I actually arrived home from work yesterday to find a box full of manga on my front porch, which I really wish I could have read but I’m saving those little gems until after I’ve finished this week’s American output, which is what I’m primarily focused on reviewing here. I doubt there are many of you who read this blog who really give a damn about what commentary I could provide for Battle Vixens. I mean, it’s all panty shots and using fist-fights as an analog for sex, do you really need me to tell you to read it? I sure hope not.
AME COMI BATMAN VINYL STATUE 70
AME COMI ROBIN VINYL FIGURE 60
AREA 10 HC (MR) 19.99
BATMAN AND ROBIN #11 2.99
BOYS #41 (MR) 2.99
BUFFY THE VAMPIRE SLAYER #34 TWILIGHT PT 3 (OF 5) 2.99
DEADPOOL AND CABLE #25 3.99
DEADPOOL CORPS #1 3.99
INVINCIBLE RETURNS #1 3.99
JSA ALL STARS #5 3.99
RED ROBIN #11 2.99
SECRET SIX DEPTHS TP 14.99
SHIELD #1 (MARVEL) 3.99
SUPERMAN LAST STAND OF NEW KRYPTON #2 (OF 3) 3.99
SUPERMAN SECRET ORIGIN #5 (OF 6) (RES) 3.99
TURF #1 (MR) 2.99
UNCANNY X-MEN #523 XSC 2.99
WOLVERINE WEAPON X #12 3.99
WORLD WAR HULKS #1 WWHS 3.99
And here’s how that shit went down:
I’ll probably catch a lot of hell for this, but I don’t read Invincible on a monthly basis. I get the trades, and I’m admittedly even a bit behind on those, being a cheap bastard and picking them up only through deep discount sales and whatnot. This comes after I bought 4,5,7, and 8 at 1/2 price and then filled in the gaps through Amazon and local clearance bins. I still haven’t read anything after volume 10, so I missed the whole “Conquest” storyline that this mini-series seems to come out of. Luckily, the book fills in the blanks well enough that even with my barely involved knowlege of the story’s progression I was able to understand what had happened in the gap where my reading had ended and the new story began. That isn’t really that amazing a feat, I mean, in reality that should be something that is a given, but luckily it’s done in a way that I feel like when I do pick up my next trade, I won’t feel like the story was spoiled for me.
Basically, Invincible Returns works as a GREAT jumping on point for new readers. Yes, there is a lot of backstory to take in, but it’s weaved into the book through character moments that help new readers get to know the cast. Truly, Invincible Returns is a damned fine read for die-hards as well as the new folks who are looking to try out the character.
One thing I want to comment on is how amazing Ryan Ottley’s art has become over the years. Looking at the first trade of Invincible and comparing it to the art of Invincible Returns, the characters still have the same style and look, but the definition is improved a great deal. Ottley’s art is truly underappreciated. His style is a huge part of what makes the book so amazing, and this single issue is a GREAT showcase for his talent. The backup work by Cory Walker is damned fine as well. I admit his style is just a few degrees off Ottley and so at first parts of it just seemed…different. But still, he nailed the look and did an admirable job.
I fucking hate Jon Hickman. That guy is just too damned good. When Marvel finally caves in and lets this guy write a tentpole event for their entire company, you better hold on to your goddamn balls because he’s going to rock them off in ways you couldn’t imagine while mind-fucking your cerebral cortex at the same damned time. He’s currently writing the best Fantastic Four stories since Mark Waid and Wieringo left and he brings that same sense of otherworldly creativity to SHIELD, a book that sees Leonardo DaVinci creating a renaissance space-suit with wings and flying off into the cosmos.
This book is going to be one to watch. It might just be too good for the general comic-book fanboy crowd. It’s inevitably going to be called pretentious and slammed for overactive retconning, all the while ignoring how goddamn brilliant it is. This book is like touching Jesus’ beard; surreal and enlightening. Comic books were created for shit like this to exist.
I dunno. This single issue was so damned dense that I think it’ll take another few reads to fully understand what’s going on. I mean, obviously it’s set in the prohibition era and there’s a gang full of vampires who are trying to take over the other gangs’ turf but some of them want to remain faithful to their old-country traditions of vampirism. And there’s alien spaceships for some reason. I’m not entirely sure where this is all going to lead, I just know I’m down for it, because, let’s face it, anybody willing to go this far out there in order to tell the story is worth giving the benefit of the doubt.
The only complaint I have is that this book is CROWDED with text. This compounds the already muddy art in making the issue slightly hard to read simply on an aesthetic level. The interesting story makes up for it, but I won’t lie, it did give me a little bit of a headache to read. Maybe when I revisit the issue, knowing what to expect will lessen the blow. Then again, you might not have this problem at all.
You know, when the talent pool writing the color spectrum of Hulks doesn’t include Jeph Loeb, the absurdity of the concept seems to be diminished by the fact that the characters are written with a modicum of subtlety, thus creating an enjoyable story. Jeff Parker, who is probably best known for somehow making Agents of Atlas so damned amazing, writes some great stuff here for A-Bomb, who up until this point has a generic walking ball of who-gives-a-fuck. He also writes a pretty good little Deadpool segment, featuring Bob aka everyone’s favorite agent of Hydra.
The rest of the book is just as well done. We get some good development for Talbot, who with all the focus they’re giving lately seems to be a front runner for the inner identity of Rulk. The talent assembled on the book really runs with the mediocre material they’ve been handed thus far. Kudos to everyone involved there.
So that’s it for this week. If you’ll excuse me I’ve gotta read some really filthy manga. Until next time…