I had a horrible night last night. Like, soul crushingly horrible. I was crestfallen and engulfed by rage. I ripped the towel rack out of the wall in the bathroom and punched a wall. Luckily, all of this happened after I read this week’s comics because I’m sure my feelings would have tainted my reading experience. Maybe they’ll hamper my reviewing experience but I can’t say for sure. You’ll have to judge that.
AMAZING SPIDER-MAN #636 GRIM 3.99
BATMAN AND ROBIN #13 2.99
BATMAN ODYSSEY #1 (OF 6) 3.99
BOYS #44 (MR) 3.99
IRON MAN LEGACY #4 2.99
JONAH HEX #57 2.99
JSA ALL STARS #8 3.99
SCARLET #1 (MR) 3.95
SECRET SIX #23 2.99
SHADOWLAND #1 (OF 5) SL 3.99
STEVE ROGERS SUPER-SOLDIER #1 (OF 4) 3.99
X-FORCE #28 XSC 2.99
X-MEN #1 3.99
YOUNG ALLIES #2 2.99
Now let’s get to it…
BATMAN AND ROBIN # 13
Yeah, Grant Morrison may have written his best issue of Batman yet. Everything that he has laid the groundwork for comes to a head in this issue. Morrison is not a fool, nor has he done anything that didn’t have a point. All the attention to detail that has gone into creating a tapestry of different plot threads that all reveal themselves in this issue.
I explained to people when it was finished that Batman RIP was not a self contained story. Everyone looked at it like a graphic novel in and of itself, this simply isn’t the best way to view the story. It’s a chapter in the overall story the same way that The Black Glove or Batman and Son were. It all is a piece of the puzzle that Morrison has presented. The events of this issue would not have worked without the events of RIP.
Morrison is doing some of the best Batman work of all time, and it’s not a gimmick. It’s not like Dark Knight Returns where it has no real bearing on the character aside from what writers choose to take from the message. This is a book that takes major risk on a monthly basis, in continuity. It’s not easy to do stuff like that and get away with it. Fanboys do not like change. And while we know that the status quo will eventually return, it will be changed by the events of this book in a manner that will almost be undetectable. After a run like Morrison’s, it will be hard to accept anything less than what he has delivered. It’s why what came after Hush was so rejected. Not that Hush is anywhere in the league of what Morrison is doing, but it hooked readers in and it had people looking for things that weren’t there in an attempt to keep up with the writer’s pace.
Seriously, I would rank Morrison as one of the best Bat writers of the last twenty years thanks solely to what he has done since launching Batman and Robin as a title. This is just another direct example I can point to when people ask me why.
BATMAN ODYSSEY # 1
This was probably my most anticipated book this week. I adore Neal Adams. I think he is the definitive Batman artist, alongside Jim Aparo of course. That having been said, I have never been exposed to anything that he has done as a writer. He may be one of the greatest artists ever to work in the comic business but as a writer, he’s largely a blank slate as far as I can tell. With the first issue of Odyssey, we can see that his writing style is clearly influenced by the writers he worked with back in the glory days of the dark knight. There is a little Denny O’Neil in his wordsmithery. I’ll admit that alot of the dialog seemed forced, and the flow of certain word balloons was distracting, but then again, that can be said of alot of comic books nowadays. I think it was just more noticeable because I was aware of the fact that Adams was writing for his own pen. I saw the same stuff on Tony Daniel’s work on the main Bat title.
Is the book good, though? That’s the main question that needs answering I suppose, and it is a decent little Batman yarn. The art is great, as if it needed to be said. I think the thing that strikes me is that it’s clearly a tale set in Batman’s past, though I can’t place where. I would have loved to see Adams write a contemporary Batman. I’m sure that would have sold better than a mini-series, as I can see a bunch of people trade waiting on this one. I won’t, because I want to support Adams in whatever he does, but I think from a marketing standpoint they may have stumbled a bit.
Still, no matter how you read it, you shouldn’t be disappointed.
THE BOYS # 44
So we finally get the moment we’ve known was going to happen since early on in the series. The only problem is that Garth Ennis gives it to us in the last panel so we have to wait a month to see the aftermath. Fuck you, Garth. Your mastery of toying with your audience is unparalleled.
Seriously, Ennis knows exactly when to drop the necessary bomb on the readers. He’s been escalating things for months now and everything is coming to a boil. I think the fact that Ennis stated when he began that the series would be finite with a pre-established ending helps to inform the reader that the pacing is deliberate. There are moments where the book comes close to seeming dull and then the veil is removed to show us something we didn’t expect.
This is definitely some of Ennis’ best work. I say that with conviction. I find it on par with his Hitman run and a shade close to matching some of the stuff he did on Preacher. The reason people don’t latch on to this book the way they did with Preacher is that The Boys isn’t as broad as Preacher was. Ennis knew that he could stir up controversy with the tiniest flair on Preacher. With the Boys he’s not really seeking to offend, but to play with heroes in a way that makes a statement on how he feels about the world in general. I don’t believe that Ennis believed everything he did in Preacher but I’m almost sure he does when it comes to The Boys.
SCARLET # 1
I think the easiest way to describe Scarlet is that Bendis has written what Millar wishes he could have with Nemesis. We get a violent subversive anti-hero protagonist who is introduced in the middle of murdering a cop and who is clearly willing to upset the system in any way she can. But unlike Millar who goes broad stroke in every manner imaginable, Bendis prefers to focus on the character first rather than the spectacle of the character’s actions. I think that the narrating directly to reader helps to facilitate this. Nemesis blows up a train to make a point and I felt nothing except dirty because the book wants me to view his actions as extreme with a measure of awesome, whereas when Scarlet chokes out a cop the gut reaction I had was one of knowing there was probably a reason for it beyond “here’s a villain.”
Bendis knows his storytelling. If he didn’t he wouldn’t be teaching classes about it at the collegiate level. It all comes down to whether you like his style. If you enjoy his work on Goldfish, Jinx, or the Powers books, you’ll probably enjoy this one. But there will be a number of people who hate it without reading it just because it has Bendis’ name on it.
SHADOWLAND # 1
This is gonna be a good one folks. Daredevil has been on a tear for years and finally he’s getting the spotlight he deserves. Each successive writer on the title has been outdoing the last since Bendis took over the book and we’ve finally reached a place where the boiling point has been hit.
Writer Andy Diggle has taken Matt Murdock to a place that we never really could have expected. It’s a shocking turn to see him in charge of the Hand, but at the same time the events that led to where Matt has ended up in no way work against what has developed. Normally, you would think there would be no way Matt Murdock would become the leader of the Hand. It just goes against everything that Daredevil has fought for, but the way that it’s been set up makes you feel like if it didn’t work out this way, it would be a cop out.
As for the issue itself, let’s just say that you know how it’s going to end a few pages in but you don’t care because you want to see it happen and you know that the ensuing shitstorm will be an amazing story. Simply put, it does not disappoint in any department. It’s an event book done right and I cannot wait for the second issue.
X-MEN # 1
I don’t know Vic Gischler personally. He bought a Lady Deadpool poster from my store on the one day that week I wasn’t at work. We banter about really dumb shit on twitter from time to time and that’s about it. So don’t think there’s some conspiracy when I praise his work on a regular basis. He just happens to write stuff that I think is really good. If I can ever find a damned copy, I’d like to review his book The Deputy but none of the local bookstores carry it and I don’t feel like ordering anything else off of the internet until I pay off my latest Amazon bill.
Anyway, yeah, X-Men # 1 is pretty good. It’s got Jubilee, so you know I’m going to like it. But it also isn’t the unending doom and gloom that’s taking place in every other title, and while Second Coming has been awesome thus far, it’s also starting to wear me down with it’s unending bleakness. It’s almost too much to take sometimes. So it’s a welcome change just to get Wolverine slashing apart a bunch of vampires. It’s just the sort of thing I want in an X-Men title right now. Problems solved with claws and laser eyes.
And Jubilee. I freaking love Jubilee.
And we’re done. I’ll be back tomorrow with a review of Predators.
I feel like these won’t be up to snuff. I’ve been off my game for the last few days, more focused on my novel than the content of the site, sad to say. I know it’s horribly short-sighted of me considering that the novel is in no way a sure thing whereas this site seems to have a dedicated audience if our recent web-numbers mean anything at all. (Hint, they don’t)
So here we go.
AMAZING SPIDER-MAN #635 GRIM 3.99
AVENGERS #2 HA 3.99
BATMAN RETURN OF BRUCE WAYNE #3 (OF 6) 3.99
COVER RUN THE DC COMICS ART OF ADAM HUGHES HC 39.99
DETECTIVE COMICS #866 3.99
FANTASTIC FOUR #580 HA 2.99
FRANKEN-CASTLE #18 2.99
GREEN ARROW #1 (BRIGHTEST DAY) 3.99
HERALDS #4 (OF 5) 2.99
HULK #23 WWHS 4.99
IRON MAN LEGACY #3 2.99
JURASSIC PARK REDEMPTION #1 3.99
JUSTICE LEAGUE GENERATION LOST #4 (BRIGHTEST DAY) 2.99
POWER GIRL #13 2.99
SEA BEAR & GRIZZLY SHARK #1 4.99
SUPERGIRL #53 2.99
SUPERMAN #700 (NOTE PRICE) 4.99
THUNDERBOLTS #145 HA 2.99
ULTIMATE COMICS AVENGERS 2 #4 3.99
WOLVERINE WEAPON X #14 3.99
X-FACTOR #206 XSC 2.99
X-MEN LEGACY #237 XSC 2.99
ZATANNA #2 2.99
I was so wary when I bought this title. I got the distinct feeling that it was going to be just downright abysmal. It had every indicator that it would be. In the wake of what’s going down with Arsenal, which may be the absolute worst storyline/title that DC has published in years, I expected to be equally disappointed in the new Green Arrow title. Despite the fact that I have every issue of Green Arrow from the moment Mike Grell took over the character to the end of the last series, I was seriously considering skipping it this time around because I didn’t have much faith that I would get my money’s worth.
The first issue was largely an exercise in getting people caught up, with Green Arrow telling a would-be victim everything the reader needs to know in order to jump aboard. It feels a little bit like a drag considering that I have been following Green Arrow for a while, but I suppose DC figured this new direction would hook a couple of new readers and they’d need the recap. Still, it could have been done a lot better without seeming like we were being led by the nose.
The new villain who takes control of Ollie’s old company is actually a pretty cool looking figure, she has a graceful mystery to her presence that makes her seem like less of a throwaway villain than other new arrivals, and thank god she’s not another archer (that we know of) because that’s just getting old.
The teaser reel at the end of the book that shows us where the book is headed helps to keep me interested, because it promises a few interesting possibilities. I’m not likely to drop the book as I’m a completist when it comes to Ollie, but I won’t regret my decision to stick around if things stay mostly as they are here.
Man, this thing is a mess. The story is bland and overly familiar, and the art looks like amateur hour. Nostalgia aside, there is no reason for this book to exist because there is nothing to salvage it when it comes to quality. I imagine some people who are really die hard fans of the franchise will stick around to see its completion, but I would have to be handed this book for free the next go-around to read issue two. I really wish I could say more about the book, but it was so mediocre that while reading it, nothing sunk in except how much I disliked it. I even like the second and third films, so it’s not like I’m holding it to any high standard. It’s just not a very good book, and it really could have been. I don’t think anyone will dispute that. It’s just a mess of an issue that turned me off nearly immediately.
Everyone here is probably well acquainted with my eternal love for Power Girl. I think she’s an underrated character who gets shoehorned into a stereotype because of the size of her bazongas. Everyone knows the story where she was supposedly drawn with bigger knockers every month back when she first debuted just to see how far they could go with it before someone noticed.
The thing is, as Jimmy Palmiotti (friend of the site, natch), Justin Gray and Amanda Conner can attest, you can squeeze some great stories out of her if you’re willing to think outside of the box and go places that aren’t readily visited by the majority of the characters in the mainstream. Power Girl operated for twelve months as the most legitimately fun book on the stands with some of the best expressive artwork this side of Kevin Maguire. It was earnest and endearing and I never wanted it to end.
Unfortunately it had to.
Now Judd Winick has taken over the writing duties while new artist Sami Basri has the unenviable task of following Amanda Conner. How do they do? I would put their efforts at “admirable.” Judd Winick does a good job of handling the tone set down by the previous team, but has to work in the events of Generation Lost, so things take a turn toward the more standard superhero fare. It feels kind of like a mash-up of the previous issues of Power Girl with a hint of Sterling Gates’ Supergirl work during the big crossover.
I think that Winick would have done better if he’d kept Generation Lost separate from the Power Girl ongoing, just as the previous team kept Power Girl separate from her interactions with the JSA. I understand the reasoning behind the move, but from a storytelling standpoint it feels like it’s trying too hard to fit into an overall continuity and not concerned with growing organically.
As far as the art is concerned, Basri does a good job but there are instances where it seems like there are three different renditions of Power Girl throughout the book where she doesn’t look like the same person. I think when the artist gets a better grasp of the character, those little nitpicks will slip away.
I just hope that Winick can manage writing the book without fretting over making the character “integral” to the overall scheme of the DCU, because crossovers kill interesting titles. It becomes less about the character and more about the universe and frankly I don’t want that to happen here.
Uh, yeah. I don’t know what to think about this one. Well, I know what I think about it. I just don’t know what to think about my liking it. There is no setup, it’s just a dive-in and go with the flow sort of book. Like it’s an issue of a series that already has four issues on the rack and this is just the next one in the series. There is no rational explaination or origin given for these characters, and nothing makes any real sense but the artwork is genuinely amazing and I don’t think I’ve cough-laughed the way I did with this book in a long time. I mean, a lot of this book caught me off guard and I didn’t know what to think. I can’t really recommend it for general audiences but if you’re looking for dumb violent “WTF” style stuff, this is definitely worth a look.
There has been a lot said about Stracynski’s arrival to the Superman title. Everyone by now knows the premise that Superman will be walking across America trying to reconnect with the people he’s supposed to protect. What I’m wondering is if this little pseudo-art vanity project will end up like Brian Azzarello’s run from a few years back that everyone dismisses as pretentious garbage. I suppose it would be worse if it were happening in Action comics, because I don’t know how much Action you can get out of a brisk jog, but considering that it’s been a while since Superman even appeared in his own book, I don’t know if Superman going through a pseudo Kung Fu “walk the earth” trek is really what we need right now.
I think that the War of the Supermen story was really well done and it had the sort of epic edge-of-your-seat stakes that I require from a Superman story. I doubt I’m going to get that in Stracynski’s run. I don’t doubt that it will be well written, because when he’s not hamstrung by editorial mandate, JMS can crank out some good stories. He knows how to write characters to thei strength and I don’t doubt that we’ll get some interesting moments out of this story arc. What I’m afraid of is when it fails to generate interest and gets cut short because editorial wants to see a bump in numbers but modern comic readers don’t have the patience for a slow burn anymore.
All I’m saying is that it’s off to a decent start, and it has a good chance to be something really great, but I’ll be damned if it doesn’t seem like it’s not going to end well. No matter what happens.
So there you go. Next week I’ll try to have these up in a more timely fashion. But, I’ve said that before and you get where I’m going with this.
Well, it’s time for me to rant and rave about comics again. It feels like it’s already later in the week than it really is so you’ll forgive me if everything feels a bit “off” today. I’m not sure why I feel so damned disoriented but I do. I spent Tuesday playing Red Dead Redemption, which I finally managed to complete and it was worth it because that game is all kinds of amazing right up to the very end. I want a sequel now. But games are more my brother’s department, so I’ll let him tell you about that if he ever decides to do another editorial for us, the lazy bastich.
AMAZING SPIDER-MAN #633 2.99
AMAZING SPIDER-MAN #634 GRIM 3.99
AMAZING SPIDER-MAN PRESENTS BLACK CAT #1 (OF 4) 3.99
BIRDS OF PREY #2 (BRIGHTEST DAY) 2.99
BLACK WIDOW #3 HA 2.99
BOYS #43 (MR) 3.99
DEADPOOL #24 2.99
DEADPOOL MERC WITH A MOUTH #12 (OF 13) 2.99
HER-OES #3 2.99
HERALDS #3 (OF 5) 2.99
INCREDIBLE HULK #610 WWHS 3.99
NEW AVENGERS #1 HA 3.99
NEW MUTANTS #14 XSC 2.99
ULTIMATE COMICS X #3 3.99
WITCHBLADE TP VOL 07 14.99
X-FACTOR FOREVER #4 3.99
So let’s hop to it. No sense in wasting time.
Two issues of Amazing Spider-Man hit the shelves this week. Three if you count the Black Cat mini-series. The finale of SHED was passable, but the overall quality of the arc is tainted for me by Bachalo’s artwork, which I find to be damn near incomprehensible. Seriously, I have no clue what in god’s blue balls is going on when that dude draws an issue. I’m not saying that he’s a bad artist, as there’s obviously talent there. I certainly can’t draw with any degree of his skill, his style simply aggrivates me and if Spidey weren’t a title I’d been collecting for around six years straight I would probably skip the story just so as to avoid looking at his clusterfuck linework.
Skip to the next issue however, and it looks like we’re in for a ride and a half. The Kraven saga is finally coming to a head, with the Kravinoff family hunting down members of the “Spider” family in some sort of scheme that I guess will either redeem Kraven’s honor in the family’s eyes or straight up resurrect him. I’m not sure. There seems to be a lot of misdirection on the part of the Kraven family. They were straight up trying to explode Arachne with a rocket launcher in the streets of New York while they had much more elaborate and detailed plans in their hunt for Mattie Franklin, the other, OTHER Spider-Woman who sometimes gets lost in the shuffle.
But honestly, the best part of the issue for me was seeing Kaine get his ass handed to him. I’m no fan of Kaine. He oozes 90’s psuedo-cool-lameness and seeing him get beat up and sliced to ribbons was just a treat for me. Like a free dessert at a restaraunt I was already enjoying.
I’m not gonna really review this issue, I just wanted to post a picture of Black Widow’s wicked awesome “Srsly?” face as drawn by Daniel Acuna.
Seriously. Epic bitchface.
You know what? This may be the single best issue of Hulk of the decade. It’s definitely the best to come out since the Planet Hulk saga ended. It feels like the Hulk should. It’s got all the melodramatic pathos, all the internal emotional struggle worked out through unrepentant violence. In short, it’s just a really amazing piece of Hulk. So much of what happens in this issue builds off of years and years of Hulk history, so much so that every event that happens in the pages of the issue carry an emotional weight that has been missing from the series for a while. I think that running parallel to Loeb’s overblown lunacy has caused the Incredible Hulk book to suffer by association. Pak has had to work within the confines of what Loeb has been building up to with the Red Hulk identity mystery and the introduction of gamma-radiated heroes, but he maneuvers in between the raindrops of insanity here to put out a classic Hulk issue that I think people will be talking about YEARS down the line as a perfect example of what makes The Hulk work as a character.
I will admit that the issue did have a bit of sensory overload. A lot of what happens happens very, very fast and there’s a lot of information to process. That having been said, it’s not so mindbogglingly convoluted that you can’t fully understand what’s going on. Compared to something like, let’s say, last week’s issue of SHIELD which just about made my brain crap itself. (Thanks Jonathan Hickman, you magnificant bastard)
In short, it may not be a great jumping on point if you’re unfamiliar with what’s been going on, but this issue should be a treat and a half for true died-in-the-wool Hulk fans who have been waiting for an issue like this for a long, long time.
If Avengers was Bendis doing the Avengers in a more classic mold, New Avengers certainly continues the work he did in the previous volume, with all the stuff that will make Bendis haters gnash their teeth and complain until they’re blue in the face while ignoring the fact that it’s still a damned fine book that is in no way inferior to what he’s doing over in the flagship title or anything any other Avengers writer has done before him. He even has the requisite Avengers trope of having everyone sitting around the table at the Avengers mansion and talking. Which happened ALL THE MOTHERFLIPPING TIME back in the old days, so it’s not as if his “overly talky” style is in any way counter to what the Avengers have done in the past. Plus we get some serious mystical mania with Hellstorm, Strange and the new sorcerer supreme, Dr. Voodoo.
Seriously, to prepare for this review I stalked message board topics about it. Just to see what other people were thinking and I have to say that the majority of comic book readers are a bunch of jaded cynics and hypocrits who really would only be happy with any given title that they claim to love if they were working on it with an artist of their choosing. Of course then only one person would be happy with the book and the rest of us would still be complaining. Lighten up fanboys, you guys are killing me.
Also, my new comic nerd-crush is Victoria Hand. In this issue she has a big gun. She’s won my heart.
Now I have to head back into the shop for a few hours on my day off to continue pulling books for subscribers. UPS lost another one of our boxes and so there’s a few things that we have to finish up today. I swear, in between Diamond Distribution and UPS, it’s a wonder we have any comic books to complain about on a weekly basis AT ALL.