Guys, this week was a killer. Probably the most major comic release date in a while. You have no idea how many people have been coming in asking about Batman Incorporated over the last few weeks. That final panel in Batman & Robin sold people in a way that I can’t really describe and I for one am thrilled that so many people are realizing how awesome Grant Morrison’s take on the Dark Knight truly is. The man knows what he’s doing. In Morrison we trust.
AVENGERS #7 3.99
BATMAN #704 2.99
BATMAN INCORPORATED #1 3.99
BATMAN THE RETURN #1 4.99
DEADPOOLMAX #2 (MR) 3.99
GREEN LANTERN #59 (BRIGHTEST DAY) 2.99
OSBORN #1 BIG (OF 4) 3.99
POWER GIRL #18 2.99
SIXTH GUN #6 3.99
SPIDER-GIRL #1 BIG 3.99
SUPERGIRL #58 2.99
SUPERIOR #2 (OF 6) (MR) 2.99
SUPERMAN #705 2.99
THUNDERBOLTS #150 4.99
X-23 #3 2.99
X-MEN #5 3.99
Now after a good long day of writing about prostitution in the middle ages for a history paper, I can tell you about how awesome a few of these books are.
The weakest of the new Batman releases is the core title, which sadly seems like a middle of the road affair by Tony Daniel when compared to the amazing work done by Morrison and Finch in the other books released this week. Not to say that the book is horrible, it’s better than it has been recently, especially Daniel’s art which looks less rushed than I’m used to, but unfortunately the entirety of the book seems rather pedestrian when placed alongside the nearly pitch-perfect Batman Incorporated title. I think my main gripe with this title comes from the fact that it reads like a throwaway title from the late nineties or early two-thousands in it’s pacing, its art, and its choice of villainry.
The book suffers from feeling all too familiar to stories we already read but with minor tweaks. Unfortunately, the books that this seems derivitive of aren’t the best parts of Batman lore. I think that the book could stand to take a few more risks rather than settle into a comfort zone that’s so blatantly par for the course.
Then again, when Tony Daniel takes risks we get Catgirl, a character that I almost want to like out of the sheer absurdity of her existence. But then again, my tastes differ in certain areas from the general public so I won’t take a stand on that character until she’s had the chance to mature under another team of writers.
This book is everything you should want in a Batman title. Morrison manages to find the right balance of tone between the ridiculous, the macabre, the adventurous, and the outright fun. The book essentially turns into a globetrotting Bruce and Selina super-happy-fun action hour where Batman and Catwoman fly to Japan to begin preparations for that branch of the Batman Inc. plan to be put into motion but are sidetracked by a murder mystery and a cult of ninja assassins. There’s even some tentacle rape hentai jokes that seem all too appropriate coming from the mind of Grant Morrison.
The artwork on display here is robust and amazing. They really could not have found a better fit. Paquette’s Selina is as sexy as she’s ever been and the subtle touches he uses to portray Batman are astounding. It’s one of the best looking Batman books in a long time, rivaled only by Finch’s work in The Return which I’ll be discussing shortly.
If you pass on this one you will regret it later. This one is a home run in every sense of the damn word. Buy this book now!
I was wary of this particular title. That apprehension faded after the first few pages where Grant Morrison gives us what equates to graphic poetry, telling the story from the perspective of the bat that crashed into Bruce’s life when he needed to find his avatar. David Finch’s artwork guided the narrative with masterful flow and tone, showing off some of his most brilliantly stylized work to date.
That the art is this good is not surprising, given the subject matter and how much Finch loves to work with shadows and the darkness, but the complexities of the narrative were surprising considering that this is essentially the jumping-on point for new readers and Morrison made no attempt to censor his sensibilities and gave us intricate mysterious plot threads as well as hyper-neo-noir technological action adventure with jetpacks and robotics intertwined with some nitty gritty fight scenes.
If you’re planning on reading any of this week’s bat titles I highly recommend that you start off with this one as it outlines the new status quo for Batman quite handily and works to assure us that the people working on every title are going to be working as a cohesive unit to tell what seems like a hell of a story and if this one-shot is any indication, they’ll be bringing their a-game every step of the way.
From Marvel we get the newly minted 616 version of Spider-Girl, formerly Arana, in her first solo title. The whole Young Allies thing didn’t seem to work out so well so I’m pensive about this title, but hopefully they’ll let it go long enough to deter fans from yelling at them for cancelling what amounts to their only major female-driven solo title. (Scarlet doesn’t count, guys.)
It’s off to a good start. Establishing the cast of characters and letting the new readers get to know Arana in case they haven’t followed her from her humble beginnings in the revamped Amazing Fantasy from a few years back. The storytelling style is sound and concise, but from someone like Tobin who has a pretty firm grasp on narrative technique this isn’t really a surprise. The plotline seems familiar, as most superhero books are bound to borrow from each other a bit, but the expression, through a “twitter”-esque thought balloon parade seems fresh enough to distinguish it from other similar go-arounds.
I’m hoping it will stick around long enough to take off, because the character really is an interesting one. I especially liked her when she was in Ms. Marvel, another title that I sorely miss.
And now I go back to writing about whores. I guess this is what Frank Miller feels like all the time. A-ZING!!!!
It’s been a hectic week at the store, getting ready for our big ol’ 35th Anniversary celebration. The boss put a lot of money into getting the building repainted and the store looks almost brand new. We’ve got a local comics publisher coming in on Saturday to do a meet and greet. I’ve got copies of my first book on hand to sign for anyone masochistic enough to want one.
But the books still came in as usual, and I have opinions, as usual.
Avengers # 5:
Okay, I’m getting the feeling that this book just isn’t for me. The storyline seems typically Avenger-y and all, but the artwork just doesn’t do it for me, and I feel like my sensibilities are better suited with Bendis’ New Avengers or over at Avengers Academy. I feel like Bendis is trying to write in a manner consistent with the old Avengers tone, but he just isn’t pulling it off. I think this title would be better under the direction of someone like Dan Slott or Mark Waid. I’m basing that entirely off of what I’ve seen on their other work, so maybe I’m just pining, but I’m not sure.
Fantastic Four # 583:
Jon Hickman has been doing some really good FF work. He’s easily the best fit for the title since Waid and Ringo left a few years ago. His proto-philosophical scientific jargon and interwoven narrative patterns fit the book like a Kirby-drawn glove. His work thus far has been building to this issue and I can say with ease that this could be the defining FF run of the decade. Also, Doom. It’s easy to get Doom wrong and Hickman seems to be giving us a Doom that we’ve been clamoring for. Can’t wait to see how this all pans out.
Justice League – Generation Lost # 10
I feel like this series is way too decompressed. Every time I see the solicits and I fail to see “final issue” I wonder how long they can drag it out. It seems until they cross paths with every last entity in the DCU. Seriously. It’s not a horrible book. I like the ideas behind the story, I just don’t care for the obvious filler. It’s like Dragonball Z’s Namek saga. It just goes on and on and on, obviously leading to something, but by the time the climax comes, we’ll all be numb and immune to it’s effectiveness.
Power Girl # 16:
At least this time, we don’t get shoehorned into Generation Lost at random. We see that there is an endgame in place for the events that happen to Power Girl’s civilian life and the interpersonal drama feels organic and appropriate. Winnick seems to handle the characters in a way where everything seems like a seamless transition from where they were previously. There hasn’t been a dynamic tone shift in character portrayal the way I expected. He’s writing a very consistent book, fumbled only by the occasional intrusion by the Generation Lost plots.
Shadowland Moon Knight # 2:
I’m getting fatigued by the whole Shadowland thing, admittedly, but this has been a good mini-series and I’m really digging it. Chicken-Khonshu aside. I still can’t get over how much that guy looks like a giant chicken. The reveal at the end of the issue was pretty telegraphed, but I still enjoyed the issue. I really do want to see how they resolve all this in the next issue.
Thor # 615
The long awaited arrival of Matt Fraction on Thor begins with his typical flair for dialogue setting up what looks to be an important status-quo changing event for Asgard. The whole time Asgard has been on Earth nobody bothered to ask the question of what happened to the space that Asgard once occupied. Fraction seems to want to answer that question with a battle between mystical creatures that will offer some good therapeutic violence for Thor and his brethren following the Siege of Asgard.
Fraction seems to have a handle on Thor’s psyche the way he did with Tony Stark’s and he definitely has a way of setting the stage for things to come. The first issue does take some time to get rolling, but Fraction has a handle on how to work a slow burn when it comes to working a narrative and whatever he has planned will most definitely be interesting, if he holds true to his usual calibre of writing.
Uncanny X-Men # 528
It looks like we’re going to be seeing a lot of intrigue when it comes to Emma and Namor. I didn’t think Namor was going to be sticking around here due to his own series starting up, but it looks like he’s going to be a major part of the things to come.
Emma is dealing with her issues with Sebastian Shaw, who I suspect will stick around for a while to raise his profile to coincide with the release of the new X-Men First Class film. Kitty Pryde finally gets some real face time besides being shown in her little bubble, which is fine by me because I love Kitty almost as much as I love Dazzler, WHO IS ALSO IN THIS ISSUE.
So, yeah, good book.
And that’s it for this week. Need to prepare for the sale at work. Where’s my name badge?
I feel like these won’t be up to snuff. I’ve been off my game for the last few days, more focused on my novel than the content of the site, sad to say. I know it’s horribly short-sighted of me considering that the novel is in no way a sure thing whereas this site seems to have a dedicated audience if our recent web-numbers mean anything at all. (Hint, they don’t)
So here we go.
AMAZING SPIDER-MAN #635 GRIM 3.99
AVENGERS #2 HA 3.99
BATMAN RETURN OF BRUCE WAYNE #3 (OF 6) 3.99
COVER RUN THE DC COMICS ART OF ADAM HUGHES HC 39.99
DETECTIVE COMICS #866 3.99
FANTASTIC FOUR #580 HA 2.99
FRANKEN-CASTLE #18 2.99
GREEN ARROW #1 (BRIGHTEST DAY) 3.99
HERALDS #4 (OF 5) 2.99
HULK #23 WWHS 4.99
IRON MAN LEGACY #3 2.99
JURASSIC PARK REDEMPTION #1 3.99
JUSTICE LEAGUE GENERATION LOST #4 (BRIGHTEST DAY) 2.99
POWER GIRL #13 2.99
SEA BEAR & GRIZZLY SHARK #1 4.99
SUPERGIRL #53 2.99
SUPERMAN #700 (NOTE PRICE) 4.99
THUNDERBOLTS #145 HA 2.99
ULTIMATE COMICS AVENGERS 2 #4 3.99
WOLVERINE WEAPON X #14 3.99
X-FACTOR #206 XSC 2.99
X-MEN LEGACY #237 XSC 2.99
ZATANNA #2 2.99
I was so wary when I bought this title. I got the distinct feeling that it was going to be just downright abysmal. It had every indicator that it would be. In the wake of what’s going down with Arsenal, which may be the absolute worst storyline/title that DC has published in years, I expected to be equally disappointed in the new Green Arrow title. Despite the fact that I have every issue of Green Arrow from the moment Mike Grell took over the character to the end of the last series, I was seriously considering skipping it this time around because I didn’t have much faith that I would get my money’s worth.
The first issue was largely an exercise in getting people caught up, with Green Arrow telling a would-be victim everything the reader needs to know in order to jump aboard. It feels a little bit like a drag considering that I have been following Green Arrow for a while, but I suppose DC figured this new direction would hook a couple of new readers and they’d need the recap. Still, it could have been done a lot better without seeming like we were being led by the nose.
The new villain who takes control of Ollie’s old company is actually a pretty cool looking figure, she has a graceful mystery to her presence that makes her seem like less of a throwaway villain than other new arrivals, and thank god she’s not another archer (that we know of) because that’s just getting old.
The teaser reel at the end of the book that shows us where the book is headed helps to keep me interested, because it promises a few interesting possibilities. I’m not likely to drop the book as I’m a completist when it comes to Ollie, but I won’t regret my decision to stick around if things stay mostly as they are here.
Man, this thing is a mess. The story is bland and overly familiar, and the art looks like amateur hour. Nostalgia aside, there is no reason for this book to exist because there is nothing to salvage it when it comes to quality. I imagine some people who are really die hard fans of the franchise will stick around to see its completion, but I would have to be handed this book for free the next go-around to read issue two. I really wish I could say more about the book, but it was so mediocre that while reading it, nothing sunk in except how much I disliked it. I even like the second and third films, so it’s not like I’m holding it to any high standard. It’s just not a very good book, and it really could have been. I don’t think anyone will dispute that. It’s just a mess of an issue that turned me off nearly immediately.
Everyone here is probably well acquainted with my eternal love for Power Girl. I think she’s an underrated character who gets shoehorned into a stereotype because of the size of her bazongas. Everyone knows the story where she was supposedly drawn with bigger knockers every month back when she first debuted just to see how far they could go with it before someone noticed.
The thing is, as Jimmy Palmiotti (friend of the site, natch), Justin Gray and Amanda Conner can attest, you can squeeze some great stories out of her if you’re willing to think outside of the box and go places that aren’t readily visited by the majority of the characters in the mainstream. Power Girl operated for twelve months as the most legitimately fun book on the stands with some of the best expressive artwork this side of Kevin Maguire. It was earnest and endearing and I never wanted it to end.
Unfortunately it had to.
Now Judd Winick has taken over the writing duties while new artist Sami Basri has the unenviable task of following Amanda Conner. How do they do? I would put their efforts at “admirable.” Judd Winick does a good job of handling the tone set down by the previous team, but has to work in the events of Generation Lost, so things take a turn toward the more standard superhero fare. It feels kind of like a mash-up of the previous issues of Power Girl with a hint of Sterling Gates’ Supergirl work during the big crossover.
I think that Winick would have done better if he’d kept Generation Lost separate from the Power Girl ongoing, just as the previous team kept Power Girl separate from her interactions with the JSA. I understand the reasoning behind the move, but from a storytelling standpoint it feels like it’s trying too hard to fit into an overall continuity and not concerned with growing organically.
As far as the art is concerned, Basri does a good job but there are instances where it seems like there are three different renditions of Power Girl throughout the book where she doesn’t look like the same person. I think when the artist gets a better grasp of the character, those little nitpicks will slip away.
I just hope that Winick can manage writing the book without fretting over making the character “integral” to the overall scheme of the DCU, because crossovers kill interesting titles. It becomes less about the character and more about the universe and frankly I don’t want that to happen here.
Uh, yeah. I don’t know what to think about this one. Well, I know what I think about it. I just don’t know what to think about my liking it. There is no setup, it’s just a dive-in and go with the flow sort of book. Like it’s an issue of a series that already has four issues on the rack and this is just the next one in the series. There is no rational explaination or origin given for these characters, and nothing makes any real sense but the artwork is genuinely amazing and I don’t think I’ve cough-laughed the way I did with this book in a long time. I mean, a lot of this book caught me off guard and I didn’t know what to think. I can’t really recommend it for general audiences but if you’re looking for dumb violent “WTF” style stuff, this is definitely worth a look.
There has been a lot said about Stracynski’s arrival to the Superman title. Everyone by now knows the premise that Superman will be walking across America trying to reconnect with the people he’s supposed to protect. What I’m wondering is if this little pseudo-art vanity project will end up like Brian Azzarello’s run from a few years back that everyone dismisses as pretentious garbage. I suppose it would be worse if it were happening in Action comics, because I don’t know how much Action you can get out of a brisk jog, but considering that it’s been a while since Superman even appeared in his own book, I don’t know if Superman going through a pseudo Kung Fu “walk the earth” trek is really what we need right now.
I think that the War of the Supermen story was really well done and it had the sort of epic edge-of-your-seat stakes that I require from a Superman story. I doubt I’m going to get that in Stracynski’s run. I don’t doubt that it will be well written, because when he’s not hamstrung by editorial mandate, JMS can crank out some good stories. He knows how to write characters to thei strength and I don’t doubt that we’ll get some interesting moments out of this story arc. What I’m afraid of is when it fails to generate interest and gets cut short because editorial wants to see a bump in numbers but modern comic readers don’t have the patience for a slow burn anymore.
All I’m saying is that it’s off to a decent start, and it has a good chance to be something really great, but I’ll be damned if it doesn’t seem like it’s not going to end well. No matter what happens.
So there you go. Next week I’ll try to have these up in a more timely fashion. But, I’ve said that before and you get where I’m going with this.
It was a hectic week at the shop. UPS lost one of the shipment boxes, and it happened to be the one that contained the packing list in it. Not gonna lie, UPS is about as competent as a brain-damaged snail when it comes to the handling and delivery of packages. When that’s your entire purpose for existing and your that bad at it, perhaps you don’t deserve to be in business. Just saying. Actually, I’m not really saying anything as much as I’m venting. There’s a subtle difference and most of it has to do with the tone of voice I hear inside my head while I type this, which is probably not conveyed very well as text over the internet.
AMAZING SPIDER-MAN #632 2.99
BATMAN RETURN OF BRUCE WAYNE #2 OF(6) 3.99
CHOKER #3 (OF 6) (MR) 3.99
DAZZLER #1 3.99
DEADPOOL MERC WITH A MOUTH #11 (OF 13) 2.99
DETECTIVE COMICS #865 3.99
EARP SAINTS FOR SINNERS #0 1
FALL OF HULKS SAVAGE SHE-HULKS #3 (OF 3) 3.99
FANTASTIC FOUR #579 HA 2.99
FORTUNE & GLORY A TRUE HOLLYWOOD COMIC BOOK GN HC 19.99
GOTHAM CITY SIRENS #12 2.99
GREEN LANTERN #54 (BRIGHTEST DAY) 2.99
JUSTICE LEAGUE GENERATION LOST #2 (BRIGHTEST DAY) 2.99
POWER GIRL #12 2.99
PREVIEWS #261 JUNE 2010 (NET) 2.7
SECRET AVENGERS #1 HA 3.99
THOR #610 SIEGE EPILOGUE 2.99
THUNDERBOLTS #144 HA 2.99
WOLVERINE WEAPON X #13 3.99
WONDER WOMAN #44 2.99
X-FORCE #27 XSC 2.99
X-MEN ORIGINS EMMA FROST #1 (MR) 3.99
And because I have access to the internet, now come my opinions:
DAZZLER # 1
I freaking love Dazzler. If ever there was a character who deserved more respect, it’d be her. She pre-dates Jubilee and has enough of a sob-story background to appeal to the angst-happy comic reader of the modern generation. It would be a dream come true for me to write a team book led by Dazzler and Boom-Boom that goes off and fixes all the problems that the A-Listers can’t because they’re too busy dealing with a crossover or something.
The issue picks up on the threads left in the Necrosha crossover following Dazzler’s run-in with her sister, a mutant who can kill with a single touch. She and Rogue should have a pow-wow. Anywho, Dazzler’s feeling all misdirected and shaken up after the events of Necrosha and then has to deal with Arcade kidnapping her and dropping her into Murderworld, which honestly needs a new name as I’m not sure anyone has ever been killed in Murderworld. It sounds all ominous and scary but Arcade is probably the least successful X-Villain with the best ideas for marketing.
Here’s the sad thing about this issue; it’s really good. But not a whole lot of people are going to pick it up because Dazzler has essentially been reduced to a one-note joke and nobody realizes the potential there is for good stories with her in the lead. I’d rather read a story with Dazzler than Cyclops, honestly. But then again, that’s just me I guess.
EARP : SAINTS FOR SINNERS # 0
I love proto-futuristic, psuedo-apocalyptic stories. The environment presented in those types of books usually do it for me. They just suck me in and I don’t want to leave. Earp has the added bonus of transplanting famous historical gunslingers from the past of the American west and dropping them into the future. Is there any reason why they couldn’t have told this same story with new and original characters? From what is presented in the pages of this zero issue, the answer is pretty much a solid no. There’s not any real impedus given for the characters relation to historical figures, it just works with the story they’re trying to tell.
Radical publishing is hit and miss with me. I love Last Days of American Crime but I never quite got on board for FVZD or Hercules. This book seems to fall within my sensibilities. I think that’s why I added it to my pull sheet when I saw the ad for it in Previews. It takes a lot to get me to jump onboard a series nowadays, so it’s high praise when I say that something will keep me around for the next issue, which is the case here with Earp.
POWER GIRL # 12
This issue was darn near perfect. It was a great send off issue for the creative team that has kept me onboard for the last year and made me punch a wall when I heard they were leaving. This issue we get all the major players from the series coming back and tying up the loose ends so that anybody who doesn’t want to stick around can feel like they had closure. I’m still not sure if I’ll be sticking with the book when Winick comes on. I feel like I have to because I don’t want DC to think that the demand for Power Girl isn’t there.
But seriously, if you can find the issues still on shelves, pick them up. Or barring that, be sure to pick up the trades. Because this run was seriously some of the best anything that DC put out in the last year. For sure.
SECRET AVENGERS # 1
Ed Brubaker. That guy is something. I feel like if GI Joe had never left the Marvel umbrella all those years ago, this would resemble his take on that particular property. Brubaker knows how to utilize characters to their fullest extent, and here he meticulously points out how every member of the new covert ops Avengers team fits into the mold and makes sense in their appearance in the book.
I also get the feeling that he’s gearing up to write something that has the same scope and over-arching intricacy of his Captain America or Iron Fist runs. It’s easy to see that he’s hitting the ground running a little faster than Bendis is over in the flagship title, where by the end of the first issue we’ve already seen the team operating on multiple levels and we have an idea of what kind of foe they’ll be up against.
I won’t argue which of the two writers is better, as they’re working in two entirely different arenas, that having been said I do believe that Secret Avengers sucked me in a little better than Bendis’ mainline book, simply because of who they have on the team and the manner in which they were utilized. With Nova’s book off the market, this seems to be where I’m going to get my fix and I like the way Brubaker handled him in the overall context of the group.
This is going to be a series to keep your eyes on.
X-MEN ORIGINS : EMMA FROST # 1
I almost didn’t pick this up. I’m not going to lie. I’ve mostly ignored the other installments in this little expirement, but I like Emma Frost as a character. I think that she has the most potential for interesting stories out of any of the high tier X-people on the roster right now, with the possible exception of Rogue, who has been proving her value in X-Men Legacy for the last few years.
Having read the issue, I would like to say that with all the books that came out this week, only two inspired real gutteral emotional responses from me. One was War of the Supermen, where (***SPOILER***)Krypto took a kryptonite knife to the spleen to protect his master (***END SPOILER***) and the other was this issue, where Emma’s struggle to deal with her father twisted my stomach into a pretzel. I think that we all have a sort of undying need to please our parents, but the extremes presented here with Emma’s dad exemplify the sort of worst-case-scenario that every child fears. Emma’s father is presented as the physical embodiment of the no-win scenario, and the manner in which she deals with his abuse, and let’s face it, whether his intentions were pure or otherwise, such treatment of any child is abuse, forms Emma into the character she is today.
Most of the best X-Men stories revolve around family. The X-teams are essentially the family that most of the members never had. This issue ties into that by showing how important family is to the development of certain characters. Emma has a family in the beginning that offers no solace and she drifts from the Hellfire Club to the X-Men later in life, all in the search of the acceptance her father never gave her. Such a story could have come off as overwrought or melodramatic, but this particular issue handles the situation well and seems organic to what we know about Emma overall, which is the true test of validity for a story like this.
I’m done for now. Have to get some rest before the weekend, as it looks like it’ll be a long and tiring road ahead of me. Cheers.
Yesterday while working in the shop, a discussion formulated about this blog and my attitudes toward certain writers or characters. The conversation inevitably led to the question, if I were writing for DC or Marvel, what character would I most like to write and who says I could do any better than the people writing that title at this very moment.
The real truth is that while I absolutely adore the characters of DC and Marvel, I don’t have any true aspiration outside of perhaps a childhood fantasy wish fulfillment scenario to write those characters. I don’t think I’m particularly well suited to writing in that particular field. Not because I dislike serialization or don’t think that I have stories that fit the characters, because I do, but moreso because I would rather self-publish a book entirely of my own design in the mold of fellow Houston writer/artist Terry Moore, or have an original creation published through Image or some other publisher.
I am in fact working on the script for such a series, though I don’t know how I plan to publish it. Either through the same company that I used to print my first novel or to shop it around to publishers like Image. I suppose I need to get an artist on board first, as that would be a major part of getting the thing published in the first place.
But back to that original question, if tomorrow I got a call from the people at Marvel or DC and they said they wanted me to pitch them a story for a character of my choosing, who would I choose to write? Everyone here should know how much I absolutely love Batman. I mean, the first film I can remember seeing was the 1989 Batman movie with Jack Nicholson and Michael Keaton. I’m currently wearing my “lucky” bat-symbol boxers as I type this. But I don’t think that I would be able to take the reins of Batman either in his main book or even in an ancilliary mini-series due to the fact that there’s too much hovering over my head in terms of expectations, and I fear that immediately following my run some big name writer would erase my work with the stroke of a pen and all my writing would have been for naught. And were I to do a mini-series it would likely be regarded as insignificant and passed over.
The same goes for characters like Captain America or Spider-Man over at Marvel. I’d be so intimidated by the legacy of those characters that putting my name on the book would render me into a quivering neurological mess.
So who would I like to write?
Over at DC, there’s only one choice:
That’s right damnit, Power Girl.
Why? Because I love fun characters, and PG is one of the most fun DC has to offer. I feel like she has been written extremely well by some really talented people, especially the current creative team, whom I will be sad to see depart with this week’s issue # 12. That having been said, there is plenty of room for expansion on the character. I think that there are many writers who are two quick to see what’s been done with her and reduce the book to a one note joke or they don’t know what to do with the character at all.
I would like to take hold of Power Girl and expand on the great work that Jimmy and Justin have done, and bring her to prominence in a way that makes it hard for her to be ingnored in the grander scheme of the DCU. Essentially do for her what Marvel has done for Ms. Marvel lately. Her book may not have been a mega-seller but it did raise her level of recognition and ingrain her into the rest of the shared universe, making her a central character. PG may be a member of the JSA but she’s not popping up in other books simply because she’s such a public figure in the whole of the DC universe.
In the grand scheme of things I suppose most of the characters I would most enjoy to write would be the ones who have been written well in the past but aren’t really very prominent when you look at the progression of the shared universe as a whole. Over at Marvel I’d love to write She-Hulk, Wonder Man, and I’d really like to try my hand at The Runaways even though I know that the internet would condemn my writing before a page ever hit the stands.
Will any of this ever come to fruition? Probably not. I think my teeth gnashing towards Geoff Johns has essentially black-listed me there at DC, and I’ve been fairly vocal about my displeasure with Marvel from time to time. I’ll have to publish my own horse-crap from here until the end of time.
Such is life.
You know what the best part of yesterday’s “Avengers Day” festivities were? Seriously? When my co-worker brought in cake. Volstagg understands where I’m coming from when I straight up tell you that even the crappiest day could be saved by cake. I mean, obviously when the zombies come and the fecal matter hits the rotating blades, cake isn’t going to make up for that, but I guarantee you that it won’t not help. That’s a promise.
AVENGERS #1 HA 3.99
BRIGHTEST DAY #2 2.99
DEADPOOL #23 HA 2.99
EXECUTOR HC (MR) 19.99
GALACTA DAUGHTER OF GALACTUS #1 3.99
INVINCIBLE IRON MAN #26 HA 2.99
SCALPED TP VOL 06 THE GNAWING (MR) 14.99
SUPERMAN WAR OF THE SUPERMEN #3 (OF 4) 2.99
X-FACTOR #205 XSC 2.99
X-MEN LEGACY #236 XSC 2.99
ZATANNA #1 2.99
I’m not gonna lie, dear readers…this week was slim pickin’s after last weeks full frontal assault by the big two. I will however give you what I can, as is my journalistic duty.
AVENGERS # 1
Let me get this out of the way, compared to New Avengers, this is about as Avenger-y an Avenger book can get. Sure, there’s a lot of Bendis’ trademark standing around and talking, but having recently re-read Busiek’s awesome run, there was a fair amount of expositional dialogue slinging in that era too, and I don’t know too many people who badmouth that run. Mostly out of fear that George Perez will come for them in the night and annihilate their souls with the power cosmic that he keeps stored in the lining of his Hawai’ian shirts.
Let’s see, Romita artwork? Check.
Clint Barton as Hawkeye? Check.
Steve Rogers giving an inspiring speech? Check
MOTHERF##KING KANG?!?!? CHECK!!!
Seriously, is there anything I think of as being more of an Avengers staple than Kang? No! Because he’s the most ludicrous Avengers villain of all time. He embodies the over-the-top grandiose nature of the book in ways that Dr. Doom or Ultron simply cannot. I know that’s a matter of opinion, but I would consider it to be fact, because that’s just how big my goddamned ego is. Kang has the sort of absurd over the top nature that could only be found within the pages of a comic book. I mean that with all the love and respect it entails. Comics as a medium have the ability to take the completely batshit insane and make it work the way that if you tried it on television or on film, you would be laughed at like a gimpy orangutan in a sailor outfit. Oh, the laughs you would garner if you tried to throw a time traveling despot into the workings of even the most out-there television show you could find. If Kang showed up in his purple helmet on the island on LOST, people would groan and punch themselves in the groin. Well, I would make a high pitched shrieking sound and bounce around the room like a walaby on angeldust, but that’s because I like things that nobody else likes.
The fact of the matter is that Bendis has gone back and made an Avengers book for the people who spent the last six years complaining that his books didn’t feel like they were Avengers books. Are those people really going to be able to make those claims when Kang shows up sporting a doomsday device that was supposedly built by a future version of Tony Stark and tells them that the future of the world depends on their new team triumphing over seemingly insurmountable odds? No, those people will have to eat their words like a slice of spongey Avengers Day cake. How does it taste, people? The answer should be chocolate.
Wanna guess what I love more in comics than Kang? Give up?
Yeah, I went there. You think I stuck around through all of Green Arrow/Black Canary because I enjoyed the story. Nope. It’s because I am bound by honor to purchase any and all comics featuring a character whose costume involves fishnets. My brain is hard wired that way. Is that shallow? Maybe. How many people bought Power Girl just because of the boobage? I bought it because I love the character. The boobs are only a fraction of that element, so I suppose that makes me better than everyone else. That’s me, champion of ethics.
Anyway, this issue begins with Zatanna in full bondage mode, chained to a gigantic St. Andrew’s cross while the Joker is set to ram a gigantic drill through her torso. Fan service? You bet your ass. It’s all a swerve, of course. It’s a Zatanna book, nothing is going to be exactly what it seems like. But do you think anybody who just flipped open the book to see a hot brunette in fishnets and sexy boots bound and gagged in pure fetish fuel fashion is gonna put the book back on the rack after that? No. They’ll buy it. They have to. Unless they’re a female who can’t appreciate how friggin’ hot that opening page is. But take a closer look femi-nazis, that panel is all about the empowerment of the female form, that when we view a woman at her most helpless she’s truly always in control. Satisfied? I hope so, because I don’t really wantto overanalyze the book. It all really boils down to the fishnets. Let’s be honest.
I know just how you feel Power Girl.