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Posts tagged “Daken

Weekly Comic Reviews

I Do Not Actually Look Like Jesse Custer

This week I had more than a few papers due in more than a few classes so the reviews weren’t the first thing on my mind. I’m trying to better myself through education and whatnot. Anyhow, I did read quite a few books and some of them surprised me so I figured it’d be a waste not to get something posted.

AMAZING SPIDER-MAN #645 2.99
AMAZING SPIDER-MAN PRESENTS BLACK CAT #4 (OF 4) 3.99
BATMAN RETURN OF BRUCE WAYNE #5 (OF 6) 3.99
BOOSTER GOLD #37 2.99
DAKEN DARK WOLVERINE #2 2.99
GREEN LANTERN #58 (BRIGHTEST DAY) 2.99
HACK SLASH ANNUAL 2010 MURDER MESSIAH #1 CVR A (MR) 5.99
INCREDIBLE HULKS #614 3.99
INVINCIBLE IRON MAN #31 2.99
JONAH HEX #60 2.99
KNIGHT & SQUIRE #1 (OF 6) 2.99
NEW AVENGERS #5 3.99
SECRET SIX #26 2.99
SHADOWLAND #4 (OF 5) SL 3.99
SHADOWLAND BLOOD ON STREETS #3 (OF 4) SL 3.99
SICKNESS IN THE FAMILY HC (MR) 19.99
SUPERIOR #1 (OF 6) (MR) 2.99
SUPERMAN #703 2.99
THOR #616 3.99
THOR MIGHTY AVENGER #5 2.99
TUROK # 1 3.50
X-MEN #4 3.99

Now let’s do this thing.

Is That A Goth Cinderella?HACK/SLASH ANNUAL 2010

Tim Seeley has me hooked on Hack/Slash. It’s a great book that is easily accessible if you’re willing to deal with the content and manages the kind of self-referential tone that a lot of books try to reach but can’t because they don’t know how to handle it. With this Annual, we get the bridge between the old Devil’s Due series and the new relaunch coming around at Image. It’s got a definite middle ground feeling to it, where I’m sure new readers could catch what was going on while long-time fans like myself are happy to see plot threads start to re-align after a four month mini-series that felt a little too much like wheel-spinning.

I seriously cannot wait for the upcoming relaunch. I hope that people will take a chance on the book and hop on when the new #1 issue comes out because Hack/Slash is one of those books that understands that comic books can be fun. It’s not a full on comedy book, and it’s not always serious. Which makes me happy because a lot of books nowadays cannot balance tone at all. It’s an art and Seeley should give lectures.

Also, whoever had the idea to have Six Sixx wear a Fastway shirt in the opening part of the book is my hero, because I freaking unabashedly love that band.

EXPLOSION!!!!INVINCIBLE IRON MAN # 31

Matt Fraction is writing the definitive run of Iron Man for the modern age. The world he is creating for Tony Stark here is one that builds not only off of Marvel’s rich history but off of the technological and political history of our own world. Fraction is saying something about technology and society that others have tried to in the book before but never found the right tone to make the story click. Here we’re getting an Iron Man that works on multiple levels. Stark’s unending quest for personal worth through altruism and progressive thought that has become the defining characteristic that pushes the narrative forward and it feels genuine. Tony Stark has truly become a multi-layered character in the last decade and Fraction is doing a good job of building Tony as a character while at the same time giving us the kind of story that we expect to read in an Iron Man comic.

 

 

'Ello Chaps!KNIGHT AND SQUIRE # 1

I’m just not British enough to like this book. I love me some Doctor Who and I thought Blackadder was hilarious, but even still, Cornell’s first issue of this mini-series went over my head like nobody’s business. I think that it could possibly be a great series for those who understand what happened. But that’s not me. I’m admitting this up front so that you know I can’t accurately criticise the book. It’s just the truth. I’m sorry.

The art was pretty though. So there’s always that. *sheepish grin*

 

 

 

 

Space MonkeysSUPERIOR # 1

I’ve been a massive detractor when it comes to Mark Millar. I really haven’t enjoyed anything he’s written since Ultimates 2 or thereabouts. He’s obviously capable of writing some amazing stuff, as I loved Red Son and his work on The Authority but his recent output hasn’t been in any way intriguing to me. Kickass was a solid concept made better when translated to film, Old Man Logan was inconsequential and Nemesis just doesn’t work for me.

With Superior, Millar finds his once impeccable knack for dialog and pathos that was so prevalent in his Red Son days. The story works with established superhero tropes but doesn’t seek to subvert them the way that Kickass or Nemesis do. Instead he shows that an interesting story can be told out of tried and true ideas and still feel fresh if you have a story worth telling. I didn’t think Millar had it in him to create sympathetic characters, or characters that didn’t feel paper thin for that matter. His recent work certainly wouldn’t indicate that as being the case. However he downright surprised me here.

I think this could be the strongest work he’s turned in for quite some time, though I doubt it will be his most popular because so far it’s a solid book but lacks the hyped up sensationalism that makes Millar’s books fanboy-bait. I hope people will look past the fact that there’s no forced incest or pre-pubescent female murderers and pick the book up knowing that it’s a glowing testament to the superhero genre.

Nothing Witty, The Book SucksSUPERMAN # 703

It’s hard for me to say this, as a Superman fan, but the current run of the title is just about the worst Superman stuff I’ve ever read. No middle ground to this anymore, it’s just steadily headed toward absolute horrendousness since the second JMS took over the title. And like 90% of bad Superman stories it comes from the writer just not getting what makes Superman work. Superman is not a thug who holds a stalker hundreds of feet in the air and threatens to drop him if the man doesn’t change his ways. That’s kind of what Batman does, but not Superman. Superman would talk to the guy and the mere experience of meeting Superman would cause him to re-evaluate his life and that person would go on to do great things.

Superman also doesn’t lecture Batman about saving ordinary folk. I’m sorry. I know Superman is on some sort of self-reflection kick, but he cannot reshape his entire worldview in three issues to the point where he can lecture Dick Grayson about staying grounded to reality.

I get that some people don’t like the fact that Superman isn’t edgy. But JMS doesn’t need to try to “fix” all of Superman’s percieved problems. He needs to take what works with the character and go from there, not write a character that barely resembles him in any way shape or form. For the love of God, let this little expirement wrap up soon so we can get back to the title just being mediocre instead of nearly unreadable garbage.

Wampum!TUROK # 1

My only experience with Turok comes from wasting several hours playing the N64 game back in the late nineties. That’s about it. I never read any of the classic comics or anything of that nature. I picked up the new series wondering what it was like and it felt fairly generic and tepid, so far as I could tell. It feels about the same as the other relaunched-through-Dark Horse properties like Magnus or Doctor Solar. There’s obviously some effort put into making a modern feel to a classic character but the story progression feels choppy and though I’ve never read Turok before in my life, a lot of this felt like a rehash of something I’d read before.

The series has potential to grow, obviously, as the character wouldn’t have warranted a relaunch if there wasn’t something worth exploring with the property. I just hope that the flow of the book gets a little smoother because it certainly felt rough around the edges throughout the course of the first issue.

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The End. I’m gonna go have a sandwich and watch all the crap I’ve DVR’d this week but haven’t had a chance to watch.

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Weekly Comic Reviews

Reviews

It’s that time again! Time for me to tell you what sucked and what did not. I should caution you that most of what I review will be positive, as I don’t often buy books that I feel I won’t enjoy. However, I am making a point to pick up new books simply to give insight that otherwise wouldn’t be offered on this blog.

THE PULL LIST:
AMAZING SPIDER-MAN #618 GNTLT 2.99
BATMAN STREETS OF GOTHAM #8 3.99
BLACK WIDOW AND MARVEL GIRLS #3 (OF 4) 2.99
CAPTAIN AMERICA #602 3.99
DARK AVENGERS #13 SIEGE 3.99
DARK WOLVERINE #82 SIEGE 2.99
DEADPOOL MERC WITH A MOUTH #7 3.99
GREEN LANTERN CORPS #44 (BLACKEST NIGHT) 2.99
HULK #19 FOH 3.99
INCORRUPTIBLE #2 3.99
INCREDIBLE HULK #606 FOH 3.99
JOE THE BARBARIAN #1
MIGHTY AVENGERS #33 2.99
PHANTOM STRANGER #42 (BLACKEST NIGHT) 2.99
POWER GIRL #8 2.99
SONIC UNIVERSE #12 2.5
SPIDER-WOMAN #5 2.99
STARMAN #81 (BLACKEST NIGHT) 2.99
STREET FIGHTER IV TP VOL 01 12.95
UNCANNY X-MEN #520 2.99
WOLVERINE FIRST CLASS TP CLASS ACTIONS 14.99
WOLVERINE WEAPON X #9 3.99
YOUNG LIARS TP VOL 03 ROCK LIFE (MR) 14.99

Amazing Spider-Man 618
AMAZING SPIDER-MAN # 618

I think that Marvel is doing an excellent job of capturing the feel of classic Spider-Man nowadays. The voice the writers are projecting onto Peter Parker here is highly reminiscent of the best Spidey stories of yesteryear. From the quips to the inner monologue, to the actions of his supporting cast, it’s all very much in tune to the earlier Spidey stories than anything we saw during the JMS years. And while I dug JMS’ run, and think it will be remembered fondly by those who were first introduced to Spider-Man during his tenure, I cannot help but have my cockles warmed by what we have on display here.

The story looks like it will finally tie up some loose ends with Mr. Negative, and his connection to Aunt May, as well as give us the return of Mysterio, who last had successfully scratched an itch in the back of his head with a shotgun. Is this Mysterio back from the dead or another new name throwing on the suit? Given what we’ve seen in Brand New Day thus far with new iterations of the characters, the latter seems possible but given the classic tone of the arc, I wouldn’t put it past the team to pull a full resurrection.

The book lacks the emotional resonance of last week’s Rhino tale, but is a satisfactory story all the same.

Captain America 602
CAPTAIN AMERICA # 602

Well, the regular Captain America title returns, and honestly from the pages of this book, aside from a few lines of dialogue referencing it, you never would have known the whole “Reborn” situation ever happened. Bucky is still the central focus of the narrative, and the plot threads from prior to Steve’s return are being followed up on in true Brubaker-ian fashion. The man lives to tell these sorts of stories. They have that Marvel feel, utilizing the eccentricities of the universe with uniformed henchmen and acronymed evil organizations; but every bit of Brubaker’s storytelling prowess in the realm of the hyper-realistic, drawing from his work in the street-level drama that he does so well, is on full display here.

I cannot help but think that we’ve been cheated by having this title sidelined while the “Reborn” miniseries ran it’s course. Brubaker’s Cap book is a serial masterpiece, one that really needs to build on monthly steam. I guess I should just be grateful the train is back on schedule.

Helping me forget my complaints is the excellent Nomad backup story that picks up immediately after the excellent “Girl Without A World” series. I know it’s a secondary feature, and thus it is going to have to be limited in length, but I definately wanted more by the end of the issue. Still, better for Nomad to see publication in the back of a book that will run indefinately, rather than get her own book and get published before a sixth issue like SOME TITLES I COULD MENTION. (***Grumble***)

Dark Avengers 13
DARK AVENGERS # 13

Brian Michael Benids has had this weird facination with the Sentry that I just did not understand. The Sentry, as a character, is quite bland and really doesn’t work on any other level than the occaisional joke at his expense. So in this issue Bendis finally reveals his master plan for the character and essentially rewrites the whole book on his existence (yes, again).

I won’t spoil the revelations, but I will say that they’re not even shocking at this point. Just confounding given that for the emotional weight behind them to truly work, we as readers would have to give a damn about the character, and I personally do not. I know I am not alone in that regard either. While the changes Bendis makes open up interesting possibilities for the character, I wager that those changes will not resonate either. Given the character’s history of retcon after retcon, how can we expect whatever change that follows this revelation to be any more valid than the last?

If any word describes the developments of this book, it would be “frustrating.”

Dark Wolverine 82
DARK WOLVERINE # 82

I have largely ignored Dark Wolverine, choosing to focus on “Weapon X” as my go-to Wolvie title. I decided I would give it a go with this issue as part of my imperitive to follow the event through the majority of it’s tie-ins. I was a little surprised by the book, given that the characterization of Daken in his own title as compared to the Avengers appearances I’ve read seems somewhat off kilter. I suppose it could be the characterization in the Avengers titles that is off, but I suppose that’s a matter of perspective.

The book itself is actually quite interesting, and the ending actually shocked me. I know that what we see is some sort of narrative trick, but damned if it didn’t make me want to pick up the next issue.


DEADPOOL : MERC WITH A MOUTH # 7

Deadpool goes dimension hopping, a bunch of artists illustrate the different worlds. Jokes are made, and oddly enough I wasn’t very entertained. The humor on display here wasn’t really up to the general Deadpool snuff. In fact, aside from one panel, I didn’t really so much as chuckle. I find this extremely odd because the previous issues of the book practically had me dying from laughter. I hope the book picks up with the next issue, because Deadpool has three titles, and they had better all be excellent otherwise I might get bitter about Deadpool having multiple titles that aren’t all that good when OTHER AWESOME BOOKS GET THE PLUG PULLED ON THEM UNDESERVINGLY!!!!

Hulk 19Inc Hulk 606

HULK # 19/INCREDIBLE HULK  # 606

I admit that I have not been following these titles as of late, and so I’m going into this whole Fall of the Hulks thing completely blind. That having been said, I think Incredible Hulk did a great job of bringing me up to speed with the book’s status quo without feeling like a major exposition dump and Hulk # 19 was somewhat jumbled but not nearly the clusterfuck I had been led to believe Jeph Loeb would be making out of the title.

I’m not big on the format of this event. I would prefer that the books led into each other in some way rather than telling independent parts of a larger story, as I cannot seem to place the books along any real timeline, though I think that longtime readers may have a better grasp on the comings and goings than I do.

Another small note, the art in Incredible Hulk is some of the best stuff I’ve seen in a while. Stylistically interesting while still being technically solid. I wish more books could find that balance.

Joe
Joe The Barbarian # 1

Grant Morrison is an amazing writer. Sean Murphy is an amazing artist. Together what they create should be interesting to say the least. Unfortunately not a whole lot happens in the first issue. The idea is presented but we have no real inkling of the direction it will take. I’m going to pick up the second issue, just to get a grasp on where they’re going with this, but if they really wanted to take advantage of that $1.00 cover price, they probably should have given us a little more content.

Power Girl 8
Power Girl # 8

In this book, the words “Pregno Ray” are used. Beyond that, you really should not need any more information.

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And that’s all I’ve got for this week. Join us next time when I’ll have more than one book from DC on the list (I Hope.)