This was not a huge week as far as comic books go. Thank god, because my wallet needed a break after the companies seemingly unleashed every major title in their arsenal on me last week, a volley I was not prepared with and was nearly washed away by. This week however, we got a different sort of approach. A few books came out that I was downright looking forward to, and some new titles launched that I was able to pick up because the rest of the week was so slim. Touche marketing department, touche.
AMAZING SPIDER-MAN #630 2.99
ASTONISHING SPIDER-MAN WOLVERINE #1 3.99
BATMAN AND ROBIN #12 2.99
BOYS #42 (MR) 2.99
BRIGHTEST DAY #1 2.99
BUFFY THE VAMPIRE SLAYER #35 TWILIGHT PT 4 (OF 4) 2.99
IZOMBIE #1 (MR) 1.00
JSA ALL STARS #6 3.99
MANY LOVES OF AMAZING SPIDER-MAN #1 3.99
RED ROBIN #12 2.99
SAVAGE SWORD OF CONAN TP VOL 07 (C: 0-1-2) 19.99
SECRET SIX #21 2.99
SUPERMAN WAR OF THE SUPERMEN #1 (OF 4) 2.99
UNCANNY X-MEN #524 XSC 2.99
WALKING DEAD HC VOL 05 (C: 0-1-2) 34.99
It took a lot of willpower not to throw aside this week’s books and just read Walking Dead, as I’ve been waiting for that book since…well, for-fucking-ever. But you people need to know what I thought about Brightest Day, so I have restrained myself.
I love Jason Aaron. I think he’s one of the fresher talents that Marvel has and I love that he’s getting more exposure. I think that he’s doing better work with the Punisher than Garth Ennis did in the last years of his run. If he can make the Punisher seem fresh, he might be some sort of genius. So obviously I was going to pick up this issue. In all honesty, the first issue is a slow burn that slightly turned me off of picking up the subsequent issues. In a six issue miniseries, decompression can be a killer and this issue is fairly decompressed. There is great effort taken to establish the world that these two characters now occupy, a world at the dawn of time with giant spiders and neanderthals who think Wolverine is their god. The narration by Parker and Logan is very much in line with the characters but it seems very roundabout at times.
If there is one saving grace for this book it is that the final page begs the reader to return for issue two. Jason Aaron realizes that the previous content of the book was indeed a very slow, methodical setup for a killer finale and the reader can’t help but jump on board. Unless they just don’t like comics that rock harder than Judas Priest on a Wednesday.
I didn’t like Brightest Day # . This is well documented. I think that’s because Aquaman didn’t summon an undead Kraken to kill pedophile pirates in that particular issue. Yes, you just read that sentence. Geoff Johns is turning into some sort of mad scientist with a pen. I would love to see him write a Lex Luthor mini-seri at this point, because I’m pretty damn sure that Johns is bordering on that level of insane right about now. I’m pretty sure the pressure of his time at DC has melted his brain down to the point that he watched the scene from Megashark vs. Giant Octopus where the shark jumps out of the water and chowed down on a flying airplane and thought “What if that shark was a zombie and the plane were a person?”
Geoff Johns is my hero, for all the wrong reasons.
Vertigo really knows how to sell a book. The dollar intro issues are just the sort of thing that Marvel and DC proper should be doing with their series. I might have passed on this series if it had started out with a higher cost on the cover. In fact, since the dollar intro series has started, I think I’ve picked up all of them. Joe the Barbarian, Unwritten, etc., I picked them all up because for such a price it’d be stupid to pass up what could be an amazing series.
iZombie could be one of those amazing series. It’s an interesting premise, as allVertigo books are, with the all the style that Mike Allred’s art style can provide. I spent much of the issue trying to second guess the narrative in finding out what the crux of the story was really about. When the reveal finally comes, the simplicity of it sort of smacks you in the face. The multiple genre crossing looks like it could make it a classic, and I’m going to give at least the first arc a full read.
This issue featured some great character moments. Especially from Wolverine. When was the last time we got some great character development out of Wolverine? Anyhow, the issue was essentially a breather issue. Where the action beats slow down long enough for the reader to catch his breath before they head into the final confrontation with Bastion and his minions. It’s obvious that this issue was basically a buffer; one where everything basically moves in slow motion. This issue was perfectly timed and really helped to drive home the importance of the crossover on both a small scale in how it affects the characters personally, in addition to the changes it will bring to the mutant community on a universal level for the months to come.
*Note: this post will be edited to include a review of War of the Supermen # 1 when I locate my copy. I think I may have left it at the shop. I have the dumb.
I actually arrived home from work yesterday to find a box full of manga on my front porch, which I really wish I could have read but I’m saving those little gems until after I’ve finished this week’s American output, which is what I’m primarily focused on reviewing here. I doubt there are many of you who read this blog who really give a damn about what commentary I could provide for Battle Vixens. I mean, it’s all panty shots and using fist-fights as an analog for sex, do you really need me to tell you to read it? I sure hope not.
AME COMI BATMAN VINYL STATUE 70
AME COMI ROBIN VINYL FIGURE 60
AREA 10 HC (MR) 19.99
BATMAN AND ROBIN #11 2.99
BOYS #41 (MR) 2.99
BUFFY THE VAMPIRE SLAYER #34 TWILIGHT PT 3 (OF 5) 2.99
DEADPOOL AND CABLE #25 3.99
DEADPOOL CORPS #1 3.99
INVINCIBLE RETURNS #1 3.99
JSA ALL STARS #5 3.99
RED ROBIN #11 2.99
SECRET SIX DEPTHS TP 14.99
SHIELD #1 (MARVEL) 3.99
SUPERMAN LAST STAND OF NEW KRYPTON #2 (OF 3) 3.99
SUPERMAN SECRET ORIGIN #5 (OF 6) (RES) 3.99
TURF #1 (MR) 2.99
UNCANNY X-MEN #523 XSC 2.99
WOLVERINE WEAPON X #12 3.99
WORLD WAR HULKS #1 WWHS 3.99
And here’s how that shit went down:
I’ll probably catch a lot of hell for this, but I don’t read Invincible on a monthly basis. I get the trades, and I’m admittedly even a bit behind on those, being a cheap bastard and picking them up only through deep discount sales and whatnot. This comes after I bought 4,5,7, and 8 at 1/2 price and then filled in the gaps through Amazon and local clearance bins. I still haven’t read anything after volume 10, so I missed the whole “Conquest” storyline that this mini-series seems to come out of. Luckily, the book fills in the blanks well enough that even with my barely involved knowlege of the story’s progression I was able to understand what had happened in the gap where my reading had ended and the new story began. That isn’t really that amazing a feat, I mean, in reality that should be something that is a given, but luckily it’s done in a way that I feel like when I do pick up my next trade, I won’t feel like the story was spoiled for me.
Basically, Invincible Returns works as a GREAT jumping on point for new readers. Yes, there is a lot of backstory to take in, but it’s weaved into the book through character moments that help new readers get to know the cast. Truly, Invincible Returns is a damned fine read for die-hards as well as the new folks who are looking to try out the character.
One thing I want to comment on is how amazing Ryan Ottley’s art has become over the years. Looking at the first trade of Invincible and comparing it to the art of Invincible Returns, the characters still have the same style and look, but the definition is improved a great deal. Ottley’s art is truly underappreciated. His style is a huge part of what makes the book so amazing, and this single issue is a GREAT showcase for his talent. The backup work by Cory Walker is damned fine as well. I admit his style is just a few degrees off Ottley and so at first parts of it just seemed…different. But still, he nailed the look and did an admirable job.
I fucking hate Jon Hickman. That guy is just too damned good. When Marvel finally caves in and lets this guy write a tentpole event for their entire company, you better hold on to your goddamn balls because he’s going to rock them off in ways you couldn’t imagine while mind-fucking your cerebral cortex at the same damned time. He’s currently writing the best Fantastic Four stories since Mark Waid and Wieringo left and he brings that same sense of otherworldly creativity to SHIELD, a book that sees Leonardo DaVinci creating a renaissance space-suit with wings and flying off into the cosmos.
This book is going to be one to watch. It might just be too good for the general comic-book fanboy crowd. It’s inevitably going to be called pretentious and slammed for overactive retconning, all the while ignoring how goddamn brilliant it is. This book is like touching Jesus’ beard; surreal and enlightening. Comic books were created for shit like this to exist.
I dunno. This single issue was so damned dense that I think it’ll take another few reads to fully understand what’s going on. I mean, obviously it’s set in the prohibition era and there’s a gang full of vampires who are trying to take over the other gangs’ turf but some of them want to remain faithful to their old-country traditions of vampirism. And there’s alien spaceships for some reason. I’m not entirely sure where this is all going to lead, I just know I’m down for it, because, let’s face it, anybody willing to go this far out there in order to tell the story is worth giving the benefit of the doubt.
The only complaint I have is that this book is CROWDED with text. This compounds the already muddy art in making the issue slightly hard to read simply on an aesthetic level. The interesting story makes up for it, but I won’t lie, it did give me a little bit of a headache to read. Maybe when I revisit the issue, knowing what to expect will lessen the blow. Then again, you might not have this problem at all.
You know, when the talent pool writing the color spectrum of Hulks doesn’t include Jeph Loeb, the absurdity of the concept seems to be diminished by the fact that the characters are written with a modicum of subtlety, thus creating an enjoyable story. Jeff Parker, who is probably best known for somehow making Agents of Atlas so damned amazing, writes some great stuff here for A-Bomb, who up until this point has a generic walking ball of who-gives-a-fuck. He also writes a pretty good little Deadpool segment, featuring Bob aka everyone’s favorite agent of Hydra.
The rest of the book is just as well done. We get some good development for Talbot, who with all the focus they’re giving lately seems to be a front runner for the inner identity of Rulk. The talent assembled on the book really runs with the mediocre material they’ve been handed thus far. Kudos to everyone involved there.
So that’s it for this week. If you’ll excuse me I’ve gotta read some really filthy manga. Until next time…
Hey folks, sorry the reviews are going up a day later than usual because this week was mid-term week and I’ve been doing a lot of reading and writing that didn’t have anything to do with comics and thus my brain and resolve has been whittled down to a viscous goop.
ACTION COMICS #887 3.99
AMAZING SPIDER-MAN #624 2.99
BATGIRL #8 2.99
BATMAN AND ROBIN #10 2.99
JUSTICE LEAGUE RISE AND FALL SPECIAL #1 3.99
POWERS #3 (MR) 3.95
PRELUDE TO DEADPOOL CORPS #2 (OF 5) 2.99
PUNISHERMAX #5 (MR) 3.99
RED ROBIN #10 2.99
SECRET SIX #19 2.99
SUPERMAN LAST STAND OF NEW KRYPTON #1 (OF 3) 3.99
SWORD #5 (MARVEL) 2.99
ULTIMATE COMICS SPIDER-MAN #8 3.99
And here’s my piddling excuse for a review section:
AMAZING SPIDER-MAN 624
Have you ever been walking along enjoying your day and then been smashed in the face by a brick from out of nowhere? That’s kind of what this issue feels like. I knew from extensive spoiler-riffic media coverage last week that this issue would be the one where Peter gets “fired” or some such nonsense, but I didn’t expect it to be such a contrived and out-of-left-field development that left me feeling like I was reading a different book.
Up to this point in the Brand New Day era of Spidey books, the writers have seemingly understood that Peter Parker has bad luck that really only results in an “aw shucks, that didn’t go well” sort of way. Not the “ARGH! MY LIFE IS FALLING TO UNIMAGINABLE SHIT!” kind of luck that I just call “Matt Murdock’s Life.” And this issue falls firmly into the Matt Murdock level of life upheaval. I know that his uncle was murdered, I know that his girlfriend got chucked off a bridge, but aside from that, you don’t see the entire world coming down on Peter that often. Because as Marvel’s everyman character, nobody wants to try to relate to someone who is publicly shamed and maligned for making an error in judgment.
I’m not going to say that what Peter did to get fired was out of character. Not at all. Because Peter is kind of a dumbass who does stupid things on a startlingly regular occasion. It’s the resolution that sticks me as the wrong way to move the character and it feels like all these weeks I’ve been praising the work on this book is worthless if this is what they were leading to.
BATGIRL # 8/RED ROBIN # 10
This is what I like to read. The interaction between the Bat family is something that makes those titles different from other books. You don’t get this kind of interaction with, say, the Superman family. Nor is anything like what you get in a team book like JLA. There is a close-knit togetherness and interwoven history here that doesn’t get played out elsewhere. The closest to it would maybe be the X-Men, but with the revolving door and expansive cast list I would say that it’s too expansive to work in the way the Bat family does.
This crossover deals with the fallout of the intro arc of Red Robin, with Ra’s Al Ghul coming for his vengeance as well as resolving some dangling threads from the time Stephanie Brown spent as Spoiler. Perhaps its the nature of resolution that makes this crossover so worthwhile.
JUSTICE LEAGUE RISE AND FALL SPECIAL # 1
Where to begin? Okay, I only skimmed Cry for Justice. I didn’t care for the first two issues and wasn’t going to invest any money into the rest of the series. The ending, where Green Arrow straight up shot an arrow through Prometheus’ head was both jarring and stupefying. This follow up issue, where the JLA finds out about that event, is better written than the mini-series that established the need for its existence, but that’s like saying that getting shot in the arm is better than getting shot in the leg.
I’m conflicted here, because I pretty much concur with Ollie’s new worldview, but I’m not so sure if I could ever fully imagine him as a character doing these things. With all the continuity established, Ollie doesn’t strike me as the gung-ho killer type. I’m hoping that this is leading somewhere that I’m not seeing, otherwise I might be giving up on Green Arrow after several years of collecting monthly.
PRELUDE TO DEADPOOL CORPS # 2
This one didn’t suck. Mostly saved by Xavier trying on wigs and trying to bang Emma Frost. Reminds me of an episode of It’s Always Sunny in Philadelphia where Danny DeVito basically did the same thing. Except Professor X always makes any situation funnier. You know, because he’s a cripple.
SWORD # 5
I hate you Marvel. This book was beautiful and you tossed it aside like it was a bucktoothed hooker. For shame. Just, for shame.
And that’s all I have for this week. Next week I won’t have classwork to deal with and I’ll be able to give you some meatier writing, but for this week just be glad I put up anything instead of diving into oncoming traffic.
Ah hell, it’s that time again. Where I sit down and type out a bunch of snarky retorts to the weekly comic offerings I put money down for on a weekly basis. Unfortunately, a bulk of the week’s pull was in trade form and I can’t write up a timely review of collected stories so this column might be on the slim side this week. I’ll try to make for it in repetitive ramblings throughout the reviews.
The Pull List:
BLACKEST NIGHT WONDER WOMAN #3 (OF 3) 2.99
BOYS #39 2.99
BUFFY THE VAMPIRE SLAYER #32 TWILIGHT PT 1 (OF 5) 2.99
CINDERELLA FROM FABLETOWN WITH LOVE #4 (OF 6) 2.99
CONAN THE CIMMERIAN #18 2.99
CRIMINAL SINNERS #4 (MR) 3.5
DARK TOWER FALL OF GILEAD PREM HC 24.99
DEADPOOL TEAM-UP #896 2.99
FABLES TP VOL 13 THE GREAT FABLES CROSSOVER (MR) 17.99
GI JOE ORIGINS #12 3.99
INVINCIBLE IRON MAN #23 2.99
JUSTICE SOCIETY OF AMERICA ANNUAL #2 4.99
QUESTION #37 (BLACKEST NIGHT) 2.99
RED ROBIN #9 2.99
SIEGE #2 (OF 4) 3.99
SUPERMAN WORLD OF NEW KRYPTON #12 (OF 12) 2.99
WOLVERINE WEAPON X #10 3.99
The Boys # 39
Not a whole lot goes on here, traditionally speaking. There are maybe three plot movements in the entirety of the book, but this single issue does a great deal to set up the next major arc of the overal narrative because Butcher FINALLY finds out about Hughie banging a supe.
A great deal of the drama thus far has been the reader wondering what will happen when the Boys find out about who exactly Hughie is giving the high hard one to on a nightly basis, given that she’s a part of the group they are ACTIVELY seeking to bring down. And at this point in the issue we get a window into what is going to be coming down the pipe. Butcher reacts not with anger or a sense of betrayal but with a disappointment that he hadn’t been able to figure it out before this very moment. It’s a quiet moment that tells us even more about Butcher as a character. How will he handle the fallout? That remains to be seen. But reading the issue you can tell that Ennis put a great deal of thought into how he was going to handle this moment.
The majority of the issue is spent with Hughie and his girl Annie, exploring the boundaries of their relationship (“LET’S PURCHASE OUR HARDCORE PORN!!!”) and showing what kind of growth their coupling has forced upon them both fundimentally as characters. There is some hint that perhaps being in a relationship with Hughie has changed her in ways that might be driving a gap between them, just in the differences between what the need as far as intimacy and mutual interests. It could be read that Hughie feels a twinge of responsibility for Annie’s sudden personality shift. But, that’s just speculation on my part.
A great many people like to dump on Garth Ennis because his writing veers toward ultraviolence and sophmoric humor, but the man does character moments just as good as any other major writer, and better than some I could mention. The book also has the expressive art of Darick Robertson working in its favor.
I think I’m getting burnt out on Deadpool. And gee, with around six regular series and eighty appearances a month, who would have thought that would happen? This particular issue suffers from the same problems I mentioned in my review of Merc with a Mouth # 7, in that the humor is entirely forced and derivitive. It doesn’t have the voice of Deadpool, that casual zaniness that seems to compliment the character so well. Instead we get cheap trucker jokes and some talking raccoons. Sorry to say, while that would normally have me giddy in my seat, this one just seems to fall flat.
Two things made me pick up this issue; Marc Andreyko’s name in the credit list and that awesome cover. I have to admit that interior artist Ben Templesmith’s art styling is not my cup of tea, the issue itself is a pretty good standalone Baroness tale that gives us the new-canon origin of the character and a glimpse into what molded her morals and values before becoming the character as we’ve come to know her.
The issue hits all the right notes, and while the story is nothing we haven’t seen before, it’s a change of pace from where the book has gone previously and I felt I got my money’s worth out of it. Also, nice cover.
Okay, here’s the one people have been talking about. And it’s impossible to review without major spoilers so just turn back now if you don’t want to know who died and how and what I feel about it.
Okay, let’s go.
So Sentry rips Ares right in half. Yep, it’s Ares who was the “big death” Bendis was hyping. And while the fight leading up to it was pretty cool, it’s not all that impressive considering how many people we’ve seen ripped in half over the years, partiularly in Bendis-penned comics(Vision and Carnage, anyone?). Remember in my review of KICKASS where I said that Millar was the best hype man in the game? Bendis is kind of the opposite. Whereas we believe Millar every damned time despite the fact that we’ve been fooled by him before, everytime Bendis says something will be shocking or unexpected, we know that it’s just going to be one of his old tricks. At least this time he didn’t claim that the event would “rip the internet in half.”
Guys, is that Ares death supposed to be some kind of wink-wink joke? FUCK YOU BENDIS YOU SELF-CONSCIOUS WHORE!!!
That’s it for this week. I’m going to go punch a wall and calm down. *deep breath*