- All-New Invaders by James Robinson
- Secret Avengers gets a new # 1 issue with the new creative team of Ales Kot and Michael Walsh.
- Avengers World by Nick Spencer and Jonathan Hickman with art by Stefano Casseli.
- Avengers Undercover, a replacement for Avengers Arena by Dennis Hopeless and Kev Walker
- Loki – Agent of Asgard by Al Ewing and Lee Garbett
- A new Black Widow book by Nate Edmondson and Phil Noto
- She-Hulk by Charles Soule and Javier Pulido
- Silver Surfer by Dan Slott and Mike Allred
- Iron Patriot by Ales Kot and Gary Brown
What are you most looking forward to? Personally, Black Widow and She-Hulk look the most promising and I cannot wait to see the internet explode over Dan Slott’s Silver Surfer. I’m not sure we needed ANOTHER Avengers title to go with Avengers, New Avengers, Avengers Assemble, et. al. But seeing Hickman filtered through Spencer could make for some interesting stories.
I know I probably should have gotten this out there on, oh, Friday before everybody went and saw it. I know that. But at the same time, I think this is a film I needed to digest a little bit before I put my thoughts down on it. And by “digest” I mean, see it again. As of this writing I’ve experienced the film in both standard format and 3D. Each of these showings was packed to the brim. The first was on Friday at the first showing of the day at 10 in the morning. The next was a Saturday show at 1 PM. I need to point this out because the biggest surprise about The Avengers is that it even exists in the first place. The amount of planning and preparation that went into developing a crossover of this magnitude is mind boggling. There have been crossover films before this. Godzilla and King Kong fought it out, Freddy and Jason slashed at each other, the list goes on. It’s not that big a deal for cinematic properties to come together. What is unique is the idea of using individual characters and their films as a roadmap to an eventual crossover. In the world of cinema, it’s a miracle that it ever got made. Even more impressive is that Marvel was able to bring the viewing audience around as well. They sold the idea of this being on of the biggest movies ever and the audiences turned up. They invested their time in it. This is a movie that has been on everyone’s minds for close to five years. Ever since the end of Iron Man when Samuel L. Jackson walked in the room and told the world that the Marvel universe was going to be a shared experiment. This film is important.
That having been said, is it any good? I’m happy to say that everything you want out of this movie you will receive. Joss Whedon handles it as well as you would expect and we may finally have the shining definition of what it means to bring a comic book to life on screen. The final act is like watching a collection of “hell yeah” splash pages from a Marvel crossover brought to life. The film does not skirt the fact that comic books are writ large and with joyous bombast. The action sequences are everything that Michael Bay wishes he could accomplish. They are loud, they are big and at the same time they have a sense of direction that is managed and easy to follow. You never get confused watching the carnage and for that we should be thankful.
But what I really want to talk about is the character moments. The time between Norse gods fighting men in iron suits. Joss Whedon gives us a movie where the time spent with these character simply talking to each other are as gripping as the action sequences and set pieces. The interplay between these actors is something that holds the film together in a way that without it, the whole experiment would fail. Robert Downey Jr. and Mark Ruffalo’s respectful banter is a highlight. Hell, anything Mark Ruffalo does is a highlight. I know folks liked Edward Norton but Ruffalo brings something that has always been missing from the big screen portrayal of Banner in the previous incarnations. He manages to portray Banner as a person who is angry at his own anger and yet somehow accepting of it all at the same time and he may very well be the MVP of the film. Downey does his usual great work with Stark, but here he really sells the trans-formative arcs that propel his character forward, and seeing him bounce of Chris Evans’ Captain America is a joy to watch. I will admit that I feel as if Evans didn’t get much to do until the final act when he really gets to shine as a team leader, but in a movie with this many characters to juggle it is a small conceit. Also, Tom Hiddleston needs some awards. All of them, really. Loki was a great villain in Thor, mainly because of Hiddleston’s ability to play the wounded creature. He was a tormented soul and that made him fun to watch. Here we get to see what happens when the soul is tormented for so long that it snaps. He plays the broken soul just as well and he sells it like nobody’s business.
The film is everything it needs to be and then some. There will be those who complain about the run-time or the way characters are handled but in the end this is a big win for Marvel and a bigger win for people who still enjoy the spectacle of seeing a true summer blockbuster on the big screen. I do not doubt that I’ll see it at least one more time in the theater because this is definitely a film that benefits from a big screen. I might even shell out the cash to see it in IMAX. It’s that good.
Yesterday I bought a statue. Yeah. I didn’t have a whole lot of comics this week to put my money into so I bought that Bowen designed Kitty Pryde with Lockheed statue. It’s amazing. Okay, well, I didn’t BUY it as much as make a down payment because the thing is expensive as hell. But it’s a twelve inch statue so I should have expected the damned price to be up there in the multiple digits. I’m rambling again. This happens usually whenI know there’s not much in the way of substance to put into the review section. Check out the pull list and guess why.
BATGIRL #16 2.99
HALCYON #2 2.99
LADY MECHANIKA #1 2.99
NEW AVENGERS #7 3.99
SHADOWLAND AFTER FALL #1 3.99
THOR #618 3.99
THOR MIGHTY AVENGER #7 2.99
WIDOWMAKER #1 (OF 4) 3.99
Yeah, a whopping eight books total. You can thank the light week for the reviews being on time at least, I suppose that counts for something.
I’m really glad I picked this up. This book is a perfect example of the world that exists due to a series of books having been published over time. Specifically this is the child that Watchmen, Wildcats, The Authority, and The Ultimates spawned. As an Image title, we expect a certain tone and attitude from the book, and it’s there in place but at the same time it seems to be making a statement on the way modern comics work. The story of malice being erased and thus making the superheroes obsolete runs parallel to the current feeling that perhaps the overwhelming negativity and bleak cynicism of the modern comic reader is making them obsolete as well. The book seems to be working out in a way that champions the idea of things running their course in due time. It’s a thesis that warns that if things don’t change, nature will erase their usefulness.
It’s good to see Image is publishing so many great titles again. Image more than any company has re-invented itself in the last few years. With Invincible, Chew, The Walking Dead, as well as new titles like this one and Morning Glories, they’ve proved that there is an audience for books that don’t fit the mold that Marvel and DC seem to have poured by pushing writers like Bendis and Johns to the forefront. While there’s nothing inherently wrong with either of those writers, it can’t be argued that they don’t write for the masses in a way that makes the overall product seem diluted and repetitive.
Halcyon, along with the rest of the Image books I’m addicted to at the moment, do a great job of breaking from the norm and that is where their true value lies.
Aspen Comics have a certain tone in the same way that Image books do. There is a pattern that is followed in the style that tries to echo that of the late Michael Turner. The artists seem to subscribe to his school of thought in the way they design and push the product. Michael Turner was a nice guy who I was lucky enough to meet before his untimely passing and it pains me to speak ill of the departed but I was never a fan of his style when it came to interior artwork. I love his covers, and always will. It’s the same with Alex Ross in that regard. But the Turner style doesn’t do anything for me as far as interior storytelling. There’s shades of his work here in Lady Mechanika but at the same time it’s not a carbon copy. While I find that the style is all too familiar, as is the steampunk setting, the book itself is interesting and does a good job of giving us interesting characters that feel developed enough to care about, which is a problem a lot of books can’t seem to overcome.
I can say that steampunk fans will immediately love this book, as far as anybody else, that remains to be seen. I think fans of Warren Ellis would enjoy the backwards retro-science sensibilities of the story and I think fans of Turner would appreciate the style and tone. The uninitiated could go either way. It’s $2.99, so you could do worse for your dollar. That much is certain.
This issue is nothing but talking but all of that is okay because Squirrel Girl is in this issue. So is D-Man. Seriously, for that alone you ought to pick this one up. I can’t really go into more detail than that because I’m still fanboy-ing out over the Squirrel Girl thing. Bendis basically implied that she and Wolverine did the horizontal mambo, so he’s my hero at the moment.
Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.
While I’m sad to see Hawkeye and
Black Canary Mockingbird go, at least they’re getting a proper sendoff in what seems to be one of the more intriguing miniseries of the last few months. Someone is killing off spies in the Marvel universe and so Hawkeye, Mockingbird, her team of espionage masters and the Black Widow must team up to stop it all before it’s too late. The premise is simple but the manner that the action is handled makes it a step above what it might have been under lesser writers. The fact that they’re dealing with the Ronin identity that Hawkeye took up for a while makes me happy, as I was wondering what the hell they were going to be doing with that following Barton’s return to his original mantle.
New readers should be able to follow the action easily, it’s not so entrenched in any particular character’s lore to the point where you can’t pick up the plot threads. Everything seems to be handled organically within the story in a way that makes it seem like the first issue of a new ongoing series. They know they have to inform new readers but they don’t spend time bombarding you with unnecessary exposition. That sort of thing kills momentum and its better to just go with the flow in instances such as these.
And that’s it for this week. I hope you enjoyed my words.
After another brief hiatus the reviews have returned, and I’m sure you were all so worried that I’d never get back to the weekly review schedule. Well, here I am. I can’t say much for this week’s crop of books because it was a light week all around. Picking what to review was actually the hardest part of this little endeavor because everything I picked up is in the middle of an arc and if you haven’t made up your mind on a book by part four I doubt my little review is gonna sway you either way. If you do get to part four then read my review and go “well I’m not picking that up!” maybe I need to consider a career as a hostage negotiator.
ACTION COMICS #892 3.99
ASTONISHING X-MEN #35 2.99
AVENGERS #4 3.99
BATMAN #702 2.99
BLACK WIDOW #5 2.99
CAPTAIN AMERICA #609 3.99
FANTASTIC FOUR #582 2.99
GOTHAM CITY SIRENS #15 2.99
GREEN ARROW #3 (BRIGHTEST DAY) 2.99
SHADOWLAND MOON KNIGHT #1 (OF 3) SL 3.99
SUPERMAN SECRET ORIGIN #6 (OF 6) 3.99
THOR #613 3.99
WONDER WOMAN #602 2.99
X-MEN LEGACY #239 2.99
Now let’s get this over with.
I praised the first issue of Avengers as a return to the classic feel of the title with a little bit of Bendis’ trademark style. Four issues in, I still get the classic vibe but I don’t so much think that Bendis’ Bendis-ey tendencies (that’s an odd rhyme) are all that suited for this sort of book. Contrast this with New Avengers where he’s really feeling his groove and hasn’t lost a beat since the last volume and you can see where he feels more comfortable. Bendis likes to do epic on a small scale. Epic as it pertains to the individual or a group of individuals. In New Avengers, it’s really Bendis’ statement on how Cage has grown as a leader and Doctor Strange’s role in the world of magic. You can boil the importance of the arc down to two characters, in essence. With Avengers it’s a little harder to do that. And while it’s still a good book and an interesting read, I’m not sure if it has Bendis’ singular focus. However, Bendis does get major brownie points with me for his use of Killraven. I mean, when was the last time we saw that guy? All I know is that its cool that he’s getting a little face time because I think he’s a great character.
Where I’m sure I’m going to lose alot of you is my feelings on the artwork. Now, I like JRJR, I think he’s a great talent and he’s practically synonymous with Marvel. That having been said, his work here looks rushed. I don’t doubt that he was rushed. But this is the Avengers we’re talking about. The Avengers should have the best art in the damned company as far as I’m concerned. New Avengers looks amazing. Avengers looks like a sketchbook that’s been colored in. There’s none of the finished nuance of his work on Amazing Spider-Man or KickAss (though Kickass took like three years to finish eight issues, so he probably wasn’t as rushed.) But all the same I would rather the book come out every five weeks to give the man some extra time than have an Avengers book that looks like it was drawn by someone with shaky hands and blurry eyes.
The book is still strong, it’s just weakened by Bendis being out of his comfort zone and Romita’s art running at about 50% his usual standard. But it’s good to have the real Avengers doing stuff that the real Avengers would do. Thor smashes a martian spacecraft in this issue. That’s the Avengers I love.
Marjorie Liu finishes the first arc on Black Widow as well as her tenure on the title with the fifth issue here. Next month Duane Swiercanspellhislastnameski takes over and crosses the title over with Hawkeye and Mockingbird. I don’t know what the tone shift between the two writers will be like but I’m pretty sure it’ll be minimal. This issue basically serves as a 32 page “exhibit A” as to why Black Widow is a badass. She does a lot of ass kicking here, and proves that in addition to being a spy and an Avenger she’s also a pretty good nude bondage model. (Yeah, I’ll scan that panel later, I promise.)
They’ve done a good job with this book. Black Widow isn’t the most amazing character in the world. She’s essentially a female Jason Bourne at this point. Effecient, badass, and portrayed by an A-List actor on film. As far as the writing on the book is concerned, Marjorie Liu is able to pull together the personal narrative with the spy action well enough that you’re left wondering why Black Widow hasn’t had a monthly title for so long. If there’s one thing that she does right with Natasha it’s that she makes her an organic and viable character that has room for years worth of stories based just off of the work in this introductory arc. Whatever comes next, it won’t feel like they’re trying to cash in on the character because of her appearance in Iron Man 2 but instead because there are stories that need to be told based off of what has been established.
I’m not sure what Duane is going to bring to the book, but he has big shoes to fill. Actually, I don’t know what size shoes Marjorie Liu wears. He’s got a lot to live up to that’s for sure. I expect at least one more equally awesome cold-storage bondage moment out of him before I think he’s anywhere near Liu’s level.
When I first picked up Shadowland I promised myself I wasn’t going to get the tie-ins. I was going to give Marvel the finger when it came to the side-books that had no real bearing on the actual story. Now we’re about two months in and I’ve gotten every tie-in they’ve released so far. Congrats Marvel, you’ve got your hooks so far into my hide that I can feel it in my colon. Anyhow, it’s not a bad thing because every tie-in book thus far has been worth the money. I haven’t been let down by anything in the Shadowland pantheon as of yet. I picked up this one because I was hoping to figure out where Moon Knight plays into the whole thing and how he wound up in the underground prison in the main series.
While the book does address those issues it also seems to focus on the themes presented in the Vengeance of Moon Knight book with Moony becoming a less violent hero and Khonshu taking it the wrong way, seeing as how he lives off of the blood that his avatar delivers to him through acts of vigilantism. I assume I’m getting that right, Moon Knight can be confusing sometimes. So Khonshu is haunting Moon Knight in his dreams and his waking hours in the visage of a gigantic chicken (I know he’s not really a chicken, but he looks like one and I find that funny) and another nutjob is running around as the “Shadow Knight” giving Khonshu the blood he wants and making Moon Knight feel all guilty. It’s a damned odd book but the way they weave it through the Shadowland tapestry makes it worth picking up.
Also, I guess Quesada pulled the stick out of his ass about the smoking edict because one of the characters is perpetually puffing away in this issue and that kind of made me chuckle.
Well, that’s it for this week. I’ll be back next week with more unless I get another superflu of some sort. If that happens I swear I’ll never leave the house again.
Well, it’s time for me to rant and rave about comics again. It feels like it’s already later in the week than it really is so you’ll forgive me if everything feels a bit “off” today. I’m not sure why I feel so damned disoriented but I do. I spent Tuesday playing Red Dead Redemption, which I finally managed to complete and it was worth it because that game is all kinds of amazing right up to the very end. I want a sequel now. But games are more my brother’s department, so I’ll let him tell you about that if he ever decides to do another editorial for us, the lazy bastich.
AMAZING SPIDER-MAN #633 2.99
AMAZING SPIDER-MAN #634 GRIM 3.99
AMAZING SPIDER-MAN PRESENTS BLACK CAT #1 (OF 4) 3.99
BIRDS OF PREY #2 (BRIGHTEST DAY) 2.99
BLACK WIDOW #3 HA 2.99
BOYS #43 (MR) 3.99
DEADPOOL #24 2.99
DEADPOOL MERC WITH A MOUTH #12 (OF 13) 2.99
HER-OES #3 2.99
HERALDS #3 (OF 5) 2.99
INCREDIBLE HULK #610 WWHS 3.99
NEW AVENGERS #1 HA 3.99
NEW MUTANTS #14 XSC 2.99
ULTIMATE COMICS X #3 3.99
WITCHBLADE TP VOL 07 14.99
X-FACTOR FOREVER #4 3.99
So let’s hop to it. No sense in wasting time.
Two issues of Amazing Spider-Man hit the shelves this week. Three if you count the Black Cat mini-series. The finale of SHED was passable, but the overall quality of the arc is tainted for me by Bachalo’s artwork, which I find to be damn near incomprehensible. Seriously, I have no clue what in god’s blue balls is going on when that dude draws an issue. I’m not saying that he’s a bad artist, as there’s obviously talent there. I certainly can’t draw with any degree of his skill, his style simply aggrivates me and if Spidey weren’t a title I’d been collecting for around six years straight I would probably skip the story just so as to avoid looking at his clusterfuck linework.
Skip to the next issue however, and it looks like we’re in for a ride and a half. The Kraven saga is finally coming to a head, with the Kravinoff family hunting down members of the “Spider” family in some sort of scheme that I guess will either redeem Kraven’s honor in the family’s eyes or straight up resurrect him. I’m not sure. There seems to be a lot of misdirection on the part of the Kraven family. They were straight up trying to explode Arachne with a rocket launcher in the streets of New York while they had much more elaborate and detailed plans in their hunt for Mattie Franklin, the other, OTHER Spider-Woman who sometimes gets lost in the shuffle.
But honestly, the best part of the issue for me was seeing Kaine get his ass handed to him. I’m no fan of Kaine. He oozes 90’s psuedo-cool-lameness and seeing him get beat up and sliced to ribbons was just a treat for me. Like a free dessert at a restaraunt I was already enjoying.
I’m not gonna really review this issue, I just wanted to post a picture of Black Widow’s wicked awesome “Srsly?” face as drawn by Daniel Acuna.
Seriously. Epic bitchface.
You know what? This may be the single best issue of Hulk of the decade. It’s definitely the best to come out since the Planet Hulk saga ended. It feels like the Hulk should. It’s got all the melodramatic pathos, all the internal emotional struggle worked out through unrepentant violence. In short, it’s just a really amazing piece of Hulk. So much of what happens in this issue builds off of years and years of Hulk history, so much so that every event that happens in the pages of the issue carry an emotional weight that has been missing from the series for a while. I think that running parallel to Loeb’s overblown lunacy has caused the Incredible Hulk book to suffer by association. Pak has had to work within the confines of what Loeb has been building up to with the Red Hulk identity mystery and the introduction of gamma-radiated heroes, but he maneuvers in between the raindrops of insanity here to put out a classic Hulk issue that I think people will be talking about YEARS down the line as a perfect example of what makes The Hulk work as a character.
I will admit that the issue did have a bit of sensory overload. A lot of what happens happens very, very fast and there’s a lot of information to process. That having been said, it’s not so mindbogglingly convoluted that you can’t fully understand what’s going on. Compared to something like, let’s say, last week’s issue of SHIELD which just about made my brain crap itself. (Thanks Jonathan Hickman, you magnificant bastard)
In short, it may not be a great jumping on point if you’re unfamiliar with what’s been going on, but this issue should be a treat and a half for true died-in-the-wool Hulk fans who have been waiting for an issue like this for a long, long time.
If Avengers was Bendis doing the Avengers in a more classic mold, New Avengers certainly continues the work he did in the previous volume, with all the stuff that will make Bendis haters gnash their teeth and complain until they’re blue in the face while ignoring the fact that it’s still a damned fine book that is in no way inferior to what he’s doing over in the flagship title or anything any other Avengers writer has done before him. He even has the requisite Avengers trope of having everyone sitting around the table at the Avengers mansion and talking. Which happened ALL THE MOTHERFLIPPING TIME back in the old days, so it’s not as if his “overly talky” style is in any way counter to what the Avengers have done in the past. Plus we get some serious mystical mania with Hellstorm, Strange and the new sorcerer supreme, Dr. Voodoo.
Seriously, to prepare for this review I stalked message board topics about it. Just to see what other people were thinking and I have to say that the majority of comic book readers are a bunch of jaded cynics and hypocrits who really would only be happy with any given title that they claim to love if they were working on it with an artist of their choosing. Of course then only one person would be happy with the book and the rest of us would still be complaining. Lighten up fanboys, you guys are killing me.
Also, my new comic nerd-crush is Victoria Hand. In this issue she has a big gun. She’s won my heart.
Now I have to head back into the shop for a few hours on my day off to continue pulling books for subscribers. UPS lost another one of our boxes and so there’s a few things that we have to finish up today. I swear, in between Diamond Distribution and UPS, it’s a wonder we have any comic books to complain about on a weekly basis AT ALL.
According to Newsarama as well as writer Marjorie Liu’s twitter feed, Marvel’s Black Widow ongoing will be getting a new creative team starting with issue number six, hitting shelves this September.
Today, Marvel Comics announced a new creative team for the Black Widow series, beginning with issue #6 in September 2010. Writer Duane Swierczynski (Cable) and artist Manuel Garcia (Dark Avengers: Ares, Iron Man: Noir) take over as Natasha Romanoff’s handlers for her next engagement. In this new story-arc beginning in Black Widow #6, Natasha is in the sights – literally – of a military man named Nick Crane who suspects she caused his father’s death.
Now, I’m torn here. I love Duane Swierczynski. He made Cable interesting, which is something only a choice few people have been able to do in the history of this universe. He also wandered into my store with Vic Gischler of Deadpool Corps fame recently, so the fact that he patrons actual comic stores makes me dig him a little more. But that having been said, I’m trying ever so hard to not feel disappointed. You see, I am a fan of long-running creative teams. Bendis on Daredevil & New Avengers, Brubaker on Captain America, Ennis on Punisher; if you give a team the time to really build something from the ground up, you get some of the best comics on the stands. I feel like Marjorie Liu could have pulled that off with Black Widow.
I know it was her decision, based on needing time to balance her comic workload with her prose work, but I’m still sad to see her leave. She’s still got Dark Wolverine on tap, but I’m not a fan of that character. Just a matter of personal taste there. But if she can get a good long run on that, maybe there will be something that changes my mind. Given the time.
Joblo is reporting this morning that Jeremy Renner, he of The Hurt Locker fame, is officially on board as Hawkeye in the upcoming Avengers maga-film. I think it’s pretty darn good casting. He’s got the look for it, and the attitude. What remains to be seen is whether or not they’re going to go the Ultimate route or the 616 original. Does this man truly have the balls to wear a blue and purple scale-mail jumpsuit and hop around shooting a bow and arrow? If he does, he’s more of a man than I am because I wouldn’t be caught dead wearing Hawkeye’s uniform.
So what we have so far for an Avengers team is this : Nick Fury, Iron Man, Captain America, Thor, Hawkeye and the possibility of War Machine and Black Widow. Will Ant-Man and the Wasp show up? Is the Hulk still a factor? I don’t know. I just know that the film is shaping up to be something really interesting, but we still have Thor and Cap’s solo films before the Avengers hit the screen, so that’s plenty of time to blindly speculate on what could happen before they ever get filming.