Did you miss me? I bet you did. How would you know what comics to buy if I didn’t tell you what was good or not? Surely you would be lost and you would have to find a new hobby. Like knitting. I’m sure you could do that on your own. Can you tell I’m completely rambling right now? Sorry. I went to a Dropkick Murphys concert last night and didn’t get any sleep afterward. Oh yeah, comics!
THE PULL LIST:
ADVENTURE COMICS #8 3.99
AMAZING SPIDER-MAN #623 2.99
BOYS #40 (MR) 2.99
BUFFY THE VAMPIRE SLAYER #33 TWILIGHT PT 2 (OF 5) 2.99
CHEW #9 (MR) 2.99
CONAN THE CIMMERIAN #19 2.99
DEADPOOL TEAM-UP #895 2.99
DETECTIVE COMICS #862 3.99
FALL OF HULKS SAVAGE SHE-HULKS #1 (OF 3) FOH 3.99
FIRST WAVE #1 (OF 6) 3.99
GIRL COMICS #1 (OF 3) 4.99
GREEN HORNET # 1 3.99
INVINCIBLE IRON MAN #24 2.99
JSA ALL STARS #4 3.99
MIGHTY AVENGERS #34 2.99
PRELUDE TO DEADPOOL CORPS #1 (OF 5) 3.99
PUNISHER MAX BUTTERFLY #1 (MR) 4.99
ULTIMATE COMICS AVENGERS #5 3.99
ULTIMATE COMICS NEW ULTIMATES #1 3.99
WOLVERINE WEAPON X #11 3.99
And now, my humble opinions…
I’ll start off by saying that, yes, the art has taken a bit of a nosedive for this issue. The art isn’t horrible. It’s a bit muddy, but it’s not indecipherable and it clears up in scenes set in daylight. However, I believe that any art will look lackluster when following Michael Lark. Because, c’mon, it’s Lark.
The story however is right up my alley. We finally get a little background on this new Vulture and we get some throwback to JJJ’s involvement in crafting the original Scorpion. There’s a lot to love for Spider-Man purists here, while being modern enough to appeal to people who think that the old Lee/Ditko Spidey stories were too cheeseball.
One thing I would like to point out is that we once again get some acknowledgment of the daughter of Kraven’s existence. She’s been on the periphery for a while now but hasn’t been directly involved in the proceedings, it looks like we’re finally getting to the crux of the story, and I’m anxious to see how things play out.
First of all, how weird is it that this book has reached issue forty? It doesn’t feel like I’ve been reading it for that long. And yet, it’s been on shelves for over three years, and chugging along like a juggernaut each and every month.
This issue sees the fallout from the last issue, which I reviewed HERE starting to shape up. It plays with the common storytelling trope where the reader knows everything but the parties involved know only pieces of the puzzle, thus creating a sizeable bit of tension and drama. Here, Butcher has drawn his own conclusions upon finding out about Hughie’s relationship with a known supe. Hughie is unaware of Butcher’s knowlege and we start to see a bit of a breakdown within the group. As readers we’ve come to really like Hughie and hate to see him put in such a position, and we hope that nothing bad happens as a result of Butcher’s rash and brash nature, but this being a Garth Ennis book, we have a sinking feeling in our gut that something REALLY bad is going to happen soon, and so we are forced to keep reading with mindless zeal.
Batman does not appear in this book. Unless he was stealthily hiding in the shadows or something. I just feel like I should point out that this intro issue is definately a showcase for Doc Savage and the Question, providing the new readers with an insight into the diversity of their crime-fighting styles. Throwing Batman in there might have muddied the waters, I suppose. Still, I’m never going to say that something should have less Batman. I mean, wouldn’t Avatar have been even more awesome if there were some Batman in it? I just imagined There Will Be Blood with a Batman cameo. That would rock.
As far as the issue goes, they do a good job of setting up the story. It’s full of classic noiry intrigue. The kind that Brian Azzarello does so well. And the art by Rags Morales is quite effective. Remember that book called Identity Crisis (aka Mindwipe & Rape : A Musical Revue)? That was a detective story at its core, albeit a shoddy one. But the art was very well done. Morales knows how to capture the tone of a pulp/noir/detective environment and here it most definately shows.
But the next issue better have some Batman or I’m gonna start wrecking shit.
In the same comic we get a cute little comic about Venus trying to prove her worth to the male gods of the pantheon by working at a fashion magazine and a story where the Punisher goes all Chris Hanson to the nth degree on a pedophile at an amusement park.
Kind of a striking dichotomy no?
Everything about this felt…wrong. It was too modern and too keen on being hip to feel like The Green Hornet. The voices of the characters seemed off. I know that characters are open to different interpretations and that no one embodiment can be considered definate because it could always be replaced down the line. I mean, c’mon, look at Batman. But in this instance it just seems like it doesn’t fit anything previously established with the character. Like, if Superman started saying “Yo, man. Stop the crime, dude.”
I spent an entire review praising Kevin Smith’s work on Cop Out, but I cannot do the same here. It just doesn’t feel right. It just didn’t click with me. I hope it clicked with someone because Dynamite put out EIGHTEEN variant covers for this issue, and that’s a lot of effort gone to waste if everyone felt like I did about this particular issue.
The ending of the Tony Stark : Dissassembled arc hits home with a fairly anti-climactic final issue. I think that attempting to balance a fight with Ghost against the cerebral surrealism inside Tony Stark’s head led to a contrast of intent and could only really be resolved in a manner that felt overly simple in the end.
What the book has going for it however, is the last few pages which really drive home how much has changed for Tony Stark. During Civil War someone commented that they wished Tony Stark from years back could see his actions during that crisis, and here we sorta get that but with none of the satisfaction. It’s more of a shallow pity and it does a great deal toward redeeming Stark as a character. Which needs to happen considering he’s just as recognizable as Spider-Man in the public eye now.
The issue begins with a panel of Lady Deadpool seen from behind where her leg tapers off into something that looks like a suction cup. It’s supposed to be her foot.
Did I just start this review with the statement that Rob Liefield can’t draw feet? A fact that is pretty much abject fact at this point? Yes I did. And do you know why? Because it doesn’t get any better from there. The book is one long rambling fight sequence, then Deadpool shows up and drafts Lady DP into some mission and the issue ends.
There is NO substance here. And for a character where razor-sharp wit is the defining characteristic, this issue is filled with some of the dullest humor and sloppiest attempt at witty writing this side of a Dane Cook special.
My fears have been realized. Deadpool is no longer infallible in my eyes. Excuse me while I weep.
I think this book simply proves my point that the Punisher is only as interesting as the people he kills. Garth Ennis knew this. Jason Aaron knows this. And Valerie D’Orazio knows this.
If you don’t know Valerie’s story, and believe me it is a long surreal tale unlike any you’re likely to hear in the world of comics again, you might want to take the time to give her pseudo-memoir/blog “Goodbye to Comics” a look-see. It’s not a short read by any means, but it is something that begs to be read. For a quicker bio, you can click HERE.
There are two ways to read the book. You can read it knowing Valerie’s story or going in blind. If you’ve read Goodbye to Comics you can get an inkling of how cathartic writing this book must have been for her. There are themes that are definitely derived from her experiences in the publishing world and it helps to make the book feel genuine. If you know nothing about the writer, you’ll either bitch that there’s not enough Punisher in the book or you’ll comment on how the best Punisher stories of the last few years seem to use the actual character of Frank Castle sparingly. Like the shark in JAWS.
Jeph Loeb didn’t make me want to kill myself while I read his latest offering to the Ultimate universe. You may remember how I called Ultimatum one of the worst books of 2009. I stand by that. UCNU (because typing out that long ass title every time would make me want to kill myself) is about as middle of the road as you can get. It is not excellent nor is it bad. It simply is. I like where Loeb hs put Tony Stark. I like that we got to see Frank Cho draw Hela undressing herself seductively in an attempt to get Thor to “raise his hammer.” I like that nobody was eaten alive.
It’s like when Homer Simpson invented the Flaming Homer; “It passed the first test…I didn’t go blind.”
Wolverine celebrates the resurrection of Steve Rogers by having Nightcrawler fly them around the world to different bars where they get drunk and form a nice little bromance. Also there are multiple Deathloks going all Terminator on the progenetors of the next generation of heroes.
Yeah. I dug it.
Ah hell, it’s that time again. Where I sit down and type out a bunch of snarky retorts to the weekly comic offerings I put money down for on a weekly basis. Unfortunately, a bulk of the week’s pull was in trade form and I can’t write up a timely review of collected stories so this column might be on the slim side this week. I’ll try to make for it in repetitive ramblings throughout the reviews.
The Pull List:
BLACKEST NIGHT WONDER WOMAN #3 (OF 3) 2.99
BOYS #39 2.99
BUFFY THE VAMPIRE SLAYER #32 TWILIGHT PT 1 (OF 5) 2.99
CINDERELLA FROM FABLETOWN WITH LOVE #4 (OF 6) 2.99
CONAN THE CIMMERIAN #18 2.99
CRIMINAL SINNERS #4 (MR) 3.5
DARK TOWER FALL OF GILEAD PREM HC 24.99
DEADPOOL TEAM-UP #896 2.99
FABLES TP VOL 13 THE GREAT FABLES CROSSOVER (MR) 17.99
GI JOE ORIGINS #12 3.99
INVINCIBLE IRON MAN #23 2.99
JUSTICE SOCIETY OF AMERICA ANNUAL #2 4.99
QUESTION #37 (BLACKEST NIGHT) 2.99
RED ROBIN #9 2.99
SIEGE #2 (OF 4) 3.99
SUPERMAN WORLD OF NEW KRYPTON #12 (OF 12) 2.99
WOLVERINE WEAPON X #10 3.99
The Boys # 39
Not a whole lot goes on here, traditionally speaking. There are maybe three plot movements in the entirety of the book, but this single issue does a great deal to set up the next major arc of the overal narrative because Butcher FINALLY finds out about Hughie banging a supe.
A great deal of the drama thus far has been the reader wondering what will happen when the Boys find out about who exactly Hughie is giving the high hard one to on a nightly basis, given that she’s a part of the group they are ACTIVELY seeking to bring down. And at this point in the issue we get a window into what is going to be coming down the pipe. Butcher reacts not with anger or a sense of betrayal but with a disappointment that he hadn’t been able to figure it out before this very moment. It’s a quiet moment that tells us even more about Butcher as a character. How will he handle the fallout? That remains to be seen. But reading the issue you can tell that Ennis put a great deal of thought into how he was going to handle this moment.
The majority of the issue is spent with Hughie and his girl Annie, exploring the boundaries of their relationship (“LET’S PURCHASE OUR HARDCORE PORN!!!”) and showing what kind of growth their coupling has forced upon them both fundimentally as characters. There is some hint that perhaps being in a relationship with Hughie has changed her in ways that might be driving a gap between them, just in the differences between what the need as far as intimacy and mutual interests. It could be read that Hughie feels a twinge of responsibility for Annie’s sudden personality shift. But, that’s just speculation on my part.
A great many people like to dump on Garth Ennis because his writing veers toward ultraviolence and sophmoric humor, but the man does character moments just as good as any other major writer, and better than some I could mention. The book also has the expressive art of Darick Robertson working in its favor.
I think I’m getting burnt out on Deadpool. And gee, with around six regular series and eighty appearances a month, who would have thought that would happen? This particular issue suffers from the same problems I mentioned in my review of Merc with a Mouth # 7, in that the humor is entirely forced and derivitive. It doesn’t have the voice of Deadpool, that casual zaniness that seems to compliment the character so well. Instead we get cheap trucker jokes and some talking raccoons. Sorry to say, while that would normally have me giddy in my seat, this one just seems to fall flat.
Two things made me pick up this issue; Marc Andreyko’s name in the credit list and that awesome cover. I have to admit that interior artist Ben Templesmith’s art styling is not my cup of tea, the issue itself is a pretty good standalone Baroness tale that gives us the new-canon origin of the character and a glimpse into what molded her morals and values before becoming the character as we’ve come to know her.
The issue hits all the right notes, and while the story is nothing we haven’t seen before, it’s a change of pace from where the book has gone previously and I felt I got my money’s worth out of it. Also, nice cover.
Okay, here’s the one people have been talking about. And it’s impossible to review without major spoilers so just turn back now if you don’t want to know who died and how and what I feel about it.
Okay, let’s go.
So Sentry rips Ares right in half. Yep, it’s Ares who was the “big death” Bendis was hyping. And while the fight leading up to it was pretty cool, it’s not all that impressive considering how many people we’ve seen ripped in half over the years, partiularly in Bendis-penned comics(Vision and Carnage, anyone?). Remember in my review of KICKASS where I said that Millar was the best hype man in the game? Bendis is kind of the opposite. Whereas we believe Millar every damned time despite the fact that we’ve been fooled by him before, everytime Bendis says something will be shocking or unexpected, we know that it’s just going to be one of his old tricks. At least this time he didn’t claim that the event would “rip the internet in half.”
Guys, is that Ares death supposed to be some kind of wink-wink joke? FUCK YOU BENDIS YOU SELF-CONSCIOUS WHORE!!!
That’s it for this week. I’m going to go punch a wall and calm down. *deep breath*