Unilaterally Sarcastic, Dangerously Cheesy

Posts tagged “Wolverine

Review – Wolverine # 1 (2014)

rsz_wolverine-01-2014-marvel-comics

I want to readily admit that I did not read the last volume of Wolverine. I just sort of missed out on it while it was going on. When I saw that they were relaunching the book, along with a host of others I thought I would give it a try because aside from Wolverine and the X-Men by Jason Aaron I haven’t been following a Wolverine-centric title in a while. Paul Cornell is always a competent writer and I figured it might be interesting to see where his take on the character has wandered.

The book picks up with a depowered Wolverine, stripped of his immortality and made vulnerable to all manner of hurt and injury. He’s sporting some heavy armor to protect himself from the elements of danger that being a superhero will put him in and he’s npw teamed up with a shady character called “The Offer.” This guy from my deductions is some sort of Vito Corleone “makes you a deal you can’t refuse” sort of fellow and he has tasked Wolverine with breaking someone out of a highly guarded facility with the aid of a couple of other folks that I didn’t recognize offhand. The issue focuses mainly on this little mission but there is some flashback to Wolverine’s conversations with Storm regarding the loss of his healing factor that helps put us in Logan’s headspace a little more firmly, or so we are led to believe.

Wolverine is a character that has gone through a number of different looks, personas, and interpretations. Everyone seems to fall back on the outsider/wandering samurai motif but sometimes it is fun to explore other options. Here we get something more akin to the stories of when he was a mercenary. A rogue agent who hadn’t yet found his true affiliation. This time he has some true friends to guide him along, as a scene with Black Widow is particularly effective in showing how he plans to cope with his new situation. The thing that strikes me about this issue, and this iteration of Wolverine, is that the focus seems to be on telling a fun, action oriented story that focuses less on the mysteries of Logan’s past and how it currently affecting him. In fact, the book seems heavily focused on showing Wolverine as a blank slate and the primary directive of the narrative is driven from where he could go in the future.

The ending of the book is supposed to be a shocker but based on context clues within the issue we could have seen it coming. The resolution of that climax however, could go in any number of ways and I’m interested in seeing how Cornell moves forward on the book.

Rating: 3.5/5

Advertisements

I Guess The 90’s Are Back – Marvel Brings Back The Acetate Cover

wolverine-origin-ii

DC set the comic retailing world on fire with their 3D covers for villains month. The demand outweighed the supply and left speculators frustrated and store owners angry that they couldn’t milk more money from the situation. Well Marvel looks like it wants to get into the game of wacky covers yet again as they will be running Acetate covers for Wolverine Origin II, written by Kieron Gillen and due out later this year.

Set a few years after the events of Origin, Origin II finds James Howlett running with the wolves…until something unexpected brings him back into the world of men! Follow the first “X-Man” as he finds his way back to civilization and falls afoul of someone Sinister, who’s just discovering mutantkind and the horrors he can visit on them. Written by comics superstar Kieron Gillen and drawn by industry legend Adam Kubert, Origin IIcontinues the proud tradition of revealing Wolverine’s shocking history in the highest quality possible!

Acetate covers, for those who don’t quite remember are a slick, shiny plastic sheet. The best example would be Marvels or going further back The Last Avengers Story. So far only Origin II is slated for an acetate cover. No word on if holograms, die-cuts, and randomized trading cards are going to make a comeback as well.


Weekly Comic Reviews – 7/31/2013

I Do Not Actually Look Like Jesse Custer

Today was my first day back in the comic shop since 2010. It felt a bit odd, to be honest. I can tell you the most vivid thing that I did not forget was the smell, that unmistakable smell of abundant paper. It was somewhat like coming home again after a long vacation. There is something warm and inviting about that place. A lot of it has to do with the people. I’m happy to be in my element again. I do not know for certain how long I’ll be there. I’d love to stay for a good long while, as it is familiar and comforting to me. If nothing else, I got to sit down and read some new comics today, which I haven’t done in a while and I’ve got some opinions you guys might be interested in hearing.

BATMAN_ANN2_ra4ejm6iuw_BATMAN ANNUAL #2
Written by: Scott Snyder
Pencilled by: Wes Craig
Inked by: Craig Yeung, Drew Geraci
Cover by: Jock
Color/B&W: Color
Page Count: 48
U.S. Price: 4.99
On Sale Date: Jul 31 2013

A special ZERO YEAR tie-in! Bruce Wayne’s first year as the Dark Knight has just barely begun…and already dangerous elements are coalescing, leading Bruce toward his final destiny.

I’m still a month or so behind on my regularly scheduled Batman reading but this Annual issue is enough of a standalone story that I didn’t feel lost. If following the narrative is a concern for you, breathe a sigh of relief because it would take a lot of effort to be confused by this particular issue. Here we are presented with a one-off story where Batman is brought in to Arkham Asylum by the powers that be to test out a new high-security section of the prison called the “Tartarus Wing.” It has been specifically designed to hold the most dangerous of Gotham’s rogues gallery and the folks running the asylum figure that if Batman can’t get past the defenses, nobody can. Batman’s arrival coincides with that of a new orderly by the name of Eric Border, a fresh-faced young idealist who is straight off the bus from Metropolis. He’s the sort of guy who believes that the work done within the walls of Arkham Asylum can benefit those incarcerated there and the world outside. From the reader’s perspective, we are meant to read him as a naive simpleton. He is a foil to Batman’s philosophy and obvious parallels to Superman’s handling of Metropolis with Bruce’s handling of Gotham can be drawn.

While Batman is defeating the defenses of the new wing, Border embarks on a B-plot expedition that finds him encountering the earliest patient to be committed to Arkham, a character going by the name of the Anchoress, whose backstory is that she willingly locked herself away at the Asylum to truly rehabilitate herself. Her name is derived from the Anchorites, who were penitents who would lock themselves away after recognizing the damages of their crimes. The Anchoress speaks about the difference between the Asylum as she entered it, several generations of Arkham ago, and where it is currently, as a simple repository for evil. You can guess who she blames for the shift in atmosphere.

The Annual is much in line with what these Annuals are usually like, that is to say it is competently written and this particular one makes some interesting comments on Batman and the Asylum, whether he does any good locking his foes away at Arkham and whether their incarceration furthers the escalation of violence in Gotham. It isn’t entirely new ground, but it is handled well enough to make it worth reading, especially if it ties into Zero Year as heavily as the front cover implies. As I admitted earlier, I’m a little behind so I can’t speak to its relevance in that arena.

Rating: 3 out of 5

SM_ANN_2_CVR_fnl_d3p47hlexk_SUPERMAN ANNUAL #2
Written by: Scott Lobdell, Frank Hannah
Art by: Pascal Alixe
Cover by: Andy Kubert
Color/B&W: Color
Page Count: 48
U.S. Price: 4.99
On Sale Date:  Jul 31 2013

What repercussions lurk beneath the surface from Brainiac’s first attack—and how does it all set the stage for the battle of Metropolis? Plus, how can the Man of Steel fight something he can’t physically stop!

I may be behind on Batman but I haven’t broken the cover of a Superman book in well over a year. I sorta gave up on all Superman related books around the same time and just never found the time or energy to check up on them. This issue begins Sunset Boulevard style with Lois lying on the sidewalk narrating her own near-death experience. We find out that Clark is off doing the whole internet blogger thing while Lois stays at the Daily Planet, preferring the dying journalism industry because she feels it gives her the power to speak the truth the most loudly.

One night while working late Lois encounters a woman who begs for help, her head is swollen and resembling the appearance of Brainiac. As if on cue, we are flashed back to the first Braniac invasion detailed in the early launch of the new-52. What follows is a mystery without a mystery because the “who” element is already answered with no sense of drama. There are twenty people who have been reported missing since the Brainiac attack and, surprise, they all are connected somehow. The writing in this issue isn’t great as there is no rise or fall to the narrative, simply a progression. In the last page it becomes clear why; this is only the first part of a puzzle that will be answered in the pages of Action Comics and Superman in a crossover called Psi-War, which I was unaware of because I am out of the loop.

Compared to the Batman annual, out on the same day, this issue seems to be lacking all around. The artwork is quite good and seems more polished than I expected for the issue, but Lobdell’s writing does nothing for me. It doesn’t stick the landing as a lead-in to a crossover and misses the mark by a wide margin as a standalone issue, which I feel an Annual should be able to manage.

Rating: 2 out of 5 Stars

WOLVFLESH2013001-DC11-LR-b9abaWolverine – In The Flesh # 1
Written by: Chris Cosentino
Art by: Dalibor Talajic
Cover by: Tim Seeley
Color/B&W: Color
U.S. Price: 3.99
On Sale Date:  Jul 31 2013

Reality star Chris Cosentino tells a tale about Wolverine and food like only a Top Chef Master can! Adamantium claws meet steel kitchen knives in a culinary caper staring your favorite costumed Canadian!

Oh boy, where do I start with this one. Firstly, I don’t know who Chris Cosentino is because I’m not a fan of Top Chef. I’m more of a Chopped guy. So I only read this issue because of the novelty in a celebrity chef writing himself into a Marvel comic. One which I assume is canon. It’s glorious fan-fic given total validation by the publisher. Long story short, I love the premise and I wish they would do more with it. I’d read a book about Peter Parker taking a cooking class from Giada DiLaurentis. I would pay good money for a story where Deadpool tries to kill Gordon Ramsay but then they team up to fix a terrible restaurant. I don’t care that its ludicrous. I like ludicrous. Is the book any good?

Well, it’s entertaining to say the least. A couple of bike riders find a corpse that is apparently the work of a serial murderer known as the Bay Area Butcher. Logan finds out about it and after taking a look at the bodies he calls in his good friend Chris Cosentino, celebrity chef and master of “offal cuisine” dishes, which are prepared with ingredients normally tossed aside when an animal is butchered. Logan and Chris come to the conclusion that whoever this killer is, he must have some culinary or butchery experience.

And so the team up begins!

Really, I don’t want to give anything away because the book is crazy in a way you have to experience for yourself. Seriously, if you’ve got some spare cash and need to pick something up that will make you ask yourself if you truly read what you think you did, please pick up this book. Everyone needs to be exposed to this madness. It’s the best kind of madness I’ve had the pleasure of indulging in a long while. Honest to blog.

Rating: 3 and 1/2 out of 5 Stars


Weekly Comic Reviews

And as the cold weather breezes into Houston about a month later than it should have, we get the first new books of November. It’s an interesting haul of titles filled with debuts and final touches. This is all very poetic and whatnot, but the truth is I’m hopped up on leftover Halloween candy and could make a bowel movement seem melodic.

AMAZING SPIDER-MAN #647 4.99
AVENGERS ACADEMY #6 2.99
BATMAN AND ROBIN #16 3.99
BOYS #48 (MR) 3.99
BUFFY VAMPIRE SLAYER #38 2.99
BULLSEYE PERFECT GAME #1 (OF 2) 3.99
CAPTAIN AMERICA MAN OUT OF TIME #1 (OF 5) 3.99
GENERATION HOPE #1 3.99
JONAH HEX #61 2.99
PUNISHER IN BLOOD #1 (OF 5) 3.99
SCARLET #3 (MR) 3.95
SECRET SIX #27 2.99
SUPERBOY #1 2.99
WOLVERINE #3 3.99
WOMEN OF MARVEL #1 3.99
YOUNG ALLIES #6 2.99

I’ve bolded the issues I will review. Which is redundant, as the reviews will now begin and you will be able to see what I have reviewed.

FinBATMAN & ROBIN # 16

Here it is. The conclusion of Grant Morrison’s run on Batman & Robin before he jumps onto the new “Batman Inc.” title which should be one hell of a ride given the setup he provides for us in this issue. Morrison has been the architect of the Batman universe now for about as long as I’ve been working in comic book retail. Close to five years or so. He’s not showing any signs of slowing down anytime soon. It seems like he’s moving into the third act of his overall story with Batman Inc. The fact that his overarching story has an act-structure ties into the melodrama he’s crafted. His Batman reads like a sci-fi/action opera and it’s evident that he’s put a great deal of effort in making sure the parts all come together.

The biggest achievement that he can lay claim to in regards to his Batman ouvre is his ability to shake things up in ways that other writers have teased for the short term but never committed to in any real way. Plot twists that Morrison uses as the long-term theme of his story seem like ideas that other writers would love to pursue but only for six issues or less. Morrison seems to think that shaking things up and doing so in a way that shifts the paradigm of how Batman operates on a level that is not easily reversible is the key to telling a good story. I won’t argue that it’s made for some of the most compelling reading for quite some time.

What I really appreciate about Morrison on the Bat books is that in a few years time we’ll be able to view him as one of the better Batman showrunners in the history of the character. There aren’t many creators who leave such a lasting mark on the character that fans can easily identify. Most of the time you get the requisite Denny O’Neil or Frank Miller. Morrison is going to be the next name on the immediate go-to list when all is said and done.

Strike!BULLSEYE : PERFECT GAME # 1

Bullseye is a character who can be used to absolute perfection or to an end that simply does not work. There’s not a whole lot of middle ground when it comes to the character. He’s been front and center for so many great and memorable moments and then again he’s been wasted or misused by writers who simply want to use him in a way that doesn’t really make sense.

Here we get a story where there’s very little actual Bullseye. The story is all second-hand, but it gives us an insight into how the character operates that we don’t really see. That part that deals with how and why he picks his targets. The montage showing some of his more unique and violent kills is a perfect example of why Bullseye sometimes doesn’t work out in the hands of an unskilled writer. He’s the perfect killer. He knows he’s the perfect killer. He’s got the same problem Superman does in the sense that he’s so above and beyond the range of his peers that he can come off as boring in his superiority.

The biggest downfall of this book is that lack of Bullseye. The second hand narrative structure is interesting but ultimately unless they give us something a little more substantial it’s basically not even like reading a comic at all but reading a comic about someone who read a comic about what Bullseye did for a year. That sounds stupid, but it gives off a little of that vibe.

Good Book Is GoodCAPTAIN AMERICA : MAN OUT OF TIME # 1

It’s a Captain America miniseries written by Mark Waid. I’m not going to pass that up. Seriously, I don’t care that it’s essentially a retread and that no matter how they take the story it’s essentially inconsequential because it’s one of a hundred takes on the same story because it’s such a great part of the Captain America mythos that’s being retold.

The stuff set in World War Two is pretty good. We get some fun banter between Bucky and Cap amongst some soldiers who don’t know who they are and we get some fun, if cliched, introspective moments where the two discuss what they would like to do when the war is over and the fighting is done. Of course all of this happens mere moments before Bucky gets caught in the explosion that “kills” him and Cap winds up frozen in the ice.

What really works in this issue is the dichotomy between that old world and the new one that Cap wakes up to. You really can feel how directionless and confused Steve is when confronted with a world that has grown leaps in bounds in technology and regressed equally in its brutality. The dangers of being a hero in such a world become readily apparent and the ending of the book packs quite a punch.

I think this one could be one that people regret not picking up if they let it slip under their radar because it is an excellent read. However, Marvel needs to learn that these arbitrary books aren’t going to get the same readership they would at a lower price point. $3.99 is a warning siren to a lot of consumers nowadays, even if the book is worth the cash, as this one seems to be.

Generation Unnecessary MiniseriesGENERATION HOPE # 1

They’ve been building to this one for a while. I need to begin by saying that I would have been just as happy had this been the central running plot of Uncanny X-Men or Legacy. Or hell, run it through both titles as a crossover. It would have worked just as well. This has the smell of a cash grab by throwing it out as an independant mini-series. It’s like if Marvel had done the Inferno followup they’re doing in New Mutants as a mini-series and let the ongoing title move along as if nothing happened. I think the logistics of this miniseries are flawed, and I needed to get that out of the way up front.

As to the book itself, it’s hard to tell what direction it will take. Whether the fifth “light” will be the villain for the whole of the series or if there is something more is not readily apparent. The book seems to indicate as much, but to what end they are going with the character in question is unknown.

If you haven’t been reading X-Men, this book is not very new-user friendly. All the characters have been introduced over in Uncanny, which backs up my assertion that it should have been continued there. So if you need the background, pick up the last few months of Uncanny after the end of Second Coming. That should fill in some gaps for you.

I’m hoping there’s a bigger endgame here than I’m seeing at the moment. To justify its existence, the miniseries better have one hell of a closer.

Punisher ClassicPUNISHER : IN THE BLOOD # 1

All you whiney fanboys can quit your bitching, Frank Castle is back in non-monster form to do what he’s done for the last thirty or so years. It’s still got the same gritty flair that Remender brought to the title under the Franken-Castle banner but in an easily digestible, familiar package so that frightened fans don’t feel offended by change.

The first issue feels like a classic Punisher riff, it builds upon years and years of 616 Punisher lore, with Microchip and the long feud with Jigsaw coming back into play. It feels a bit more natural than the early parts of the last volume did, as Punisher shouldn’t be anywhere near storylines that have anything to do with alien invasions. He’s at his best when the capes don’t make an appearance.

This could be the beginning of a great new chapter for the character, if Remender’s past work is any indication of what he can do with Frank now. He certainly kicked the show off with an impressive debut, so it’s his ballgame to lose. Let’s just hope he doesn’t get too inventive, or people will get frightened and claim that he’s “ruined the character again” and run to the hills like stampeding fear-cattle.

Book of the Week?SUPERBOY # 1

Jeff Lemire is in a position to be a hot item. Sweet Tooth is an amazing book and he’s got that good buzz to his credit as well as being hailed by just about everyone as the next big thing. With Superboy he has the chance to really let loose and show the world what he can do with the mainstream DCU characters. Superboy isn’t a sacred cow. He has a following but he has room to be molded into something more concrete. The building blocks are there, Lemire just needs to move them around.

He certainly doesn’t waste any time with this issue, utilizing a familiar old Superman villain to write some great action scenes that are drawn out spectacularly by artist Pier Gallo whose work has a very classic feel to it, which fits the Smallville setting wonderfully.

Where Lemire also garners some good will is the manner in which he sets up the supporting cast. This is the first issue, and for many new readers this is their first exposure to the character, but the interactions with the Smallville community are written in the same manner that they would be had the title been running for five years. The familiarity works. Lemire doesn’t get overly expository with everyone in the first issue. He knows that the time will come to fill people in when the moment is appropriate. He gives just enough to let the story work itself out organically and the book is better for it.

I think this one could end up being a long-running fan favorite. Let’s just hope Lemire stays on the title for a long enough time to truly leave his mark on the character, because judging from the first issue it could be quite an interesting and fun take on a character who until this point has basically been defined by his association with the Titans, his relationship to Wonder Girl or his overly violent death.

**************************

And them’s the reviews. Hope you enjoyed my ramblings. Now I’m going to finish this bowl of leftover candy and watch old episodes of the Simpsons while I work on a poetry paper for my creative writing class.


Weekly Comic Book Reviews

I Do Not Actually Look Like Jesse Custer

The new novel is almost finished…again. See, this is what happens when I work in “Drafts.” So in between that, school, work, and a revitalized social life that includes actually having to go outside of the house for stuff like concerts (on Thursday nights), don’t be surprised if the blog starts to lie dormant for chunks of time. I try to avoid it but I’m a one man operation here. That having been said, I’m not gonna deny you guys the comic reviews you so deserve. By that I mean that I’m going back to the old format of cherry-picking what issues to review instead of doing the whole stack because it’s getting harder to go through the whole stack in a single evening.

ARRIVALS 10-06-2010
AVENGERS ACADEMY #5 2.99
BOYS #47 (MR) 3.99
BUFFY VAMPIRE SLAYER #37 LAST GLEAMING PT 2 (OF 5)  2.99
CHAOS WAR #1 (OF 5) 3.99
DEADPOOLMAX #1 (MR) 3.99
HAWKEYE & MOCKINGBIRD #5 2.99
JSA ALL STARS #11 3.99
SECRET SIX #26 2.99
SHADOWLAND SPIDER-MAN #1 SL 3.99
STARMAN OMNIBUS HC VOL 05 49.99
ULTIMATE COMICS THOR #1 (OF 4) 3.99
UNCANNY X-FORCE #1  3.99
WOLVERINE #2 3.99
YOUNG ALLIES #5 2.99

And let’s get this show on the road:

The Boys # 47 THE BOYS # 47:

Garth Ennis is underrated when it comes to giving us character moments that stay with the reader in their gut long after they’ve finished reading the issue. Here we get the inevitable confrontation between Hughie and his superhero girlfriend for the first time since he found out she was a supe and since he saw her “initiation” video into the Seven where she did more with her mouth than give a convincing presentation of her resume.

The pathos and emotion on display between Hughie and Starlight here is gutwrenching. While Garth Ennis is able to craft visceral gore and violence with reckless abandon, his ability to make you care for the characters he writes is generally overlooked, which is a huge shame because it’s stuff like this that shows what the serialized medium of comics is capable of pulling off with a competent writer at the helm. This issue has been building for some time. It’s not rushed, it hasn’t been drawn out or decompressed, it’s simply been building to a boiling point.

This may be some of Garth Ennis’ best work. I know it’s not as roundly applauded as Preacher or Punisher Max, but it is probably his most carefully crafted since Preacher ended and I think that in the end people will recognize it for the treasure that it truly is.

CHAOS WAR # 1 CHAOS WAR # 1:

I am happy to see Hercules back. I truly am. I love the guy. As far as this particular issue, I’m not so sold on the event after the premiere as I was with Shadowland a few months ago. I think that Greg Pak and company did a good job of getting us pumped up for some good old fashioned theological thrashing in what is coming down the road, but there was no big moment that made me step firmly on board with the series. That’s not to say that it’s a bad issue, there is some good stuff set up here, and it’s bound to get much more epic as it goes on. I simply think that a good portion of people are going to be underwhelmed by the debut issue, as not a whole lot really happens. It’s a setup issue pure and simple.

The question this series needs to answer is whether or not the setup is going to pay off. This is going to be one of those series that won’t have a whole lot of impact on the larger Marvel universe the way that Shadowland will because the Marvel Gods don’t seem to get a whole lot of focus in the grand scheme of things unless they somehow relate to Thor, but seeing how Fraction is doing his own thing with the Thor-verse, the reverberations of this series will have to be felt elsewhere, and unless they relaunch an ongoing Herc series, I’m not sure where that will be.

DEADPOOL MAX # 1 DEADPOOL MAX # 1:

This is the one people have been waiting a good long while for. We’ve wanted some unrestrained Deadpool action forever and we finally get it courtesy of Kyle Baker and David Lapham. In the first issue however, we don’t actually get a whole lot of Wade Wilson. We get a lot more Agent Bob and sodomy. The violence is there, as is the swearing and the sexual situations. It’s definitely a max book. What seems to be lacking is, well, Deadpool. He really only shows up for maybe 5% off the book.

What remains to be seen is how this book will work out in regard to how they want to portray Deadpool. I doubt he’ll be breaking the fourth wall or being as goofy as he is in the 616. We already know from this issue that Deadpool will be treated more as a government assassin than a freelance merc for hire, and that he’s more mentally damaged and dangerous than gutlaugh funny. This book follows the pervasive Marvel trend of waiting until issue two to give us the full picture of what the series will end up being like in the long run. Luckily, the first issue was entertaining enough that I won’t feel like an idiot for picking up issue three.

ULTIMATE COMICS THOR # 1 ULT. COMICS THOR # 1

Jonathan Hickman can do no wrong apparently. According to the internets, Kurt Busiek doens’t like him but he seems to be the lone dissenting voice. With Ultimate Comics Thor he gives us a look into the origins of the Ulimate U’s version of Thor and it seems to be a basic mirror of the regular Thor, except in the Ultimate scheme of things, there are a lot more nazis.

This series is likely going to be one of the best to come out of the Ultimate relaunch. It’s obvious that this one is being produced to be shoved into a hardcover and rushed into bookstores around the time the Thor film hits theaters. I’m not sure how that worked for the Black Widow miniseries from Paul Cornell, but it seems like a smart enough move. It helps that it’s a damned good read. If you’re going to try to introduce someone to a character, you could do worse than the setup they use here. It’s integrated enough into the Ultimate Universe that those with familiarity will be able to place it in continuity, but new readers will be able to jump in just as easily. That’s not an easy feat, no matter what universe you’re working in.

Uncanny X-Force # 1 UNCANNY X-FORCE # 1

This one is the winner of the week. Rick Remender may be Marvel’s new secret weapon, as the man has yet to produce a book that doesn’t totally kick all sorts of ass. He’s managed to make Deadpool funny without being over the top. He’s made X-Force not seem like a cliche. He’s managed to give X-Force a purpose beyond being an unnecessary ancilliary title predicated on having a place where Wolverine can stab people with reckless abandon.

I was originally going to skip out on this one. The last X-Force title did nothing for me. Everything about it pretty much went against my established sensibilities. I was afraid this was going to be more of the same. I should have known better. Rick Remender, who is rapidly climbing the ladder of my favorite writers following Last Days of American Crime and FrankenCastle, brings us a new X-Force that seems fresh and new, despite building off of plot threads that have been hanging for quite some time. (Archangel, people. Archangel) And while it definitely plays off some rich history, it isn’t like say, New Mutants, where people unfamiliar with the original story of Inferno might be a little bit lost with the new storyline.

So, long story short, pretty please, go buy the damn book.

*****************************************************

And that does it for this week. Join us next time when hopefully DC puts something out worth Reviewing. (I’d review Secret Six, but c’mon, you know how I feel about that book. I’d marry it if I could.)


Weekly Comic Reviews

I Do Not Actually Look Like Jesse Custer

Man, this week has been hectic. I had to write a 2,000 word short-story for my creative writing class in addition to a two page essay on the importance of studying history as it relates to current events all on the first week of the semester. And then new comic book day rolls around and bombards me with a friggin’ huge stack of books, all of which are the ones that I eagerly anticipate every month. (Secret Six and Jonah Hex, yo.) So I’m not sure what kind of creative mojo I have left for the reviews but an attempt will be made anyhow.

AMAZING SPIDER-MAN PRESENTS BLACK CAT #3 (OF 4) 3.99
BOYS #46 (MR) 3.99
BUFFY THE VAMPIRE SLAYER #36 LAST GLEAMING PT 1 (OF 5)  2.99
CHOKER #4 (OF 6) (MR) 3.99
FRANKEN-CASTLE #20 2.99
INCREDIBLE HULKS #612 3.99
IZOMBIE #5 (MR) 2.99
JONAH HEX #59 2.99
JSA ALL STARS #10 3.99
LAST DAYS OF AMERICAN CRIME #3 (OF 3) A CVR MALEEV 4.99
SCARLET #2 3.95
SECRET SIX #25 2.99
SHADOWLAND #3 (OF 5) SL 3.99
SHADOWLAND ELEKTRA #1 SL 3.99
STUMPTOWN #4 (OF 4) (RES) (MR) 3.99
VERONICA #202 2.99
WOLVERINE #1 3.99
X-MEN CURSE OF MUTANTS SMOKE AND BLOOD #1 3.99
YOUNG ALLIES #4 2.99

So, yeah, lots of good stuff. Let’s get started, shall we?

Buffy # 36
BUFFY THE VAMPIRE SLAYER # 36

It’s been months since the last issue of BTVS hit shelves. So long in fact that I cannot remember for the life of me what the hell was going on in the series at the time. I remember Spike came back and Angel was boffing Buffy again. But that’s really about it. I understand why they went on hiatus, but it really caused me to lose interest in the series while it was away. With its return this issue, we get a sort of hazy explaination for Angel’s motives as Twilight and Spike makes with the witty banter for a few panels, but not much else happens. It’s probably the quickest issue of any comic book I’ve read in quite some time, which is saying something considering I still read Archie books on occaision and that sort of light-hearted fluff still takes longer to digest than this particular issue.

I will say that the book’s final page did surprise me, although it probably shouldn’t have. It’s sort of a “pandering to the fans” move that comics like this one pull on a regular basis, that having been said, I’m interested to see where Joss goes with it. I’m still a Buffy fan at heart and no matter how blah the book has been over the last few months it’s still got the nostalgia bump going for it that forces me to see past the major flaws and enjoy it for all its worth. I don’t know how much mileage anyone else would get out of the book, but I doubt there are many people out there who aren’t already die-hard fans picking up the book on a casual basis. This book is for the people who stuck with the show to the end and then some.


INCREDIBLE HULKS # 612

We get a title change this issue, and a major tone shift from the events of World War Hulks. In the first of two stories, a gamma-family barbeque goes haywire when Betty and Bruce get into a little disagreement over their relationship as it relates to the whole “Betty Was Dead” thing and it escalates, as it always does, into a super-powered fight between Hulk and Red Shulkie.

I think what sets this book apart from Loeb’s Hulk book is that if the same scenes were tackled in the other book, the character development which is handled so masterfully here would have been lost in the manic insanity of the action. Hulk reads like a cartoon show while Pak’s reads more like a melodramatic stage play. I’m not going to call this issue high-art, as it doesn’t come close to matching issue #609, which I think might have been one of the best issues of Hulk I’ve ever read. But it still works on multiple levels because of the way the interactions feel so genuine. I really look forward to seeing how the multiple Hulks come to terms with each other.

In the second story, we catch up with the other Son of Hulk, who I admittedly have not been following and thus didn’t really understand where everything was coming from. They did their best to catch me up but I still felt a bit lost and I think that more people will enjoy the second story if they followed that character from the beginning, which I admittedly did not. I really didn’t care. I might have to find some Son of Hulk trades and get myself up to speed, because the mythology seemed interesting, I just wish I could have grasped it a little better.

ShadowLand Elektra
SHADOWLAND – ELEKTRA

Even if this weren’t a pretty good issue, it would be essential reading just so people could understand where the hell Elektra comes from when she shows up out of the blue in Shadowland # 3. I get the feeling that Shadowland might have a bit of Infinite Crisis syndrome when collected in trade unless they do it omnibus style and present all the side-stories in the collection in chronological order.

This one fills in some important gaps in the timeline while at the same time giving a damn interesting glimpse into Elektra’s mind and her feelings about Matt’s turn to the dark side, especially as it pertains to the death of Bullseye. As you can imagine, Elektra has some pretty raging emotions when it comes to that particular psycho, and the scene where she witnesses his death on a big screen in the heart of the city with the rest of the natives is particularly well written.

I am really enjoying Shadowland, but I think that in order to fully enjoy it you have to immerse yourselves in the tie-ins, and that’s something not a lot of people can do. It’s part of my complaint about Marvel’s business strategy. I know it makes them money, but in the long run they are going to burn folks out if this continues in such a fashion.

Yeah, Veronica > Betty
VERONICA # 202

People have been talking about this one for a while now and I think it’s kind of funny. There’s nothing here that could possible offend anybody and yet neo-con right wingers are using it as an example of how the liberals are infecting children’s entertainment and trying to brainwash children to homosexuality and blah blah blah.

The fact that in this book the new gay character who Veronica lusts after is a well-adjusted healthy young man is admirable. His parents don’t in any way give him the side-eye, nobody bats an eye when he admits his sexual orientation, and there is not a hint of judgment. It’s a subtle message that tolerance should be the immediate reaction, and in that I have to applaud Archie comics for what it’s done here. Nevermind the fact that the issue is actually pretty freaking hilarious, with Jughead trying to keep Veronica from finding out the truth and thus driving her insane. There are some great gags here and I think it’s admirable that Archie can still be worth reading after all these years.

Wolverine # 1
WOLVERINE # 1

I wasn’t going to buy this one. I was going to pass it by and not look back. I read Wolverine in like eighteen other books and quite frankly I don’t really have much interest in him anymore. But then I started thinking about how much I enjoyed Weapon X and how Jason Aaron has never really written anything I didn’t like, and so I threw it on the stack anyway.

I’m glad I did because he once again manages to knock it out of the park. I think that for the longest time most people didn’t know what made a decent solo Wolverine story. They simply tried to ape the parts of stories that they themselves liked when the first became enamored with the character and it never quite worked. Aaron is able to create something that builds off of Wolverine’s over-arching history while at the same time feeling fresh and modern. The amazingly beautiful art by Renato Guedes only serves to better bring the action to life. I’ve loved Guedes since I discovered his art on Supergirl and think he’s one of the most talented artists working right now. The level of detail he gives is astounding and here he sort of reminds me of Steve McNiven, but that might just be my mind playing tricks on me.

Either way this looks like it’ll be a series to keep on the pull list. I don’t see this one taking a downward turn anytime soon. If it’s anything like Weapon X was, it’ll only get better with each subsequent arc.

*******************************************

And that’s it for this week. If you take away anything from these reviews its that you should probably be buying more Archie comics. Seriously. That stuff is a gold mine.


Funny Gif Friday

I have nothing to contribute today, so here’s a funny GIF of Wolverine slashing at a fire escape from that shitty ass movie he was in last year…