I’m not even gonna lie, folks. Yesterday I was on the verge of lashing out at anybody who looked at me the wrong way. Some people said some things that I felt were highly disrespectful, and then they followed up on that by asking me to go out of my way to do something that I am not actually able to do without significant time spent doing so. Why would I do this when I don’t get treated with any measure of respect in the course of my regular comings and goings? All I can say is that luckily the day was salvaged by a date with a beautiful girl and a stack of mostly excellent comics.
Yesterday was really the kind of day that comics were invented for. I was in a foul mood, the rain outside was just nasty, nothing was on TV; it was just a day meant to be ended laying on the couch reading about super powered people in bright costumes punching bad guys in the face. Honestly, yesterday would have been almost a total down note if it weren’t for my weekly pull.
ACTION COMICS #890 3.99
ASTONISHING X-MEN #34 2.99
BATMAN BEYOND #1 (OF 6) 2.99
CAPTAIN AMERICA #607 HA 3.99
DEADPOOL TEAM-UP #892 2.99
DEATH OF DRACULA ONE-SHOT 3.99
FLASH #3 (BRIGHTEST DAY) 2.99
GOTHAM CITY SIRENS #13 2.99
HERALDS #5 (OF 5) 2.99
INVINCIBLE IRON MAN ANNUAL #1 4.99
JUSTICE LEAGUE OF AMERICA #46 (BRIGHTEST DAY) 3.99
JUSTICE SOCIETY OF AMERICA #40 2.99
SECRET AVENGERS #2 HA 3.99
THOR #611 HA 3.99
WONDER WOMAN #600 (NOTE PRICE) 4.99
And now that my personal bitching is out of the way, let’s do this shit.
Lex Luthor takes over the protagonist duties on Action Comics this week, with former Captain Britain and Doctor Who writer Paul Cornell taking the reigns and bringing us a story that spills directly out of Blackest Night, which most of my readers will recall me as christening a “steaming pile of Geoff John’s diaretic feces” or something similar. And while my feelings on that particularly shoddy mini-series haven’t changed, the fallout here with Luthor, whose power hungry ego was out of control before he got ahold of an orange ring, is actually intriguing and well plotted. I attribute this mostly to the fact that Luthor is one of the better multi-faceted villains DC has at their disposal. I mean, the Joker has a lot of different degrees of crazy he can go in, but he’s still going to be the Joker. With Lex we can get mad scientist Lex or evil industrialist Lex or actually-not-evil Lex, his lack of true definition isn’t a fault of the writers it’s a byproduct of his psyche as a character. Luthor truly does not know what he wants to be. Really, he just doesn’t want to be Superman, despite what Geoff Johns would have you believe.
This particular issue knocks it out of the park as far as I’m concerned. The story is obvious setup, where we learn of Luthor’s plan to quest for the rings (which sounds a little more Tolkien-esque than I thought when I typed that out). But while it’s definitely an issue meant to catch up readers who may be jumping on board as well as giving us a clear direction for where the title is headed, we also get Cornell’s Luthor clearly defined in the span of one issue. We know which Luthor we’re going to be getting. Cornell writes a very compelling Luthor, with his actions making complete sense in the context of who we’re dealing with. The way he treats Lois in this issue (probably my favorite aspect of the series thus far) is probably as good a gauge of character as we’ll ever see.
Oh, and the surprise reveal of the villain at the end made me squee, because he’s a personal favorite and I’ve been waiting for him to pop back up for a while now. But that’s just personal bias.
I only vaguely remember Batman Beyond as a show. I mean, I watched it because I was young and there wasn’t much else on but I didn’t latch onto it the way that I did with Batman The Animated Series. Chris Sims over at ComicsAlliance said that he enjoyed the show because it was basically Batman meshed with Spider-Man but set in the future. I agree wholeheartedly with that assessment. The character is more Spidey than Bats most of the time, and I think that’s an interesting dynamic but it was never something that hooked me. I mean, if I want to watch Spider-Man I’ll go watch Spider-Man. Batman has a specific style and tone that I identify with and Batman Beyond didn’t really hit that note for me.
That having been said, I felt compelled to pick up the first issue of the mini-series because I’ll be damned if I’m not going to at least give it a fair shake to make me a convert. I won’t say that it has, but I think that is because a lot of what did make the show work in terms of style was lost when translated with it’s adaptation to a different medium. I think that regular fans will enjoy it more than I did because they’ll just be happy to see Terry McGinnis back in some form.
I will say that Beechen gets kudos for surprising me with the villain, if they do in fact go where they suggest at the end of the issue. He’s not my favorite villain by any means, in fact I hate the living hell out of the story that introduced him while a lot of people hold it up as some paragon of Batman lore, but given that this is an alternate reality maybe they can fix him in some small degree, although any progress made won’t resonate in the regular titles and so I’ll likely end up dissapointed either way. As you can tell, I am still harboring some residual pessimissm left over from yesterday.
Spoiler Alert – Dracula dies in this issue. Yeah, I know some people will actually complain that I mention that. Despite having the central premise of the book right there in the title. Though Marvel has thrown swerveballs at us in regards to titles and events and covers that bely my point, but this is my blog so deal with it.
Anyhow, all I have to say about this issue is that it is a damn fine little vampire story that follows the logic and style I prefer in my vampire fiction. I was hoping for a Blade cameo, but no such luck, this one is all about the fanged dudes. The clear definition that Gischler gives to the vampire sects is refreshing rather than having a catch-all group of undead with no real regard to locale or backstory. I particularly liked the hot dominatrix female vampire sect. (The fact that I almost typed that as “Sext” seals the deal. Hot vampires for the win. Good job Gisch!)
I have to appreciate Marvel’s recent revival of their vampire community. The upcoming trade reprints of Tomb of Dracula have me positively giddy as I can finally replace my Essentials. Cornell’s Vampire State arc of Captain Britain was phenomenal and every time I see a copy at the shop I get really angry that the book got cancelled because it truly was a gem. But luckily Marvel has good, talented writers like Gischler handling their vampires because they seem to understand what makes them work. Vampires are supposed to be creatures of horror. There is a lamentation in the book that humans don’t fear vampires the way they should, despite being creatures of fear by nature. And that’s the crux of this. There is a regal fearsomeness to the vampires presented in this issue. I want to thank Vic Gischler for righting the wrongs brought on by vampires like this:
Yeah, seriously. Read Death of Dracula. It’s not lame.
First, let me state how awesome it is that Matt Fraction was able to throw in a nod to Immortal Iron Fist in this annual. I think that was wicked awesome, especially for those of us who loved that book unconditionally. I will say that for the five bucks I paid to pick up this book, I got about as much content as your average trade paperback. Fraction knows how to give his readers bang for their buck, and here we got an interesting look at the life story of the Mandarin through the eyes of the director he shanghai’d to film his biopic. It’s filled with fabrications and lies mixed with fact. Kind of like a White House press conference (BA-ZING!).
It’s a hefty book, with a sprawling story that weaves itself around Iron Man without ever being about him. Which is both a good and a bad thing I suppose. I did like how Fraction essentially updated Tony’s origin to mirror the one in the film, with the terror sect from the first movie being utilized and the escape sequence recreated almost identically. We knew it was going to happen eventually, I’m just glad it was done in a way that was organic and didn’t feel forced. Like some stupid mini-series launched simply to cash in on the movie. I get tired of that. Quickly.
This annual has a lot going for it the way that Action Comics did. We get a character who is well known but not defined in any real manner. Fraction plays with that a bit to create a character who is defined by the smokescreen created by his own illusionary presence. The Mandarin is a villain who needed an issue like this to give us a reason to care about his existence. I can’t wait to see what Fraction does with the character in the pages of the book proper.
Christ on a cracker, Robinson. You’re killing me here.
JLA has turned into a solid gold turd. I mean, it started off pretty bad with Meltzer, and McDuffie’s run was a mediocre bore, but now it’s just a walking joke. Bagley’s pencils are great and all but they cannot salvage this dreck. It’s poorly written, poorly plotted, and doesn’t feel like a JLA book at all to me. There’s none of the gravitas of Morrison or Waid’s run, and none of the fun that was so prevalant in the cartoon. JLA is supposed to be big and bombastic, it’s supposed to be all that’s great about the DC characters in one book but instead I find myself reading this issue and wondering how anyone could enjoy it. It’s full of faux importance but everything rings hollow. If it weren’t crossing over with JSA, which I’m loving, I never would have put money down on this title. It’s sad to see how far Robinson has fallen since Starman, it really is.
All anyone is talking about is that damned costume redesign. Which basically confirms my suspicions that Wonder Woman is more an image than a catalyst for stories. She’s a fetishized figure that hearkens to teenage masturbatory fantasies whose value as a character is largely ignored. I personally liked every little story in the book, with my favorite of course being the one by Amanda Conner, who may be the most talented working artist around. I mean, come on. You have Power Girl and Wonder Woman teaming up to punch a giant walking egg. Don’t tell me that’s not great!
But all the coverage of this milestone issue has been about the damned costume. It only appears for one of the five stories in the issue and that seems to be the only thing that every article I’ve read since the beginning of this week has focused on. Not the fact that Gail Simone teamed up with George Perez to tell a Wonder Woman story that builds on years of Diana’s legacy for a truly genuine story. One that demonstrates how just about every other female character in the DCU is beholden to Wonder Woman in some way, shape or form. Whether in the context of their existence in the mainstream DCU or in a meta-textual manner that references the way Diana trailblazed female heroes, that story spoke volumes. And it made the message while she was wearing the classic costume. If there is anything wrong with that costume it’s simply that George Perez can’t draw every issue of Wonder Woman as well as her every appearance in every DC book. Between Gail and George’s enormous talent, their worst work would be better than the best work of some other talented creators. I stand by that firmly.
Of the Trinity’s anniversary issues, this one was probably the strongest. There was a respect to the character that was lacking in Superman’s, like the point of Superman 700 was to expose the flaws of Superman and somehow right them. Which felt a little like arrogance on the part of Stracynski. With Wonder Woman, he’s also trying to revise her and bring her some place new. But he didn’t do it at the expense of saying “your personality is wrong, this shall be fixed.”
Still not sold on him as the ongoing writer, but this issue was solid. I just wish people could see the reason why.
Man, this week has been intense. I’ve been working on some major renovations inside the store, trying to make room for all the cool new shipments of figures and statues and assorted awesomeness that’s set to be hitting the shelves within the next month or so, which has left my body sore and weak from the labor. I’m not sure if you know this, but comic books in bulk start to get heavy. Especially hardcover collections. I swear it felt like moving baby cows on my shoulder at some points. But it all was worth it for how great the new setups look and the fact that this week’s new books are pretty much the pinnacle of awesome.
ASTONISHING X-MEN XENOGENESIS #2 (OF 5) 3.99
AVENGERS ACADEMY #1 HA 3.99
BATGIRL #11 2.99
BATMAN #700 (NOTE PRICE) 4.99
BOOSTER GOLD #33 2.99
CAPTAIN AMERICA #606 HA 3.99
CHRONICLES OF CONAN TP VOL 19 DEATHMARK 17.99
DAREDEVIL #507 2.99
DOOM PATROL WE WHO ARE ABOUT TO DIE TP 14.99
HACK SLASH MY FIRST MANIAC #1 (OF 4) CVR A (MR) 3.5
INVINCIBLE IRON MAN #27 HA 2.99
JUSTICE LEAGUE GENERATION LOST #3 (BRIGHTEST DAY) 2.99
NEMESIS #2 (OF 4) (MR) 2.99
PREDATORS #1 (OF 4) 2.99
PUNISHERMAX #8 (MR) 3.99
SECRET SIX #22 2.99
SHIELD #2 2.99
ULTIMATE COMICS AVENGERS 2 #3 3.99
ULTIMATE COMICS SPIDER-MAN #11 3.99
UNCANNY X-MEN #525 XSC 2.99
YOUNG ALLIES #1 HA 3.99
And as always, I will tell you why you should buy things.
Wasn’t initially going to get this one, but Christos Gage is one of those writers who has a tendency to churn out some amazing stuff out of concepts I initially hesitated on. He’s a solid writer who is well on his way to getting the name recognition he deserves. With Avengers Academy, he may have found that project.
If there is one flaw with the book it’s simply that, by nature, it’s sort of the black sheep of the Avengers family. The “heavy hitters” in the book as far as star power goes are Hank Pym, Justice and a newly reformed Speedball. Gage plays with this by saying that we’ll get some big names as “guest instructors” over the course of the book, to show that those characters care about the events transpiring in the book, so we should as well. LISTEN TO CAPTAIN AMERICA! HE’S ALWAYS RIGHT!
So yeah, the book has that hurdle to overcome in the mind of the financially conscious fanboy, who may not view the book as “essential reading.” But the book hits all the notes it aims for, and the new characters introduced in the book are all interesting and get a fair share of development in their debut. Reptil shows up, having gained some exposure through the Superhero Squad cartoon. Other members of the group seem to establish their niche right away, with Finesse and Hazmat being the darker foils to Reptil, Mettle and our primary protagonist Veil. Personally I think Mettle has the chance to grow into a really great character. He seems to echo the greatness that Rockslide projected back in New X-Men.
The reasoning behind using these characters, and why the program exists, parallels the Heroic Age’s overall theme of rectifying the wrongs of the Dark Reign era. It probably won’t be the theme for too long, as the status quo will likely shift again fairly soon, but it’s an excellent way to get the ball rolling and they’ve hooked me in for another one.
Man, this one was epic. It’s not exactly a new-reader friendly jumping-on point as one would figure, as it hearkens back to Grant Morrison’s issue # 666 as well as the two-part Whatever Happened to the Caped Crusader arc and we even get a segment (albeit a short one) that jumps into the Batman Beyond universe. It’s a veritable garbage-bag cocktail where every last drop of alcohol at the party gets mixed together in the hopes of making a concoction that will give you a kicking buzz without making you go blind.
The story has time travel, the Joker acting bat-shit insane, an appearance from the Mutants that harkens back to The Dark Knight Returns, Two-Face 2 who may be the greatest idea for a new villain that won’t be able to recur due to where he made his debut, and an amazing pin-up art gallery at the back end featuring drawings by some of the greatest artists ever to draw the Dark Knight.
I wish this review could be longer, but honestly the book is one that you have to read for yourselves. I don’t think it is an issue that everyone will enjoy, but I think that it’s definitely a ballsy choice for an anniversary issue this large. If nothing else, it’s definitely worth a read just for the sake of seeing if you understand what the hell was going on.
Captain America has been firing on all cylinders for around five years now. Brubaker knows that book like the back of his hand and refuses to let up. This issue deals with the fallout from the last arc where Bucky had to put an end to an evil Steve Rogers clone with a bullet to the dome. It doesn’t sit well with Bucky, as you can imagine the boy has some issues when it comes to Captain America dying, real or not.
While all this is happening, Baron Zemo seems to be working some machinations, which makes me happy as I friggin’ love Baron Zemo. I hope to god he at least gets name dropped in the Cap movie, because I think he’s just one of the most awesome characters Marvel has. Don’t believe me? Go read some Thunderbolts before Warren Ellis turned it into some sort of twisted abomination from the depths of hell. Zemo is a multi-faceted villain who simply does not get his due nowadays and I’m glad that between this and the new Thunderbolts, he seems to be making a comeback.
My only squabble with this issue is the fact that I’ve not yet determined where the hell it fits in with what’s going on over in Thunderbolts. I’m sure they’ll work that out sooner or later, but for the moment I’m trying to place it myself. With all the time line jumping in the Cap book, it’s a chore for sure. But continuity isn’t as important as everyone makes it out to be, especially when the book is this good.
As for the Nomad backup, I’m certainly enjoying it. I like the world they’ve established there, I’m just tired of Nomad ending up in peril so often due to her own naivety. It’s repetitive. Luckily, she seems to not have that shortcoming over in Young Allies, which I’ve reviewed further down the page.
I’ve been looking forward to this one for a long time. Tim Seeley’s Hack/Slash is one of the more consistantly fun and entertaining books on the rack and when I heard it was moving over to Image, I thought “Oh thank the Lord, something good to read by that company that’s NOT written by Kirkman!” (All praise, be to the Kirkman)
With this mini-series, you get a fresh jumping on point if you’ve ever been interested in reading about Cassie’s exploits bashing the brains of creepy stalkery torture-killers with the aid of her hulking sidekick Vlad, who may currently be my favorite recurring comic character. He’s all kinds of awesome and unfortunately he doesn’t make an appearance in this first issue. He’s probably off in a corner reading Chippy Chipmunk at the moment.
The issue gives us a quick origin storry for Cassie that, while familiar to long-time readers, does not feel repetitive or dull. That was my main concern when the book was announced; that the mini-series would mostly be rehashed from prior events that we had already seen and therefore be of no consequence to those of us who have been onboard since the start.
And while I am certainly familiar with Cassie’s origin, the events presented here seem fresh and new even if parts of it do seem familiar. I like that Seeley is simply moving forward with the series rather than using this label-hop as an excuse to do a reboot. Because as we all know, reboots are all the rage in the horror genre right now. Because everybody wanted a remake of Nightmare on Elm Street, right? Whatever.
Get the book, hop on board now so that you can be like me and stand around telling everybody that they should have been reading this years ago. It’s a fun feeling. A nice boost to the ego. I love it.
I picked this one up out of my love for Nomad. I loved her mini-series, I love the backups over in Captain America, and I think that it’s amazing that a character who was borne out of such a horibble event (Heroes Reborn. *shudder*) could end up being such a great addition to the mainstream Marvel landscape. Teaming her up with Araña was a stroke of genius, because that girl, while an interesting concept, needs a foil to work to her fullest potential, as evidenced by her appearances in Ms. Marvel.
The book starts off somewhat dark, giving us the origin of a couple of kids who are ripped from their families and trained to be death soliders for some South American Generalisimo. If it were drawn by someone like Mike Deodato it’d be downright frightening and hard to bear, but artist David Baldeon has a light tone that doesn’t strive to be hyper-detailed or stylized, and so while the impact is effective, it does not make you want to rip out your own soul. This is a comic book after all.
The issue plays out much like New Avengers # 1 did a few years back, with the team being brought together by a single circumstance and a whole lot of coincidence. The formula works well this time around, because even the villains remark before they pul their caper that they’re looking for heroes to be in the area and expect them to show up. It’s a little touch that makes the book run a lot smoother.
Between this and Avengers Academy, Marvel seems to be doing all they can to get their readership invested in the next generation of Marvel heroes. Meanwhile, DC is probably trying to find a way to kill off Jaime Reyes. The butchers.
Joblo is reporting this morning that Jeremy Renner, he of The Hurt Locker fame, is officially on board as Hawkeye in the upcoming Avengers maga-film. I think it’s pretty darn good casting. He’s got the look for it, and the attitude. What remains to be seen is whether or not they’re going to go the Ultimate route or the 616 original. Does this man truly have the balls to wear a blue and purple scale-mail jumpsuit and hop around shooting a bow and arrow? If he does, he’s more of a man than I am because I wouldn’t be caught dead wearing Hawkeye’s uniform.
So what we have so far for an Avengers team is this : Nick Fury, Iron Man, Captain America, Thor, Hawkeye and the possibility of War Machine and Black Widow. Will Ant-Man and the Wasp show up? Is the Hulk still a factor? I don’t know. I just know that the film is shaping up to be something really interesting, but we still have Thor and Cap’s solo films before the Avengers hit the screen, so that’s plenty of time to blindly speculate on what could happen before they ever get filming.
Yesterday while working in the shop, a discussion formulated about this blog and my attitudes toward certain writers or characters. The conversation inevitably led to the question, if I were writing for DC or Marvel, what character would I most like to write and who says I could do any better than the people writing that title at this very moment.
The real truth is that while I absolutely adore the characters of DC and Marvel, I don’t have any true aspiration outside of perhaps a childhood fantasy wish fulfillment scenario to write those characters. I don’t think I’m particularly well suited to writing in that particular field. Not because I dislike serialization or don’t think that I have stories that fit the characters, because I do, but moreso because I would rather self-publish a book entirely of my own design in the mold of fellow Houston writer/artist Terry Moore, or have an original creation published through Image or some other publisher.
I am in fact working on the script for such a series, though I don’t know how I plan to publish it. Either through the same company that I used to print my first novel or to shop it around to publishers like Image. I suppose I need to get an artist on board first, as that would be a major part of getting the thing published in the first place.
But back to that original question, if tomorrow I got a call from the people at Marvel or DC and they said they wanted me to pitch them a story for a character of my choosing, who would I choose to write? Everyone here should know how much I absolutely love Batman. I mean, the first film I can remember seeing was the 1989 Batman movie with Jack Nicholson and Michael Keaton. I’m currently wearing my “lucky” bat-symbol boxers as I type this. But I don’t think that I would be able to take the reins of Batman either in his main book or even in an ancilliary mini-series due to the fact that there’s too much hovering over my head in terms of expectations, and I fear that immediately following my run some big name writer would erase my work with the stroke of a pen and all my writing would have been for naught. And were I to do a mini-series it would likely be regarded as insignificant and passed over.
The same goes for characters like Captain America or Spider-Man over at Marvel. I’d be so intimidated by the legacy of those characters that putting my name on the book would render me into a quivering neurological mess.
So who would I like to write?
Over at DC, there’s only one choice:
That’s right damnit, Power Girl.
Why? Because I love fun characters, and PG is one of the most fun DC has to offer. I feel like she has been written extremely well by some really talented people, especially the current creative team, whom I will be sad to see depart with this week’s issue # 12. That having been said, there is plenty of room for expansion on the character. I think that there are many writers who are two quick to see what’s been done with her and reduce the book to a one note joke or they don’t know what to do with the character at all.
I would like to take hold of Power Girl and expand on the great work that Jimmy and Justin have done, and bring her to prominence in a way that makes it hard for her to be ingnored in the grander scheme of the DCU. Essentially do for her what Marvel has done for Ms. Marvel lately. Her book may not have been a mega-seller but it did raise her level of recognition and ingrain her into the rest of the shared universe, making her a central character. PG may be a member of the JSA but she’s not popping up in other books simply because she’s such a public figure in the whole of the DC universe.
In the grand scheme of things I suppose most of the characters I would most enjoy to write would be the ones who have been written well in the past but aren’t really very prominent when you look at the progression of the shared universe as a whole. Over at Marvel I’d love to write She-Hulk, Wonder Man, and I’d really like to try my hand at The Runaways even though I know that the internet would condemn my writing before a page ever hit the stands.
Will any of this ever come to fruition? Probably not. I think my teeth gnashing towards Geoff Johns has essentially black-listed me there at DC, and I’ve been fairly vocal about my displeasure with Marvel from time to time. I’ll have to publish my own horse-crap from here until the end of time.
Such is life.
You know what the best part of yesterday’s “Avengers Day” festivities were? Seriously? When my co-worker brought in cake. Volstagg understands where I’m coming from when I straight up tell you that even the crappiest day could be saved by cake. I mean, obviously when the zombies come and the fecal matter hits the rotating blades, cake isn’t going to make up for that, but I guarantee you that it won’t not help. That’s a promise.
AVENGERS #1 HA 3.99
BRIGHTEST DAY #2 2.99
DEADPOOL #23 HA 2.99
EXECUTOR HC (MR) 19.99
GALACTA DAUGHTER OF GALACTUS #1 3.99
INVINCIBLE IRON MAN #26 HA 2.99
SCALPED TP VOL 06 THE GNAWING (MR) 14.99
SUPERMAN WAR OF THE SUPERMEN #3 (OF 4) 2.99
X-FACTOR #205 XSC 2.99
X-MEN LEGACY #236 XSC 2.99
ZATANNA #1 2.99
I’m not gonna lie, dear readers…this week was slim pickin’s after last weeks full frontal assault by the big two. I will however give you what I can, as is my journalistic duty.
AVENGERS # 1
Let me get this out of the way, compared to New Avengers, this is about as Avenger-y an Avenger book can get. Sure, there’s a lot of Bendis’ trademark standing around and talking, but having recently re-read Busiek’s awesome run, there was a fair amount of expositional dialogue slinging in that era too, and I don’t know too many people who badmouth that run. Mostly out of fear that George Perez will come for them in the night and annihilate their souls with the power cosmic that he keeps stored in the lining of his Hawai’ian shirts.
Let’s see, Romita artwork? Check.
Clint Barton as Hawkeye? Check.
Steve Rogers giving an inspiring speech? Check
MOTHERF##KING KANG?!?!? CHECK!!!
Seriously, is there anything I think of as being more of an Avengers staple than Kang? No! Because he’s the most ludicrous Avengers villain of all time. He embodies the over-the-top grandiose nature of the book in ways that Dr. Doom or Ultron simply cannot. I know that’s a matter of opinion, but I would consider it to be fact, because that’s just how big my goddamned ego is. Kang has the sort of absurd over the top nature that could only be found within the pages of a comic book. I mean that with all the love and respect it entails. Comics as a medium have the ability to take the completely batshit insane and make it work the way that if you tried it on television or on film, you would be laughed at like a gimpy orangutan in a sailor outfit. Oh, the laughs you would garner if you tried to throw a time traveling despot into the workings of even the most out-there television show you could find. If Kang showed up in his purple helmet on the island on LOST, people would groan and punch themselves in the groin. Well, I would make a high pitched shrieking sound and bounce around the room like a walaby on angeldust, but that’s because I like things that nobody else likes.
The fact of the matter is that Bendis has gone back and made an Avengers book for the people who spent the last six years complaining that his books didn’t feel like they were Avengers books. Are those people really going to be able to make those claims when Kang shows up sporting a doomsday device that was supposedly built by a future version of Tony Stark and tells them that the future of the world depends on their new team triumphing over seemingly insurmountable odds? No, those people will have to eat their words like a slice of spongey Avengers Day cake. How does it taste, people? The answer should be chocolate.
Wanna guess what I love more in comics than Kang? Give up?
Yeah, I went there. You think I stuck around through all of Green Arrow/Black Canary because I enjoyed the story. Nope. It’s because I am bound by honor to purchase any and all comics featuring a character whose costume involves fishnets. My brain is hard wired that way. Is that shallow? Maybe. How many people bought Power Girl just because of the boobage? I bought it because I love the character. The boobs are only a fraction of that element, so I suppose that makes me better than everyone else. That’s me, champion of ethics.
Anyway, this issue begins with Zatanna in full bondage mode, chained to a gigantic St. Andrew’s cross while the Joker is set to ram a gigantic drill through her torso. Fan service? You bet your ass. It’s all a swerve, of course. It’s a Zatanna book, nothing is going to be exactly what it seems like. But do you think anybody who just flipped open the book to see a hot brunette in fishnets and sexy boots bound and gagged in pure fetish fuel fashion is gonna put the book back on the rack after that? No. They’ll buy it. They have to. Unless they’re a female who can’t appreciate how friggin’ hot that opening page is. But take a closer look femi-nazis, that panel is all about the empowerment of the female form, that when we view a woman at her most helpless she’s truly always in control. Satisfied? I hope so, because I don’t really wantto overanalyze the book. It all really boils down to the fishnets. Let’s be honest.
I learned something this week. Comic books are not an easy habit to downgrade. While last week I remarked that due to my financial situation, comic books would have to be scaled back for a little while alongside other things like blu-ray movies and steak dinners in order to help me build up a little extra cash in the bank, this week I found out that I can’t seem to stop myself from throwing stuff on the pile. Let me just say that while I still am going to try to restrain myself, hard as it may be because there is so much good stuff out there that I really want to read, I’m not going to hamstring myself either. If you can’t enjoy your hobbies the way you want, they sorta cease to be hobbies in my opinion.
ACTION COMICS #889 3.99
AMAZING SPIDER-MAN #629 2.99
CAPTAIN AMERICA #605 3.99
DEADPOOL #22 2.99
DETECTIVE COMICS #864 3.99
FALL OF HULKS RED HULK #4 (OF 4) 3.99
FANTASTIC FOUR #578 2.99
GOTHAM CITY SIRENS #11 2.99
HACK SLASH SERIES #32 A CVR SEELEY (MR) 3.5
INVINCIBLE IRON MAN #25 HA 3.99
JLA DELUXE EDITION HC VOL 03 29.99
JUSTICE SOCIETY OF AMERICA #38 2.99
LAST DAYS OF AMERICAN CRIME #2 (OF 3) A CVR MALEEV (MR) 4.99
MIGHTY AVENGERS #36 SIEGE 2.99
NEW AVENGERS #64 SIEGE 3.99
PREVIEWS #260 MAY 2010 (NET) 2.7
PUNISHER #16 2.99
RANDOM ACTS OF VIOLENCE GN (MR) 6.99
SHUDDERTOWN #2 (MR) 3.5
SUPERMAN #699 2.99
SUPERMAN LAST STAND OF NEW KRYPTON #3 (OF 3) 3.99
THOR #609 SIEGE 2.99
TRANSFORMERS ONGOING #6 3.99
ULTIMATE COMICS AVENGERS 2 #1 3.99
X-FORCE #26 XSC 2.99
And now, your weekly biased opinions.
I love a good one-off Deadpool story in which all kinds of ludicrous wackiness ensues. When you try to go epic with this particular character you can either get some amazing results like the Cable/cult stuff in Cable & Deadpool or you can get something like Deadpool Corps which doesn’t have quite the same *oomph*. This story has Deadpool being Deadpool somewhere in Georgia and wreaking vengea-justice against some corrupt backwoods hillbilly cops. It’s not high art in any way shape or form, but it feels like Deadpool, moreso than any universe-hopping counterpart he may have in another book.
In all fairness, this is the only Deadpool book on my list now. I cut off DPC and Team-Up because I wasn’t caring for them at all. They felt empty and bloated at the same time and didn’t give me anything that I was looking for in the character. Merc With A Mouth is still mostly excellent but it ends in three issues, so it might as well be gone already. I’m going to hold off on the upcoming Wade Wilson’s War mini-series, despite my immense love for Duane Sweircantspellhislastnameski because I’m pretty sure they’re gonna make an oversized hardcover for it that will look nice next to my Suicide Kings hardcover. What can I say? I’m a sucker for the aesthetic of a bookshelf brimming with Marvel hardcovers.
My point is that the main Deadpool book is actually better than it gets credit for, and that I find it interesting that writers at Marvel, like the fanbase, have such wide and varying ideas of what a Deadpool book should be like, given that a few short years ago, Deadpool was one of the simplest characters to write. But exposure has forced multiple interpretations and I’m glad that I found the one that works for me. Maybe Deadpool Corps is the one that works for you. I can’t say. I barely made it through the first issue without vomiting in revulsion.
This issue featured maybe one of the most horrible and obvious plays on words that I’ve ever read in a comic book. I mean, it was too easy and it was telegraphed a mile away and I can’t believe that Paul Dini wrote it. The rest of the comic was pretty damned good. But I keep going back to that one cringe-worthy panel, which I would totally scan if my machine weren’t on the fritz. (Yeah, that’s why the panel of the week segment got cut, because I spend too much money on comics to afford a new scanner. I have no shame.)
The majority of this issue centers around Selina and Harley searching for a lost dog while Poison Ivy makes a first impression at her new job. I will say I was surprised by how that little section of this issue turned out. It looks like they’re not going with the secret identity idea for Poison Ivy as a long-term idea, which I was interested in seeing play out over the course of a few issues.
I think this is a good book. I really do. But this issue is a definate drop in quality from the last arc with Riddler. But then again, that could be on account of my epic Riddler-positive bias. I truly do love the Riddler, I think he’s underappreciated and misunderstood. Thankfully, Dini gets the Riddler better than just about anybody and I think he’s got plans for him down the road.
The heroic age is here. Kind of odd that Siege still technically hasn’t ended and we’re already moving on to the aftermath. Better than holding up all the books while we wait but still a bit odd. This issue is just about everything you could want in an Iron Man comic. Matt Fraction might be God, I’ll have to ask his wife if their new baby was immaculately conceived in order to prove my hypothosis. (Congrats to the both of them on that, by the way)
One thing I think that is immediately noticeable about this book is the timing. A week before the new film drops and we get a comic featuring the return of Hammer Industries, the company founded by Justin Hammer, a prominently featured character in the new movie. Coincidence? I doubt it. Just as when this book launched in the wake of the first film with a story featuring Ezekiel Stane, Fraction has organically found a way to grab the interest of any new readers who might jump on board following the release of the new movie.
The tone of the book has reverted to the same sort that it had around it’s launch. Whereas the last arc was very hyper-real with a good chunk taking place in Tony’s mind, we’re now back to the corporate warfare and industrial terrorism actioner vibe that started in The Five Nightmares. It’s a tone that really works for Iron Man, and even with all the changes Stark is going through, he seems to fit into the puzzle with ease. This truly is some of the best Iron Man writing in ages.
Here’s one of the books that proves my point about the inevitability of my comic collecting nature. I didn’t know this book was coming out this week. I completely overlooked it. But when presented with it, I took one look at the cover, saw Palmiotti and Gray’s name on the credits and tossed it on the pile. If there ever were a dream-team of comic writers, those two are it. Right up there with Brubaker/Rucka as far as I’m concerned. I mean, have you read Jonah Hex? Power Girl? Those guys are amazing.
This book utilizes what they know about the comic book business and builds an effective meta-textual story that comments on the world of comics from the inside and out. From publishing to the fans that read the product, to the media that capitilizes on its burdgeoning popularity. At the same time they manage to make a statement about the current state of the horror genre, both in the world of film and in the graphic literature medium. It’s a mixed message that they put out, I’ll admit, but then again that mirrors the content that they’re deconstructing here. Honestly, the book feels very cinematic. It has a very clear first, second, and third act and is illustrated in such a way that I felt like I was reading an adaptation of a mini-series on HBO.
I’m not going to say that this is their best work, but it is an interesting read. My only real complaints stem from the fact that due to the nature of the book, which seems to be a deconstruction of the modern horror story, the plot turns seem telegraphed and predictible. A problem that seems to plague a great deal of horror movies/novels/comics nowadays. Aside from maybe The Walking Dead, I can’t recall being shocked by a horror title in a long time. Crossed came close, but Garth Ennis can’t stop himself from being Garth Ennis, so a good deal of that book felt predictable as well, sad to say.
However, in the case of Random Acts of Violence, I can say that for the price tag, you get your money’s worth and then some. It’s a very meaty book, it feels full and complete without the need for decompression or rushed…anything. It’s simply a well put together book with a few slight snags applied due to the nature of the beast.
Optimus Prime gets dropped out of a helicopter onto Swindle. Of course I fucking liked it.
See you next week….maybe. I’m taking a trip to Louisiana that weekend and I might space out between the middle of next week and the following Monday.
The word going around the web the last few days is that Marvel is very keen on Joss Whedon possibly stepping up to the plate to direct the live-action Avengers movie. The reaction to this little tidbit falls on a scale that starts with fanboy nerdgasm and ends with teeth gnashing and caps-locked ranting. Either you think he’s perfect for the job based on his previous ensemble work or you think that he’ll suddenly turn everyone gay and have them speak like hipster high-schoolers.
There’s also been complaints that he’s not a big enough name to anchor Marvel’s flagship film. Who the hell cares? You think the average Joe Schmoe really knows one director from another. I mentioned to a customer at the shop that the guy behind Batman was going to be heading up the new Superman film and he replied; “Christian Bale?” Let’s not assume that everyone knows or even cares about the behind the scenes aspect of film production. I don’t think it was Jon Favreau’s name in the director credit that sold Iron Man to the masses. And with a movie like The Avengers I don’t think it will take much selling at all. You throw a bunch of superheroes into one film and the novelty alone is enough to give it some amazing numbers.
My take on this is that both sides would really benefit from Whedon’s involvement as director. Serenity shows that he can work some amazing big-budget action sequences. And the man practically made his career on ensemble character moments. It’s like this was the film he’s been waiting for his entire career. Plus, he has a working history with Marvel, having done amazing work on the X-Men. And maybe this would be the film to make him a more mainstream name. He could probably garner enough goodwill to put together more projects of his own if he was attached to a film that made more money than God.
Honestly, I think if Whedon is in serious consideration, it’s not a bad idea. It’s actually a pretty good one. But it all really depends on the script anyway, if that thing sucks, it doesn’t matter who is behind the camera as nothing will be able to save it. Gavin Hood is an excellent director but he couldn’t save Wolverine Origins. So meditate on that.