It’s been a hell of a week. Busy is the word I would use to describe it. But no in the “I have things to do” sort of way, more in the “why are so many things happening to me” sort of way. You know, viral infections, dead car battery, relationship drama; the usual. I haven’t had much time to blog it up, but thankfully things have quieted down enough that I can slip in and do some reviews. Not many, because there wasn’t a whole lot that I was interested in diving into this week just from a casual glance. As I climb deeper into the rabbit hole of reading weekly books on the regular, I’m sure the number of reviews that pile up each week will expand. That said, what I did read carried some heft, so we’ll dive right in and get right to it.
BATGIRL # 23
Writer: Gail Simone
Artist: Fernando Pasarin, Jonathan Glapion
Cover Artist: Alex Garner
On Sale Date: Aug 14 2013
The new “Batgirl: Wanted” epic begins here, as Commissioner Gordon must track down his son’s murderer—who happens to be his daughter! But has Barbara already given up the Bat?
I stepped away from Batgirl when Gail Simone was ceremoniously booted from the title a short while back. When she reentered the fray I neglected to jump back on board but the storyline here intrigued me enough to pick up last month’s issue as a refresher and threw this one on the stack as well. For those not in the know, Batgirl is on the hook for the death of her brother and that isn’t sitting all too well with their respective father, Commissioner Gordon. Barbara is going through much in her life at this point. She’s beginning to date a reformed criminal who can’t seem to escape his past and trying to reconcile what happened with her brother at the same time. She’s a big ball of emotions and her father is looming over her in more ways than one, needling her about staying safe and afraid of losing another child as well as chasing Batgirl down in a way that even Batman remarks is dangerously close to a vengeful tirade. The rooftop scene between Batman and the Commissioner is excellently written and gives the reader a good idea of what we can expect in terms of character beats from Jim Gordon.
That is really what drives this book and makes it such an interesting work; the character beats. Barbara is heavily conflicted here, and conflict makes for compelling reading. Barbara Gordon, at least as Batgirl, has never come across as a character who really elicits much of a response from me because she reads as cut-and-dry in most respects. I only really started to get a feel for her as a fleshed out human being when she became Oracle. We got to witness her deal with so many different types of adversities while she was in that chair in the clock-tower. Gail Simone has taken that development on the character and given us a new lens to look at Barbara. She feels full. She appears realized. She makes mistakes and deals with the consequences.
All in all, my first reaction is that I should go back and pick up what I missed to fill in the gaps, because I am enjoying what I’m reading. There are a few downsides, mostly having to do with some predictability regarding Barbara’s love interest that are far too telegraphed to be enjoyed fully on my end, but I imagine the narrative beats that will result from certain decisions will translate into some payoff in regard to Barbara’s development later down the line. At least I hope so.
INFINITY (2013) #1
Published: August 14, 2013
Writer: Jonathan Hickman
Cover Artist: Adam Kubert
On Sale Date: Aug 14 2013
The oversized kickoff to the year’s most anticipate Blockbuster summer event, chaning the way you view the Marvel Universe! • The outbreak of war on two fronts: Earth and Space, with our heroes torn between them. • The world-shattering return of Thanos! • Includes material from FREE COMIC BOOK DAY: INFINITY
If you have been reading Jonathan Hickman’s run on the Avengers you may have figured out that his handling of the team is pretty much the anti-Bendis in terms of plot progression, storytelling, and theme. Hickman’s take on the book has been much like Morrison’s deconstruction of the X-Men years back. It is as different from what preceded it as you can get and yet never feels like it isn’t true to what the book should be about. Jonathan Hickman writes the Avengers as a hard intellectual sci-fi yarn, recalling elements from classic Avengers lore like the Kree-Skrull war and Infinity Gauntlet while infusing it with his very distinct creative voice. There is never a time where you are not aware that you are reading a Jonathan Hickman story. Much as Bendis has come to be associated with abundant panels and fast, snappy dialog, the elevated science fiction overtones along with deliberate pacing and neo-modern graphic design stylings clearly indicate a Hickman joint.
Those familiar with his work on the main Avengers title and therefore comfortable with his style and pacing will find Infinity to be a strong book. He takes his time and gives us freedom to enjoy the world-building that he puts on display. We are introduced to an abundance of alien races and evil machinations. We only see the Avengers on panel for perhaps 1/4 of the book’s length. Front and center instead are the actions of our antagonists, razing worlds and infiltrating the highest order of the Inhuman’s stronghold of Attilan in a meticulously plotted cerebral espionage sequence. What I am trying to say is that people who are looking for the whiz-bang pacing of a Secret Invasion, World War Hulk, etc. may find themselves disappointed at the way the first issue plays out. I personally enjoyed it and I will do my best to explain why without sounding like a total idiot.
The first issue played out, for the most part, like an episode of a TV show. The story beats are concise and structured for maximum effect, but it is the final pages of the book, where we see our heroes putting a plan into action and a final page cliffhanger that could easily have been followed with a meme image of Michael from Arrested Development saying “I Have Made A Huge Mistake” where things really clicked for me. You see, those last few pages didn’t feel like part of the narrative of this issue so much as a quick flash of what’s to come, similar to a “Next Week on MARVEL” montage at the end of a TV show. The pacing and the implications make for effective drama, and while Infinity # 1 is definitely a slow burn, it is also very much indicative of a quality mini-series that seeks to tell its story in a very deliberate way.
Simply put, Hickman delivers a standout first issue that couldn’t be further from what I have come to expect from a Marvel event series while at the same time giving me everything I want from a Marvel event series.
Rating: 4 out of 5
It started small: temporary gravity failures, time reversal loops, entropy reversals. With much fanfare a new government agency was formed with a mandate “to prevent and protect.” Its official title: The Federal Bureau of Physics. Humans, if nothing else, adapt to the changing parameters of their existence. What was extraordinary soon became ordinary, a part of people’s daily lives. They move on and do what people have always done: survive. But even that new status quo is now under threat. Things are getting worse, and it falls to Special Agent Adam Hardy and his FBP team to figure out what’s going on, before it’s too late…
I know I’m late to the party on this one but following all the hubbub surrounding the abrupt title change (Beginning with issue 2, Collider will be renamed to FBP: Federal Bureau of Physics) I decided to throw this one on the reading pile and give it a go. Writer Simon Oliver has done work previously for Vertigo on Hellblazer and The Exterminators and while I may have read his work before I cannot remember if I formulated an opinion so I am going into this 100% blind.
Collider feels like a Vertigo book. It takes a premise and runs with it. There is mystery and the promise of expanded world building and solid character work along the way with artwork that, were it on a mainstream book, would be decried for not fitting the mold. As it stands, it is a fine book. The premise, that the foundation of universally accepted laws of physics are starting to crumble and the fallout surrounding that hornet’s nest, is one worth delving into. It hooks you and keeps you there until the end. I’ve read comments about the book being boring but I had no such qualm with the book. But then again, I enjoyed Sweet Tooth and that book was admittedly a chore to get through sometimes.
For regular devotees of Vertigo content, this will not disappoint. For those who fall more squarely in line with the mainstream, I’m not so sure you’ll enjoy this one. It has all of the hallmarks that most people mock “indy” comics for; strange yet alluring artwork, strange premise, heightened dialog… you get the idea.
I don’t want to write much about it because I feel people will enjoy it more if they just go in blind. It’s sometimes the best way to enjoy a work of art and I’ll wager that this is the sort of book that benefits heavily from a clean frame of mind. It certainly helped when I read it, as I had zero knowledge of the title when I turned the cover. Whatever you do, just don’t dismiss it outright. Give it a chance.
Rating: 3 and 1/2 out of 5
And I’m back. Sorry for skipping out on doing reviews last week but I’ve been busier than I would like and it was the last thing on my mind. Also that issue of Catwoman sorta bust a blood vessel in my brain. This week was a more pleasant reading experience, so the reviews should reflect that. Let’s get started!
The first review this week is for what I have to say is the best book of the week. I feel like getting that out of the way early is important because I’m gonna gush fairly heavily on this one. I’ve been a vocal booster of Palmiotti and Gray’s work on Jonah Hex for a long time now and when the reboot news came down the pike I was surprised to see Hex getting any attention in the new DC landscape. I figured it would be the perfect time for DC to quietly push the character aside the way it has with a few other less-than-stellar selling titles. I’ve been hearing the same “the trade sales keep it alive” line in regard to Jonah Hex for a while but DiDio’s comments that new books would be judged harshly and only the best selling titles would remain in a short period of time made me wonder how this new interpretation would work for our favorite heavily scarred western bounty-hunter.
First and foremost I need to point out that this is not your typical Jonah Hex issue. Gone are the desolate western landscapes where the dust and dirt seem to fly off the page and nestle in the corners of your eyes. We’re now in the developing sprawl of Victorian-era Gotham City, a place where cobblestones have replaced the muddy central thoroughfare of the frontier town. Our Jonah Hex here is an older iteration, having experienced the frontier life and aftermath of the Civil War. He is drawn to the city on contract to help hunt down a Jack the Ripper-esque murderer who is carving a bloody swath of violence through the city leaving a trail of mutilated prostitutes in his wake. It is a story that matches the setting quite well and Palmiotti & Gray set the stage for our adventures efficiently giving us a quiet slow burn through the proceedings punctuated with sudden bursts of violent energy as if the book itself mirrors Hex’s personality.
I felt like there was more in this issue than in three lesser titles combined. It felt dense without feeling impenetrable, offering an excellent place for those who have heard how amazing Jonah Hex was and are finally willing to give the character a shot. Tying his history in with the development of Gotham City should drawin some Bat-fans interested to see how Hex fits in with the story of the Waynes, the Cobblepots, and the Arkhams. Fans of Snyder’s work on Batman will not be disappointed by the similar tone and the uninitiated should be drawn in by the sharp pacing and quality artwork.
Overall Rating: 5/5
I’m an unabashed Aquaman fan. Seriously. I’ve got a good longbox full of Aquaman books and I feel like it’s a shame that nobody gives the guy a real shake. He’s a warrior king from under the sea! The logline alone should sell it but most people only view him as a joke. As such, it’s not surprising that Geoff Johns has gone in for a psuedo-meta presentation of the character where the surface world and the DCU don’t understand why Aquaman exists. I admit that it’s a bit disheartening that this is the direction he wanted to go, because it’ll be hard to dissuade people from believing everything they previously thought about the character when even the folks in the book itself don’t take him seriously. Of course it seems like Johns is also using every page of the book to prove everyone wrong. He lays the smackdown on a bunch of bank robbers, clarifies that he does not in fact talk to fish, and makes sweet love to his woman on the seashore after deciding that he doesn’t want to be king of Atlantis anymore.
This issue reads quite a bit like Johns’ Green Lantern no. 1 when he relaunched that character a few years back. As was the case with GL, Johns dives in head first and works to establish a status quo that clearly defines what sort of character we’re going to be dealing with and doesn’t divert much attention to the looming threat, devoting perhaps three pages total to setting up any sort of external conflict. That isn’t necessarily a bad thing as it’s important at this stage to prove to the readers that Aquaman is a character worth reading about. I think that Johns has done that effectively. I believe that people who weren’t fans previously will indeed have something to latch onto with this interpretation.
Let’s hope that Aquaman takes off big time like Green Lantern did all those years ago. He deserves it, damnit.
Overall Rating: 4/5
I almost passed on this just because I couldn’t wrap my head around the concept of John Constantine being in any book with the “Justice League” label on it. It’s like seeing an old friend who used to weigh 300 pounds showing up looking like Chris Evans on the set of Captain America, your brain just can’t wrap itself around the concept of what is being presented as opposed to what you believe in your head to be true. Sort of like when a sentence doesn’t end the way you expect it banana.
That having been said, Peter Milligan’s name on the cover pretty much sold me entirely and then the contents of what was under that cover won me over entirely. It doesn’t read at all like what you would expect a “Justice League” title to read like. We do get the central Justice League team showing up and attempting to handle the supernatural threat but it soon becomes apparent that it will take a different sort of hero to sort things out. Thus we are introduced to our team through small vignettes. Shade the Changing Man shows up in a scene that is actually a bit heart wrenching. Xanadu, Zatanna, and Constantine get drawn in as well and we finish the issue with the players in position and the game ready to begin. If the issue weren’t almost entirely setup and exposition I would have given it a perfect score. I was expecting something a little bit more along the lines of JLI where they are assembled and the action has begun by the end of the issue but with so many characters to juggle I’m impressed that we got as much material as we did. It’s quite impressive.
OVERALL SCORE: 4/5
And that’s it for this week. I hope you’ll go out and buy some of these. It’d be nice if the good books of the DC relaunch were the ones that sold the best. Basically I want you to buy 10 All-Star Westerns each and hand them out to friends. Because that would be amazing.
Guys, this week was a killer. Probably the most major comic release date in a while. You have no idea how many people have been coming in asking about Batman Incorporated over the last few weeks. That final panel in Batman & Robin sold people in a way that I can’t really describe and I for one am thrilled that so many people are realizing how awesome Grant Morrison’s take on the Dark Knight truly is. The man knows what he’s doing. In Morrison we trust.
AVENGERS #7 3.99
BATMAN #704 2.99
BATMAN INCORPORATED #1 3.99
BATMAN THE RETURN #1 4.99
DEADPOOLMAX #2 (MR) 3.99
GREEN LANTERN #59 (BRIGHTEST DAY) 2.99
OSBORN #1 BIG (OF 4) 3.99
POWER GIRL #18 2.99
SIXTH GUN #6 3.99
SPIDER-GIRL #1 BIG 3.99
SUPERGIRL #58 2.99
SUPERIOR #2 (OF 6) (MR) 2.99
SUPERMAN #705 2.99
THUNDERBOLTS #150 4.99
X-23 #3 2.99
X-MEN #5 3.99
Now after a good long day of writing about prostitution in the middle ages for a history paper, I can tell you about how awesome a few of these books are.
The weakest of the new Batman releases is the core title, which sadly seems like a middle of the road affair by Tony Daniel when compared to the amazing work done by Morrison and Finch in the other books released this week. Not to say that the book is horrible, it’s better than it has been recently, especially Daniel’s art which looks less rushed than I’m used to, but unfortunately the entirety of the book seems rather pedestrian when placed alongside the nearly pitch-perfect Batman Incorporated title. I think my main gripe with this title comes from the fact that it reads like a throwaway title from the late nineties or early two-thousands in it’s pacing, its art, and its choice of villainry.
The book suffers from feeling all too familiar to stories we already read but with minor tweaks. Unfortunately, the books that this seems derivitive of aren’t the best parts of Batman lore. I think that the book could stand to take a few more risks rather than settle into a comfort zone that’s so blatantly par for the course.
Then again, when Tony Daniel takes risks we get Catgirl, a character that I almost want to like out of the sheer absurdity of her existence. But then again, my tastes differ in certain areas from the general public so I won’t take a stand on that character until she’s had the chance to mature under another team of writers.
This book is everything you should want in a Batman title. Morrison manages to find the right balance of tone between the ridiculous, the macabre, the adventurous, and the outright fun. The book essentially turns into a globetrotting Bruce and Selina super-happy-fun action hour where Batman and Catwoman fly to Japan to begin preparations for that branch of the Batman Inc. plan to be put into motion but are sidetracked by a murder mystery and a cult of ninja assassins. There’s even some tentacle rape hentai jokes that seem all too appropriate coming from the mind of Grant Morrison.
The artwork on display here is robust and amazing. They really could not have found a better fit. Paquette’s Selina is as sexy as she’s ever been and the subtle touches he uses to portray Batman are astounding. It’s one of the best looking Batman books in a long time, rivaled only by Finch’s work in The Return which I’ll be discussing shortly.
If you pass on this one you will regret it later. This one is a home run in every sense of the damn word. Buy this book now!
I was wary of this particular title. That apprehension faded after the first few pages where Grant Morrison gives us what equates to graphic poetry, telling the story from the perspective of the bat that crashed into Bruce’s life when he needed to find his avatar. David Finch’s artwork guided the narrative with masterful flow and tone, showing off some of his most brilliantly stylized work to date.
That the art is this good is not surprising, given the subject matter and how much Finch loves to work with shadows and the darkness, but the complexities of the narrative were surprising considering that this is essentially the jumping-on point for new readers and Morrison made no attempt to censor his sensibilities and gave us intricate mysterious plot threads as well as hyper-neo-noir technological action adventure with jetpacks and robotics intertwined with some nitty gritty fight scenes.
If you’re planning on reading any of this week’s bat titles I highly recommend that you start off with this one as it outlines the new status quo for Batman quite handily and works to assure us that the people working on every title are going to be working as a cohesive unit to tell what seems like a hell of a story and if this one-shot is any indication, they’ll be bringing their a-game every step of the way.
From Marvel we get the newly minted 616 version of Spider-Girl, formerly Arana, in her first solo title. The whole Young Allies thing didn’t seem to work out so well so I’m pensive about this title, but hopefully they’ll let it go long enough to deter fans from yelling at them for cancelling what amounts to their only major female-driven solo title. (Scarlet doesn’t count, guys.)
It’s off to a good start. Establishing the cast of characters and letting the new readers get to know Arana in case they haven’t followed her from her humble beginnings in the revamped Amazing Fantasy from a few years back. The storytelling style is sound and concise, but from someone like Tobin who has a pretty firm grasp on narrative technique this isn’t really a surprise. The plotline seems familiar, as most superhero books are bound to borrow from each other a bit, but the expression, through a “twitter”-esque thought balloon parade seems fresh enough to distinguish it from other similar go-arounds.
I’m hoping it will stick around long enough to take off, because the character really is an interesting one. I especially liked her when she was in Ms. Marvel, another title that I sorely miss.
And now I go back to writing about whores. I guess this is what Frank Miller feels like all the time. A-ZING!!!!
The new novel is almost finished…again. See, this is what happens when I work in “Drafts.” So in between that, school, work, and a revitalized social life that includes actually having to go outside of the house for stuff like concerts (on Thursday nights), don’t be surprised if the blog starts to lie dormant for chunks of time. I try to avoid it but I’m a one man operation here. That having been said, I’m not gonna deny you guys the comic reviews you so deserve. By that I mean that I’m going back to the old format of cherry-picking what issues to review instead of doing the whole stack because it’s getting harder to go through the whole stack in a single evening.
AVENGERS ACADEMY #5 2.99
BOYS #47 (MR) 3.99
BUFFY VAMPIRE SLAYER #37 LAST GLEAMING PT 2 (OF 5) 2.99
CHAOS WAR #1 (OF 5) 3.99
DEADPOOLMAX #1 (MR) 3.99
HAWKEYE & MOCKINGBIRD #5 2.99
JSA ALL STARS #11 3.99
SECRET SIX #26 2.99
SHADOWLAND SPIDER-MAN #1 SL 3.99
STARMAN OMNIBUS HC VOL 05 49.99
ULTIMATE COMICS THOR #1 (OF 4) 3.99
UNCANNY X-FORCE #1 3.99
WOLVERINE #2 3.99
YOUNG ALLIES #5 2.99
And let’s get this show on the road:
Garth Ennis is underrated when it comes to giving us character moments that stay with the reader in their gut long after they’ve finished reading the issue. Here we get the inevitable confrontation between Hughie and his superhero girlfriend for the first time since he found out she was a supe and since he saw her “initiation” video into the Seven where she did more with her mouth than give a convincing presentation of her resume.
The pathos and emotion on display between Hughie and Starlight here is gutwrenching. While Garth Ennis is able to craft visceral gore and violence with reckless abandon, his ability to make you care for the characters he writes is generally overlooked, which is a huge shame because it’s stuff like this that shows what the serialized medium of comics is capable of pulling off with a competent writer at the helm. This issue has been building for some time. It’s not rushed, it hasn’t been drawn out or decompressed, it’s simply been building to a boiling point.
This may be some of Garth Ennis’ best work. I know it’s not as roundly applauded as Preacher or Punisher Max, but it is probably his most carefully crafted since Preacher ended and I think that in the end people will recognize it for the treasure that it truly is.
I am happy to see Hercules back. I truly am. I love the guy. As far as this particular issue, I’m not so sold on the event after the premiere as I was with Shadowland a few months ago. I think that Greg Pak and company did a good job of getting us pumped up for some good old fashioned theological thrashing in what is coming down the road, but there was no big moment that made me step firmly on board with the series. That’s not to say that it’s a bad issue, there is some good stuff set up here, and it’s bound to get much more epic as it goes on. I simply think that a good portion of people are going to be underwhelmed by the debut issue, as not a whole lot really happens. It’s a setup issue pure and simple.
The question this series needs to answer is whether or not the setup is going to pay off. This is going to be one of those series that won’t have a whole lot of impact on the larger Marvel universe the way that Shadowland will because the Marvel Gods don’t seem to get a whole lot of focus in the grand scheme of things unless they somehow relate to Thor, but seeing how Fraction is doing his own thing with the Thor-verse, the reverberations of this series will have to be felt elsewhere, and unless they relaunch an ongoing Herc series, I’m not sure where that will be.
This is the one people have been waiting a good long while for. We’ve wanted some unrestrained Deadpool action forever and we finally get it courtesy of Kyle Baker and David Lapham. In the first issue however, we don’t actually get a whole lot of Wade Wilson. We get a lot more Agent Bob and sodomy. The violence is there, as is the swearing and the sexual situations. It’s definitely a max book. What seems to be lacking is, well, Deadpool. He really only shows up for maybe 5% off the book.
What remains to be seen is how this book will work out in regard to how they want to portray Deadpool. I doubt he’ll be breaking the fourth wall or being as goofy as he is in the 616. We already know from this issue that Deadpool will be treated more as a government assassin than a freelance merc for hire, and that he’s more mentally damaged and dangerous than gutlaugh funny. This book follows the pervasive Marvel trend of waiting until issue two to give us the full picture of what the series will end up being like in the long run. Luckily, the first issue was entertaining enough that I won’t feel like an idiot for picking up issue three.
Jonathan Hickman can do no wrong apparently. According to the internets, Kurt Busiek doens’t like him but he seems to be the lone dissenting voice. With Ultimate Comics Thor he gives us a look into the origins of the Ulimate U’s version of Thor and it seems to be a basic mirror of the regular Thor, except in the Ultimate scheme of things, there are a lot more nazis.
This series is likely going to be one of the best to come out of the Ultimate relaunch. It’s obvious that this one is being produced to be shoved into a hardcover and rushed into bookstores around the time the Thor film hits theaters. I’m not sure how that worked for the Black Widow miniseries from Paul Cornell, but it seems like a smart enough move. It helps that it’s a damned good read. If you’re going to try to introduce someone to a character, you could do worse than the setup they use here. It’s integrated enough into the Ultimate Universe that those with familiarity will be able to place it in continuity, but new readers will be able to jump in just as easily. That’s not an easy feat, no matter what universe you’re working in.
This one is the winner of the week. Rick Remender may be Marvel’s new secret weapon, as the man has yet to produce a book that doesn’t totally kick all sorts of ass. He’s managed to make Deadpool funny without being over the top. He’s made X-Force not seem like a cliche. He’s managed to give X-Force a purpose beyond being an unnecessary ancilliary title predicated on having a place where Wolverine can stab people with reckless abandon.
I was originally going to skip out on this one. The last X-Force title did nothing for me. Everything about it pretty much went against my established sensibilities. I was afraid this was going to be more of the same. I should have known better. Rick Remender, who is rapidly climbing the ladder of my favorite writers following Last Days of American Crime and FrankenCastle, brings us a new X-Force that seems fresh and new, despite building off of plot threads that have been hanging for quite some time. (Archangel, people. Archangel) And while it definitely plays off some rich history, it isn’t like say, New Mutants, where people unfamiliar with the original story of Inferno might be a little bit lost with the new storyline.
So, long story short, pretty please, go buy the damn book.
And that does it for this week. Join us next time when hopefully DC puts something out worth Reviewing. (I’d review Secret Six, but c’mon, you know how I feel about that book. I’d marry it if I could.)
It’s been a hectic week at the store, getting ready for our big ol’ 35th Anniversary celebration. The boss put a lot of money into getting the building repainted and the store looks almost brand new. We’ve got a local comics publisher coming in on Saturday to do a meet and greet. I’ve got copies of my first book on hand to sign for anyone masochistic enough to want one.
But the books still came in as usual, and I have opinions, as usual.
Avengers # 5:
Okay, I’m getting the feeling that this book just isn’t for me. The storyline seems typically Avenger-y and all, but the artwork just doesn’t do it for me, and I feel like my sensibilities are better suited with Bendis’ New Avengers or over at Avengers Academy. I feel like Bendis is trying to write in a manner consistent with the old Avengers tone, but he just isn’t pulling it off. I think this title would be better under the direction of someone like Dan Slott or Mark Waid. I’m basing that entirely off of what I’ve seen on their other work, so maybe I’m just pining, but I’m not sure.
Fantastic Four # 583:
Jon Hickman has been doing some really good FF work. He’s easily the best fit for the title since Waid and Ringo left a few years ago. His proto-philosophical scientific jargon and interwoven narrative patterns fit the book like a Kirby-drawn glove. His work thus far has been building to this issue and I can say with ease that this could be the defining FF run of the decade. Also, Doom. It’s easy to get Doom wrong and Hickman seems to be giving us a Doom that we’ve been clamoring for. Can’t wait to see how this all pans out.
Justice League – Generation Lost # 10
I feel like this series is way too decompressed. Every time I see the solicits and I fail to see “final issue” I wonder how long they can drag it out. It seems until they cross paths with every last entity in the DCU. Seriously. It’s not a horrible book. I like the ideas behind the story, I just don’t care for the obvious filler. It’s like Dragonball Z’s Namek saga. It just goes on and on and on, obviously leading to something, but by the time the climax comes, we’ll all be numb and immune to it’s effectiveness.
Power Girl # 16:
At least this time, we don’t get shoehorned into Generation Lost at random. We see that there is an endgame in place for the events that happen to Power Girl’s civilian life and the interpersonal drama feels organic and appropriate. Winnick seems to handle the characters in a way where everything seems like a seamless transition from where they were previously. There hasn’t been a dynamic tone shift in character portrayal the way I expected. He’s writing a very consistent book, fumbled only by the occasional intrusion by the Generation Lost plots.
Shadowland Moon Knight # 2:
I’m getting fatigued by the whole Shadowland thing, admittedly, but this has been a good mini-series and I’m really digging it. Chicken-Khonshu aside. I still can’t get over how much that guy looks like a giant chicken. The reveal at the end of the issue was pretty telegraphed, but I still enjoyed the issue. I really do want to see how they resolve all this in the next issue.
Thor # 615
The long awaited arrival of Matt Fraction on Thor begins with his typical flair for dialogue setting up what looks to be an important status-quo changing event for Asgard. The whole time Asgard has been on Earth nobody bothered to ask the question of what happened to the space that Asgard once occupied. Fraction seems to want to answer that question with a battle between mystical creatures that will offer some good therapeutic violence for Thor and his brethren following the Siege of Asgard.
Fraction seems to have a handle on Thor’s psyche the way he did with Tony Stark’s and he definitely has a way of setting the stage for things to come. The first issue does take some time to get rolling, but Fraction has a handle on how to work a slow burn when it comes to working a narrative and whatever he has planned will most definitely be interesting, if he holds true to his usual calibre of writing.
Uncanny X-Men # 528
It looks like we’re going to be seeing a lot of intrigue when it comes to Emma and Namor. I didn’t think Namor was going to be sticking around here due to his own series starting up, but it looks like he’s going to be a major part of the things to come.
Emma is dealing with her issues with Sebastian Shaw, who I suspect will stick around for a while to raise his profile to coincide with the release of the new X-Men First Class film. Kitty Pryde finally gets some real face time besides being shown in her little bubble, which is fine by me because I love Kitty almost as much as I love Dazzler, WHO IS ALSO IN THIS ISSUE.
So, yeah, good book.
And that’s it for this week. Need to prepare for the sale at work. Where’s my name badge?
I wasn’t kidding when I said that school was going to interrupt my working on this site. I didn’t get to do the reviews last week because I was working on another paper. Priorities are making this a bitch to write, so the reviews are going to be a little shorter than usual. Also, the format is going to get a little change. I’m going to review EVERYTHING I possibly can, but they’ll be shorter reviews. Basically I’m trying to cover more ground by hitting the major points as directly as possible. If nobody likes the changes, I’ll switch back, but I think this is better for everybody.
Let’s attempt this, shall we?
AMAZING SPIDER-MAN # 643
I’m still washing the bad taste of OMIT out of my mouth. It seems like the book is back on the right track, but once again, the issue feels a little light. I feel like if I had paid a full 3.99 for this issue I would be a little disappointed because this was probably the quickest read of the week.
BATMAN BEYOND # 4
We find out who Hush is in this issue. And once again, I feel like the reveal was a bit of a cop out. I won’t tell you who it is, I’ll just say that it fits with everything I’ve come to expect both from the Hush character and the Batman Beyond universe. From what I’ve seen so far with this miniseries, I don’t expect myself to pick up the ongoing when it hits stands.
BIRDS OF PREY # 5:
Gail Simone kicks off a new arc on Birds of Prey picking up where she left off last month with Babara trying to make things right with Creote and Savant, and Dinah flying off to China with the White Canary. The issue has Simone’s usual flair for dialogue and the storyline is progressing in a way that seems interesting, with the action having a good amount of organic flow to it, but the artwork leaves something to be desired this time around. It seems like the very definition of “Fill In,” with sketchy line work that seems a bit rushed and doesn’t convey the same amount of detail that there was in the debut arc of the new volume. It’s not horrible, it’s just distracting.
DEADPOOL # 27:
This book is becoming so middle of the road that it frightens me. I think they’re trying to keep the tone at a certain level so that the upcoming MAX title seems to have an edge over the regular 616 version. That’s not to say that the book isn’t worth a read. It’s fun and light. It’s basically worth reading if you want something that makes you laugh while you read it and not much else.
HACK/SLASH : MY FIRST MANIAC # 4
Hack/Slash is pretty consistent. This issue hits all the marks that the series should and I’m primed and pumped for the relaunch under the Image banner. I think having the ongoing back will make up for the flaws of the miniseries, which feels almost too small compared to the overarching continuity of the regular series.
THUNDERBOLTS # 148:
I don’t know why they decided to work this title into the Shadowland crossover. I mean, yeah, Luke Cage is in it, but beyond that it doesn’t seem to fit. I thought the crossover with Avengers Academy made more sense. The issue itself isn’t really bad, especially in the moments that have nothing to do with Shadowland. Anything dealing with the Thunderbolts in the prison setting, where Crossbones and the rest of the team really get a chance to shine are some great moments indeed. It’s only when Luke Cage shows up and reminds us that since he’s involved the Thunderbolts have to be involved as well. Sadly, once the action does move into Shadowland territory it seems to fall apart. It’s all a matter of abrupt change that doesn’t seem to really do much for the story we’ve had thus far.
X-23 # 1:
This one sort of comes off as a New X-Men reunion. It picks up on a lot of threads that have been gestating since the end of that particular series. The characters have been in use since then but it seems like this is the first time in a while since anybody did anything with them that advanced what had been set up before. X-23 was really the only one who had any sort of character development since then, and that’s because she had some time in X-Force to deal with her issues.
Now, with her own ongoing series, she should be able to continue to develop, and it looks like the New X-Men cast will be her supporting cast here. Which is definitely a good thing considering that I loved that series and I still get a little mad that its gone sometimes. The story itself seems to be starting off by tossing Laura into a situation that’s more personal than the usual do-or-die situations she’s been dealing with in X-Force. Hopefully this can grow into a good series with a little time.
It was a pretty small week this week. With the one book I didn’t read being the sixth volume of Empowered which is a perennial favorite of mine. Because, c’mon, bondage. Anyhow, next week might be a bigger one, so we’ll see how things pan out. Later!
Well, it’s time for me to rant and rave about comics again. It feels like it’s already later in the week than it really is so you’ll forgive me if everything feels a bit “off” today. I’m not sure why I feel so damned disoriented but I do. I spent Tuesday playing Red Dead Redemption, which I finally managed to complete and it was worth it because that game is all kinds of amazing right up to the very end. I want a sequel now. But games are more my brother’s department, so I’ll let him tell you about that if he ever decides to do another editorial for us, the lazy bastich.
AMAZING SPIDER-MAN #633 2.99
AMAZING SPIDER-MAN #634 GRIM 3.99
AMAZING SPIDER-MAN PRESENTS BLACK CAT #1 (OF 4) 3.99
BIRDS OF PREY #2 (BRIGHTEST DAY) 2.99
BLACK WIDOW #3 HA 2.99
BOYS #43 (MR) 3.99
DEADPOOL #24 2.99
DEADPOOL MERC WITH A MOUTH #12 (OF 13) 2.99
HER-OES #3 2.99
HERALDS #3 (OF 5) 2.99
INCREDIBLE HULK #610 WWHS 3.99
NEW AVENGERS #1 HA 3.99
NEW MUTANTS #14 XSC 2.99
ULTIMATE COMICS X #3 3.99
WITCHBLADE TP VOL 07 14.99
X-FACTOR FOREVER #4 3.99
So let’s hop to it. No sense in wasting time.
Two issues of Amazing Spider-Man hit the shelves this week. Three if you count the Black Cat mini-series. The finale of SHED was passable, but the overall quality of the arc is tainted for me by Bachalo’s artwork, which I find to be damn near incomprehensible. Seriously, I have no clue what in god’s blue balls is going on when that dude draws an issue. I’m not saying that he’s a bad artist, as there’s obviously talent there. I certainly can’t draw with any degree of his skill, his style simply aggrivates me and if Spidey weren’t a title I’d been collecting for around six years straight I would probably skip the story just so as to avoid looking at his clusterfuck linework.
Skip to the next issue however, and it looks like we’re in for a ride and a half. The Kraven saga is finally coming to a head, with the Kravinoff family hunting down members of the “Spider” family in some sort of scheme that I guess will either redeem Kraven’s honor in the family’s eyes or straight up resurrect him. I’m not sure. There seems to be a lot of misdirection on the part of the Kraven family. They were straight up trying to explode Arachne with a rocket launcher in the streets of New York while they had much more elaborate and detailed plans in their hunt for Mattie Franklin, the other, OTHER Spider-Woman who sometimes gets lost in the shuffle.
But honestly, the best part of the issue for me was seeing Kaine get his ass handed to him. I’m no fan of Kaine. He oozes 90’s psuedo-cool-lameness and seeing him get beat up and sliced to ribbons was just a treat for me. Like a free dessert at a restaraunt I was already enjoying.
I’m not gonna really review this issue, I just wanted to post a picture of Black Widow’s wicked awesome “Srsly?” face as drawn by Daniel Acuna.
Seriously. Epic bitchface.
You know what? This may be the single best issue of Hulk of the decade. It’s definitely the best to come out since the Planet Hulk saga ended. It feels like the Hulk should. It’s got all the melodramatic pathos, all the internal emotional struggle worked out through unrepentant violence. In short, it’s just a really amazing piece of Hulk. So much of what happens in this issue builds off of years and years of Hulk history, so much so that every event that happens in the pages of the issue carry an emotional weight that has been missing from the series for a while. I think that running parallel to Loeb’s overblown lunacy has caused the Incredible Hulk book to suffer by association. Pak has had to work within the confines of what Loeb has been building up to with the Red Hulk identity mystery and the introduction of gamma-radiated heroes, but he maneuvers in between the raindrops of insanity here to put out a classic Hulk issue that I think people will be talking about YEARS down the line as a perfect example of what makes The Hulk work as a character.
I will admit that the issue did have a bit of sensory overload. A lot of what happens happens very, very fast and there’s a lot of information to process. That having been said, it’s not so mindbogglingly convoluted that you can’t fully understand what’s going on. Compared to something like, let’s say, last week’s issue of SHIELD which just about made my brain crap itself. (Thanks Jonathan Hickman, you magnificant bastard)
In short, it may not be a great jumping on point if you’re unfamiliar with what’s been going on, but this issue should be a treat and a half for true died-in-the-wool Hulk fans who have been waiting for an issue like this for a long, long time.
If Avengers was Bendis doing the Avengers in a more classic mold, New Avengers certainly continues the work he did in the previous volume, with all the stuff that will make Bendis haters gnash their teeth and complain until they’re blue in the face while ignoring the fact that it’s still a damned fine book that is in no way inferior to what he’s doing over in the flagship title or anything any other Avengers writer has done before him. He even has the requisite Avengers trope of having everyone sitting around the table at the Avengers mansion and talking. Which happened ALL THE MOTHERFLIPPING TIME back in the old days, so it’s not as if his “overly talky” style is in any way counter to what the Avengers have done in the past. Plus we get some serious mystical mania with Hellstorm, Strange and the new sorcerer supreme, Dr. Voodoo.
Seriously, to prepare for this review I stalked message board topics about it. Just to see what other people were thinking and I have to say that the majority of comic book readers are a bunch of jaded cynics and hypocrits who really would only be happy with any given title that they claim to love if they were working on it with an artist of their choosing. Of course then only one person would be happy with the book and the rest of us would still be complaining. Lighten up fanboys, you guys are killing me.
Also, my new comic nerd-crush is Victoria Hand. In this issue she has a big gun. She’s won my heart.
Now I have to head back into the shop for a few hours on my day off to continue pulling books for subscribers. UPS lost another one of our boxes and so there’s a few things that we have to finish up today. I swear, in between Diamond Distribution and UPS, it’s a wonder we have any comic books to complain about on a weekly basis AT ALL.