This is probably the first legitimite comics related article I’ve written in a while since I’ve been unable to get my books in a timely manner that is conductive to reviewing the actual comics. I guess the film adaptation of a comic is about as close to comics reviews as I can manage for the moment. I’m sorry. I may start reviewing books about a month after they hit stands just to make sure I get my opinion out there but I’m not sure I will even bother.
But the focus today will be the adaptation of Thor.
I am happy to report that it’s the best Marvel film they’ve made since Iron Man. I don’t know if it’s as good as that film, as I remember being dazzled by how entertaining it was but Thor does an admirable job of capturing the same sort of magic that Iron Man did. They also avoided the pitfalls of Iron Man 2 simply by virtue of not having the time to shoehorn an obtrusive amount of *wink wink* side characters into the story. There’s the obligatory cameo of a character who’ll play a major role in the Avengers. You probably already know who I’m talking about. But he isn’t mentioned by his hero moniker and if you aren’t familiar with the character you’ll wonder who the hell he is, what he’s doing and why the hell he chose that as a weapon when there was a perfectly good sniper rifle available.
The biggest achievement that Thor really grabbed was taking the source material and making it manageable in a way that it never felt hokey. The Asgardian elements could have been laughable but Branagh handles them in a way that seems reverent and respectful while tossing aside the needless “thou’s” and “thee’s” in exchange for dialogue that could have felt perfectly at home in the Lord of the Rings. Basically, the bombastic elements never felt overwhelming.
I have to say that Marvel is on a roll with their casting. Chris Hemsworth is charming as the God of Thunder and his natural charisma allows us to like the character when at times we have to agree with Odin’s belief that he is a petulant child with a rash attitude. Natalie Portman is a perfectly acceptable Jane Foster by way of her adoreable sweetness. Kat Dennings could have been cut from the film and nobody would have noticed but I still have a crush on her. I’m not going to lie, that chick’s busom is mesmerizing. Shamefully it’s not on display here and for that I will give the producers a disapproving shake of my head. Thor’s comrades are given a surprising amount of screentime and while I wished that Volstagg were more festively plump, Ray Stevenson plays him as you would imagine Volstagg should be. But the true revelation of the film was Tom Hiddleston as Loki. The man reminded me of a young William Fitchner who himself would have made a fine Loki were he about fifteen years younger.
It has its share of flaws, the somewhat abrupt ending being one of them, but it’s a step above Iron Man 2 or The Incredible Hulk due to the sheer enjoyment factor. The film does a great job of sucking the viewer into this world and not just sucking.
According to Marvel, Thor will be undergoing a few changes in April. Apparently the mainline title will revert to its original namesake, Journey into Mystery and current writer Matt Fraction will be launching a new ongoing Mighty Thor title with artist Oliver Coipel. This is nice news, as Coipel has done some amazing artwork for Thor in the past and I definitely want to see more of his work with the character. Journey Into Mystery will be helmed by writer Kieron Gillen who himself has done some decent work with the character in recent months.
All of this is none too surprising as a similar rearranging of Iron Man’s titles came about when the first movie was a success. Fraction was involved in that little endeavor as well if you will recall. This new move seems even more highly reminiscent of that particular marketing push due to a variant cover that is essentially the teaser poster for the film. I don’t blame Marvel for wanting to capture a bit of that audience, as I’m sure Invincible Iron Man was the jumping-on point for more than a few readers. Though I’m sure the Ultimate Thor collection will be a more appealing choice to mainstream readers as it requires no longterm commitment or familiarity with continuity.
I will make no guesses as to how long the changes to the character line will last. I’m not a psychic, I just read the stuff.
The THOR trailer has hit the web and I figured it’d be prudent to get my thoughts out of the way. The last time an anticipated trailer hit it was for Green Lantern and the only thing I could take away from it was how simultaneously it broke from the established canon while remaining faithful in other areas. With the Thor trailer, we get what seems like a more by-the-book adaptation of the character than with some other characters. The backstory is well established, with Thor being cast out of Asgard by Odin for being an arrogant young god. Obviously they’re weaving hints at the upcoming Avengers film by making SHIELD a heavy part of his arrival on earth.
All I can say is that this looks like another big win for Marvel, especially considering that Thor as a character is one that could be considered one of the more difficult to adapt with his bombastic over-the-top nature. Luckily, Marvel seems to know how to bring out the elements of the character that work without outright changing him. DC, from what has been presented, seemed to think Hal Jordan as he exists in the comics was too boring and decided to shake him up into an almost unrecognizeable figure. I’m glad that’s not the case here.
Yesterday I bought a statue. Yeah. I didn’t have a whole lot of comics this week to put my money into so I bought that Bowen designed Kitty Pryde with Lockheed statue. It’s amazing. Okay, well, I didn’t BUY it as much as make a down payment because the thing is expensive as hell. But it’s a twelve inch statue so I should have expected the damned price to be up there in the multiple digits. I’m rambling again. This happens usually whenI know there’s not much in the way of substance to put into the review section. Check out the pull list and guess why.
BATGIRL #16 2.99
HALCYON #2 2.99
LADY MECHANIKA #1 2.99
NEW AVENGERS #7 3.99
SHADOWLAND AFTER FALL #1 3.99
THOR #618 3.99
THOR MIGHTY AVENGER #7 2.99
WIDOWMAKER #1 (OF 4) 3.99
Yeah, a whopping eight books total. You can thank the light week for the reviews being on time at least, I suppose that counts for something.
I’m really glad I picked this up. This book is a perfect example of the world that exists due to a series of books having been published over time. Specifically this is the child that Watchmen, Wildcats, The Authority, and The Ultimates spawned. As an Image title, we expect a certain tone and attitude from the book, and it’s there in place but at the same time it seems to be making a statement on the way modern comics work. The story of malice being erased and thus making the superheroes obsolete runs parallel to the current feeling that perhaps the overwhelming negativity and bleak cynicism of the modern comic reader is making them obsolete as well. The book seems to be working out in a way that champions the idea of things running their course in due time. It’s a thesis that warns that if things don’t change, nature will erase their usefulness.
It’s good to see Image is publishing so many great titles again. Image more than any company has re-invented itself in the last few years. With Invincible, Chew, The Walking Dead, as well as new titles like this one and Morning Glories, they’ve proved that there is an audience for books that don’t fit the mold that Marvel and DC seem to have poured by pushing writers like Bendis and Johns to the forefront. While there’s nothing inherently wrong with either of those writers, it can’t be argued that they don’t write for the masses in a way that makes the overall product seem diluted and repetitive.
Halcyon, along with the rest of the Image books I’m addicted to at the moment, do a great job of breaking from the norm and that is where their true value lies.
Aspen Comics have a certain tone in the same way that Image books do. There is a pattern that is followed in the style that tries to echo that of the late Michael Turner. The artists seem to subscribe to his school of thought in the way they design and push the product. Michael Turner was a nice guy who I was lucky enough to meet before his untimely passing and it pains me to speak ill of the departed but I was never a fan of his style when it came to interior artwork. I love his covers, and always will. It’s the same with Alex Ross in that regard. But the Turner style doesn’t do anything for me as far as interior storytelling. There’s shades of his work here in Lady Mechanika but at the same time it’s not a carbon copy. While I find that the style is all too familiar, as is the steampunk setting, the book itself is interesting and does a good job of giving us interesting characters that feel developed enough to care about, which is a problem a lot of books can’t seem to overcome.
I can say that steampunk fans will immediately love this book, as far as anybody else, that remains to be seen. I think fans of Warren Ellis would enjoy the backwards retro-science sensibilities of the story and I think fans of Turner would appreciate the style and tone. The uninitiated could go either way. It’s $2.99, so you could do worse for your dollar. That much is certain.
This issue is nothing but talking but all of that is okay because Squirrel Girl is in this issue. So is D-Man. Seriously, for that alone you ought to pick this one up. I can’t really go into more detail than that because I’m still fanboy-ing out over the Squirrel Girl thing. Bendis basically implied that she and Wolverine did the horizontal mambo, so he’s my hero at the moment.
Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.Blah Blah Blah, I have nothing to say that doesn’t include Squirrel Girl.
While I’m sad to see Hawkeye and
Black Canary Mockingbird go, at least they’re getting a proper sendoff in what seems to be one of the more intriguing miniseries of the last few months. Someone is killing off spies in the Marvel universe and so Hawkeye, Mockingbird, her team of espionage masters and the Black Widow must team up to stop it all before it’s too late. The premise is simple but the manner that the action is handled makes it a step above what it might have been under lesser writers. The fact that they’re dealing with the Ronin identity that Hawkeye took up for a while makes me happy, as I was wondering what the hell they were going to be doing with that following Barton’s return to his original mantle.
New readers should be able to follow the action easily, it’s not so entrenched in any particular character’s lore to the point where you can’t pick up the plot threads. Everything seems to be handled organically within the story in a way that makes it seem like the first issue of a new ongoing series. They know they have to inform new readers but they don’t spend time bombarding you with unnecessary exposition. That sort of thing kills momentum and its better to just go with the flow in instances such as these.
And that’s it for this week. I hope you enjoyed my words.
This week I had more than a few papers due in more than a few classes so the reviews weren’t the first thing on my mind. I’m trying to better myself through education and whatnot. Anyhow, I did read quite a few books and some of them surprised me so I figured it’d be a waste not to get something posted.
AMAZING SPIDER-MAN #645 2.99
AMAZING SPIDER-MAN PRESENTS BLACK CAT #4 (OF 4) 3.99
BATMAN RETURN OF BRUCE WAYNE #5 (OF 6) 3.99
BOOSTER GOLD #37 2.99
DAKEN DARK WOLVERINE #2 2.99
GREEN LANTERN #58 (BRIGHTEST DAY) 2.99
HACK SLASH ANNUAL 2010 MURDER MESSIAH #1 CVR A (MR) 5.99
INCREDIBLE HULKS #614 3.99
INVINCIBLE IRON MAN #31 2.99
JONAH HEX #60 2.99
KNIGHT & SQUIRE #1 (OF 6) 2.99
NEW AVENGERS #5 3.99
SECRET SIX #26 2.99
SHADOWLAND #4 (OF 5) SL 3.99
SHADOWLAND BLOOD ON STREETS #3 (OF 4) SL 3.99
SICKNESS IN THE FAMILY HC (MR) 19.99
SUPERIOR #1 (OF 6) (MR) 2.99
SUPERMAN #703 2.99
THOR #616 3.99
THOR MIGHTY AVENGER #5 2.99
TUROK # 1 3.50
X-MEN #4 3.99
Now let’s do this thing.
Tim Seeley has me hooked on Hack/Slash. It’s a great book that is easily accessible if you’re willing to deal with the content and manages the kind of self-referential tone that a lot of books try to reach but can’t because they don’t know how to handle it. With this Annual, we get the bridge between the old Devil’s Due series and the new relaunch coming around at Image. It’s got a definite middle ground feeling to it, where I’m sure new readers could catch what was going on while long-time fans like myself are happy to see plot threads start to re-align after a four month mini-series that felt a little too much like wheel-spinning.
I seriously cannot wait for the upcoming relaunch. I hope that people will take a chance on the book and hop on when the new #1 issue comes out because Hack/Slash is one of those books that understands that comic books can be fun. It’s not a full on comedy book, and it’s not always serious. Which makes me happy because a lot of books nowadays cannot balance tone at all. It’s an art and Seeley should give lectures.
Also, whoever had the idea to have Six Sixx wear a Fastway shirt in the opening part of the book is my hero, because I freaking unabashedly love that band.
Matt Fraction is writing the definitive run of Iron Man for the modern age. The world he is creating for Tony Stark here is one that builds not only off of Marvel’s rich history but off of the technological and political history of our own world. Fraction is saying something about technology and society that others have tried to in the book before but never found the right tone to make the story click. Here we’re getting an Iron Man that works on multiple levels. Stark’s unending quest for personal worth through altruism and progressive thought that has become the defining characteristic that pushes the narrative forward and it feels genuine. Tony Stark has truly become a multi-layered character in the last decade and Fraction is doing a good job of building Tony as a character while at the same time giving us the kind of story that we expect to read in an Iron Man comic.
I’m just not British enough to like this book. I love me some Doctor Who and I thought Blackadder was hilarious, but even still, Cornell’s first issue of this mini-series went over my head like nobody’s business. I think that it could possibly be a great series for those who understand what happened. But that’s not me. I’m admitting this up front so that you know I can’t accurately criticise the book. It’s just the truth. I’m sorry.
The art was pretty though. So there’s always that. *sheepish grin*
I’ve been a massive detractor when it comes to Mark Millar. I really haven’t enjoyed anything he’s written since Ultimates 2 or thereabouts. He’s obviously capable of writing some amazing stuff, as I loved Red Son and his work on The Authority but his recent output hasn’t been in any way intriguing to me. Kickass was a solid concept made better when translated to film, Old Man Logan was inconsequential and Nemesis just doesn’t work for me.
With Superior, Millar finds his once impeccable knack for dialog and pathos that was so prevalent in his Red Son days. The story works with established superhero tropes but doesn’t seek to subvert them the way that Kickass or Nemesis do. Instead he shows that an interesting story can be told out of tried and true ideas and still feel fresh if you have a story worth telling. I didn’t think Millar had it in him to create sympathetic characters, or characters that didn’t feel paper thin for that matter. His recent work certainly wouldn’t indicate that as being the case. However he downright surprised me here.
I think this could be the strongest work he’s turned in for quite some time, though I doubt it will be his most popular because so far it’s a solid book but lacks the hyped up sensationalism that makes Millar’s books fanboy-bait. I hope people will look past the fact that there’s no forced incest or pre-pubescent female murderers and pick the book up knowing that it’s a glowing testament to the superhero genre.
It’s hard for me to say this, as a Superman fan, but the current run of the title is just about the worst Superman stuff I’ve ever read. No middle ground to this anymore, it’s just steadily headed toward absolute horrendousness since the second JMS took over the title. And like 90% of bad Superman stories it comes from the writer just not getting what makes Superman work. Superman is not a thug who holds a stalker hundreds of feet in the air and threatens to drop him if the man doesn’t change his ways. That’s kind of what Batman does, but not Superman. Superman would talk to the guy and the mere experience of meeting Superman would cause him to re-evaluate his life and that person would go on to do great things.
Superman also doesn’t lecture Batman about saving ordinary folk. I’m sorry. I know Superman is on some sort of self-reflection kick, but he cannot reshape his entire worldview in three issues to the point where he can lecture Dick Grayson about staying grounded to reality.
I get that some people don’t like the fact that Superman isn’t edgy. But JMS doesn’t need to try to “fix” all of Superman’s percieved problems. He needs to take what works with the character and go from there, not write a character that barely resembles him in any way shape or form. For the love of God, let this little expirement wrap up soon so we can get back to the title just being mediocre instead of nearly unreadable garbage.
My only experience with Turok comes from wasting several hours playing the N64 game back in the late nineties. That’s about it. I never read any of the classic comics or anything of that nature. I picked up the new series wondering what it was like and it felt fairly generic and tepid, so far as I could tell. It feels about the same as the other relaunched-through-Dark Horse properties like Magnus or Doctor Solar. There’s obviously some effort put into making a modern feel to a classic character but the story progression feels choppy and though I’ve never read Turok before in my life, a lot of this felt like a rehash of something I’d read before.
The series has potential to grow, obviously, as the character wouldn’t have warranted a relaunch if there wasn’t something worth exploring with the property. I just hope that the flow of the book gets a little smoother because it certainly felt rough around the edges throughout the course of the first issue.
The End. I’m gonna go have a sandwich and watch all the crap I’ve DVR’d this week but haven’t had a chance to watch.
The new novel is almost finished…again. See, this is what happens when I work in “Drafts.” So in between that, school, work, and a revitalized social life that includes actually having to go outside of the house for stuff like concerts (on Thursday nights), don’t be surprised if the blog starts to lie dormant for chunks of time. I try to avoid it but I’m a one man operation here. That having been said, I’m not gonna deny you guys the comic reviews you so deserve. By that I mean that I’m going back to the old format of cherry-picking what issues to review instead of doing the whole stack because it’s getting harder to go through the whole stack in a single evening.
AVENGERS ACADEMY #5 2.99
BOYS #47 (MR) 3.99
BUFFY VAMPIRE SLAYER #37 LAST GLEAMING PT 2 (OF 5) 2.99
CHAOS WAR #1 (OF 5) 3.99
DEADPOOLMAX #1 (MR) 3.99
HAWKEYE & MOCKINGBIRD #5 2.99
JSA ALL STARS #11 3.99
SECRET SIX #26 2.99
SHADOWLAND SPIDER-MAN #1 SL 3.99
STARMAN OMNIBUS HC VOL 05 49.99
ULTIMATE COMICS THOR #1 (OF 4) 3.99
UNCANNY X-FORCE #1 3.99
WOLVERINE #2 3.99
YOUNG ALLIES #5 2.99
And let’s get this show on the road:
Garth Ennis is underrated when it comes to giving us character moments that stay with the reader in their gut long after they’ve finished reading the issue. Here we get the inevitable confrontation between Hughie and his superhero girlfriend for the first time since he found out she was a supe and since he saw her “initiation” video into the Seven where she did more with her mouth than give a convincing presentation of her resume.
The pathos and emotion on display between Hughie and Starlight here is gutwrenching. While Garth Ennis is able to craft visceral gore and violence with reckless abandon, his ability to make you care for the characters he writes is generally overlooked, which is a huge shame because it’s stuff like this that shows what the serialized medium of comics is capable of pulling off with a competent writer at the helm. This issue has been building for some time. It’s not rushed, it hasn’t been drawn out or decompressed, it’s simply been building to a boiling point.
This may be some of Garth Ennis’ best work. I know it’s not as roundly applauded as Preacher or Punisher Max, but it is probably his most carefully crafted since Preacher ended and I think that in the end people will recognize it for the treasure that it truly is.
I am happy to see Hercules back. I truly am. I love the guy. As far as this particular issue, I’m not so sold on the event after the premiere as I was with Shadowland a few months ago. I think that Greg Pak and company did a good job of getting us pumped up for some good old fashioned theological thrashing in what is coming down the road, but there was no big moment that made me step firmly on board with the series. That’s not to say that it’s a bad issue, there is some good stuff set up here, and it’s bound to get much more epic as it goes on. I simply think that a good portion of people are going to be underwhelmed by the debut issue, as not a whole lot really happens. It’s a setup issue pure and simple.
The question this series needs to answer is whether or not the setup is going to pay off. This is going to be one of those series that won’t have a whole lot of impact on the larger Marvel universe the way that Shadowland will because the Marvel Gods don’t seem to get a whole lot of focus in the grand scheme of things unless they somehow relate to Thor, but seeing how Fraction is doing his own thing with the Thor-verse, the reverberations of this series will have to be felt elsewhere, and unless they relaunch an ongoing Herc series, I’m not sure where that will be.
This is the one people have been waiting a good long while for. We’ve wanted some unrestrained Deadpool action forever and we finally get it courtesy of Kyle Baker and David Lapham. In the first issue however, we don’t actually get a whole lot of Wade Wilson. We get a lot more Agent Bob and sodomy. The violence is there, as is the swearing and the sexual situations. It’s definitely a max book. What seems to be lacking is, well, Deadpool. He really only shows up for maybe 5% off the book.
What remains to be seen is how this book will work out in regard to how they want to portray Deadpool. I doubt he’ll be breaking the fourth wall or being as goofy as he is in the 616. We already know from this issue that Deadpool will be treated more as a government assassin than a freelance merc for hire, and that he’s more mentally damaged and dangerous than gutlaugh funny. This book follows the pervasive Marvel trend of waiting until issue two to give us the full picture of what the series will end up being like in the long run. Luckily, the first issue was entertaining enough that I won’t feel like an idiot for picking up issue three.
Jonathan Hickman can do no wrong apparently. According to the internets, Kurt Busiek doens’t like him but he seems to be the lone dissenting voice. With Ultimate Comics Thor he gives us a look into the origins of the Ulimate U’s version of Thor and it seems to be a basic mirror of the regular Thor, except in the Ultimate scheme of things, there are a lot more nazis.
This series is likely going to be one of the best to come out of the Ultimate relaunch. It’s obvious that this one is being produced to be shoved into a hardcover and rushed into bookstores around the time the Thor film hits theaters. I’m not sure how that worked for the Black Widow miniseries from Paul Cornell, but it seems like a smart enough move. It helps that it’s a damned good read. If you’re going to try to introduce someone to a character, you could do worse than the setup they use here. It’s integrated enough into the Ultimate Universe that those with familiarity will be able to place it in continuity, but new readers will be able to jump in just as easily. That’s not an easy feat, no matter what universe you’re working in.
This one is the winner of the week. Rick Remender may be Marvel’s new secret weapon, as the man has yet to produce a book that doesn’t totally kick all sorts of ass. He’s managed to make Deadpool funny without being over the top. He’s made X-Force not seem like a cliche. He’s managed to give X-Force a purpose beyond being an unnecessary ancilliary title predicated on having a place where Wolverine can stab people with reckless abandon.
I was originally going to skip out on this one. The last X-Force title did nothing for me. Everything about it pretty much went against my established sensibilities. I was afraid this was going to be more of the same. I should have known better. Rick Remender, who is rapidly climbing the ladder of my favorite writers following Last Days of American Crime and FrankenCastle, brings us a new X-Force that seems fresh and new, despite building off of plot threads that have been hanging for quite some time. (Archangel, people. Archangel) And while it definitely plays off some rich history, it isn’t like say, New Mutants, where people unfamiliar with the original story of Inferno might be a little bit lost with the new storyline.
So, long story short, pretty please, go buy the damn book.
And that does it for this week. Join us next time when hopefully DC puts something out worth Reviewing. (I’d review Secret Six, but c’mon, you know how I feel about that book. I’d marry it if I could.)
It’s been a hectic week at the store, getting ready for our big ol’ 35th Anniversary celebration. The boss put a lot of money into getting the building repainted and the store looks almost brand new. We’ve got a local comics publisher coming in on Saturday to do a meet and greet. I’ve got copies of my first book on hand to sign for anyone masochistic enough to want one.
But the books still came in as usual, and I have opinions, as usual.
Avengers # 5:
Okay, I’m getting the feeling that this book just isn’t for me. The storyline seems typically Avenger-y and all, but the artwork just doesn’t do it for me, and I feel like my sensibilities are better suited with Bendis’ New Avengers or over at Avengers Academy. I feel like Bendis is trying to write in a manner consistent with the old Avengers tone, but he just isn’t pulling it off. I think this title would be better under the direction of someone like Dan Slott or Mark Waid. I’m basing that entirely off of what I’ve seen on their other work, so maybe I’m just pining, but I’m not sure.
Fantastic Four # 583:
Jon Hickman has been doing some really good FF work. He’s easily the best fit for the title since Waid and Ringo left a few years ago. His proto-philosophical scientific jargon and interwoven narrative patterns fit the book like a Kirby-drawn glove. His work thus far has been building to this issue and I can say with ease that this could be the defining FF run of the decade. Also, Doom. It’s easy to get Doom wrong and Hickman seems to be giving us a Doom that we’ve been clamoring for. Can’t wait to see how this all pans out.
Justice League – Generation Lost # 10
I feel like this series is way too decompressed. Every time I see the solicits and I fail to see “final issue” I wonder how long they can drag it out. It seems until they cross paths with every last entity in the DCU. Seriously. It’s not a horrible book. I like the ideas behind the story, I just don’t care for the obvious filler. It’s like Dragonball Z’s Namek saga. It just goes on and on and on, obviously leading to something, but by the time the climax comes, we’ll all be numb and immune to it’s effectiveness.
Power Girl # 16:
At least this time, we don’t get shoehorned into Generation Lost at random. We see that there is an endgame in place for the events that happen to Power Girl’s civilian life and the interpersonal drama feels organic and appropriate. Winnick seems to handle the characters in a way where everything seems like a seamless transition from where they were previously. There hasn’t been a dynamic tone shift in character portrayal the way I expected. He’s writing a very consistent book, fumbled only by the occasional intrusion by the Generation Lost plots.
Shadowland Moon Knight # 2:
I’m getting fatigued by the whole Shadowland thing, admittedly, but this has been a good mini-series and I’m really digging it. Chicken-Khonshu aside. I still can’t get over how much that guy looks like a giant chicken. The reveal at the end of the issue was pretty telegraphed, but I still enjoyed the issue. I really do want to see how they resolve all this in the next issue.
Thor # 615
The long awaited arrival of Matt Fraction on Thor begins with his typical flair for dialogue setting up what looks to be an important status-quo changing event for Asgard. The whole time Asgard has been on Earth nobody bothered to ask the question of what happened to the space that Asgard once occupied. Fraction seems to want to answer that question with a battle between mystical creatures that will offer some good therapeutic violence for Thor and his brethren following the Siege of Asgard.
Fraction seems to have a handle on Thor’s psyche the way he did with Tony Stark’s and he definitely has a way of setting the stage for things to come. The first issue does take some time to get rolling, but Fraction has a handle on how to work a slow burn when it comes to working a narrative and whatever he has planned will most definitely be interesting, if he holds true to his usual calibre of writing.
Uncanny X-Men # 528
It looks like we’re going to be seeing a lot of intrigue when it comes to Emma and Namor. I didn’t think Namor was going to be sticking around here due to his own series starting up, but it looks like he’s going to be a major part of the things to come.
Emma is dealing with her issues with Sebastian Shaw, who I suspect will stick around for a while to raise his profile to coincide with the release of the new X-Men First Class film. Kitty Pryde finally gets some real face time besides being shown in her little bubble, which is fine by me because I love Kitty almost as much as I love Dazzler, WHO IS ALSO IN THIS ISSUE.
So, yeah, good book.
And that’s it for this week. Need to prepare for the sale at work. Where’s my name badge?