Unilaterally Sarcastic, Dangerously Cheesy

Posts tagged “New Avengers

Weekly Comic Reviews

I Do Not Actually Look Like Jesse Custer

Hey, guess what? I read some books! Just like last week? Aren’t I unpredictable? But seriously folks, I got my books yesterday, though about six hours later than usual so I actually stayed up late reading comic books to ensure that I would be able to get this post up in a reasonably timely manner. You guys should send me a gift basket.

AMAZING SPIDER-MAN #622 GNTLT 3.99
AVENGERS INITIATIVE #33 SIEGE 2.99
BATMAN AND ROBIN #9 2.99
BLACK LANTERN GREEN ARROW #30 (BLACKEST NIGHT) 3.99
BLACKEST NIGHT #7  3.99
BLACKEST NIGHT JSA #3 (OF 3) 2.99
CAPTAIN SWING #1 (OF 4) 3.99
CHOKER #1 (MR) 3.99
DARK WOLVERINE #83 SIEGE 2.99
DEADPOOL #20 2.99
FALL OF HULKS RED HULK #2 (OF 4) FOH 3.99
FANTASTIC FOUR #576 2.99
GI JOE TP VOL 02 19.99
GOTHAM CITY SIRENS #9 2.99
JUSTICE SOCIETY OF AMERICA #36 (C: 1-0-0) 2.99
MS MARVEL #50 3.99
NEW AVENGERS #62 SIEGE 3.99
SUPERMAN #697 2.99
THOR #607 SIEGE 2.99
TRANSFORMERS ONGOING #4 3.99
WONDER WOMAN #41 2.99
X-FACTOR #202 2.99
X-MEN LEGACY #233 XN 2.99

That’s a pretty healthy haul. So what did I think?

ASM 622
AMAZING SPIDER-MAN # 622

For the last few week’s I’ve really been boosting up ASM as a book. I think it’s been consistantly good and that the naysayers have been blinded by their own biases. This issue however is a bit of a mixed bag, in that the lead story with Morbius is actually quite fun if a tad on the light side, not actually being full length and thus appearing somewhat rushed, while the second story with Flash Thompson is just sort of a discombobulated mess.

I am willing to bet that the secondary tale is in there because they need to quickly set up Flash’s new status quo for when he inevitably comes back into the fold of the supporting cast on a regular basis. It feels like the writing team’s attempt to get us re-aquainted with Flash and let us know that by featuring him in such a beefy role in what amounts to a backup story, he must be important enough to care about. Continuity wise, at least.

Like I said, the issue is a mixed bag, but it’s only a slight hiccup in the road as far as I’m concerned, because it’s a one-off story meant to act as an interlude anyhow. I don’t blame them for trying to cram some exposition in there that might have gotten cut short if it were rammed into an ongoing storyline. You take the good, you take the bad, you take them both and there you have…Amazing Spider-Man.

Choker # 1
CHOKER # 1

It’s like Sin City meets Blade Runner with enough of the classic Marlowe noir not to feel cheap. Choker is Ben McCool’s debut creator-owned story and damned if he didn’t knock it out of the park with this first issue. The dialogue is crisp and feels as solid as noir dialogue can, which admittedly can sometimes come off as really cheesy. Remember Frank Miller’s script for The Spirit? Yeah, it’s nothing like that.

I’ve admitted that I’m not normally a fan of Ben Templesmith. His artwork is hard to critique because any complaints can be attributed to his wanting to add a sense of style. And luckily, in the case of this book, the style works. Whereas I felt it actually hindered the story in something like 30 Days of Night, here it feels like any other type of art style would have seemed…off.

Do yourself a favor and pick this one up. I’m always telling people that there’s great new stuff out there and this is no exception. You’re doing yourself a disservice if you pass it up.

Captain Swing
CAPTAIN SWING # 1

Speaking of original material, fuck you Warren Ellis. How the living hell do you manage to crank out so many titles in such short periods of time, and all of them be thoroughly entertaining? Where is your off month? When do I get to read something from you that sucks. That would be a surprise. I would actually be shocked if I picked up an Ellis book and didn’t like it. The man has such a vivid sense of world-building and setting that he could tell an infinite number of stories simply by interchanging the characters and plots from his different endeavors into each other’s locales. In this case, we get a pre-industrial revolution London in the time of the formation of the Metropolitan Police (aka the “Met”) and a mysterious steampunk villain(?) who fires electric bullets and cavorts around town in a flying airship.

Once again, fuck you Warren Ellis. You creative prick.

Ms. Marvel Finale
MS. MARVEL # 50

It pains me to say that reading this final issue of Ms. Marvel, I understand why it’s going away. When your grand finale is so astoundingly anti-climactic that it makes the reader’s chest hurt, you probably should thank your lucky stars that you made it to issue 50. Now, I’ve followed this title since # 1, and I’ve tried to get people on board, because I think that it’s been a really damn good title for the majority of the run. But I see the final arc as sort of a missed opportunity. It seemed…I guess rushed is as good a word as any. Like this is all Brian Reed could come up with because the weight of delivering a final issue was weighing on him so heavily.

The backup story is passable. I’m not a big Noh Varr fan, so it didn’t speak to me on any real level. But something tells me that what happened there will come into play whenever they decide to focus a little more on that character. At least when that happens I’ll be prepared.

Overall, this would have been a fine issue were it not the grand finale. In that sense, it feels like a bit of a misfire.

Wonder Woman 41
Wonder Woman # 41

It’s an extended Power Girl cameo, how the hell do you think I felt about it?

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And that’s it for this week, join us next time when I aim to be even more passive aggressive.

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Panel (Page, Actually) of the Week

New Avengers 61


Weekly Comic Book Reviews

I Do Not Actually Look Like Jesse Custer

Dear loving God, I think I may have gone overboard on the books this week. I bought about double my usual pull and mostly because there were issues I figured would be good picks for review on this here blog.You should all feel so special.

The Pull List:
AMAZING SPIDER-MAN #619 GNTLT 2.99
ARCHIE #605
AVENGERS INITIATIVE #32 SIEGE 2.99
BATMAN AND ROBIN #7 2.99
BLACKEST NIGHT JSA #2 (OF 3) 2.99
CAPTAIN AMERICA REBORN #6 (OF 6) 3.99
CHEW #8 (MR) 2.99
DAREDEVIL #504 2.99
DETECTIVE COMICS #861 3.99
FALL OF HULKS RED HULK #1 (OF 4) FOH 3.99
FANTASTIC FOUR #575 2.99
GOTHAM CITY SIRENS #8 2.99
GREEN LANTERN #50 (BLACKEST NIGHT) 3.99
HOUSE OF MYSTERY TP VOL 03 THE SPACE BETWEEN 14.99
JUSTICE LEAGUE OF AMERICA #41 3.99
JUSTICE SOCIETY OF AMERICA #35 2.99
KICK ASS #8 (MR) 2.99
MS MARVEL #49 2.99
NEW AVENGERS #61 SIEGE 3.99
PUNISHER #13 2.99
ROBOCOP #1 (MR) 3.5
SUPERGIRL #49 2.99
SUPERMAN #696 2.99
SUPERMAN SECRET ORIGIN #4 (OF 6) 3.99
THOR #606 2.99
ULTIMATE COMICS ENEMY #1 (OF 4) 3.99
WIZARD MAGAZINE #222 MARVEL SIEGE CVR (C: 0-1-2) 5.99
WONDER WOMAN #40 2.99
X-FACTOR #201 2.99
X-FORCE #23 XN 2.99
X-MEN LEGACY #232 XN 2.99

And here come the reviews:

AVENGERS INITIATIVE # 32

Taskmaster is an underated character. He’s really been getting his due in this book and this issue is no different. Initiative shows the POV of the ground level people going into the Siege on Asgard, particularly Taskmaster and Diamondback. We really get to see a clear defintion of why it is Taskmaster does what he does, something that I found refreshing in that it really fleshed his character out further than we’ve seen previously and hopefully it will generate some more interest in the character so that he sticks around after Initiative goes the way of the dodo in April.

BATMAN & ROBIN # 7
Long delayed and anticipated in ways I cannot possibly describe, the seventh issue of Grant Morrison’s flagship title for the Batman reborn storyline picks back up with a bang, not losing any of the kinetic energy that has made the book such a great read from it’s inception. The story begins in London with Batman racing against time through the streets trying to stop a runaway train brimming with explosives. The pacing of Batman’s movements through the city showcase all that artist Cameron Stewart is capable of and at the same time reminds us that Dick Grayson as Batman retains so much of the acrobatic skill that made him so formidible as Nightwing.

The book then escalates, delving into conspiracies regarding an old mine that may or may not have certain regenerative qualities. Sure enough, Batman and Robin show up and find a viable Lazarus Pit. With the themes already touched upon in the last few issues regarding Bruce’s death, one can easily see where this leads; but everything Grant Morrison does is always slightly off kilter, and I would wager that the final page of this issue is going to lead to something that defies expectation.

It should be noted that the issue has a really big lettering error, one which is devestatingly confusing. I know at least one person who assumed this was some sort of weird Morrisonian style choice, but it’s nothing so sinister. Just swap the speech bubbles and it makes perfect sense, and all will be well.E

DETECTIVE COMICS # 861

Following J.H. Williams on the art duty for Detective is pretty much like expecting a garage band to play the encore for Led Zeppelin. Artist JOCK does a great job on the title, bringing his signature look to the book an creating his own template for the action. Rucka does well balancing the dual stories, showcasing Batman and Batwoman’s investigation of the same case.

While I certainly miss the unparalleled art by Williams, this arc looks to be Rucka at the top of his game, and if that’s the case, it really doesn’t matter who is pulling the art chores.

RED HULK # 1

A book where the Red Hulk and Abomination team up to learn how M.O.D.O.K. repeatedly clones himself and harvests his own organs for future use. I’m a sucker for anything remotely involving M.O.D.O.K., so the fact that this book technically doesn’t need to exist in any way shape or form can be overlooked.

JUSTICE LEAGUE OF AMERICA # 41

I haven’t been reading Robinson’s JLA. I read the first issue of Cry for Justice and decided that no good could come from reading anything Justice League related from that particular author. Picking up this issue, I can honestly say that I was probably right. The narrative seems jumbled and the characterization stilted. I know from his run on STARMAN that Robinson can handle a diverse cast. The only explaination I can think of for his inability to craft a coherant JLA is that in STARMAN, he built his world from the ground up. Robinson seems to have issues playing in other people’s sandbox with JLA and it is visible on every page.

Which is disappointing because Mark Bagley is turning out some really nice work here, drawing a wide spectrum of characters with all his usual skill. The fact that one of the most competent artists on the DC roster is stuck drawing such a lackluster book is perhaps the biggest shame of all.

ROBOCOP # 1

I’m not sure where this fits into the movie continuity. It seems like it either takes place before the third film or ignores it entirely. I don’t so much care about the continuity, that stuff doesn’t really matter with a book like this. What bothers me most about this book is just how damned sloppy it is. It reads like tiresome fan-fiction, which is forgiveable considering that that essentially what it needs to be. What really drags the book down is the ham-fisted way they try to shoehorn blatant social commentary about our current financial dilemma into the narrative. And while the original film did a good job mixing action and subtext, this book doesn’t seem to know how to do it without coming off as forced and trite.

ULTIMATE COMICS ENEMY # 1

I have no f**king idea what happened in this issue. Ben Grimm hit on the Invisible Woman and then started shedding like a mangy dog, a building exploded with a purple blob thing, and Nick Fury has lunch. I’m pretty much willing to accept a lot but paying $3.99 for this makes me slightly angry.

WONDER WOMAN # 40

Gail Simone knows how to write Wonder Woman. This issue features creepy Childen of the Corn kids spreading hate-speech, racism, and fear and eventually Power Girl shows up. I love Power Girl, so this book is immediately awesome, but the character moments in the book are so strong that it didn’t even need her to win me over. Gail has organically been building this series in such a manner that in a few years it will likely be held up alongside Perez as the pinnacle in what can be achieved with the character.

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And that’s it for this week. You’ll notice I actually reviewed more than one DC book this week. Aren’t I a generous soul?