Unilaterally Sarcastic, Dangerously Cheesy

Posts tagged “Tim Seeley

Weekly Comics Return at DC with BATMAN ETERNAL

batman-eternal

I remember for a while DC seemed hellbent on making Weekly Comics a thing. 52 was probably their best shot at the concept. Countdown was the sort of mess you wish you could forget and I have almost entirely forgotten Trinity. DC wants to give the thing another go with Scott Snyder this time helming the project alongside a team of writers that include James Tynion IV, John Layman, Ray Fawkes, and, most interesting to me at least, Tim Seeley. Art duties will be handled by Josh Fabok, who I speculated would find a major project when the switcharoo with creative teams on Detective was teased a while back. Other artists will likely join him on the project soon. (source)

All of this is of course in connection to Batman’s 75th Anniversary. You can expect big things for Batman soon. In conjunction with this announcement, DC stated that the upcoming Detective Comics # 27 will be a 96 page epic featuring work from some pretty heavy hitters including Frank Miller, Paul Dini, Brad Meltzer, and Neal Adams with art provided by Greg Capullo, Jim Lee, Chris Burnham, Mike Allred and others.


Weekly Comic Reviews – 7/31/2013

I Do Not Actually Look Like Jesse Custer

Today was my first day back in the comic shop since 2010. It felt a bit odd, to be honest. I can tell you the most vivid thing that I did not forget was the smell, that unmistakable smell of abundant paper. It was somewhat like coming home again after a long vacation. There is something warm and inviting about that place. A lot of it has to do with the people. I’m happy to be in my element again. I do not know for certain how long I’ll be there. I’d love to stay for a good long while, as it is familiar and comforting to me. If nothing else, I got to sit down and read some new comics today, which I haven’t done in a while and I’ve got some opinions you guys might be interested in hearing.

BATMAN_ANN2_ra4ejm6iuw_BATMAN ANNUAL #2
Written by: Scott Snyder
Pencilled by: Wes Craig
Inked by: Craig Yeung, Drew Geraci
Cover by: Jock
Color/B&W: Color
Page Count: 48
U.S. Price: 4.99
On Sale Date: Jul 31 2013

A special ZERO YEAR tie-in! Bruce Wayne’s first year as the Dark Knight has just barely begun…and already dangerous elements are coalescing, leading Bruce toward his final destiny.

I’m still a month or so behind on my regularly scheduled Batman reading but this Annual issue is enough of a standalone story that I didn’t feel lost. If following the narrative is a concern for you, breathe a sigh of relief because it would take a lot of effort to be confused by this particular issue. Here we are presented with a one-off story where Batman is brought in to Arkham Asylum by the powers that be to test out a new high-security section of the prison called the “Tartarus Wing.” It has been specifically designed to hold the most dangerous of Gotham’s rogues gallery and the folks running the asylum figure that if Batman can’t get past the defenses, nobody can. Batman’s arrival coincides with that of a new orderly by the name of Eric Border, a fresh-faced young idealist who is straight off the bus from Metropolis. He’s the sort of guy who believes that the work done within the walls of Arkham Asylum can benefit those incarcerated there and the world outside. From the reader’s perspective, we are meant to read him as a naive simpleton. He is a foil to Batman’s philosophy and obvious parallels to Superman’s handling of Metropolis with Bruce’s handling of Gotham can be drawn.

While Batman is defeating the defenses of the new wing, Border embarks on a B-plot expedition that finds him encountering the earliest patient to be committed to Arkham, a character going by the name of the Anchoress, whose backstory is that she willingly locked herself away at the Asylum to truly rehabilitate herself. Her name is derived from the Anchorites, who were penitents who would lock themselves away after recognizing the damages of their crimes. The Anchoress speaks about the difference between the Asylum as she entered it, several generations of Arkham ago, and where it is currently, as a simple repository for evil. You can guess who she blames for the shift in atmosphere.

The Annual is much in line with what these Annuals are usually like, that is to say it is competently written and this particular one makes some interesting comments on Batman and the Asylum, whether he does any good locking his foes away at Arkham and whether their incarceration furthers the escalation of violence in Gotham. It isn’t entirely new ground, but it is handled well enough to make it worth reading, especially if it ties into Zero Year as heavily as the front cover implies. As I admitted earlier, I’m a little behind so I can’t speak to its relevance in that arena.

Rating: 3 out of 5

SM_ANN_2_CVR_fnl_d3p47hlexk_SUPERMAN ANNUAL #2
Written by: Scott Lobdell, Frank Hannah
Art by: Pascal Alixe
Cover by: Andy Kubert
Color/B&W: Color
Page Count: 48
U.S. Price: 4.99
On Sale Date:  Jul 31 2013

What repercussions lurk beneath the surface from Brainiac’s first attack—and how does it all set the stage for the battle of Metropolis? Plus, how can the Man of Steel fight something he can’t physically stop!

I may be behind on Batman but I haven’t broken the cover of a Superman book in well over a year. I sorta gave up on all Superman related books around the same time and just never found the time or energy to check up on them. This issue begins Sunset Boulevard style with Lois lying on the sidewalk narrating her own near-death experience. We find out that Clark is off doing the whole internet blogger thing while Lois stays at the Daily Planet, preferring the dying journalism industry because she feels it gives her the power to speak the truth the most loudly.

One night while working late Lois encounters a woman who begs for help, her head is swollen and resembling the appearance of Brainiac. As if on cue, we are flashed back to the first Braniac invasion detailed in the early launch of the new-52. What follows is a mystery without a mystery because the “who” element is already answered with no sense of drama. There are twenty people who have been reported missing since the Brainiac attack and, surprise, they all are connected somehow. The writing in this issue isn’t great as there is no rise or fall to the narrative, simply a progression. In the last page it becomes clear why; this is only the first part of a puzzle that will be answered in the pages of Action Comics and Superman in a crossover called Psi-War, which I was unaware of because I am out of the loop.

Compared to the Batman annual, out on the same day, this issue seems to be lacking all around. The artwork is quite good and seems more polished than I expected for the issue, but Lobdell’s writing does nothing for me. It doesn’t stick the landing as a lead-in to a crossover and misses the mark by a wide margin as a standalone issue, which I feel an Annual should be able to manage.

Rating: 2 out of 5 Stars

WOLVFLESH2013001-DC11-LR-b9abaWolverine – In The Flesh # 1
Written by: Chris Cosentino
Art by: Dalibor Talajic
Cover by: Tim Seeley
Color/B&W: Color
U.S. Price: 3.99
On Sale Date:  Jul 31 2013

Reality star Chris Cosentino tells a tale about Wolverine and food like only a Top Chef Master can! Adamantium claws meet steel kitchen knives in a culinary caper staring your favorite costumed Canadian!

Oh boy, where do I start with this one. Firstly, I don’t know who Chris Cosentino is because I’m not a fan of Top Chef. I’m more of a Chopped guy. So I only read this issue because of the novelty in a celebrity chef writing himself into a Marvel comic. One which I assume is canon. It’s glorious fan-fic given total validation by the publisher. Long story short, I love the premise and I wish they would do more with it. I’d read a book about Peter Parker taking a cooking class from Giada DiLaurentis. I would pay good money for a story where Deadpool tries to kill Gordon Ramsay but then they team up to fix a terrible restaurant. I don’t care that its ludicrous. I like ludicrous. Is the book any good?

Well, it’s entertaining to say the least. A couple of bike riders find a corpse that is apparently the work of a serial murderer known as the Bay Area Butcher. Logan finds out about it and after taking a look at the bodies he calls in his good friend Chris Cosentino, celebrity chef and master of “offal cuisine” dishes, which are prepared with ingredients normally tossed aside when an animal is butchered. Logan and Chris come to the conclusion that whoever this killer is, he must have some culinary or butchery experience.

And so the team up begins!

Really, I don’t want to give anything away because the book is crazy in a way you have to experience for yourself. Seriously, if you’ve got some spare cash and need to pick something up that will make you ask yourself if you truly read what you think you did, please pick up this book. Everyone needs to be exposed to this madness. It’s the best kind of madness I’ve had the pleasure of indulging in a long while. Honest to blog.

Rating: 3 and 1/2 out of 5 Stars


Comic Review Double-Shot

I Do Not Actually Look Like Jesse Custer

I haven’t done day-and-date reviews for individual comics in a while. I get my books mail-0rder nowadays for financial and convenience reasons and I only rarely will pick up a book off of the rack. Usually it’s when I have some spare cash laying around and want to give something different a chance. Today I got some issues that I initially passed on because I didn’t have the cash for them in my budget at the time.

AVENGING SPIDER-MAN # 9
STORY BY Kelly Sue DeConnick
ART BY Terry Dodson, Rachel Dodson
COLORS BY Edgar Delgado
LETTERS BY VC – Joe Caramagna
COVER BY Terry Dodson, Rachel Dodson
PUBLISHER Marvel Comics
COVER PRICE:$3.99

Next week sees the first issue of Carol Danvers’ turn as Captain Marvel. This week gives us a sort of primer as she teams up with Spider-Man in a fun little issue written by Kelly Sue DeConnick, who will be handling the ongoing series as well. I have said that while I don’t consider myself one of those “shipper” fans, I would totally support Peter Parker and Carol Danvers as a couple. Their banter and flirtations are often a delight to read, especially if they’re written by someone who gets the voice of those characters individually.  Kelly Sue does. She’s one of the writers at Marvel who can seemingly write any character with ease and put them into a story that is fun and breezy in a more classic tradition that eschews the post Bendis style that seems to find its way into every book no matter who is actually penning it.

Avenging Spider-Man # 9 feels like a classic issue of Marvel Team-Up in all the right ways. The story centers around Peter and Carol going for a flight in Carol’s new junker of a plane when they find themselves caught in a dispute between a young lady who has had a brush with the law and a private security firm trying to bring her in. It is a fun read and a welcome change from what I’ve been reading from Marvel at the moment. I’m hoping that trend continues with the ongoing series. Kelly Sue has set the stage for something that could easily be just as good or better than the last volume of Ms. Marvel which I enjoyed from end-to-end.

REVIVAL # 1
STORY BY Tim Seeley
ART BY Mike Norton
COVER BY Jenny Frison, Craig Thompson
PUBLISHER Image Comics
COVER PRICE:$2.99
SYNOPSIS: For one day in rural central Wisconsin, the dead came back to life. Now it’s up to Officer Dana Cypress to deal with the media scrutiny, religious zealots, and government quarantine that has come with them. In a town where the living have to learn to deal with those who are supposed to be dead, Officer Cypress must solve a brutal murder, and everyone, alive or undead, is a suspect. A beautiful “farm noir” that puts a new twist on the zombie genre, created by NYT Bestselling author TIM SEELEY and acclaimed artist MIKE NORTON. 

Tim Seeley has made a name for himself on Hack/Slash and I bought this based off of that reputation alone. I haven’t been following his run on Witchblade, but this seemed more up my alley. Revival seems like it fits more into the mold of Image comics like The Walking Dead in that there is definitely a lot of world building being done but the core of the series is going to be centered around the interactions of our main characters. The danger with something like that is that you have to give people something to like. I wouldn’t say that Seeley’s character work is the best thing about Hack/Slash. The characters there are somewhat thin but the reader is still able to connect. In this series, Seeley has severely stepped up his game. Right off the bat we are given small looks at Dana and her personal life that make her immediately relate-able. She has family issues aplenty as well as personal issues relating to her own personal successes. This is one of the best first issues of a new comic I have read since Chew with regards to getting a sense of character.

Revival is definitely worth a look. It isn’t just another zombie book. To even use that term in association with it is somewhat misleading. This is a horror book, to be sure. I’ll even admit that parts gave me goosebumps. It’s been a while since I’ve read something that did that. Aside from the character work, Seeley has done a great job setting the mood here. Mike Norton’s illustration of the gore really hammers it home as well. I think this one could very well be one of the best things to come out of Image in a good long while.

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So there you are. Go buy those things. You won’t regret it.


Weekly Comic Reviews

I Do Not Actually Look Like Jesse Custer

This week I had more than a few papers due in more than a few classes so the reviews weren’t the first thing on my mind. I’m trying to better myself through education and whatnot. Anyhow, I did read quite a few books and some of them surprised me so I figured it’d be a waste not to get something posted.

AMAZING SPIDER-MAN #645 2.99
AMAZING SPIDER-MAN PRESENTS BLACK CAT #4 (OF 4) 3.99
BATMAN RETURN OF BRUCE WAYNE #5 (OF 6) 3.99
BOOSTER GOLD #37 2.99
DAKEN DARK WOLVERINE #2 2.99
GREEN LANTERN #58 (BRIGHTEST DAY) 2.99
HACK SLASH ANNUAL 2010 MURDER MESSIAH #1 CVR A (MR) 5.99
INCREDIBLE HULKS #614 3.99
INVINCIBLE IRON MAN #31 2.99
JONAH HEX #60 2.99
KNIGHT & SQUIRE #1 (OF 6) 2.99
NEW AVENGERS #5 3.99
SECRET SIX #26 2.99
SHADOWLAND #4 (OF 5) SL 3.99
SHADOWLAND BLOOD ON STREETS #3 (OF 4) SL 3.99
SICKNESS IN THE FAMILY HC (MR) 19.99
SUPERIOR #1 (OF 6) (MR) 2.99
SUPERMAN #703 2.99
THOR #616 3.99
THOR MIGHTY AVENGER #5 2.99
TUROK # 1 3.50
X-MEN #4 3.99

Now let’s do this thing.

Is That A Goth Cinderella?HACK/SLASH ANNUAL 2010

Tim Seeley has me hooked on Hack/Slash. It’s a great book that is easily accessible if you’re willing to deal with the content and manages the kind of self-referential tone that a lot of books try to reach but can’t because they don’t know how to handle it. With this Annual, we get the bridge between the old Devil’s Due series and the new relaunch coming around at Image. It’s got a definite middle ground feeling to it, where I’m sure new readers could catch what was going on while long-time fans like myself are happy to see plot threads start to re-align after a four month mini-series that felt a little too much like wheel-spinning.

I seriously cannot wait for the upcoming relaunch. I hope that people will take a chance on the book and hop on when the new #1 issue comes out because Hack/Slash is one of those books that understands that comic books can be fun. It’s not a full on comedy book, and it’s not always serious. Which makes me happy because a lot of books nowadays cannot balance tone at all. It’s an art and Seeley should give lectures.

Also, whoever had the idea to have Six Sixx wear a Fastway shirt in the opening part of the book is my hero, because I freaking unabashedly love that band.

EXPLOSION!!!!INVINCIBLE IRON MAN # 31

Matt Fraction is writing the definitive run of Iron Man for the modern age. The world he is creating for Tony Stark here is one that builds not only off of Marvel’s rich history but off of the technological and political history of our own world. Fraction is saying something about technology and society that others have tried to in the book before but never found the right tone to make the story click. Here we’re getting an Iron Man that works on multiple levels. Stark’s unending quest for personal worth through altruism and progressive thought that has become the defining characteristic that pushes the narrative forward and it feels genuine. Tony Stark has truly become a multi-layered character in the last decade and Fraction is doing a good job of building Tony as a character while at the same time giving us the kind of story that we expect to read in an Iron Man comic.

 

 

'Ello Chaps!KNIGHT AND SQUIRE # 1

I’m just not British enough to like this book. I love me some Doctor Who and I thought Blackadder was hilarious, but even still, Cornell’s first issue of this mini-series went over my head like nobody’s business. I think that it could possibly be a great series for those who understand what happened. But that’s not me. I’m admitting this up front so that you know I can’t accurately criticise the book. It’s just the truth. I’m sorry.

The art was pretty though. So there’s always that. *sheepish grin*

 

 

 

 

Space MonkeysSUPERIOR # 1

I’ve been a massive detractor when it comes to Mark Millar. I really haven’t enjoyed anything he’s written since Ultimates 2 or thereabouts. He’s obviously capable of writing some amazing stuff, as I loved Red Son and his work on The Authority but his recent output hasn’t been in any way intriguing to me. Kickass was a solid concept made better when translated to film, Old Man Logan was inconsequential and Nemesis just doesn’t work for me.

With Superior, Millar finds his once impeccable knack for dialog and pathos that was so prevalent in his Red Son days. The story works with established superhero tropes but doesn’t seek to subvert them the way that Kickass or Nemesis do. Instead he shows that an interesting story can be told out of tried and true ideas and still feel fresh if you have a story worth telling. I didn’t think Millar had it in him to create sympathetic characters, or characters that didn’t feel paper thin for that matter. His recent work certainly wouldn’t indicate that as being the case. However he downright surprised me here.

I think this could be the strongest work he’s turned in for quite some time, though I doubt it will be his most popular because so far it’s a solid book but lacks the hyped up sensationalism that makes Millar’s books fanboy-bait. I hope people will look past the fact that there’s no forced incest or pre-pubescent female murderers and pick the book up knowing that it’s a glowing testament to the superhero genre.

Nothing Witty, The Book SucksSUPERMAN # 703

It’s hard for me to say this, as a Superman fan, but the current run of the title is just about the worst Superman stuff I’ve ever read. No middle ground to this anymore, it’s just steadily headed toward absolute horrendousness since the second JMS took over the title. And like 90% of bad Superman stories it comes from the writer just not getting what makes Superman work. Superman is not a thug who holds a stalker hundreds of feet in the air and threatens to drop him if the man doesn’t change his ways. That’s kind of what Batman does, but not Superman. Superman would talk to the guy and the mere experience of meeting Superman would cause him to re-evaluate his life and that person would go on to do great things.

Superman also doesn’t lecture Batman about saving ordinary folk. I’m sorry. I know Superman is on some sort of self-reflection kick, but he cannot reshape his entire worldview in three issues to the point where he can lecture Dick Grayson about staying grounded to reality.

I get that some people don’t like the fact that Superman isn’t edgy. But JMS doesn’t need to try to “fix” all of Superman’s percieved problems. He needs to take what works with the character and go from there, not write a character that barely resembles him in any way shape or form. For the love of God, let this little expirement wrap up soon so we can get back to the title just being mediocre instead of nearly unreadable garbage.

Wampum!TUROK # 1

My only experience with Turok comes from wasting several hours playing the N64 game back in the late nineties. That’s about it. I never read any of the classic comics or anything of that nature. I picked up the new series wondering what it was like and it felt fairly generic and tepid, so far as I could tell. It feels about the same as the other relaunched-through-Dark Horse properties like Magnus or Doctor Solar. There’s obviously some effort put into making a modern feel to a classic character but the story progression feels choppy and though I’ve never read Turok before in my life, a lot of this felt like a rehash of something I’d read before.

The series has potential to grow, obviously, as the character wouldn’t have warranted a relaunch if there wasn’t something worth exploring with the property. I just hope that the flow of the book gets a little smoother because it certainly felt rough around the edges throughout the course of the first issue.

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The End. I’m gonna go have a sandwich and watch all the crap I’ve DVR’d this week but haven’t had a chance to watch.


Weekly Comic Reviews

I Do Not Actually Look Like Jesse Custer

Man, this week has been intense. I’ve been working on some major renovations inside the store, trying to make room for all the cool new shipments of figures and statues and assorted awesomeness that’s set to be hitting the shelves within the next month or so, which has left my body sore and weak from the labor. I’m not sure if you know this, but comic books in bulk start to get heavy. Especially hardcover collections. I swear it felt like moving baby cows on my shoulder at some points. But it all was worth it for how great the new setups look and the fact that this week’s new books are pretty much the pinnacle of awesome.

ARRIVALS 6-9-2010
ASTONISHING X-MEN XENOGENESIS #2 (OF 5) 3.99
AVENGERS ACADEMY #1 HA 3.99
BATGIRL #11 2.99
BATMAN #700 (NOTE PRICE) 4.99
BOOSTER GOLD #33 2.99
CAPTAIN AMERICA #606 HA 3.99
CHRONICLES OF CONAN TP VOL 19 DEATHMARK  17.99
DAREDEVIL #507 2.99
DOOM PATROL WE WHO ARE ABOUT TO DIE TP 14.99
HACK SLASH MY FIRST MANIAC #1 (OF 4) CVR A (MR) 3.5
INVINCIBLE IRON MAN #27 HA 2.99
JUSTICE LEAGUE GENERATION LOST #3 (BRIGHTEST DAY) 2.99
NEMESIS #2 (OF 4) (MR) 2.99
PREDATORS #1 (OF 4) 2.99
PUNISHERMAX #8 (MR) 3.99
SECRET SIX #22 2.99
SHIELD #2 2.99
ULTIMATE COMICS AVENGERS 2 #3 3.99
ULTIMATE COMICS SPIDER-MAN #11 3.99
UNCANNY X-MEN #525 XSC 2.99
YOUNG ALLIES #1 HA 3.99

And as always, I will tell you why you should buy things.


AVENGERS ACADEMY # 1

Wasn’t initially going to get this one, but Christos Gage is one of those writers who has a tendency to churn out some amazing stuff out of concepts I initially hesitated on. He’s a solid writer who is well on his way to getting the name recognition he deserves. With Avengers Academy, he may have found that project.

If there is one flaw with the book it’s simply that, by nature, it’s sort of the black sheep of the Avengers family. The “heavy hitters” in the book as far as star power goes are Hank Pym, Justice and a newly reformed Speedball. Gage plays with this by saying that we’ll get some big names as “guest instructors” over the course of the book, to show that those characters care about the events transpiring in the book, so we should as well. LISTEN TO CAPTAIN AMERICA! HE’S ALWAYS RIGHT!

So yeah, the book has that hurdle to overcome in the mind of the financially conscious fanboy, who may not view the book as “essential reading.” But the book hits all the notes it aims for, and the new characters introduced in the book are all interesting and get a fair share of development in their debut. Reptil shows up, having gained some exposure through the Superhero Squad cartoon. Other members of the group seem to establish their niche right away, with Finesse and Hazmat being the darker foils to Reptil, Mettle and our primary protagonist Veil. Personally I think Mettle has the chance to grow into a really great character. He seems to echo the greatness that Rockslide projected back in New X-Men.

The reasoning behind using these characters, and why the program exists, parallels the Heroic Age’s overall theme of rectifying the wrongs of the Dark Reign era. It probably won’t be the theme for too long, as the status quo will likely shift again fairly soon, but it’s an excellent way to get the ball rolling and they’ve hooked me in for another one.

700 Issues
BATMAN # 700

Man, this one was epic. It’s not exactly a new-reader friendly jumping-on point as one would figure, as it hearkens back to Grant Morrison’s issue # 666 as well as the two-part Whatever Happened to the Caped Crusader arc and we even get a segment (albeit a short one) that jumps into the Batman Beyond universe. It’s a veritable garbage-bag cocktail where every last drop of alcohol at the party gets mixed together in the hopes of making a concoction that will give you a kicking buzz without making you go blind.

The story has time travel, the Joker acting bat-shit insane, an appearance from the Mutants that harkens back to The Dark Knight Returns, Two-Face 2 who may be the greatest idea for a new villain that won’t be able to recur due to where he made his debut, and an amazing pin-up art gallery at the back end featuring drawings by some of the greatest artists ever to draw the Dark Knight.

I wish this review could be longer, but honestly the book is one that you have to read for yourselves. I don’t think it is an issue that everyone will enjoy, but I think that it’s definitely a ballsy choice for an anniversary issue this large. If nothing else, it’s definitely worth a read just for the sake of seeing if you understand what the hell was going on.

606
CAPTAIN AMERICA # 606

Captain America has been firing on all cylinders for around five years now. Brubaker knows that book like the back of his hand and refuses to let up. This issue deals with the fallout from the last arc where Bucky had to put an end to an evil Steve Rogers clone with a bullet to the dome. It doesn’t sit well with Bucky, as you can imagine the boy has some issues when it comes to Captain America dying, real or not.

While all this is happening, Baron Zemo seems to be working some machinations, which makes me happy as I friggin’ love Baron Zemo. I hope to god he at least gets name dropped in the Cap movie, because I think he’s just one of the most awesome characters Marvel has. Don’t believe me? Go read some Thunderbolts before Warren Ellis turned it into some sort of twisted abomination from the depths of hell. Zemo is a multi-faceted villain who simply does not get his due nowadays and I’m glad that between this and the new Thunderbolts, he seems to be making a comeback.

My only squabble with this issue is the fact that I’ve not yet determined where the hell it fits in with what’s going on over in Thunderbolts. I’m sure they’ll work that out sooner or later, but for the moment I’m trying to place it myself. With all the time line jumping in the Cap book, it’s a chore for sure. But continuity isn’t as important as everyone makes it out to be, especially when the book is this good.

As for the Nomad backup, I’m certainly enjoying it. I like the world they’ve established there, I’m just tired of Nomad ending up in peril so often due to her own naivety. It’s repetitive. Luckily, she seems to not have that shortcoming over in Young Allies, which I’ve reviewed further down the page.


HACK/SLASH : MY FIRST MANIAC # 1

I’ve been looking forward to this one for a long time. Tim Seeley’s Hack/Slash is one of the more consistantly fun and entertaining books on the rack and when I heard it was moving over to Image, I thought “Oh thank the Lord, something good to read by that company that’s NOT written by Kirkman!” (All praise, be to the Kirkman)

With this mini-series, you get a fresh jumping on point if you’ve ever been interested in reading about Cassie’s exploits bashing the brains of creepy stalkery torture-killers with the aid of her hulking sidekick Vlad, who may currently be my favorite recurring comic character. He’s all kinds of awesome and unfortunately he doesn’t make an appearance in this first issue. He’s probably off in a corner reading Chippy Chipmunk at the moment.

The issue gives us a quick origin storry for Cassie that, while familiar to long-time readers, does not feel repetitive or dull. That was my main concern when the book was announced; that the mini-series would mostly be rehashed from prior events that we had already seen and therefore be of no consequence to those of us who have been onboard since the start.

And while I am certainly familiar with Cassie’s origin, the events presented here seem fresh and new even if parts of it do seem familiar. I like that Seeley is simply moving forward with the series rather than using this label-hop as an excuse to do a reboot. Because as we all know, reboots are all the rage in the horror genre right now. Because everybody wanted a remake of Nightmare on Elm Street, right? Whatever.

Get the book, hop on board now so that you can be like me and stand around telling everybody that they should have been reading this years ago. It’s a fun feeling. A nice boost to the ego. I love it.


YOUNG ALLIES # 1

I picked this one up out of my love for Nomad. I loved her mini-series, I love the backups over in Captain America, and I think that it’s amazing that a character who was borne out of such a horibble event (Heroes Reborn. *shudder*) could end up being such a great addition to the mainstream Marvel landscape. Teaming her up with Araña was a stroke of genius, because that girl, while an interesting concept, needs a foil to work to her fullest potential, as evidenced by her appearances in Ms. Marvel.

The book starts off somewhat dark, giving us the origin of a couple of kids who are ripped from their families and trained to be death soliders for some South American Generalisimo. If it were drawn by someone like Mike Deodato it’d be downright frightening and hard to bear, but artist David Baldeon has a light tone that doesn’t strive to be hyper-detailed or stylized, and so while the impact is effective, it does not make you want to rip out your own soul. This is a comic book after all.

The issue plays out much like New Avengers # 1 did a few years back, with the team being brought together by a single circumstance and a whole lot of coincidence. The formula works well this time around, because even the villains remark before they pul their caper that they’re looking for heroes to be in the area and expect them to show up. It’s a little touch that makes the book run a lot smoother.

Between this and Avengers Academy, Marvel seems to be doing all they can to get their readership invested in the next generation of Marvel heroes. Meanwhile, DC is probably trying to find a way to kill off Jaime Reyes. The butchers.

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So there you have it. Go out and buy those things. From my store if possible. That’d make me happy. I’ll give you a hug. (*hugs not available on days ending in “y”)

Hey Guys, Someone Actually Reads This Blog!

Tim Seeley Read This Blog

In another pathetic attempt to claim legitimacy (See also “So, I Got Mentioned In Wizard…“), I must bring to light the fact that writer Tim Seeley, creator of ball-bustingly awesome series Hack/Slash, as well as the author of my favorite book of the week “Colt Noble and the Megalords” somehow found this blog, and my review of his book, and tweeted it.

This does two things.

One, proves that people actually read this blog and don’t find the writing horrible enough to NOT recommend it to others.

Two, makes me weary of insulting creators on the off chance that they might actually read the blog. And the last thing I want to do is make Geoff Johns cry, though it would be fair considering how hard he has made me cry at times. (Jerk…)


Weekly Comic Reviews

I’m back. Though I’m completely sore and drained after an amazing concert last night at the House of Blues, I have found it in my heart to post up this week’s reviews in a manner that vaguely resembles professional.

I Do Not Actually Look Like Jesse Custer

The Pull List 2-10-2010

ACTION COMICS #886 3.99
ADVENTURE COMICS WITH BLACK LANTERN SUPERBOY #7 3.99
AMAZING SPIDER-MAN #620 GNTLT 2.99
BATGIRL #7 2.99
BATMAN AND ROBIN #8 2.99
BOOSTER GOLD #29 3.99
COLT NOBLE AND MEGALORDS (ONE SHOT) 5.99
GREEN ARROW BLACK CANARY #29 3.99
HAUNT #5 2.99
JSA ALL STARS #3 3.99
NEW MUTANTS #10 2.99
PUNISHERMAX #4 (MR) 3.99
QUEEN SONJA #4 2.99
SCIENCE FICTION & FANTASY ILLUSTRATED #1 4.99
SECRET SIX #18 (BLACKEST NIGHT) 2.99
SUPERGIRL #49 2.99
SWORD #4 (MARVEL) 2.99
TITANS #22 2.99
ULTIMATE COMICS SPIDER-MAN #7 3.99

And now, on with the show…

ASM 620
Amazing Spider-Man # 620

Amazing Spider-Man has become a freight train style juggernaut that moves along at seemingly breakneck speed without any signs of slowing down. The 3x a month format allows for a cacophony of plot development in a VERY short span of time. What amounts to the third arc of the Gauntlet storyline has come to a close. Were this a traditional Spider-man story, played out once a month, it would have taken 3/4 of a year to get where we are.

Thus far the story has been like the beginnings of a chess game, with pieces being carefully put into position in ways that we can see that an endgame is approaching but don’t yet know how it will truly play out. In this week’s issue, we get a classic Spider-Man throwdown between the webslinger and Mysterio, who constantly plays mindgames with Spidey and the reader, keeping us guessing as to whether he truly is Quentin Beck come back from the dead. Ambiguity breeds interest, and this arc certainy has it in spades.

And, I must once again take a moment to praise the art of this particular story, as it reminds me very much of the 70’s styled Spider-Man stories that I enjoyed so much, with none of the hyper-realistic definition that seems to have plagued the book in the wake of McFarlane in the 90’s. The art is a key componant here in making the story feel like classic Spidey.

Batman and Robin # 8
Batman & Robin # 8

MINDLESS ZOMBIE BATMAN!

GLEE!!!!!

Colt Noble
Colt Noble & The Megalords

I am an unabashed lover of Hack/Slash and its creator Tim Seeley, who writes stuff that will never be considered high art but could definately be called high concept. His sense of comedic timing is a wonder to behold and his latest venture, a sci-fi/fantasy romp with a sarcastic comedic flair tossed in to make things interesting is truly worth a read.

Now, at 5.99 it’s a bit pricey. But let me tell you this, the issue had more damned story and content than the majority of the books on the rack this week. Compared with Zenoscopes Sci-Fi Illustrated (Which I will get to in a moment…) which held a pricetag of 4.99 with about 1/4 the content, you cannot argue that you’re not getting a good value.

And honestly, you’re getting more than a good value. One of my major complaints with the comic book industry and its followers today is an overwhelming tendency toward constant negativity and adherence to canon/continuity. Fans tend to feel like everything must be kept in strict order and the line must be towed at every turn. For example, take a look at the fanboys who got worked up into a sweat about how Dick Grayson could have POSSIBLY had Batman’s body at the point in the timeline where Batman & Robin # 7 took place when it was contradicted by Blackest Night. Those questions were answered in # 8 but some fans got so worked up in the specifics that they COMPLETELY sucked all of their own enjoyment out of the issue in question.

Books like Colt Noble and the Megalords are a breath of fresh air. In an industry that seems to be trying so hard to be looked upon as a mature art form, where genuine fun is tossed aside for stern-faced seriousness, Seeley presents us with a book that does exactly what a comic book should; entertain. Look, I get it. There are comics out there that are just as legitimate as certian works of prose fiction and should be regarded as such. Whatever. Don’t act like it all has to be like that. For every “Pride and Prejudice” there is a whole rack of novels that don’t aspire to be “art” or “literature.”

Colt Noble is like the dirty girl you take home from the bar and do things that the Bible expressly forbids. You know that you liked it but you’re not gonna go mouthing off about it to your parents in polite company.

JSA All Stars 3
JSA All-Stars # 3

The cover has Magog getting punched in the face. Of course I bought it!

The book has Power Girl beating the snot out of Magog. I think I want to make out with Matt Sturges.

Fuck this book
Science Fiction and Fantasy Illustrated # 1

Look folks, you remember how I went on a rant about how comic books don’t have to be serious? Yeah, I stand by that. But that doesn’t mean that comic books get a free pass for being utter crap. And they certainly throw away any right to critical fairness when they charge you $4.99 for such crap.

Science Fiction Illustrated is like bad fanwank to classic Twlight Zone and Outer Limit episodes, spliced with the worst heavy-handed pseudo Skinimax artwork one could possibly lay their hands on. It panders to the comic geek who can’t get a girl with a story about buying a perfect robotic woman that then spends spash pages dressed in various naughty outfits cooking and cleaning for the protaganist schlub.

I love me some smut, but let’s be honest, and I mean brutally honest, if I so chose, I could download multiple terabyte hard-drives full of the most disgusting pornography on the planet for free with a click of a mouse. Why would I pay $4.99 for cheaply and crudely drawn comic book girls if not for a compelling story to go along with it. Remember Boogie Nights where Burt Reynolds got all pissed off about porn without a plot. THIS IS WHAT HE WAS TALKING ABOUT!

There is no fathomable way anyone could read this and say they got their money’s worth. That’s just the plain truth.

The Secret Is That The Book Is Awesome
Secret Six # 18

Gail Simone is awesome. This issue has explosions and zombies and twisty endings and whatnot. It’s part of a crossover and it didn’t suck. Gail Simone obviously made a pact with the devil. That devil might be John Ostrander. Just sayin’.

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And that’s it for this week. Join me next time when hopefully I don’t rant quite so much*.

Cheers..

(*totally not gonna happen)