Maybe I should just commit to doing these on Friday so they’ll technically be up on time. I doubt that’d work, as eventually I’d be moving to Saturday to force an adherance to the deadline and that would just be sad. So as it stands, these are a day late. So sue me, but don’t, because I’m broke.
ADVENTURE COMICS #9 3.99
AMAZING SPIDER-MAN #627 2.99
BLACKEST NIGHT #8 3.99
DARK WOLVERINE #84 SIEGE 2.99
DETECTIVE COMICS #863 3.99
FANTASTIC FOUR #577 2.99
GOTHAM CITY SIRENS #10 2.99
HACK SLASH SERIES #30 3.5
NEW MUTANTS #11 SIEGE 2.99
TRANSFORMERS ONGOING #5 3.99
WONDER WOMAN #42 2.99
X-MEN SECOND COMING #1 XSC 3.99
As you can see, it was kind of a short week, so I’m going to focus my energy on a select few titles, hoping to really drive my point home if possible.
Finally this mother-trucker comes to a conclusion. I haven’t been the biggest proponent of this title, as I think that trying to shoehorn it into the company wide crossover niche has destroyed any and all subtlety and nuance that could have been present were it done as a crossover event in the GL books the way Sinestro Corps War was done.
I’m sure those who have liked the book so far will go absolutely apeshit over this issue as well. I mean, it’s got everything that they expect out of the event in great quantity, so why wouldn’t they love it. For those of us who have been along for the ride wondering if the bizarre plot twists and deviations from established characterization would somehow make sense when the arc came to a close, unfortunately we get no such payoff.
I think that is my problem with this whole event. I know Geoff Johns can write the hell out of Green Lantern. The monthly title has consistently shown that from the very moment he relaunched it with that shiny # 1 a few years back. That much is not up for debate, he’ll be seen as the definitive Green Lantern writer of the last twenty-five years hands down, simply because he’s elevated the character to a place where he’s more of a flagship character than Superman, if you look at sales and interest.
The problem with Blackest Night is that it tries to use the elements that make Geoff Johns such a good writer but the end product is rushed and mangled due to the restraints of containing the bulk of the story to a single book. It’s the same problem that happened back with Infinite Crisis. If you read the collected edition of that book, nothing makes any sense because key bits are in other books. The same thing feels like it happened here. I feel like with a book like this, cohesion is key, and they could have either made GL and GLC official parts of the story, and allowed Geoff to weave the narrative across the mini-series as well as the two ongoings, thus giving the narrative some space to breathe and flow organically.
Unfortunately, that’s not the case. With this issue, I feel like everything was abrupt and oddly presented, and aside from the “wow factor” that comes with some amazing spash page and a few resurrected heroes, the final issue, much like the rest of the series, seems to fall just a little bit flat.
Time for another x-event. It’s been a while since Messiah Complex, but a lot has happened since then and it feels like it’s all been leading to this. I have to say that I wish it would have gotten here sooner because so much of the X-books in the last few years has felt like repeated filler. Like they were treading water getting ready for this event. Does it measure up?
I think my main problem with the book had to do with Finch’s art, which compared to his prior work on New Avengers and Moon Knight looks like it was just plain rushed. The conspiracy theorist in me thinks he made the art so shoddy as a middle finger to Marvel as he hopped on the bus over to DC, but I think most of it was honestly a stylistic choice, though one that I don’t agree with.
I’ve been reading the x-books up to this point and I still didn’t quite get parts of the book. I didn’t know who the hell the smiley faced mercenaries were, and the reveal at the end didn’t seem like much of a shocker having read the X-Force series.
Maybe it’s just off to a slow start, as I wasn’t impressed, but things need to pick up soon if this is going to measure up to Messiah Complex, as I straight up loved that crossover.
That’s it for this week. Next week should be a bigger week, and I’ll hopefully have the reviews up on an actual Thursday this time around. Until then…
Hey, guess what? I read some books! Just like last week? Aren’t I unpredictable? But seriously folks, I got my books yesterday, though about six hours later than usual so I actually stayed up late reading comic books to ensure that I would be able to get this post up in a reasonably timely manner. You guys should send me a gift basket.
AMAZING SPIDER-MAN #622 GNTLT 3.99
AVENGERS INITIATIVE #33 SIEGE 2.99
BATMAN AND ROBIN #9 2.99
BLACK LANTERN GREEN ARROW #30 (BLACKEST NIGHT) 3.99
BLACKEST NIGHT #7 3.99
BLACKEST NIGHT JSA #3 (OF 3) 2.99
CAPTAIN SWING #1 (OF 4) 3.99
CHOKER #1 (MR) 3.99
DARK WOLVERINE #83 SIEGE 2.99
DEADPOOL #20 2.99
FALL OF HULKS RED HULK #2 (OF 4) FOH 3.99
FANTASTIC FOUR #576 2.99
GI JOE TP VOL 02 19.99
GOTHAM CITY SIRENS #9 2.99
JUSTICE SOCIETY OF AMERICA #36 (C: 1-0-0) 2.99
MS MARVEL #50 3.99
NEW AVENGERS #62 SIEGE 3.99
SUPERMAN #697 2.99
THOR #607 SIEGE 2.99
TRANSFORMERS ONGOING #4 3.99
WONDER WOMAN #41 2.99
X-FACTOR #202 2.99
X-MEN LEGACY #233 XN 2.99
That’s a pretty healthy haul. So what did I think?
For the last few week’s I’ve really been boosting up ASM as a book. I think it’s been consistantly good and that the naysayers have been blinded by their own biases. This issue however is a bit of a mixed bag, in that the lead story with Morbius is actually quite fun if a tad on the light side, not actually being full length and thus appearing somewhat rushed, while the second story with Flash Thompson is just sort of a discombobulated mess.
I am willing to bet that the secondary tale is in there because they need to quickly set up Flash’s new status quo for when he inevitably comes back into the fold of the supporting cast on a regular basis. It feels like the writing team’s attempt to get us re-aquainted with Flash and let us know that by featuring him in such a beefy role in what amounts to a backup story, he must be important enough to care about. Continuity wise, at least.
Like I said, the issue is a mixed bag, but it’s only a slight hiccup in the road as far as I’m concerned, because it’s a one-off story meant to act as an interlude anyhow. I don’t blame them for trying to cram some exposition in there that might have gotten cut short if it were rammed into an ongoing storyline. You take the good, you take the bad, you take them both and there you have…Amazing Spider-Man.
It’s like Sin City meets Blade Runner with enough of the classic Marlowe noir not to feel cheap. Choker is Ben McCool’s debut creator-owned story and damned if he didn’t knock it out of the park with this first issue. The dialogue is crisp and feels as solid as noir dialogue can, which admittedly can sometimes come off as really cheesy. Remember Frank Miller’s script for The Spirit? Yeah, it’s nothing like that.
I’ve admitted that I’m not normally a fan of Ben Templesmith. His artwork is hard to critique because any complaints can be attributed to his wanting to add a sense of style. And luckily, in the case of this book, the style works. Whereas I felt it actually hindered the story in something like 30 Days of Night, here it feels like any other type of art style would have seemed…off.
Do yourself a favor and pick this one up. I’m always telling people that there’s great new stuff out there and this is no exception. You’re doing yourself a disservice if you pass it up.
Speaking of original material, fuck you Warren Ellis. How the living hell do you manage to crank out so many titles in such short periods of time, and all of them be thoroughly entertaining? Where is your off month? When do I get to read something from you that sucks. That would be a surprise. I would actually be shocked if I picked up an Ellis book and didn’t like it. The man has such a vivid sense of world-building and setting that he could tell an infinite number of stories simply by interchanging the characters and plots from his different endeavors into each other’s locales. In this case, we get a pre-industrial revolution London in the time of the formation of the Metropolitan Police (aka the “Met”) and a mysterious steampunk villain(?) who fires electric bullets and cavorts around town in a flying airship.
Once again, fuck you Warren Ellis. You creative prick.
It pains me to say that reading this final issue of Ms. Marvel, I understand why it’s going away. When your grand finale is so astoundingly anti-climactic that it makes the reader’s chest hurt, you probably should thank your lucky stars that you made it to issue 50. Now, I’ve followed this title since # 1, and I’ve tried to get people on board, because I think that it’s been a really damn good title for the majority of the run. But I see the final arc as sort of a missed opportunity. It seemed…I guess rushed is as good a word as any. Like this is all Brian Reed could come up with because the weight of delivering a final issue was weighing on him so heavily.
The backup story is passable. I’m not a big Noh Varr fan, so it didn’t speak to me on any real level. But something tells me that what happened there will come into play whenever they decide to focus a little more on that character. At least when that happens I’ll be prepared.
Overall, this would have been a fine issue were it not the grand finale. In that sense, it feels like a bit of a misfire.
It’s an extended Power Girl cameo, how the hell do you think I felt about it?
And that’s it for this week, join us next time when I aim to be even more passive aggressive.