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Posts tagged “Prelude to Deadpool Corps

Weekly Comic Reviews

I Do Not Actually Look Like Jesse Custer

Oh my god! I actually managed to get these reviews up on time for once! Is that some sort of startling indicator of the end of times? I would normally think so, but the truth is that I just couldn’t sleep last night so I have a little extra time to spend reading instead of snoring heavily and dreaming about being the new cast member on “Community.” Yeah, it’s a great show and I think I could improve the dynamic. Plus I totally have the hots for Alison Brie. Now I’m just wasting time.

THE PULL LIST: 3-24-2010
AMAZING SPIDER-MAN #626 2.99
AVENGERS INITIATIVE #34 SIEGE 2.99
CAPTAIN AMERICA #604 3.99
DEADPOOL #21 2.99
FALL OF HULKS RED HULK #3 (OF 4) FOH 3.99
GREEN LANTERN #52 (BLACKEST NIGHT) 2.99
GUILD #1 3.50
JUSTICE LEAGUE THE RISE OF ARSENAL #1 (OF 4) 3.99
MIGHTY AVENGERS #35 SIEGE 2.99
NEMESIS #1 (OF 4) (MR) 2.99
NEW AVENGERS #63 SIEGE 3.99
POWER GIRL #10 2.99
PRELUDE TO DEADPOOL CORPS #4 (OF 5) 2.99
QUEEN SONJA #5 2.99
SHUDDERTOWN #1 (MR) 3.5
SUPERGOD #3 (OF 5) (MR) 3.99
SUPERMAN #698 2.99
THOR #608 SIEGE 2.99
UNCANNY X-MEN #522 3.99
X-FACTOR #203 2.99

And here’s your weekly dose of criticism:

AMAZING SPIDER-MAN # 626

Every time I read this book now it feels like I’m going on a date with someone with whom I had an abusive or otherwise temeritous relationship in the past. There’s definately a spark there, a lingering sign that the love that once existed between us is there but it stands obscured by the baggage of our prior relationship. In the case of ASM, it’s two solid issues of ripping complacency from characters who hadn’t had a chance to fully adjust to their new status quo in favor of tepid melodrama.

This issue manages not to incite any anger in me, and in fact I’m happy that the new Scorpion is getting some face time, as I thought she was an interesting character the last time I saw her, which I guess was around the time of World War Hulk, which as fast as comics move nowadays might as well have been a decade ago.

This issue sees Parker deciding he doesn’t like the vibe he gets off his roomate’s boyfriend and follows him to an abandoned construction yard (man, that has to be like the # 2 comic book set piece of all time, along with the sewers or a busy city street/bridge) where it turns out that the Hood is holding a boxing tournament to determine who will be the new Scorpion, or rather, win the old Scorpion’s suit and take up the mantle.

Of course the new Scorpion gal shows up, with a new tail that injects S.P.I.N. tech, which is a nice touch that I can get behind, as if you’re just going to use the tail as a club you might as well call yourself the Beaver. Form follows function, and all that.

Anyway, the issue is your generic fight with the goons and all that jazz, but the part that saved the issue for me is the way Peter finally mans up and deals with the situation left in the wake of the Chameleon putting the moves on his room-mate. That was never resolved to my satisfaction and it diminished Peter’s credibility as a stand-up guy which is not something you want lingering around if you’re supposed to be a hero.

So major points for a half-way decent issue. Sad that half-way decent is a step up after the last few weeks, but I’ll take what I can get.

DEADPOOL # 21

This Hitman Monkey storyline is absolutely ludicrous, but the fact that it gives us some wonderful Spider-man team up moments is enough to justify it’s existence. This issue concludes that little romp with a fun little trick on Deadpool’s part where he steal’s Spider-Man’s costume and tricks New York into thinking that the wall-crawler is dead. The subsequent chaos is quite entertaining and the issue, to me at least, hints at what Marvel wants to do with Deadpool in the near future. If they go down the path that is foreshadowed at the end of this book, maybe having mutliple Deadpool books every month wouldn’t be such an absurd idea, as there would be room for different interpretations in each book.

Who knows, I could be reading it the wrong way. I’ve done that before.

THE GUILD # 1

Ah, Felicia Day. *swoon*

Yes, I admit that I have a soft spot for that cuke like geektress. I admittedly have not watched all of the web-series that spawned this comic book, but luckily you don’t need to have any working knowlege of the series to enjoy the comic. It’s a nice little starter kit and the humor hits all the right marks. The in-game sequences reminded me of that WOW episode of South Park, which is never a bad thing.

Major kudos must be awarded for being able to make me care about the characters involved right off the bat. I think the fact that our lead character’s garage-band boyfriend is the kind of guy that most dude’s hate to see their lovely lady friends attached to is indicative that as a writer, Felicia Day understands her audience to the point where she’ll throw in those kind of empathetic elements without seeming overly pandering.

If you want something that’s all kinds of a fun, well drawn, and new-reader friendly, you could do a hell of a lot worse than this book but you’re not likely to find much better.

JUSTICE LEAGUE : RISE OF ARSENAL # 1

By now I’ve pretty much run my feelings about this whole Green Arrow saga into the ground. I know that what they’re doing with Ollie isn’t going to be a permenent shift and that I can be able to sit back and enjoy the ride for what it is, but with Arsenal I don’t know what will happen in any way shape or form. The fact that this issue surprised me with where it went is indicative of that. I’m going to say right now that I can’t really review this issue without giving out some major SPOILERS so if you don’t want to know some pretty integral plot elements, you might wanna skip along to the next review.

Still here? Okay, in this issue, writer J.T. Krul does something that I hadn’t even considered being an option, that being turning Roy back into a drug addict. This time around it’s not heroin, it appears to be pain killers, but the mindset and the implications of dependency are still there. I don’t really have as much a problem with this as you might think. Let’s be honest, DC has a tendency to regress their characters to points in their timeline that hit home with DC readers. The internet is always in a roar over DiDio’s apparent fetish for reverting things back to the way they were in the Silver Age. In the midst of all this, Roy Harper battling a drug addiciton seems like an obvious move. And given the events that have transpired, it’s not like it’s coming out of the blue.

What really matters is whether or not they find a logical conclusion to the arc. If the ending comes out of left field and makes zero sense to the readers, then they have failed. If they can get even a few people to agree with the reasoning, then they have done their job. Try as I might, I cannot honestly say that character history doesn’t lead me to believe that Ollie Queen wouldn’t murder the man behind destroying his entire city. Logic also tells me that someone with an addictive personality who loses a limb might get addicted to pain killers and regress a little bit. All that matters is how Krul handles the manner in which the stories are told, and I think he’s doing a fair job so far.

NEMESIS # 1

Mark Millar might have shot himself in the foot on this one. In his attempts to elevate the villain as the protagonist, much like he did back in Wanted he may have finally gone too far. With Nemesis, it’s obvious that Millar is trying to build the Batman of all villains. One who always wins and whose plans are elaborate and downright terrifying. We are supposed to be in awe of how well Nemesis’ plans work out, with buildings blown to smithereens, trains de-railed and police chiefs crushed under the aforementioned trains while tied to an office chair. It’s violent spectacle and Millar almost presents the story in a way that we are supposed to cheer for this son of a bitch, who is, let’s not kid ourselves, a fucking terrorist. Mark Millar thinks he’s such a good writer that he can make us applaud the acts of a terrorist. You don’t think that he wanted us to think that Nemesis shooting the pilots of Air Force One while riding the nose-cone isn’t cool? No, he obviously wants to inspire that adrenaline rush. That’s what makes this book feel so dirty. The visuals are astounding and the sheer one-upmanship of Nemesis’ actions beg the reader to be impressed and yet this is the villain. Contrast those actions with that of the “hero,” a DC police chief who swiftly and efficiently kills multiple armed robbers in the span of a few panels and is rewarded and applauded for his cowboy gunslinging.

Millar has created two characters who are obviously both people who garner the same sort of awe in the readership. I think your enjoyment of this title will come out of how far you can distance yourself from reality. I find that in a time where terrorism is such an everyday occurance, it’s hard to take myself out of a book where the title character crashes the president’s plane into the middle of a crowded city.

I haven’t made up my mind yet. So maybe Millar has done his job.

POWER GIRL # 10

Still Awesome, thanks for asking!

SHUDDERTOWN # 1

Seeing how I haven’t seen a new issue of Stumptown hit the shelves in a while and the last good noir book I’ve picked up since then was Last Days of American Crime back in December, Shuddertown should fill the noir-shaped hole in my pull list nicely. The art is dark and muddy, and the narration is full of overwraught metaphors. It’s everything you want in a crime book. Here we get a detective who is battling his own personal demons and trying to figure out if he’s the one mucking up his own investigations or if there’s something deeper.

The story could go in any direction, and I’m on board no matter which way that might be, because damnit I’m a sucker for this kind of stories. It’s my weakness.

******************

Another week, another group of reviews. Nothing really abysmal that I read this week, and for that I thank my lucky stars. Next week sees the end of Blackest Night, so expect a nice handy writeup about that. I’ll probably review the whole damn series as a whole just to get everything out in the open.

Until then, cheers.

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Weekly Comic Reviews

I Do Not Actually Look Like Jesse Custer

As you can probably tell by the excessive and gratuitous swimsuit posts this week, it’s spring break for me and that’s the only excuse I have for these reviews going up a day later than usual. In my defense I don’t often have a lot of no-strings-attached free time and so I used that time wisely because I probably won’t have anything else like it until next year. But you don’t care about that, you just want the reviews:

THE PULL LIST 3:17:2010
AMAZING SPIDER-MAN #625 2.99
AMERICAN VAMPIRE #1 (MR) 3.99
BATMAN #697 2.99
BOOSTER GOLD #30 2.99
BRONX KILL HC (MR) 19.99
CHOKER #2 (MR) 3.99
DARK AVENGERS #15 3.99
DEADPOOL MERC WITH A MOUTH #9 2.99
DOOMWAR #2 (OF 6) 3.99
GREEN ARROW #31 2.99
GREEN LANTERN CORPS #46 3.99
HULK #21 FOH 3.99
INCREDIBLE HULK #608 FOH 3.99
JOE THE BARBARIAN #3 2.99
PRELUDE TO DEADPOOL CORPS #3 (OF 5) 2.99
SIEGE #3 (OF 4) 3.99
SIEGE EMBEDDED #3 (OF 4) 3.99
SPIDER-WOMAN #7 3.99
SUPERGIRL #51 2.99
WONDER WOMAN CHRONICLES TP VOL 01 17.99
X-FACTOR FOREVER #1 3.99
X-MEN LEGACY #234 2.99

And now, your local news.


AMAZING SPIDER-MAN # 625

This issue didn’t make me want to strangle myself while jumping in front of a bus, so there’s the upside. That having been said, this issue did feature a pretty tremendous case of “Women in Refrigerators” syndrome, which I’m going to speak about in detail so if you don’t want the issue spoiled, go ahead and jump down to the next review.

Okay, if you’re still here that means you want to hear my rant about how the recently created character of Oksana who they made as a means to push the old Rhino into his new position on the other side of the law gets horrendously fridged in this particular issue. If you’ll remember my review of the issue dealing with the Rhino and his new girlfriend, you’ll recall how I thought that it was one of the smarter things they’ve done with the character and the story was genuinely touching on a character level. The pathos that the writer sought to evoke clearly rang true and I accepted what was presented with no resistance.

If I had known that they created the character only to blow her up violently a month down the road for the sole purpose of getting the Rhino back into his old role, I wouldn’t have enjoyed the issue as much. Why? Because what is the point of creating a new direction for a character if you don’t take the time to expand on it?

Did the conversation that made this issue basically go like this?

Marvel Guy 1: We’ve changed the Rhino into a good guy!
Marvel Guy 2: People liked it.
Marvel Guy 1: Oh, fuck…Let’s go back!
Marvel Guy 2: So we wrote an issue turning him into a good guy just so he can turn back?
Marvel Guy 1: That’s a bingo.
Marvel Guy 2: Why didn’t we just keep him evil from the get-go?
Marvel Guy 1: *silence*

So, yeah. Amazing Spider-Man entertained me for months simply to lure me into a false sense of security and then confound me to the point of anger.


AMERICAN VAMPIRE # 1

Guys and gals, Vertigo seemingly can’t put out a bad book. Here we get a dense book with two well written stories, each with their own style and voice but both adhering to the principle that the less we see of the monster, the more intimidating they are.

Seriously, the vampirism doesn’t appear until the last few panels of each story, and we’re left waiting for it throughout the whole of the issue while KNOWING that it will come. The book is called American Vampire, it’s not like when the vampires show up we’re going to be shocked. What we’re waiting for is indication of what kind of vampires they’ll be. The genre and the archetype have been so played with over the course of literary history that it’s anybody’s guess what the rules for this new series will be.

Stephen King’s segment gives us the feeling that maybe we’ll be seeing a more realistic take on the vampire. That perhaps the “burning up in the sun” aspect isn’t an eruption of flame but something that could be solved with some SPF 15.

Either way, the intro issue is definitely worth reading. This looks like it could be the next big Vertigo hit if everything plays out as planned.


BRONX KILL

The Vertigo Crime imprint has been churning out some great stuff. This issue was basically like porn for me, because as a writer and the son of a cop I can totally relate to the main character…a writer and the son of a cop. After that the similarities disappear but the book is quite enthralling, following a writer in the throes of developing a new novel having to deal with the disappearance of his wife.

If you’re a fan of noir at all you should be picking up every book put out by this imprint. The writers are all A-list talent in the genre and the stories are about as complex and well written as you will see in the medium. I’ll admit that the art in this particular volume wasn’t my cup of tea, but it served the story well and it’s not really bad art, it’s just not the style I tend to enjoy.

Go buy this book. Try something new.



GREEN ARROW # 31

Okay, I actually have a lot to say about this particular direction for Green Arrow, but most of it seems dependent on the current status quo for Green Arrow sticking around for more than a few issues, but with the news breaking of a new # 1 for the character and the promise of a turn coming for the storyline that shifts gears pretty dramatically, all I can really comment on when it comes to this particular issue is what is contained within, with no thought given to anything that came before or what comes next.

The issue itself is kind of light. A lot of it seems derivative of the JLA special from last week and what’s left is just an extended inner monologue by Ollie as he wanders through the remains of Star City. The only real interesting part of the issue comes at the end, and I’m not going to spoil it. But the final few panels lead me to believe that the changes we’ve been promised prior to that new shiny # 1 issue, will hit hard next issue.

If nothing else, I give them kudos for ending on a cliffhanger that I honest to God did not see coming, which doesn’t happen often.


SIEGE # 3

BOOM! KRAAWWW! KRAKABOOM! SMASH! BOOOOOOM!

*Squee!!!*


X-FACTOR FOREVER # 1

Having read X-Men Forever by Claremont and not being all too impressed, I was hesitant to pick this one up, but unlike it’s counterpart, the X-Factor Forever series is reportedly a mini-series, which I take as an indicator that the story will be more focused and not as rambling and bumblefuck insane as Claremont’s series.

And the first issue packs in a LOT of info. I would have been lost if it weren’t for the fact that they printed a handy-dandy X-Factor saga time line and reference list in the back of the issue. It was a lifesaver, as it’s been quite a while since I’ve read the old X-Factor stuff.

The one thing I’ll say is that the mood seems consistent with the old series. Whereas Claremont now doesn’t seem anything like Claremont then, Louise Simonson writes some old-school X-Factor in the manner to which fans would be accustomed. I doubt that anybody in the customer base for this particular title could be disappointed in the slightest.

* * * * * * * * * *

So that’s it for this week. Sorry for such a light list, but like I said, it’s spring break and my reading schedule is somewhat off-key for the moment. Next week will supposedly be a bitch and a half, so I’ll try to live up to that with a hefty review section. Remember, if there’s anything in particular you want reviewed you can always shoot an e-mail, leave a comment, or let us know in the forum.


Weekly Comic Reviews

I Do Not Actually Look Like Jesse Custer

Did you miss me? I bet you did. How would you know what comics to buy if I didn’t tell you what was good or not? Surely you would be lost and you would have to find a new hobby. Like knitting. I’m sure you could do that on your own. Can you tell I’m completely rambling right now? Sorry. I went to a Dropkick Murphys concert last night and didn’t get any sleep afterward. Oh yeah, comics!

THE PULL LIST:

ADVENTURE COMICS #8 3.99
AMAZING SPIDER-MAN #623 2.99
BOYS #40 (MR) 2.99
BUFFY THE VAMPIRE SLAYER #33 TWILIGHT PT 2 (OF 5) 2.99
CHEW #9 (MR) 2.99
CONAN THE CIMMERIAN #19 2.99
DEADPOOL TEAM-UP #895 2.99
DETECTIVE COMICS #862 3.99
FALL OF HULKS SAVAGE SHE-HULKS #1 (OF 3) FOH 3.99
FIRST WAVE #1 (OF 6) 3.99
GIRL COMICS #1 (OF 3) 4.99
GREEN HORNET # 1 3.99
INVINCIBLE IRON MAN #24 2.99
JSA ALL STARS #4 3.99
MIGHTY AVENGERS #34 2.99
PRELUDE TO DEADPOOL CORPS #1 (OF 5) 3.99
PUNISHER MAX BUTTERFLY #1 (MR) 4.99
ULTIMATE COMICS AVENGERS #5 3.99
ULTIMATE COMICS NEW ULTIMATES #1 3.99
WOLVERINE WEAPON X #11 3.99

And now, my humble opinions…

ASM 623
AMAZING SPIDER-MAN 623

I’ll start off by saying that, yes, the art has taken a bit of a nosedive for this issue. The art isn’t horrible. It’s a bit muddy, but it’s not indecipherable and it clears up in scenes set in daylight. However, I believe that any art will look lackluster when following Michael Lark. Because, c’mon, it’s Lark.

The story however is right up my alley. We finally get a little background on this new Vulture and we get some throwback to JJJ’s involvement in crafting the original Scorpion. There’s a lot to love for Spider-Man purists here, while being modern enough to appeal to people who think that the old Lee/Ditko Spidey stories were too cheeseball.

One thing I would like to point out is that we once again get some acknowledgment of the daughter of Kraven’s existence. She’s been on the periphery for a while now but hasn’t been directly involved in the proceedings, it looks like we’re finally getting to the crux of the story, and I’m anxious to see how things play out.

Boys 40BOYS # 40

First of all, how weird is it that this book has reached issue forty? It doesn’t feel like I’ve been reading it for that long. And yet, it’s been on shelves for over three years, and chugging along like a juggernaut each and every month.

This issue sees the fallout from the last issue, which I reviewed HERE starting to shape up. It plays with the common storytelling trope where the reader knows everything but the parties involved know only pieces of the puzzle, thus creating a sizeable bit of tension and drama. Here, Butcher has drawn his own conclusions upon finding out about Hughie’s relationship with a known supe. Hughie is unaware of Butcher’s knowlege and we start to see a bit of a breakdown within the group. As readers we’ve come to really like Hughie and hate to see him put in such a position, and we hope that nothing bad happens as a result of Butcher’s rash and brash nature, but this being a Garth Ennis book, we have a sinking feeling in our gut that something REALLY bad is going to happen soon, and so we are forced to keep reading with mindless zeal.

First Wave # 1FIRST WAVE # 1

Batman does not appear in this book. Unless he was stealthily hiding in the shadows or something. I just feel like I should point out that this intro issue is definately a showcase for Doc Savage and the Question, providing the new readers with an insight into the diversity of their crime-fighting styles. Throwing Batman in there might have muddied the waters, I suppose. Still, I’m never going to say that something should have less Batman. I mean, wouldn’t Avatar have been even more awesome if there were some Batman in it? I just imagined There Will Be Blood with a Batman cameo. That would rock.

As far as the issue goes, they do a good job of setting up the story. It’s full of classic noiry intrigue. The kind that Brian Azzarello does so well. And the art by Rags Morales is quite effective. Remember that book called Identity Crisis (aka Mindwipe & Rape : A Musical Revue)? That was a detective story at its core, albeit a shoddy one. But the art was very well done. Morales knows how to capture the tone of a pulp/noir/detective environment and here it most definately shows.

But the next issue better have some Batman or I’m gonna start wrecking shit.

Girl Comics # 1GIRL COMICS # 1

In the same comic we get a cute little comic about Venus trying to prove her worth to the male gods of the pantheon by working at a fashion magazine and a story where the Punisher goes all Chris Hanson to the nth degree on a pedophile at an amusement park.

Kind of a striking dichotomy no?

Green HornetGREEN HORNET # 1

Everything about this felt…wrong. It was too modern and too keen on being hip to feel like The Green Hornet. The voices of the characters seemed off. I know that characters are open to different interpretations and that no one embodiment can be considered definate because it could always be replaced down the line. I mean, c’mon, look at Batman. But in this instance it just seems like it doesn’t fit anything previously established with the character. Like, if Superman started saying “Yo, man. Stop the crime, dude.”

I spent an entire review praising Kevin Smith’s work on Cop Out, but I cannot do the same here. It just doesn’t feel right. It just didn’t click with me. I hope it clicked with someone because Dynamite put out EIGHTEEN variant covers for this issue, and that’s a lot of effort gone to waste if everyone felt like I did about this particular issue.

Invincible Iron Man # 24INVINCIBLE IRON MAN # 24

The ending of the Tony Stark : Dissassembled arc hits home with a fairly anti-climactic final issue. I think that attempting to balance a fight with Ghost against the cerebral surrealism inside Tony Stark’s head led to a contrast of intent and could only really be resolved in a manner that felt overly simple in the end.

What the book has going for it however, is the last few pages which really drive home how much has changed for Tony Stark. During Civil War someone commented that they wished Tony Stark from years back could see his actions during that crisis, and here we sorta get that but with none of the satisfaction. It’s more of a shallow pity and it does a great deal toward redeeming Stark as a character. Which needs to happen considering he’s just as recognizable as Spider-Man in the public eye now.

Prelude # 1PRELUDE TO DEADPOOL CORPS # 1

The issue begins with a panel of Lady Deadpool seen from behind where her leg tapers off into something that looks like a suction cup. It’s supposed to be her foot.

Did I just start this review with the statement that Rob Liefield can’t draw feet? A fact that is pretty much abject fact at this point? Yes I did. And do you know why? Because it doesn’t get any better from there. The book is one long rambling fight sequence, then Deadpool shows up and drafts Lady DP into some mission and the issue ends.

There is NO substance here. And for a character where razor-sharp wit is the defining characteristic, this issue is filled with some of the dullest humor and sloppiest attempt at witty writing this side of a Dane Cook special.

My fears have been realized. Deadpool is no longer infallible in my eyes. Excuse me while I weep.

Punisher Max - ButterflyPUNISHER MAX : BUTTERFLY # 1

I think this book simply proves my point that the Punisher is only as interesting as the people he kills. Garth Ennis knew this. Jason Aaron knows this. And Valerie D’Orazio knows this.

If you don’t know Valerie’s story, and believe me it is a long surreal tale unlike any you’re likely to hear in the world of comics again, you might want to take the time to give her pseudo-memoir/blog “Goodbye to Comics” a look-see. It’s not a short read by any means, but it is something that begs to be read. For a quicker bio, you can click HERE.

There are two ways to read the book. You can read it knowing Valerie’s story or going in blind. If you’ve read Goodbye to Comics you can get an inkling of how cathartic writing this book must have been for her. There are themes that are definitely derived from her experiences in the publishing world and it helps to make the book feel genuine. If you know nothing about the writer, you’ll either bitch that there’s not enough Punisher in the book or you’ll comment on how the best Punisher stories of the last few years seem to use the actual character of Frank Castle sparingly. Like the shark in JAWS.

UCNU#1ULTIMATE COMICS NEW ULTIMATES # 1

Jeph Loeb didn’t make me want to kill myself while I read his latest offering to the Ultimate universe. You may remember how I called Ultimatum one of the worst books of 2009. I stand by that. UCNU (because typing out that long ass title every time would make me want to kill myself) is about as middle of the road as you can get. It is not excellent nor is it bad. It simply is. I like where Loeb hs put Tony Stark. I like that we got to see Frank Cho draw Hela undressing herself seductively in an attempt to get Thor to “raise his hammer.” I like that nobody was eaten alive.

It’s like when Homer Simpson invented the Flaming Homer; “It passed the first test…I didn’t go blind.”

Weapon X # 11WOLVERINE WEAPON X # 11

Wolverine celebrates the resurrection of Steve Rogers by having Nightcrawler fly them around the world to different bars where they get drunk and form a nice little bromance. Also there are multiple Deathloks going all Terminator on the progenetors of the next generation of heroes.

Yeah. I dug it.

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Once again, I’m sorry for the lack of DC material but there were only three books on my pull from that particular company this week and the only one that would make a good review is the one I’m not caught up to in my reading.  Hopefully next week I’ll do good by DC again, so as not to incurr the wrath of Dan DiDio.