Fear not, helpless masses! I am returned! After delays and setbacks and general stuff happening in life that doesn’t have much to do with comic books, I’m back to tell you about the weekly pull and what it has to offer. This week was pretty darned massive. It was a tough choice figuring out what to review, because there’s not a much of a point in reviewing part three of a given series, you’ve largely made up your mind by then. I’m more of a startup/wrapup sorta guy. I like to review the beginning or the end, thus chronicling the entirety of the story. Luckily I was able to find some criticism fodder in the pile this week.
AMAZING SPIDER-MAN #639 3.99
AVENGERS PRIME #2 (OF 5) 3.99
BATMAN ODYSSEY #2 (OF 6) 3.99
BOYS #45 (MR) 3.99
CAPTAIN AMERICA #608 3.99
DEADPOOL #1000 4.99
GI JOE A REAL AMERICAN HERO #157 3.99
IRON MAN LEGACY #5 2.99
IZOMBIE #4 (MR) 2.99
JONAH HEX #58 2.99
JSA ALL STARS #9 3.99
LOSERS TP BOOK 02 (MR) 24.99
SECRET SIX #24 2.99
SHADOWLAND #2 (OF 5) SL 3.99
SHADOWLAND BULLSEYE #1 SL 3.99
SUPERGOD #4 (OF 5) WRAP CVR (MR) 3.99
ULTIMATE COMICS AVENGERS 2 #6 (OF 6) 3.99
YOUNG ALLIES #3 2.99
And let’s hope I can remember how to do this!
Let’s get this out of the way right now, this book didn’t need to exist. As such, it fits in well with the majority of the Deadpool books being published right now. The only difference, as far as I can tell, is that this one is actually pretty damned good. Unlike that 900 fiasco, which was largely hit and miss. Every segment in this issue was darned entertaining. Especially the Blackest Night parody which I feel was written just for me to warm the cockles of my still-beating black heart! Also of note is the Canada-man segment, which was downright hilarious.
I have to say that for the 4.99 price, you get a hell of a lot for your dollar. I mean, yeah there’s a superflous catalog of artwork showcasing Deadpool comprised of mostly covers from the Deadpool variant month that does nothing but add heft to the book and could have been tossed aside. But then again, this entire book is technically superflous as it adds nothing to Deadpool’s ongoing arc and is simply a showcase of Marvel talent having a go at the merc with a mouth.
One thing that stood out for me when reading this particular issue, is that it’s been so long since I saw Deadpool kill anyone that it was actually kind of shocking how much actual killing he does in this issue. I know it’s odd to say that, but it’s the truth, at least for me. It’s not a bad thing, it’s just kind of an interesting look at what Deadpool has become as opposed to what he began as. Something to ponder…
I need to reiterate that Jonah Hex is probably the one book I would keep reading if I dropped everything else altogether. Or possibly Secret Six, but we’ll get to that later. With this issue, we get what is essentially a poem about the nature of a bullet’s reason for existence juxtaposed against the wild west backdrop of Jonah Hex’s world. The issue deals with a revolving door of people with revolvers and the intent to use them and the consequences of their decision to cock the hammer.
It’s just the sort of thing that works for this book. It’s probably the most oblique type of subtlety you can get. You know there’s a message but with the shades of grey that our characters occupy, the reader can take the message in all sorts of directions. There’s been a lot of good literature written about the toll that the soul takes when confronted with the realities of vengeance and the guilt of taking a life. My next novel touches on just such subjects. Jonah Hex isn’t high literature, but it’s not schlock either. It’s almost the perfect venue to air such a debate. The book is as unflinching as the impact of a bullet.
Also, for no reason, here’s a picture of Jimmy Palmiotti as Watchmen‘s the Comedian taken from Dave Gibbons’ twitter:
Yeah, that’s about right…
After a brief guest writer spot, Gail Simone returns to write the six again in a weird little story that sees the group transplanted into the old west. It’s an interesting little what-if story that confused the hell out of me for a while because I spent more time than I did reading the issue trying to understand its implications. Were they in some sort of virtual reality? Were they transplanted through time? Is Gail Simone a timelord? Is this a one-shot or a full arc? Will we ever get another tub-sex scene as awesome as the one in this issue?
Seriously, it’s a perplexing issue. It’s interesting, just like the entirety of the series has been so far, but it’s jarring as all hell. There’s no segue into the issue, it just hits you and tosses you into this alternate reality with no regard for your brain’s safety. You just have to roll with it. Listen to Ragdoll’s little puppet show and shut your mouth, there is no refuge for you here.
Also, I totes have a crush on Cowgirl Scandal now.
I was going to pass on ALL the Shadowland spinoffs. I was just gonna get Daredevil and the main mini-series and wouldn’t allow myself to get suckered down the long and winding road of books that I don’t normally read. That plan was torpedoed however when I noticed that this particular issue was written by John Layman, him of Chew fame. And so with full faith in the authorship I put the book in my stack, because I figured I’d regret it later if I didn’t.
I was right.
The issue concerns itself with members of the criminal underworld hosting a funeral for the recently perforated Bullseye in the middle of Hell’s Kitchen Park with a kidnapped Ben Urich there to cover the story. The principle character in the narrative is a fellow who can supposedly commune with the dead, and the dead person currently on his telepathic telephone is Bullseye, constantly screwing with his head the whole of the issue.
I would say that this issue acts as an excellent sort of #1.5 interlude between issues one and two. It feels like a story that needed to be told. The underworld’s reaction to Bullseye’s death isn’t something that needs to mentioned in periphery, it’s an important detail and it deserved a full issue. We get the heroes’ reaction in Shadowland 2, but this presented a different perspective that I think readers will definitely enjoy.
Ladies and gentlemen, I drank a 1/2 gallon of Gatorade yesterday. I am more hydrated than I have been in my entire life and I’m pretty sure my brain is suffering because of it. So small talk be damned, it’s review time.
AVENGERS PRIME #1 (OF 5) HA 3.99
FRANKEN-CASTLE #17 2.99
HAWKEYE & MOCKINGBIRD #1 HA 3.99
IZOMBIE #2 (MR) 2.99
JONAH HEX NO WAY BACK HC 19.99
JSA ALL STARS #7 3.99
JUSTICE SOCIETY OF AMERICA #39 2.99
SERENITY FLOAT OUT ONE SHOT #1 FRANK STOCKTON CVR 3.5
THANOS IMPERATIVE #1 (OF 6) 3.99
Stand back, I’m prepared to do criticism!
I wasn’t going to pick this one up at all but got suckered into it by Alan Davis’ pretty pretty drawerings. I don’t have much to say about the writing, because it’s typical Bendis fare; but it’s good Bendis fare, as we get some good cathartic character interaction between Tony and Steve that really needed to happen before the whole Heroic Age could take off. While the book seems to be heralded as the reunited Avengers back together for the first time since the Disassembled disaster, they actually spend most of the book’s length separated, which works in establishing what this series will focus on, as it’s definitely tied heavier to Thor than either of the other big three.
I don’t think that this book is truly in any way essential, other than the character interactions between Steve and Tony which could have easily been done in the opening pages of the mainline Avengers book. This is mostly an exercise in capitalism. It’s a cash grab, honestly. But it’s a well written and superbly drawn cashgrab, which is more than I can say for some other recent attempts.
I will be honest and say that I don’t know too much about Hawkeye and Mockingbird’s backstory. The entirety of my knowlege is made up by what was presented in this introductory issue. I enjoyed what was presented but I don’t have the emotional attachment to these characters the way some people do. I will say that from what I saw on the page, this series could be an interesting one as the dynamic and the setup is different from just about every other Marvel b0ok out there right now. It’s a team book without being a team book. The group of specialists that Hawkeye and Mockingbird run with in this book, including none other than Dominic Fortune, give off a dynamic not unlike Birds of Prey, which doesn’t bode well for the inevitable Green Arrow/Black Canary comparisons that are bound to stick with the book despite being much better written than that book ever could have hoped as well as establishing itself as a lynchpin in the Avengers universe.
Hawkeye, despite the fact that I haven’t had much exposure to him, is central to the Avengers dynamic. He’s as attached to Steve Rogers at this point as the Falcon is, and they play on that well in this issue. I think that this series will serve as a nice companion piece to the new Avengers-centric Marvel Universe. I just hope it doesn’t get hamstrung by the fact that Hawkeye is, let’s be honest, a 2nd tier character and series built around those tend to have fairly limited runs. Like Hawkeye’s own series that lasted about twelve issues before getting shut down so he could die in Avengers Dissassembled.
I stopped following the monthly exploits of Jonah Hex about twelve issues back. I just had to find some room to trim on the pull list and I switched it over to trades. But when this came along I had to pick it up because I’m a sucker for original graphic novels. This one is very well done, and feels like the monthly series but with the dial turned up to eleven. Honestly, this feels like what the movie should be. It’s a taut western tale that adheres to and embraces alot of the western tropes and devices, while seeming decidedly modern in it’s raw narrative structure and effectively blunt depictions of violence in the old west.
I’ll say that if you wanted mass market appeal for the character in the weeks leading up to his theatrical debut, you could have gone with an artist that is more easily palatable to the everyday reader, but Tony DeZuniga’s sketchy style fits the character well. He’s done some amazing work on some of my favorite characters, and while I think his style is a good fit for the narrative, some complaints about his artwork are bound to arise.
What I liked most about this book was really how it appeals to any and all Jonah Hex readers. Newbies get a pseudo-origin story and can jump right into the action with no real trouble at all, while old fans will undoubtedly love it for how well it stays in line with what’s come before. It hits all the notes it needs to and then some.
And that’s it for this week. I’m going to focus my attention on these scrumtious extra crispy strips from KFC that I’ve picked up for lunch. They are just aces, and they won’t immediately put you into a death coma like a DoubleDown will. So, that’s just a check in the plus column.