, but the truth is I’m hopped up on leftover Halloween candy and could make a bowel movement seem melodic.
AMAZING SPIDER-MAN #647 4.99
AVENGERS ACADEMY #6 2.99
BATMAN AND ROBIN #16 3.99
BOYS #48 (MR) 3.99
BUFFY VAMPIRE SLAYER #38 2.99
BULLSEYE PERFECT GAME #1 (OF 2) 3.99
CAPTAIN AMERICA MAN OUT OF TIME #1 (OF 5) 3.99
GENERATION HOPE #1 3.99
JONAH HEX #61 2.99
PUNISHER IN BLOOD #1 (OF 5) 3.99
SCARLET #3 (MR) 3.95
SECRET SIX #27 2.99
SUPERBOY #1 2.99
WOLVERINE #3 3.99
WOMEN OF MARVEL #1 3.99
YOUNG ALLIES #6 2.99
I’ve bolded the issues I will review. Which is redundant, as the reviews will now begin and you will be able to see what I have reviewed.
Here it is. The conclusion of Grant Morrison’s run on Batman & Robin before he jumps onto the new “Batman Inc.” title which should be one hell of a ride given the setup he provides for us in this issue. Morrison has been the architect of the Batman universe now for about as long as I’ve been working in comic book retail. Close to five years or so. He’s not showing any signs of slowing down anytime soon. It seems like he’s moving into the third act of his overall story with Batman Inc. The fact that his overarching story has an act-structure ties into the melodrama he’s crafted. His Batman reads like a sci-fi/action opera and it’s evident that he’s put a great deal of effort in making sure the parts all come together.
The biggest achievement that he can lay claim to in regards to his Batman ouvre is his ability to shake things up in ways that other writers have teased for the short term but never committed to in any real way. Plot twists that Morrison uses as the long-term theme of his story seem like ideas that other writers would love to pursue but only for six issues or less. Morrison seems to think that shaking things up and doing so in a way that shifts the paradigm of how Batman operates on a level that is not easily reversible is the key to telling a good story. I won’t argue that it’s made for some of the most compelling reading for quite some time.
What I really appreciate about Morrison on the Bat books is that in a few years time we’ll be able to view him as one of the better Batman showrunners in the history of the character. There aren’t many creators who leave such a lasting mark on the character that fans can easily identify. Most of the time you get the requisite Denny O’Neil or Frank Miller. Morrison is going to be the next name on the immediate go-to list when all is said and done.
Bullseye is a character who can be used to absolute perfection or to an end that simply does not work. There’s not a whole lot of middle ground when it comes to the character. He’s been front and center for so many great and memorable moments and then again he’s been wasted or misused by writers who simply want to use him in a way that doesn’t really make sense.
Here we get a story where there’s very little actual Bullseye. The story is all second-hand, but it gives us an insight into how the character operates that we don’t really see. That part that deals with how and why he picks his targets. The montage showing some of his more unique and violent kills is a perfect example of why Bullseye sometimes doesn’t work out in the hands of an unskilled writer. He’s the perfect killer. He knows he’s the perfect killer. He’s got the same problem Superman does in the sense that he’s so above and beyond the range of his peers that he can come off as boring in his superiority.
The biggest downfall of this book is that lack of Bullseye. The second hand narrative structure is interesting but ultimately unless they give us something a little more substantial it’s basically not even like reading a comic at all but reading a comic about someone who read a comic about what Bullseye did for a year. That sounds stupid, but it gives off a little of that vibe.
It’s a Captain America miniseries written by Mark Waid. I’m not going to pass that up. Seriously, I don’t care that it’s essentially a retread and that no matter how they take the story it’s essentially inconsequential because it’s one of a hundred takes on the same story because it’s such a great part of the Captain America mythos that’s being retold.
The stuff set in World War Two is pretty good. We get some fun banter between Bucky and Cap amongst some soldiers who don’t know who they are and we get some fun, if cliched, introspective moments where the two discuss what they would like to do when the war is over and the fighting is done. Of course all of this happens mere moments before Bucky gets caught in the explosion that “kills” him and Cap winds up frozen in the ice.
What really works in this issue is the dichotomy between that old world and the new one that Cap wakes up to. You really can feel how directionless and confused Steve is when confronted with a world that has grown leaps in bounds in technology and regressed equally in its brutality. The dangers of being a hero in such a world become readily apparent and the ending of the book packs quite a punch.
I think this one could be one that people regret not picking up if they let it slip under their radar because it is an excellent read. However, Marvel needs to learn that these arbitrary books aren’t going to get the same readership they would at a lower price point. $3.99 is a warning siren to a lot of consumers nowadays, even if the book is worth the cash, as this one seems to be.
They’ve been building to this one for a while. I need to begin by saying that I would have been just as happy had this been the central running plot of Uncanny X-Men or Legacy. Or hell, run it through both titles as a crossover. It would have worked just as well. This has the smell of a cash grab by throwing it out as an independant mini-series. It’s like if Marvel had done the Inferno followup they’re doing in New Mutants as a mini-series and let the ongoing title move along as if nothing happened. I think the logistics of this miniseries are flawed, and I needed to get that out of the way up front.
As to the book itself, it’s hard to tell what direction it will take. Whether the fifth “light” will be the villain for the whole of the series or if there is something more is not readily apparent. The book seems to indicate as much, but to what end they are going with the character in question is unknown.
If you haven’t been reading X-Men, this book is not very new-user friendly. All the characters have been introduced over in Uncanny, which backs up my assertion that it should have been continued there. So if you need the background, pick up the last few months of Uncanny after the end of Second Coming. That should fill in some gaps for you.
I’m hoping there’s a bigger endgame here than I’m seeing at the moment. To justify its existence, the miniseries better have one hell of a closer.
All you whiney fanboys can quit your bitching, Frank Castle is back in non-monster form to do what he’s done for the last thirty or so years. It’s still got the same gritty flair that Remender brought to the title under the Franken-Castle banner but in an easily digestible, familiar package so that frightened fans don’t feel offended by change.
The first issue feels like a classic Punisher riff, it builds upon years and years of 616 Punisher lore, with Microchip and the long feud with Jigsaw coming back into play. It feels a bit more natural than the early parts of the last volume did, as Punisher shouldn’t be anywhere near storylines that have anything to do with alien invasions. He’s at his best when the capes don’t make an appearance.
This could be the beginning of a great new chapter for the character, if Remender’s past work is any indication of what he can do with Frank now. He certainly kicked the show off with an impressive debut, so it’s his ballgame to lose. Let’s just hope he doesn’t get too inventive, or people will get frightened and claim that he’s “ruined the character again” and run to the hills like stampeding fear-cattle.
Jeff Lemire is in a position to be a hot item. Sweet Tooth is an amazing book and he’s got that good buzz to his credit as well as being hailed by just about everyone as the next big thing. With Superboy he has the chance to really let loose and show the world what he can do with the mainstream DCU characters. Superboy isn’t a sacred cow. He has a following but he has room to be molded into something more concrete. The building blocks are there, Lemire just needs to move them around.
He certainly doesn’t waste any time with this issue, utilizing a familiar old Superman villain to write some great action scenes that are drawn out spectacularly by artist Pier Gallo whose work has a very classic feel to it, which fits the Smallville setting wonderfully.
Where Lemire also garners some good will is the manner in which he sets up the supporting cast. This is the first issue, and for many new readers this is their first exposure to the character, but the interactions with the Smallville community are written in the same manner that they would be had the title been running for five years. The familiarity works. Lemire doesn’t get overly expository with everyone in the first issue. He knows that the time will come to fill people in when the moment is appropriate. He gives just enough to let the story work itself out organically and the book is better for it.
I think this one could end up being a long-running fan favorite. Let’s just hope Lemire stays on the title for a long enough time to truly leave his mark on the character, because judging from the first issue it could be quite an interesting and fun take on a character who until this point has basically been defined by his association with the Titans, his relationship to Wonder Girl or his overly violent death.
And them’s the reviews. Hope you enjoyed my ramblings. Now I’m going to finish this bowl of leftover candy and watch old episodes of the Simpsons while I work on a poetry paper for my creative writing class.
The new novel is almost finished…again. See, this is what happens when I work in “Drafts.” So in between that, school, work, and a revitalized social life that includes actually having to go outside of the house for stuff like concerts (on Thursday nights), don’t be surprised if the blog starts to lie dormant for chunks of time. I try to avoid it but I’m a one man operation here. That having been said, I’m not gonna deny you guys the comic reviews you so deserve. By that I mean that I’m going back to the old format of cherry-picking what issues to review instead of doing the whole stack because it’s getting harder to go through the whole stack in a single evening.
AVENGERS ACADEMY #5 2.99
BOYS #47 (MR) 3.99
BUFFY VAMPIRE SLAYER #37 LAST GLEAMING PT 2 (OF 5) 2.99
CHAOS WAR #1 (OF 5) 3.99
DEADPOOLMAX #1 (MR) 3.99
HAWKEYE & MOCKINGBIRD #5 2.99
JSA ALL STARS #11 3.99
SECRET SIX #26 2.99
SHADOWLAND SPIDER-MAN #1 SL 3.99
STARMAN OMNIBUS HC VOL 05 49.99
ULTIMATE COMICS THOR #1 (OF 4) 3.99
UNCANNY X-FORCE #1 3.99
WOLVERINE #2 3.99
YOUNG ALLIES #5 2.99
And let’s get this show on the road:
Garth Ennis is underrated when it comes to giving us character moments that stay with the reader in their gut long after they’ve finished reading the issue. Here we get the inevitable confrontation between Hughie and his superhero girlfriend for the first time since he found out she was a supe and since he saw her “initiation” video into the Seven where she did more with her mouth than give a convincing presentation of her resume.
The pathos and emotion on display between Hughie and Starlight here is gutwrenching. While Garth Ennis is able to craft visceral gore and violence with reckless abandon, his ability to make you care for the characters he writes is generally overlooked, which is a huge shame because it’s stuff like this that shows what the serialized medium of comics is capable of pulling off with a competent writer at the helm. This issue has been building for some time. It’s not rushed, it hasn’t been drawn out or decompressed, it’s simply been building to a boiling point.
This may be some of Garth Ennis’ best work. I know it’s not as roundly applauded as Preacher or Punisher Max, but it is probably his most carefully crafted since Preacher ended and I think that in the end people will recognize it for the treasure that it truly is.
I am happy to see Hercules back. I truly am. I love the guy. As far as this particular issue, I’m not so sold on the event after the premiere as I was with Shadowland a few months ago. I think that Greg Pak and company did a good job of getting us pumped up for some good old fashioned theological thrashing in what is coming down the road, but there was no big moment that made me step firmly on board with the series. That’s not to say that it’s a bad issue, there is some good stuff set up here, and it’s bound to get much more epic as it goes on. I simply think that a good portion of people are going to be underwhelmed by the debut issue, as not a whole lot really happens. It’s a setup issue pure and simple.
The question this series needs to answer is whether or not the setup is going to pay off. This is going to be one of those series that won’t have a whole lot of impact on the larger Marvel universe the way that Shadowland will because the Marvel Gods don’t seem to get a whole lot of focus in the grand scheme of things unless they somehow relate to Thor, but seeing how Fraction is doing his own thing with the Thor-verse, the reverberations of this series will have to be felt elsewhere, and unless they relaunch an ongoing Herc series, I’m not sure where that will be.
This is the one people have been waiting a good long while for. We’ve wanted some unrestrained Deadpool action forever and we finally get it courtesy of Kyle Baker and David Lapham. In the first issue however, we don’t actually get a whole lot of Wade Wilson. We get a lot more Agent Bob and sodomy. The violence is there, as is the swearing and the sexual situations. It’s definitely a max book. What seems to be lacking is, well, Deadpool. He really only shows up for maybe 5% off the book.
What remains to be seen is how this book will work out in regard to how they want to portray Deadpool. I doubt he’ll be breaking the fourth wall or being as goofy as he is in the 616. We already know from this issue that Deadpool will be treated more as a government assassin than a freelance merc for hire, and that he’s more mentally damaged and dangerous than gutlaugh funny. This book follows the pervasive Marvel trend of waiting until issue two to give us the full picture of what the series will end up being like in the long run. Luckily, the first issue was entertaining enough that I won’t feel like an idiot for picking up issue three.
Jonathan Hickman can do no wrong apparently. According to the internets, Kurt Busiek doens’t like him but he seems to be the lone dissenting voice. With Ultimate Comics Thor he gives us a look into the origins of the Ulimate U’s version of Thor and it seems to be a basic mirror of the regular Thor, except in the Ultimate scheme of things, there are a lot more nazis.
This series is likely going to be one of the best to come out of the Ultimate relaunch. It’s obvious that this one is being produced to be shoved into a hardcover and rushed into bookstores around the time the Thor film hits theaters. I’m not sure how that worked for the Black Widow miniseries from Paul Cornell, but it seems like a smart enough move. It helps that it’s a damned good read. If you’re going to try to introduce someone to a character, you could do worse than the setup they use here. It’s integrated enough into the Ultimate Universe that those with familiarity will be able to place it in continuity, but new readers will be able to jump in just as easily. That’s not an easy feat, no matter what universe you’re working in.
This one is the winner of the week. Rick Remender may be Marvel’s new secret weapon, as the man has yet to produce a book that doesn’t totally kick all sorts of ass. He’s managed to make Deadpool funny without being over the top. He’s made X-Force not seem like a cliche. He’s managed to give X-Force a purpose beyond being an unnecessary ancilliary title predicated on having a place where Wolverine can stab people with reckless abandon.
I was originally going to skip out on this one. The last X-Force title did nothing for me. Everything about it pretty much went against my established sensibilities. I was afraid this was going to be more of the same. I should have known better. Rick Remender, who is rapidly climbing the ladder of my favorite writers following Last Days of American Crime and FrankenCastle, brings us a new X-Force that seems fresh and new, despite building off of plot threads that have been hanging for quite some time. (Archangel, people. Archangel) And while it definitely plays off some rich history, it isn’t like say, New Mutants, where people unfamiliar with the original story of Inferno might be a little bit lost with the new storyline.
So, long story short, pretty please, go buy the damn book.
And that does it for this week. Join us next time when hopefully DC puts something out worth Reviewing. (I’d review Secret Six, but c’mon, you know how I feel about that book. I’d marry it if I could.)
I wasn’t kidding when I said that school was going to interrupt my working on this site. I didn’t get to do the reviews last week because I was working on another paper. Priorities are making this a bitch to write, so the reviews are going to be a little shorter than usual. Also, the format is going to get a little change. I’m going to review EVERYTHING I possibly can, but they’ll be shorter reviews. Basically I’m trying to cover more ground by hitting the major points as directly as possible. If nobody likes the changes, I’ll switch back, but I think this is better for everybody.
Let’s attempt this, shall we?
AMAZING SPIDER-MAN # 643
I’m still washing the bad taste of OMIT out of my mouth. It seems like the book is back on the right track, but once again, the issue feels a little light. I feel like if I had paid a full 3.99 for this issue I would be a little disappointed because this was probably the quickest read of the week.
BATMAN BEYOND # 4
We find out who Hush is in this issue. And once again, I feel like the reveal was a bit of a cop out. I won’t tell you who it is, I’ll just say that it fits with everything I’ve come to expect both from the Hush character and the Batman Beyond universe. From what I’ve seen so far with this miniseries, I don’t expect myself to pick up the ongoing when it hits stands.
BIRDS OF PREY # 5:
Gail Simone kicks off a new arc on Birds of Prey picking up where she left off last month with Babara trying to make things right with Creote and Savant, and Dinah flying off to China with the White Canary. The issue has Simone’s usual flair for dialogue and the storyline is progressing in a way that seems interesting, with the action having a good amount of organic flow to it, but the artwork leaves something to be desired this time around. It seems like the very definition of “Fill In,” with sketchy line work that seems a bit rushed and doesn’t convey the same amount of detail that there was in the debut arc of the new volume. It’s not horrible, it’s just distracting.
DEADPOOL # 27:
This book is becoming so middle of the road that it frightens me. I think they’re trying to keep the tone at a certain level so that the upcoming MAX title seems to have an edge over the regular 616 version. That’s not to say that the book isn’t worth a read. It’s fun and light. It’s basically worth reading if you want something that makes you laugh while you read it and not much else.
HACK/SLASH : MY FIRST MANIAC # 4
Hack/Slash is pretty consistent. This issue hits all the marks that the series should and I’m primed and pumped for the relaunch under the Image banner. I think having the ongoing back will make up for the flaws of the miniseries, which feels almost too small compared to the overarching continuity of the regular series.
THUNDERBOLTS # 148:
I don’t know why they decided to work this title into the Shadowland crossover. I mean, yeah, Luke Cage is in it, but beyond that it doesn’t seem to fit. I thought the crossover with Avengers Academy made more sense. The issue itself isn’t really bad, especially in the moments that have nothing to do with Shadowland. Anything dealing with the Thunderbolts in the prison setting, where Crossbones and the rest of the team really get a chance to shine are some great moments indeed. It’s only when Luke Cage shows up and reminds us that since he’s involved the Thunderbolts have to be involved as well. Sadly, once the action does move into Shadowland territory it seems to fall apart. It’s all a matter of abrupt change that doesn’t seem to really do much for the story we’ve had thus far.
X-23 # 1:
This one sort of comes off as a New X-Men reunion. It picks up on a lot of threads that have been gestating since the end of that particular series. The characters have been in use since then but it seems like this is the first time in a while since anybody did anything with them that advanced what had been set up before. X-23 was really the only one who had any sort of character development since then, and that’s because she had some time in X-Force to deal with her issues.
Now, with her own ongoing series, she should be able to continue to develop, and it looks like the New X-Men cast will be her supporting cast here. Which is definitely a good thing considering that I loved that series and I still get a little mad that its gone sometimes. The story itself seems to be starting off by tossing Laura into a situation that’s more personal than the usual do-or-die situations she’s been dealing with in X-Force. Hopefully this can grow into a good series with a little time.
It was a pretty small week this week. With the one book I didn’t read being the sixth volume of Empowered which is a perennial favorite of mine. Because, c’mon, bondage. Anyhow, next week might be a bigger one, so we’ll see how things pan out. Later!
Man, this week has been intense. I’ve been working on some major renovations inside the store, trying to make room for all the cool new shipments of figures and statues and assorted awesomeness that’s set to be hitting the shelves within the next month or so, which has left my body sore and weak from the labor. I’m not sure if you know this, but comic books in bulk start to get heavy. Especially hardcover collections. I swear it felt like moving baby cows on my shoulder at some points. But it all was worth it for how great the new setups look and the fact that this week’s new books are pretty much the pinnacle of awesome.
ASTONISHING X-MEN XENOGENESIS #2 (OF 5) 3.99
AVENGERS ACADEMY #1 HA 3.99
BATGIRL #11 2.99
BATMAN #700 (NOTE PRICE) 4.99
BOOSTER GOLD #33 2.99
CAPTAIN AMERICA #606 HA 3.99
CHRONICLES OF CONAN TP VOL 19 DEATHMARK 17.99
DAREDEVIL #507 2.99
DOOM PATROL WE WHO ARE ABOUT TO DIE TP 14.99
HACK SLASH MY FIRST MANIAC #1 (OF 4) CVR A (MR) 3.5
INVINCIBLE IRON MAN #27 HA 2.99
JUSTICE LEAGUE GENERATION LOST #3 (BRIGHTEST DAY) 2.99
NEMESIS #2 (OF 4) (MR) 2.99
PREDATORS #1 (OF 4) 2.99
PUNISHERMAX #8 (MR) 3.99
SECRET SIX #22 2.99
SHIELD #2 2.99
ULTIMATE COMICS AVENGERS 2 #3 3.99
ULTIMATE COMICS SPIDER-MAN #11 3.99
UNCANNY X-MEN #525 XSC 2.99
YOUNG ALLIES #1 HA 3.99
And as always, I will tell you why you should buy things.
Wasn’t initially going to get this one, but Christos Gage is one of those writers who has a tendency to churn out some amazing stuff out of concepts I initially hesitated on. He’s a solid writer who is well on his way to getting the name recognition he deserves. With Avengers Academy, he may have found that project.
If there is one flaw with the book it’s simply that, by nature, it’s sort of the black sheep of the Avengers family. The “heavy hitters” in the book as far as star power goes are Hank Pym, Justice and a newly reformed Speedball. Gage plays with this by saying that we’ll get some big names as “guest instructors” over the course of the book, to show that those characters care about the events transpiring in the book, so we should as well. LISTEN TO CAPTAIN AMERICA! HE’S ALWAYS RIGHT!
So yeah, the book has that hurdle to overcome in the mind of the financially conscious fanboy, who may not view the book as “essential reading.” But the book hits all the notes it aims for, and the new characters introduced in the book are all interesting and get a fair share of development in their debut. Reptil shows up, having gained some exposure through the Superhero Squad cartoon. Other members of the group seem to establish their niche right away, with Finesse and Hazmat being the darker foils to Reptil, Mettle and our primary protagonist Veil. Personally I think Mettle has the chance to grow into a really great character. He seems to echo the greatness that Rockslide projected back in New X-Men.
The reasoning behind using these characters, and why the program exists, parallels the Heroic Age’s overall theme of rectifying the wrongs of the Dark Reign era. It probably won’t be the theme for too long, as the status quo will likely shift again fairly soon, but it’s an excellent way to get the ball rolling and they’ve hooked me in for another one.
Man, this one was epic. It’s not exactly a new-reader friendly jumping-on point as one would figure, as it hearkens back to Grant Morrison’s issue # 666 as well as the two-part Whatever Happened to the Caped Crusader arc and we even get a segment (albeit a short one) that jumps into the Batman Beyond universe. It’s a veritable garbage-bag cocktail where every last drop of alcohol at the party gets mixed together in the hopes of making a concoction that will give you a kicking buzz without making you go blind.
The story has time travel, the Joker acting bat-shit insane, an appearance from the Mutants that harkens back to The Dark Knight Returns, Two-Face 2 who may be the greatest idea for a new villain that won’t be able to recur due to where he made his debut, and an amazing pin-up art gallery at the back end featuring drawings by some of the greatest artists ever to draw the Dark Knight.
I wish this review could be longer, but honestly the book is one that you have to read for yourselves. I don’t think it is an issue that everyone will enjoy, but I think that it’s definitely a ballsy choice for an anniversary issue this large. If nothing else, it’s definitely worth a read just for the sake of seeing if you understand what the hell was going on.
Captain America has been firing on all cylinders for around five years now. Brubaker knows that book like the back of his hand and refuses to let up. This issue deals with the fallout from the last arc where Bucky had to put an end to an evil Steve Rogers clone with a bullet to the dome. It doesn’t sit well with Bucky, as you can imagine the boy has some issues when it comes to Captain America dying, real or not.
While all this is happening, Baron Zemo seems to be working some machinations, which makes me happy as I friggin’ love Baron Zemo. I hope to god he at least gets name dropped in the Cap movie, because I think he’s just one of the most awesome characters Marvel has. Don’t believe me? Go read some Thunderbolts before Warren Ellis turned it into some sort of twisted abomination from the depths of hell. Zemo is a multi-faceted villain who simply does not get his due nowadays and I’m glad that between this and the new Thunderbolts, he seems to be making a comeback.
My only squabble with this issue is the fact that I’ve not yet determined where the hell it fits in with what’s going on over in Thunderbolts. I’m sure they’ll work that out sooner or later, but for the moment I’m trying to place it myself. With all the time line jumping in the Cap book, it’s a chore for sure. But continuity isn’t as important as everyone makes it out to be, especially when the book is this good.
As for the Nomad backup, I’m certainly enjoying it. I like the world they’ve established there, I’m just tired of Nomad ending up in peril so often due to her own naivety. It’s repetitive. Luckily, she seems to not have that shortcoming over in Young Allies, which I’ve reviewed further down the page.
I’ve been looking forward to this one for a long time. Tim Seeley’s Hack/Slash is one of the more consistantly fun and entertaining books on the rack and when I heard it was moving over to Image, I thought “Oh thank the Lord, something good to read by that company that’s NOT written by Kirkman!” (All praise, be to the Kirkman)
With this mini-series, you get a fresh jumping on point if you’ve ever been interested in reading about Cassie’s exploits bashing the brains of creepy stalkery torture-killers with the aid of her hulking sidekick Vlad, who may currently be my favorite recurring comic character. He’s all kinds of awesome and unfortunately he doesn’t make an appearance in this first issue. He’s probably off in a corner reading Chippy Chipmunk at the moment.
The issue gives us a quick origin storry for Cassie that, while familiar to long-time readers, does not feel repetitive or dull. That was my main concern when the book was announced; that the mini-series would mostly be rehashed from prior events that we had already seen and therefore be of no consequence to those of us who have been onboard since the start.
And while I am certainly familiar with Cassie’s origin, the events presented here seem fresh and new even if parts of it do seem familiar. I like that Seeley is simply moving forward with the series rather than using this label-hop as an excuse to do a reboot. Because as we all know, reboots are all the rage in the horror genre right now. Because everybody wanted a remake of Nightmare on Elm Street, right? Whatever.
Get the book, hop on board now so that you can be like me and stand around telling everybody that they should have been reading this years ago. It’s a fun feeling. A nice boost to the ego. I love it.
I picked this one up out of my love for Nomad. I loved her mini-series, I love the backups over in Captain America, and I think that it’s amazing that a character who was borne out of such a horibble event (Heroes Reborn. *shudder*) could end up being such a great addition to the mainstream Marvel landscape. Teaming her up with Araña was a stroke of genius, because that girl, while an interesting concept, needs a foil to work to her fullest potential, as evidenced by her appearances in Ms. Marvel.
The book starts off somewhat dark, giving us the origin of a couple of kids who are ripped from their families and trained to be death soliders for some South American Generalisimo. If it were drawn by someone like Mike Deodato it’d be downright frightening and hard to bear, but artist David Baldeon has a light tone that doesn’t strive to be hyper-detailed or stylized, and so while the impact is effective, it does not make you want to rip out your own soul. This is a comic book after all.
The issue plays out much like New Avengers # 1 did a few years back, with the team being brought together by a single circumstance and a whole lot of coincidence. The formula works well this time around, because even the villains remark before they pul their caper that they’re looking for heroes to be in the area and expect them to show up. It’s a little touch that makes the book run a lot smoother.
Between this and Avengers Academy, Marvel seems to be doing all they can to get their readership invested in the next generation of Marvel heroes. Meanwhile, DC is probably trying to find a way to kill off Jaime Reyes. The butchers.