Could you imagine being one of the most talked about young starlets of 2007 only to become a joke in the eyes of everyone who has tired of using you as spank-bank material? Let’s face it, nobody ever took Megan Fox seriously as an actress. She had a slamming body and was pretty blunt about her sexuality in any interview she gave. She even had that faux-nerd cred going on by strutting around town wearing Star Wars shirts and claiming to like comic books and whatnot. Yeah, tease the fanboys, make them think you’re one of them. That’ll ensure they’ll pay the $20 you’ll charge at conventions for a photo and an autograph.
But now she’s proven she can’t sell a movie based on sex alone (Jennifer’s Body) and Jonah Hex looks like something the general public will reject on principle and the fanboys will ravage for not honoring the source material. Then the dumb bitch couldn’t keep her mouth shut and now Michael Bay has brought down the hammer of KRAWW!!! upon her ass and kicked her off the Transformers set and plans to cast a new female lead.
I mentioned some choices earlier, but let’s see if we can’t make a complete list here. Granted, this list really is just an excuse for me to troll Google image search looking for sexy pictures of women I would like to do the dirty with. But is that so wrong? I’m sure it’ll gimme mega traffic for the next week, and I am not going to lie and say I don’t want that to happen.
Okay, so, all I know about this girl is that she leaked some nekkie pics onto the interwebs sometime while she was filming Twilight, a series that she might get cast out of in the final installment because she wants more money, which aint gonna happen. If she does get knocked on her keester, maybe she’ll take a reduced pay cut to get a larger audience by replacing Megan Fox in Transformers 3. Let’s face it, Twilight fans won’t follow the stars to other movies, if they did Remember Me would have made some serious bank and The Runaways would have registered on people’s radar. But that didn’t happen, because Twilight fans are only interested in Twilight. I think it has to do with the fact that such people are easily distracted by shiny objects and then they forget where they are.
Yeah, Twilight fans are retarded raccoons.
I said it.
Her name almost has “anal” in it and she’s so hot it almost effing hurts. I mean seriously, this girl oozes the sexy and I usually don’t go for blondes. I’m more into the sultry brunette look that girls like Ms. Greene above bring to the table, but seriously, this girl is one fine piece of eye candy. Also, see the evidence pictured below:
I want to be that doughnut right now.
She’s racking up cameo bit parts in movies like Iron Man 2 left and right, and so long as the role doesn’t call for insane acting talent on the par of Dame Judy Dench or Meryl Streep, which in a Transformers movie would be about as unlikely as Geoff Johns passing up an opportunity to brutally kill of a c-list hero in a crossover, Ms. Munn would be a more than adequate replacement for Megan Fox. Personally I think Olivia’s hotter than Megan Fox ever was simply due to the fact that she doesn’t look like she secrets enough grease to supply the fryers at Burger King for a day.
Admittedly, this is a terrible choice. This woman annoys me just about as much as any other pseudo celebrity making the rounds nowadays, but I just felt like posting a picture of that scrumptious backside.
In short, this girl is the reason God gave us the ballgag.
Not because I think she’d be a good fit, but because I really want to see Optimus Prime sing “Poker Face.” I think I could die happy after that.
I don’t watch How I Met Your Mother, which apparently she’s a central character on. But I saw The Slammin’ Salmon, and she was just plain gorgeous in that film, and honestly of all the girls on the list, she seems like she has the most legitimate acting chops, as she managed to pull off some great dramatic work in that film while at the same time holding her own with the rapid-fire comedy. She was supposed to be Wonder Woman, for crying out loud. Yeah, she’d do fine.
Here’s a nother girl who actually has some acting talent. She holds her own with Hugh Laurie on House which is not an easy feat. That man is awesomesauce. Wilde will also see her mainstream star on the rise when Tron Legacy hits the web later this year and we all get to oogle her assets in skintight leather:
I want to come out and say that as far as comics to film translations go, the franchise that seems to have taken the essense of the stories and chracters and adapted them best for the screen has to be the Iron Man series. Every character retains their core in ways that are lost with films like Batman, Superman, and the X-Men films. I think the most telling moment in Iron Man 2 is when Tony Stark is clutching a bottle of champagne, suited up in the armor and scratching the turntables at his birthday party. The film is very comfortable in portraying the character in moments that otherwise would seem awkward. The films embrace the atmosphere that a billionare in a weaponized suit creates. It’s a level of fantasy fulfillment and straightforward production that seems lost in other films. It doesn’t feel very tongue in cheek, it’s just presented at face value and the audience goes with it, because it seems natural.
Which really needs to be the case in a film like Iron Man. It’s like a ride, and you have to be willing to realize that. Iron Man 2 certainly has some setbacks that are evident in most sequels. I however do not see the problem that certain people do, claiming that the film has too many new characters. All the characters introduced in the film do wonders with the time they are given. Sam Rockwell probably does the most with the limited screen time he’s given, making Justin Hammer his own and providing an excellent foil for Tony Stark and the scenes where the two share the screen are absolutely phenomenal. The chemistry between the two actors is amazing. And I think that’s another crux of what makes the film work the way it does; the chemistry that all these actors bring to their roles is as top tier as you can get. Gwenyth Paltrow, who I normally despise, works well with anyone she’s put up against. The same goes for Downey, or Don Cheadle or even Mickey Rourke, who just seethes a sort of dirty despicability. What I like about this film is that it feels like a Marvel book come to life. We get Nick Fury and the Black Widow sharing scenes with Iron Man and War Machine, all these heroes converging on screen in a way we’ve never seen before. In films like The Dark Knight, we got Batman and multiple villains, creating a miniature scale version of this effect, but that was a microcosm while this feels grander in scope.
While some will argue that War Machine and Black Widow don’t get enough time to be fleshed out completely, and therefore giving the producers no reason to use them in the first place, I think the film does a sufficient job in presenting them in such a way that when the inevitable spin-off films happen, they can hit the ground running in ways they previously could not. The origin story is such a boring aspect to most heroes, and most of the time we’re so familiar with them that we get bored when they play out on the screen, or we get angry if they change something in such a way that it betrays the spirit of the source material. I believe that with Iron Man, Marvel is doing an amazing job of world building. They have more room to maneuver than they ever have previously and it’s sad that DC can’t pull off the same feat. I personally would love to see a post-credits scene in Green Lantern where Hal Jordan is tracking a fast moving bogey only to happen upon a red blur that slows down just enough for us to get a glimpse of The Flash. Or maybe he crashes an F-15 into an invisible jet. Who cares, but let us see a larger world.
Like I said, the film is not perfect, and It probably could have used another big action scene to offset the more character driven dialogue pieces. I don’t need action all the time but the first film felt more balanced in this regard. I will admit however that the final set piece in this film trumps the less than stellar Iron Monger fight in the original, even if it is somewhat derivitive of that particular setup.
I learned something this week. Comic books are not an easy habit to downgrade. While last week I remarked that due to my financial situation, comic books would have to be scaled back for a little while alongside other things like blu-ray movies and steak dinners in order to help me build up a little extra cash in the bank, this week I found out that I can’t seem to stop myself from throwing stuff on the pile. Let me just say that while I still am going to try to restrain myself, hard as it may be because there is so much good stuff out there that I really want to read, I’m not going to hamstring myself either. If you can’t enjoy your hobbies the way you want, they sorta cease to be hobbies in my opinion.
ACTION COMICS #889 3.99
AMAZING SPIDER-MAN #629 2.99
CAPTAIN AMERICA #605 3.99
DEADPOOL #22 2.99
DETECTIVE COMICS #864 3.99
FALL OF HULKS RED HULK #4 (OF 4) 3.99
FANTASTIC FOUR #578 2.99
GOTHAM CITY SIRENS #11 2.99
HACK SLASH SERIES #32 A CVR SEELEY (MR) 3.5
INVINCIBLE IRON MAN #25 HA 3.99
JLA DELUXE EDITION HC VOL 03 29.99
JUSTICE SOCIETY OF AMERICA #38 2.99
LAST DAYS OF AMERICAN CRIME #2 (OF 3) A CVR MALEEV (MR) 4.99
MIGHTY AVENGERS #36 SIEGE 2.99
NEW AVENGERS #64 SIEGE 3.99
PREVIEWS #260 MAY 2010 (NET) 2.7
PUNISHER #16 2.99
RANDOM ACTS OF VIOLENCE GN (MR) 6.99
SHUDDERTOWN #2 (MR) 3.5
SUPERMAN #699 2.99
SUPERMAN LAST STAND OF NEW KRYPTON #3 (OF 3) 3.99
THOR #609 SIEGE 2.99
TRANSFORMERS ONGOING #6 3.99
ULTIMATE COMICS AVENGERS 2 #1 3.99
X-FORCE #26 XSC 2.99
And now, your weekly biased opinions.
I love a good one-off Deadpool story in which all kinds of ludicrous wackiness ensues. When you try to go epic with this particular character you can either get some amazing results like the Cable/cult stuff in Cable & Deadpool or you can get something like Deadpool Corps which doesn’t have quite the same *oomph*. This story has Deadpool being Deadpool somewhere in Georgia and wreaking vengea-justice against some corrupt backwoods hillbilly cops. It’s not high art in any way shape or form, but it feels like Deadpool, moreso than any universe-hopping counterpart he may have in another book.
In all fairness, this is the only Deadpool book on my list now. I cut off DPC and Team-Up because I wasn’t caring for them at all. They felt empty and bloated at the same time and didn’t give me anything that I was looking for in the character. Merc With A Mouth is still mostly excellent but it ends in three issues, so it might as well be gone already. I’m going to hold off on the upcoming Wade Wilson’s War mini-series, despite my immense love for Duane Sweircantspellhislastnameski because I’m pretty sure they’re gonna make an oversized hardcover for it that will look nice next to my Suicide Kings hardcover. What can I say? I’m a sucker for the aesthetic of a bookshelf brimming with Marvel hardcovers.
My point is that the main Deadpool book is actually better than it gets credit for, and that I find it interesting that writers at Marvel, like the fanbase, have such wide and varying ideas of what a Deadpool book should be like, given that a few short years ago, Deadpool was one of the simplest characters to write. But exposure has forced multiple interpretations and I’m glad that I found the one that works for me. Maybe Deadpool Corps is the one that works for you. I can’t say. I barely made it through the first issue without vomiting in revulsion.
This issue featured maybe one of the most horrible and obvious plays on words that I’ve ever read in a comic book. I mean, it was too easy and it was telegraphed a mile away and I can’t believe that Paul Dini wrote it. The rest of the comic was pretty damned good. But I keep going back to that one cringe-worthy panel, which I would totally scan if my machine weren’t on the fritz. (Yeah, that’s why the panel of the week segment got cut, because I spend too much money on comics to afford a new scanner. I have no shame.)
The majority of this issue centers around Selina and Harley searching for a lost dog while Poison Ivy makes a first impression at her new job. I will say I was surprised by how that little section of this issue turned out. It looks like they’re not going with the secret identity idea for Poison Ivy as a long-term idea, which I was interested in seeing play out over the course of a few issues.
I think this is a good book. I really do. But this issue is a definate drop in quality from the last arc with Riddler. But then again, that could be on account of my epic Riddler-positive bias. I truly do love the Riddler, I think he’s underappreciated and misunderstood. Thankfully, Dini gets the Riddler better than just about anybody and I think he’s got plans for him down the road.
The heroic age is here. Kind of odd that Siege still technically hasn’t ended and we’re already moving on to the aftermath. Better than holding up all the books while we wait but still a bit odd. This issue is just about everything you could want in an Iron Man comic. Matt Fraction might be God, I’ll have to ask his wife if their new baby was immaculately conceived in order to prove my hypothosis. (Congrats to the both of them on that, by the way)
One thing I think that is immediately noticeable about this book is the timing. A week before the new film drops and we get a comic featuring the return of Hammer Industries, the company founded by Justin Hammer, a prominently featured character in the new movie. Coincidence? I doubt it. Just as when this book launched in the wake of the first film with a story featuring Ezekiel Stane, Fraction has organically found a way to grab the interest of any new readers who might jump on board following the release of the new movie.
The tone of the book has reverted to the same sort that it had around it’s launch. Whereas the last arc was very hyper-real with a good chunk taking place in Tony’s mind, we’re now back to the corporate warfare and industrial terrorism actioner vibe that started in The Five Nightmares. It’s a tone that really works for Iron Man, and even with all the changes Stark is going through, he seems to fit into the puzzle with ease. This truly is some of the best Iron Man writing in ages.
Here’s one of the books that proves my point about the inevitability of my comic collecting nature. I didn’t know this book was coming out this week. I completely overlooked it. But when presented with it, I took one look at the cover, saw Palmiotti and Gray’s name on the credits and tossed it on the pile. If there ever were a dream-team of comic writers, those two are it. Right up there with Brubaker/Rucka as far as I’m concerned. I mean, have you read Jonah Hex? Power Girl? Those guys are amazing.
This book utilizes what they know about the comic book business and builds an effective meta-textual story that comments on the world of comics from the inside and out. From publishing to the fans that read the product, to the media that capitilizes on its burdgeoning popularity. At the same time they manage to make a statement about the current state of the horror genre, both in the world of film and in the graphic literature medium. It’s a mixed message that they put out, I’ll admit, but then again that mirrors the content that they’re deconstructing here. Honestly, the book feels very cinematic. It has a very clear first, second, and third act and is illustrated in such a way that I felt like I was reading an adaptation of a mini-series on HBO.
I’m not going to say that this is their best work, but it is an interesting read. My only real complaints stem from the fact that due to the nature of the book, which seems to be a deconstruction of the modern horror story, the plot turns seem telegraphed and predictible. A problem that seems to plague a great deal of horror movies/novels/comics nowadays. Aside from maybe The Walking Dead, I can’t recall being shocked by a horror title in a long time. Crossed came close, but Garth Ennis can’t stop himself from being Garth Ennis, so a good deal of that book felt predictable as well, sad to say.
However, in the case of Random Acts of Violence, I can say that for the price tag, you get your money’s worth and then some. It’s a very meaty book, it feels full and complete without the need for decompression or rushed…anything. It’s simply a well put together book with a few slight snags applied due to the nature of the beast.
Optimus Prime gets dropped out of a helicopter onto Swindle. Of course I fucking liked it.
See you next week….maybe. I’m taking a trip to Louisiana that weekend and I might space out between the middle of next week and the following Monday.
- Wolfman & Perez to make a return to TITANS [BleedingCool]
- Geoff Johns returning to Titans, too. Only tinier. [ComicsAlliance]
- Iron Man 2 to screen in IMAX [JoBlo]
- Marvel Offers Deadpool Variant for stripped DC Books [ComicBookResources]
- Gail Simone re-launching Birds of Prey in April [DCUNiverse]
- Producers eying Jackie Earle Haley for Sinestro? [CHUD]
- Sony puts the kibosh on Spidey 4, reboots franchise [ComicBookResources]
- DC to follow “Blackest Night” with bi-weekly “Brightest Day” [DCUniverse]