Yesterday I bought a statue. Yeah. I didn’t have a whole lot of comics this week to put my money into so I bought that Bowen designed Kitty Pryde with Lockheed statue. It’s amazing. Okay, well, I didn’t BUY it as much as make a down payment because the thing is expensive as hell. But it’s a twelve inch statue so I should have expected the damned price to be up there in the multiple digits. I’m rambling again. This happens usually whenI know there’s not much in the way of substance to put into the review section. Check out the pull list and guess why.
BATGIRL #16 2.99
HALCYON #2 2.99
LADY MECHANIKA #1 2.99
NEW AVENGERS #7 3.99
SHADOWLAND AFTER FALL #1 3.99
THOR #618 3.99
THOR MIGHTY AVENGER #7 2.99
WIDOWMAKER #1 (OF 4) 3.99
Yeah, a whopping eight books total. You can thank the light week for the reviews being on time at least, I suppose that counts for something.
I’m really glad I picked this up. This book is a perfect example of the world that exists due to a series of books having been published over time. Specifically this is the child that Watchmen, Wildcats, The Authority, and The Ultimates spawned. As an Image title, we expect a certain tone and attitude from the book, and it’s there in place but at the same time it seems to be making a statement on the way modern comics work. The story of malice being erased and thus making the superheroes obsolete runs parallel to the current feeling that perhaps the overwhelming negativity and bleak cynicism of the modern comic reader is making them obsolete as well. The book seems to be working out in a way that champions the idea of things running their course in due time. It’s a thesis that warns that if things don’t change, nature will erase their usefulness.
It’s good to see Image is publishing so many great titles again. Image more than any company has re-invented itself in the last few years. With Invincible, Chew, The Walking Dead, as well as new titles like this one and Morning Glories, they’ve proved that there is an audience for books that don’t fit the mold that Marvel and DC seem to have poured by pushing writers like Bendis and Johns to the forefront. While there’s nothing inherently wrong with either of those writers, it can’t be argued that they don’t write for the masses in a way that makes the overall product seem diluted and repetitive.
Halcyon, along with the rest of the Image books I’m addicted to at the moment, do a great job of breaking from the norm and that is where their true value lies.
Aspen Comics have a certain tone in the same way that Image books do. There is a pattern that is followed in the style that tries to echo that of the late Michael Turner. The artists seem to subscribe to his school of thought in the way they design and push the product. Michael Turner was a nice guy who I was lucky enough to meet before his untimely passing and it pains me to speak ill of the departed but I was never a fan of his style when it came to interior artwork. I love his covers, and always will. It’s the same with Alex Ross in that regard. But the Turner style doesn’t do anything for me as far as interior storytelling. There’s shades of his work here in Lady Mechanika but at the same time it’s not a carbon copy. While I find that the style is all too familiar, as is the steampunk setting, the book itself is interesting and does a good job of giving us interesting characters that feel developed enough to care about, which is a problem a lot of books can’t seem to overcome.
I can say that steampunk fans will immediately love this book, as far as anybody else, that remains to be seen. I think fans of Warren Ellis would enjoy the backwards retro-science sensibilities of the story and I think fans of Turner would appreciate the style and tone. The uninitiated could go either way. It’s $2.99, so you could do worse for your dollar. That much is certain.
This issue is nothing but talking but all of that is okay because Squirrel Girl is in this issue. So is D-Man. Seriously, for that alone you ought to pick this one up. I can’t really go into more detail than that because I’m still fanboy-ing out over the Squirrel Girl thing. Bendis basically implied that she and Wolverine did the horizontal mambo, so he’s my hero at the moment.
Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.
While I’m sad to see Hawkeye and
Black Canary Mockingbird go, at least they’re getting a proper sendoff in what seems to be one of the more intriguing miniseries of the last few months. Someone is killing off spies in the Marvel universe and so Hawkeye, Mockingbird, her team of espionage masters and the Black Widow must team up to stop it all before it’s too late. The premise is simple but the manner that the action is handled makes it a step above what it might have been under lesser writers. The fact that they’re dealing with the Ronin identity that Hawkeye took up for a while makes me happy, as I was wondering what the hell they were going to be doing with that following Barton’s return to his original mantle.
New readers should be able to follow the action easily, it’s not so entrenched in any particular character’s lore to the point where you can’t pick up the plot threads. Everything seems to be handled organically within the story in a way that makes it seem like the first issue of a new ongoing series. They know they have to inform new readers but they don’t spend time bombarding you with unnecessary exposition. That sort of thing kills momentum and its better to just go with the flow in instances such as these.
And that’s it for this week. I hope you enjoyed my words.
Thor : The Mighty Avenger cancelled by the people at Marvel who are actively trying to make me angrier with each and every passing month…
In a move that makes me seeth with anger in a way that cannot be descibed using the words available to me in the English language, Marvel has decided, in their infinite motherf#$%ing wisdom to cancel one of my favorite running titles; Thor – The Mighty Avenger. An all-ages book with some of the most brilliant work Marvel has put out in the last few years that for some reason hasn’t been given a chance to live on, especially considering they haven’t taken into account what the trade sales might look like considering that the collection doesn’t drop until December.
This is starting to look like an exact duplicate of my rant about Marvel cancelling SWORD earlier this year, so I’m just going to leave it at this before my hands start to shake and my typing skills greatly deteriorate.
This week I had more than a few papers due in more than a few classes so the reviews weren’t the first thing on my mind. I’m trying to better myself through education and whatnot. Anyhow, I did read quite a few books and some of them surprised me so I figured it’d be a waste not to get something posted.
AMAZING SPIDER-MAN #645 2.99
AMAZING SPIDER-MAN PRESENTS BLACK CAT #4 (OF 4) 3.99
BATMAN RETURN OF BRUCE WAYNE #5 (OF 6) 3.99
BOOSTER GOLD #37 2.99
DAKEN DARK WOLVERINE #2 2.99
GREEN LANTERN #58 (BRIGHTEST DAY) 2.99
HACK SLASH ANNUAL 2010 MURDER MESSIAH #1 CVR A (MR) 5.99
INCREDIBLE HULKS #614 3.99
INVINCIBLE IRON MAN #31 2.99
JONAH HEX #60 2.99
KNIGHT & SQUIRE #1 (OF 6) 2.99
NEW AVENGERS #5 3.99
SECRET SIX #26 2.99
SHADOWLAND #4 (OF 5) SL 3.99
SHADOWLAND BLOOD ON STREETS #3 (OF 4) SL 3.99
SICKNESS IN THE FAMILY HC (MR) 19.99
SUPERIOR #1 (OF 6) (MR) 2.99
SUPERMAN #703 2.99
THOR #616 3.99
THOR MIGHTY AVENGER #5 2.99
TUROK # 1 3.50
X-MEN #4 3.99
Now let’s do this thing.
Tim Seeley has me hooked on Hack/Slash. It’s a great book that is easily accessible if you’re willing to deal with the content and manages the kind of self-referential tone that a lot of books try to reach but can’t because they don’t know how to handle it. With this Annual, we get the bridge between the old Devil’s Due series and the new relaunch coming around at Image. It’s got a definite middle ground feeling to it, where I’m sure new readers could catch what was going on while long-time fans like myself are happy to see plot threads start to re-align after a four month mini-series that felt a little too much like wheel-spinning.
I seriously cannot wait for the upcoming relaunch. I hope that people will take a chance on the book and hop on when the new #1 issue comes out because Hack/Slash is one of those books that understands that comic books can be fun. It’s not a full on comedy book, and it’s not always serious. Which makes me happy because a lot of books nowadays cannot balance tone at all. It’s an art and Seeley should give lectures.
Also, whoever had the idea to have Six Sixx wear a Fastway shirt in the opening part of the book is my hero, because I freaking unabashedly love that band.
Matt Fraction is writing the definitive run of Iron Man for the modern age. The world he is creating for Tony Stark here is one that builds not only off of Marvel’s rich history but off of the technological and political history of our own world. Fraction is saying something about technology and society that others have tried to in the book before but never found the right tone to make the story click. Here we’re getting an Iron Man that works on multiple levels. Stark’s unending quest for personal worth through altruism and progressive thought that has become the defining characteristic that pushes the narrative forward and it feels genuine. Tony Stark has truly become a multi-layered character in the last decade and Fraction is doing a good job of building Tony as a character while at the same time giving us the kind of story that we expect to read in an Iron Man comic.
I’m just not British enough to like this book. I love me some Doctor Who and I thought Blackadder was hilarious, but even still, Cornell’s first issue of this mini-series went over my head like nobody’s business. I think that it could possibly be a great series for those who understand what happened. But that’s not me. I’m admitting this up front so that you know I can’t accurately criticise the book. It’s just the truth. I’m sorry.
The art was pretty though. So there’s always that. *sheepish grin*
I’ve been a massive detractor when it comes to Mark Millar. I really haven’t enjoyed anything he’s written since Ultimates 2 or thereabouts. He’s obviously capable of writing some amazing stuff, as I loved Red Son and his work on The Authority but his recent output hasn’t been in any way intriguing to me. Kickass was a solid concept made better when translated to film, Old Man Logan was inconsequential and Nemesis just doesn’t work for me.
With Superior, Millar finds his once impeccable knack for dialog and pathos that was so prevalent in his Red Son days. The story works with established superhero tropes but doesn’t seek to subvert them the way that Kickass or Nemesis do. Instead he shows that an interesting story can be told out of tried and true ideas and still feel fresh if you have a story worth telling. I didn’t think Millar had it in him to create sympathetic characters, or characters that didn’t feel paper thin for that matter. His recent work certainly wouldn’t indicate that as being the case. However he downright surprised me here.
I think this could be the strongest work he’s turned in for quite some time, though I doubt it will be his most popular because so far it’s a solid book but lacks the hyped up sensationalism that makes Millar’s books fanboy-bait. I hope people will look past the fact that there’s no forced incest or pre-pubescent female murderers and pick the book up knowing that it’s a glowing testament to the superhero genre.
It’s hard for me to say this, as a Superman fan, but the current run of the title is just about the worst Superman stuff I’ve ever read. No middle ground to this anymore, it’s just steadily headed toward absolute horrendousness since the second JMS took over the title. And like 90% of bad Superman stories it comes from the writer just not getting what makes Superman work. Superman is not a thug who holds a stalker hundreds of feet in the air and threatens to drop him if the man doesn’t change his ways. That’s kind of what Batman does, but not Superman. Superman would talk to the guy and the mere experience of meeting Superman would cause him to re-evaluate his life and that person would go on to do great things.
Superman also doesn’t lecture Batman about saving ordinary folk. I’m sorry. I know Superman is on some sort of self-reflection kick, but he cannot reshape his entire worldview in three issues to the point where he can lecture Dick Grayson about staying grounded to reality.
I get that some people don’t like the fact that Superman isn’t edgy. But JMS doesn’t need to try to “fix” all of Superman’s percieved problems. He needs to take what works with the character and go from there, not write a character that barely resembles him in any way shape or form. For the love of God, let this little expirement wrap up soon so we can get back to the title just being mediocre instead of nearly unreadable garbage.
My only experience with Turok comes from wasting several hours playing the N64 game back in the late nineties. That’s about it. I never read any of the classic comics or anything of that nature. I picked up the new series wondering what it was like and it felt fairly generic and tepid, so far as I could tell. It feels about the same as the other relaunched-through-Dark Horse properties like Magnus or Doctor Solar. There’s obviously some effort put into making a modern feel to a classic character but the story progression feels choppy and though I’ve never read Turok before in my life, a lot of this felt like a rehash of something I’d read before.
The series has potential to grow, obviously, as the character wouldn’t have warranted a relaunch if there wasn’t something worth exploring with the property. I just hope that the flow of the book gets a little smoother because it certainly felt rough around the edges throughout the course of the first issue.
The End. I’m gonna go have a sandwich and watch all the crap I’ve DVR’d this week but haven’t had a chance to watch.