Unilaterally Sarcastic, Dangerously Cheesy

Posts tagged “Wolverine

Weekly Comic Reviews

I Do Not Actually Look Like Jesse Custer

You know what the best part of yesterday’s “Avengers Day” festivities were? Seriously? When my co-worker brought in cake. Volstagg understands where I’m coming from when I straight up tell you that even the crappiest day could be saved by cake. I mean, obviously when the zombies come and the fecal matter hits the rotating blades, cake isn’t going to make up for that, but I guarantee you that it won’t not help. That’s a promise.

ARRIVALS 5-19-2010
AVENGERS #1 HA 3.99
BRIGHTEST DAY #2 2.99
DEADPOOL #23 HA 2.99
EXECUTOR HC (MR) 19.99
GALACTA DAUGHTER OF GALACTUS #1 3.99
INVINCIBLE IRON MAN #26 HA 2.99
SCALPED TP VOL 06 THE GNAWING (MR) 14.99
SUPERMAN WAR OF THE SUPERMEN #3 (OF 4) 2.99
X-FACTOR #205 XSC 2.99
X-MEN LEGACY #236 XSC 2.99
ZATANNA #1 2.99

I’m not gonna lie, dear readers…this week was slim pickin’s after last weeks full frontal assault by the big two. I will however give you what I can, as is my journalistic duty.

Avengers Assemble...Again

AVENGERS # 1

Let me get this out of the way, compared to New Avengers, this is about as Avenger-y an Avenger book can get. Sure, there’s a lot of Bendis’ trademark standing around and talking, but having recently re-read Busiek’s awesome run, there was a fair amount of expositional dialogue slinging in that era too, and I don’t know too many people who badmouth that run. Mostly out of fear that George Perez will come for them in the night and annihilate their souls with the power cosmic that he keeps stored in the lining of his Hawai’ian shirts.

Let’s see, Romita artwork? Check.
Clint Barton as Hawkeye? Check.
Steve Rogers giving an inspiring speech? Check
MOTHERF##KING KANG?!?!? CHECK!!!

Seriously, is there anything I think of as being more of an Avengers staple than Kang? No! Because he’s the most ludicrous Avengers villain of all time. He embodies the over-the-top grandiose nature of the book in ways that Dr. Doom or Ultron simply cannot. I know that’s a matter of opinion, but I would consider it to be fact, because that’s just how big my goddamned ego is. Kang has the sort of absurd over the top nature that could only be found within the pages of a comic book. I mean that with all the love and respect it entails. Comics as a medium have the ability to take the completely batshit insane and make it work the way that if you tried it on television or on film, you would be laughed at like a gimpy orangutan in a sailor outfit. Oh, the laughs you would garner if you tried to throw a time traveling despot into the workings of even the most out-there television show you could find. If Kang showed up in his purple helmet on the island on LOST, people would groan and punch themselves in the groin. Well, I would make a high pitched shrieking sound and bounce around the room like a walaby on angeldust, but that’s because I like things that nobody else likes.

The fact of the matter is that Bendis has gone back and made an Avengers book for the people who spent the last six years complaining that his books didn’t feel like they were Avengers books. Are those people really going to be able to make those claims when Kang shows up sporting a doomsday device that was supposedly built by a future version of Tony Stark and tells them that the future of the world depends on their new team triumphing over seemingly insurmountable odds? No, those people will have to eat their words like a slice of spongey Avengers Day cake. How does it taste, people? The answer should be chocolate.

Wanna guess how many sentences I get before I mention fishnets?
ZATANNA # 1

Wanna guess what I love more in comics than Kang? Give up?

Fishnets!

Yeah, I went there. You think I stuck around through all of Green Arrow/Black Canary because I enjoyed the story. Nope. It’s because I am bound by honor to purchase any and all comics featuring a character whose costume involves fishnets. My brain is hard wired that way. Is that shallow? Maybe. How many people bought Power Girl just because of the boobage? I bought it because I love the character. The boobs are only a fraction of that element, so I suppose that makes me better than everyone else. That’s me, champion of ethics.

Anyway, this issue begins with Zatanna in full bondage mode, chained to a gigantic St. Andrew’s cross while the Joker is set to ram a gigantic drill through her torso. Fan service? You bet your ass. It’s all a swerve, of course. It’s a Zatanna book, nothing is going to be exactly what it seems like. But do you think anybody who just flipped open the book to see a hot brunette in fishnets and sexy boots bound and gagged in pure fetish fuel fashion is gonna put the book back on the rack after that? No. They’ll buy it. They have to. Unless they’re a female who can’t appreciate how friggin’ hot that opening page is. But take a closer look femi-nazis, that panel is all about the empowerment of the female form, that when we view a woman at her most helpless she’s truly always in control. Satisfied? I hope so, because I don’t really wantto overanalyze the book. It all really boils down to the fishnets. Let’s be honest.

*************************************
Sorry, that’s all for this week. I would have more had I bothered to pick up that new #1 issue of Legion, but I’ve been burned by that book too many times to give a damn again. So until next time…
Advertisements

Regarding That Amazon Glitch Thing and The Pricing Of Modern Comics

By now, if you’re in any way a comic book geek or collector you’ve heard about this weekend’s ginormous Amazon sale/glitch that saw Marvel omnibus editions normally retailing for upwards of fifty US dollars or more being sold off at prices of around eight to fifteen dollars a pop. I, like many people, went absolutely apeshit and bought close to TWO HUNDRED dollars worth of hardcovers I otherwise would never have had the means to obtain. I was overjoyed, thinking that somehow this was a liquidation on Diamond’s part that somehow trickled down to the consumer level in a way that had never before been witnessed.

A few hours after placing my order, the news broke that it was in fact a glitch and that the prices were reverting to their regular high double-digit levels. A collective holding of breath ensued from everyone who bought a discounted book that day, myself included. Reports have come out of people getting notices of cancelation for their orders. As of this writing, I have not recieved one. If you talk to some folks, Amazon plans to honor the orders up to a point. If you ordered fifteen copies of the Captain America omnibus, you’re probably not going to get those books. Those orders will either be cancelled or have their numbers reduced to a single copy. There are rumors running about that Diamond has given a few people their walking papers over this incident, which leads me to believe that they’re going to be eating some cash on this deal and hoping to stem the damage by placing direct blame on someone.

No matter how this little drama unfolds, we learn a crucial lesson about the marketplace. Fans want cheaper books. I know this isn’t a huge surprise, considering how irritated the fanboys get whenever a price increase hits the cover page of their favorite book. But from a larger standpoint, this incident echoes what I’ve been saying for a LONG time about how the trade market is getting it backwards nowadays.

I would say that around 50% of the trade paperbacks that come out onto the market cost MORE than the original issues. Now, when I first started buying trades it was because I could save anywhere from 5-10 dollars overall on a title by purchasing the collection as opposed to the issues. That was the incentive to buy trades, wasn’t it? But now you’ll see a book that in issue would have run you 12-15 bucks showing up in collected form running 20-24 bucks. Where is the logic here? People won’t buy the book in issue format because they think that’s too expensive and you expect us to pay MORE when it hits collection?

It’s all part of why we’re not seeing much industry growth nowadays. The powers that be have made reading comics cost prohibitive. There are companies like Top Cow, who have refused to jump to 3.99 and put out some of the most reasonably priced trade collections in the industry, but they don’t have enough of a market share to really make an impact. Imagine of Marvel started making more trades set at $9.99 a copy. To a consumer, when they see a trade that’s under ten bucks, they might be tempted to pick it up based on value alone. A trade collection of 4-6 issues for ten bucks, while two issues of a main line title run 4 bucks a pop; the consumer would get more for his money. I have seen this principle first hand while working in the store. The average consumer cannot turn a blind eye to a good value, as evidenced by this Amazon glitch. This glitch put multiple comic collections into the TOP SELLING AMAZON ITEMS list.

The lesson is simple. Price to sell, people. Give us quality at value and we will buy.

***UPDATE***

As of 03-09-2010 at 12:15 PM my initial order has dropped down to five of the items I’d ordered. Volumes 1-4 of Punisher MAX, The Uncanny X-Men Omnibus, and Volumes 1-3 of New X-Men collection have been removed. The Captain America, Criminal, Ultimates, and Wolverine Omnibuses are still on the invoice, as well as vol. 5 of Punisher MAX. Will they be shipped? Not yet sure.

***UPDATE # 2***

As of 03-12-2010 my entire order was canceled. Sadly, this whole thing was too good to be true. However, I did get a free $25.00 credit from Amazon out of it, so it’s not a total loss. In fact, I pretty much count this as a win. I would have loved to have gotten what I ordered, but from the moment it was announced as a glitch, I could see that I would most likely not be getting those books. Maybe I will find them discounted to an affordable degree at a convention or some other locale. Maybe.


Weekly Comic Reviews

I Do Not Actually Look Like Jesse Custer

Hey, guess what? I read some books! Just like last week? Aren’t I unpredictable? But seriously folks, I got my books yesterday, though about six hours later than usual so I actually stayed up late reading comic books to ensure that I would be able to get this post up in a reasonably timely manner. You guys should send me a gift basket.

AMAZING SPIDER-MAN #622 GNTLT 3.99
AVENGERS INITIATIVE #33 SIEGE 2.99
BATMAN AND ROBIN #9 2.99
BLACK LANTERN GREEN ARROW #30 (BLACKEST NIGHT) 3.99
BLACKEST NIGHT #7  3.99
BLACKEST NIGHT JSA #3 (OF 3) 2.99
CAPTAIN SWING #1 (OF 4) 3.99
CHOKER #1 (MR) 3.99
DARK WOLVERINE #83 SIEGE 2.99
DEADPOOL #20 2.99
FALL OF HULKS RED HULK #2 (OF 4) FOH 3.99
FANTASTIC FOUR #576 2.99
GI JOE TP VOL 02 19.99
GOTHAM CITY SIRENS #9 2.99
JUSTICE SOCIETY OF AMERICA #36 (C: 1-0-0) 2.99
MS MARVEL #50 3.99
NEW AVENGERS #62 SIEGE 3.99
SUPERMAN #697 2.99
THOR #607 SIEGE 2.99
TRANSFORMERS ONGOING #4 3.99
WONDER WOMAN #41 2.99
X-FACTOR #202 2.99
X-MEN LEGACY #233 XN 2.99

That’s a pretty healthy haul. So what did I think?

ASM 622
AMAZING SPIDER-MAN # 622

For the last few week’s I’ve really been boosting up ASM as a book. I think it’s been consistantly good and that the naysayers have been blinded by their own biases. This issue however is a bit of a mixed bag, in that the lead story with Morbius is actually quite fun if a tad on the light side, not actually being full length and thus appearing somewhat rushed, while the second story with Flash Thompson is just sort of a discombobulated mess.

I am willing to bet that the secondary tale is in there because they need to quickly set up Flash’s new status quo for when he inevitably comes back into the fold of the supporting cast on a regular basis. It feels like the writing team’s attempt to get us re-aquainted with Flash and let us know that by featuring him in such a beefy role in what amounts to a backup story, he must be important enough to care about. Continuity wise, at least.

Like I said, the issue is a mixed bag, but it’s only a slight hiccup in the road as far as I’m concerned, because it’s a one-off story meant to act as an interlude anyhow. I don’t blame them for trying to cram some exposition in there that might have gotten cut short if it were rammed into an ongoing storyline. You take the good, you take the bad, you take them both and there you have…Amazing Spider-Man.

Choker # 1
CHOKER # 1

It’s like Sin City meets Blade Runner with enough of the classic Marlowe noir not to feel cheap. Choker is Ben McCool’s debut creator-owned story and damned if he didn’t knock it out of the park with this first issue. The dialogue is crisp and feels as solid as noir dialogue can, which admittedly can sometimes come off as really cheesy. Remember Frank Miller’s script for The Spirit? Yeah, it’s nothing like that.

I’ve admitted that I’m not normally a fan of Ben Templesmith. His artwork is hard to critique because any complaints can be attributed to his wanting to add a sense of style. And luckily, in the case of this book, the style works. Whereas I felt it actually hindered the story in something like 30 Days of Night, here it feels like any other type of art style would have seemed…off.

Do yourself a favor and pick this one up. I’m always telling people that there’s great new stuff out there and this is no exception. You’re doing yourself a disservice if you pass it up.

Captain Swing
CAPTAIN SWING # 1

Speaking of original material, fuck you Warren Ellis. How the living hell do you manage to crank out so many titles in such short periods of time, and all of them be thoroughly entertaining? Where is your off month? When do I get to read something from you that sucks. That would be a surprise. I would actually be shocked if I picked up an Ellis book and didn’t like it. The man has such a vivid sense of world-building and setting that he could tell an infinite number of stories simply by interchanging the characters and plots from his different endeavors into each other’s locales. In this case, we get a pre-industrial revolution London in the time of the formation of the Metropolitan Police (aka the “Met”) and a mysterious steampunk villain(?) who fires electric bullets and cavorts around town in a flying airship.

Once again, fuck you Warren Ellis. You creative prick.

Ms. Marvel Finale
MS. MARVEL # 50

It pains me to say that reading this final issue of Ms. Marvel, I understand why it’s going away. When your grand finale is so astoundingly anti-climactic that it makes the reader’s chest hurt, you probably should thank your lucky stars that you made it to issue 50. Now, I’ve followed this title since # 1, and I’ve tried to get people on board, because I think that it’s been a really damn good title for the majority of the run. But I see the final arc as sort of a missed opportunity. It seemed…I guess rushed is as good a word as any. Like this is all Brian Reed could come up with because the weight of delivering a final issue was weighing on him so heavily.

The backup story is passable. I’m not a big Noh Varr fan, so it didn’t speak to me on any real level. But something tells me that what happened there will come into play whenever they decide to focus a little more on that character. At least when that happens I’ll be prepared.

Overall, this would have been a fine issue were it not the grand finale. In that sense, it feels like a bit of a misfire.

Wonder Woman 41
Wonder Woman # 41

It’s an extended Power Girl cameo, how the hell do you think I felt about it?

************************

And that’s it for this week, join us next time when I aim to be even more passive aggressive.


Weekly Comic Reviews

I Do Not Actually Look Like Jesse Custer

Ah hell, it’s that time again. Where I sit down and type out a bunch of snarky retorts to the weekly comic offerings I put money down for on a weekly basis. Unfortunately, a bulk of the week’s pull was in trade form and I can’t write up a timely review of collected stories so this column might be on the slim side this week. I’ll try to make for it in repetitive ramblings throughout the reviews.

The Pull List:
BLACKEST NIGHT WONDER WOMAN #3 (OF 3) 2.99
BOYS #39 2.99
BUFFY THE VAMPIRE SLAYER #32 TWILIGHT PT 1 (OF 5)  2.99
CINDERELLA FROM FABLETOWN WITH LOVE #4 (OF 6)  2.99
CONAN THE CIMMERIAN #18 2.99
CRIMINAL SINNERS #4 (MR) 3.5
DARK TOWER FALL OF GILEAD PREM HC 24.99
DEADPOOL TEAM-UP #896 2.99
FABLES TP VOL 13 THE GREAT FABLES CROSSOVER (MR) 17.99
GI JOE ORIGINS #12 3.99
INVINCIBLE IRON MAN #23 2.99
JUSTICE SOCIETY OF AMERICA ANNUAL #2 4.99
QUESTION #37 (BLACKEST NIGHT) 2.99
RED ROBIN #9 2.99
SIEGE #2 (OF 4) 3.99
SUPERMAN WORLD OF NEW KRYPTON #12 (OF 12) 2.99
WOLVERINE WEAPON X #10 3.99

Boys # 39

The Boys # 39

Not a whole lot goes on here, traditionally speaking. There are maybe three plot movements in the entirety of the book, but this single issue does a great deal to set up the next major arc of the overal narrative because Butcher FINALLY finds out about Hughie banging a supe.

A great deal of the drama thus far has been the reader wondering what will happen when the Boys find out about who exactly Hughie is giving the high hard one to on a nightly basis, given that she’s a part of the group they are ACTIVELY seeking to bring down. And at this point in the issue we get a window into what is going to be coming down the pipe. Butcher reacts not with anger or a sense of betrayal but with a disappointment that he hadn’t been able to figure it out before this very moment. It’s a quiet moment that tells us even more about Butcher as a character. How will he handle the fallout? That remains to be seen. But reading the issue you can tell that Ennis put a great deal of thought into how he was going to handle this moment.

The majority of the issue is spent with Hughie and his girl Annie, exploring the boundaries of their relationship (“LET’S PURCHASE OUR HARDCORE PORN!!!”) and showing what kind of growth their coupling has forced upon them both fundimentally as characters. There is some hint that perhaps being in a relationship with Hughie has changed her in ways that might be driving a gap between them, just in the differences between what the need as far as intimacy and mutual interests. It could be read that Hughie feels a twinge of responsibility for Annie’s sudden personality shift. But, that’s just speculation on my part.

A great many people like to dump on Garth Ennis because his writing veers toward ultraviolence and sophmoric humor, but the man does character moments just as good as any other major writer, and better than some I could mention. The book also has the expressive art of Darick Robertson working in its favor.

Deadpool Team Up 896Deadpool Teamup # 896

I think I’m getting burnt out on Deadpool. And gee, with around six regular series and eighty appearances a month, who would have thought that would happen? This particular issue suffers from the same problems I mentioned in my review of Merc with a Mouth # 7, in that the humor is entirely forced and derivitive. It doesn’t have the voice of Deadpool, that casual zaniness that seems to compliment the character so well. Instead we get cheap trucker jokes and some talking raccoons. Sorry to say, while that would normally have me giddy in my seat, this one just seems to fall flat.

Cover A
GI Joe Origins # 12

Two things made me pick up this issue; Marc Andreyko’s name in the credit list and that awesome cover. I have to admit that interior artist Ben Templesmith’s art styling is not my cup of tea, the issue itself is a pretty good standalone Baroness tale that gives us the new-canon origin of the character and a glimpse into what molded her morals and values before becoming the character as we’ve come to know her.

The issue hits all the right notes, and while the story is nothing we haven’t seen before, it’s a change of pace from where the book has gone previously and I felt I got my money’s worth out of it. Also, nice cover.

SIEGESIEGE # 2

Okay, here’s the one people have been talking about. And it’s impossible to review without major spoilers so just turn back now if you don’t want to know who died and how and what I feel about it.

Gone?

Okay, let’s go.

So Sentry rips Ares right in half. Yep, it’s Ares who was the “big death” Bendis was hyping. And while the fight leading up to it was pretty cool, it’s not all that impressive considering how many people we’ve seen ripped in half over the years, partiularly in Bendis-penned comics(Vision and Carnage, anyone?). Remember in my review of KICKASS where I said that Millar was the best hype man in the game? Bendis is kind of the opposite. Whereas we believe Millar every damned time despite the fact that we’ve been fooled by him before, everytime Bendis says something will be shocking or unexpected, we know that it’s just going to be one of his old tricks. At least this time he didn’t claim that the event would “rip the internet in half.”

Waitaminute…holy shit…

Guys, is that Ares death supposed to be some kind of wink-wink joke? FUCK YOU BENDIS YOU SELF-CONSCIOUS WHORE!!!

****

That’s it for this week. I’m going to go punch a wall and calm down. *deep breath*


And Now, Another Stupid Moment in Comics…

Vulcan Death Grip

A true fan would have had Bones taking out Wolverine. For real.


Weekly Comic Reviews

Reviews

It’s that time again! Time for me to tell you what sucked and what did not. I should caution you that most of what I review will be positive, as I don’t often buy books that I feel I won’t enjoy. However, I am making a point to pick up new books simply to give insight that otherwise wouldn’t be offered on this blog.

THE PULL LIST:
AMAZING SPIDER-MAN #618 GNTLT 2.99
BATMAN STREETS OF GOTHAM #8 3.99
BLACK WIDOW AND MARVEL GIRLS #3 (OF 4) 2.99
CAPTAIN AMERICA #602 3.99
DARK AVENGERS #13 SIEGE 3.99
DARK WOLVERINE #82 SIEGE 2.99
DEADPOOL MERC WITH A MOUTH #7 3.99
GREEN LANTERN CORPS #44 (BLACKEST NIGHT) 2.99
HULK #19 FOH 3.99
INCORRUPTIBLE #2 3.99
INCREDIBLE HULK #606 FOH 3.99
JOE THE BARBARIAN #1
MIGHTY AVENGERS #33 2.99
PHANTOM STRANGER #42 (BLACKEST NIGHT) 2.99
POWER GIRL #8 2.99
SONIC UNIVERSE #12 2.5
SPIDER-WOMAN #5 2.99
STARMAN #81 (BLACKEST NIGHT) 2.99
STREET FIGHTER IV TP VOL 01 12.95
UNCANNY X-MEN #520 2.99
WOLVERINE FIRST CLASS TP CLASS ACTIONS 14.99
WOLVERINE WEAPON X #9 3.99
YOUNG LIARS TP VOL 03 ROCK LIFE (MR) 14.99

Amazing Spider-Man 618
AMAZING SPIDER-MAN # 618

I think that Marvel is doing an excellent job of capturing the feel of classic Spider-Man nowadays. The voice the writers are projecting onto Peter Parker here is highly reminiscent of the best Spidey stories of yesteryear. From the quips to the inner monologue, to the actions of his supporting cast, it’s all very much in tune to the earlier Spidey stories than anything we saw during the JMS years. And while I dug JMS’ run, and think it will be remembered fondly by those who were first introduced to Spider-Man during his tenure, I cannot help but have my cockles warmed by what we have on display here.

The story looks like it will finally tie up some loose ends with Mr. Negative, and his connection to Aunt May, as well as give us the return of Mysterio, who last had successfully scratched an itch in the back of his head with a shotgun. Is this Mysterio back from the dead or another new name throwing on the suit? Given what we’ve seen in Brand New Day thus far with new iterations of the characters, the latter seems possible but given the classic tone of the arc, I wouldn’t put it past the team to pull a full resurrection.

The book lacks the emotional resonance of last week’s Rhino tale, but is a satisfactory story all the same.

Captain America 602
CAPTAIN AMERICA # 602

Well, the regular Captain America title returns, and honestly from the pages of this book, aside from a few lines of dialogue referencing it, you never would have known the whole “Reborn” situation ever happened. Bucky is still the central focus of the narrative, and the plot threads from prior to Steve’s return are being followed up on in true Brubaker-ian fashion. The man lives to tell these sorts of stories. They have that Marvel feel, utilizing the eccentricities of the universe with uniformed henchmen and acronymed evil organizations; but every bit of Brubaker’s storytelling prowess in the realm of the hyper-realistic, drawing from his work in the street-level drama that he does so well, is on full display here.

I cannot help but think that we’ve been cheated by having this title sidelined while the “Reborn” miniseries ran it’s course. Brubaker’s Cap book is a serial masterpiece, one that really needs to build on monthly steam. I guess I should just be grateful the train is back on schedule.

Helping me forget my complaints is the excellent Nomad backup story that picks up immediately after the excellent “Girl Without A World” series. I know it’s a secondary feature, and thus it is going to have to be limited in length, but I definately wanted more by the end of the issue. Still, better for Nomad to see publication in the back of a book that will run indefinately, rather than get her own book and get published before a sixth issue like SOME TITLES I COULD MENTION. (***Grumble***)

Dark Avengers 13
DARK AVENGERS # 13

Brian Michael Benids has had this weird facination with the Sentry that I just did not understand. The Sentry, as a character, is quite bland and really doesn’t work on any other level than the occaisional joke at his expense. So in this issue Bendis finally reveals his master plan for the character and essentially rewrites the whole book on his existence (yes, again).

I won’t spoil the revelations, but I will say that they’re not even shocking at this point. Just confounding given that for the emotional weight behind them to truly work, we as readers would have to give a damn about the character, and I personally do not. I know I am not alone in that regard either. While the changes Bendis makes open up interesting possibilities for the character, I wager that those changes will not resonate either. Given the character’s history of retcon after retcon, how can we expect whatever change that follows this revelation to be any more valid than the last?

If any word describes the developments of this book, it would be “frustrating.”

Dark Wolverine 82
DARK WOLVERINE # 82

I have largely ignored Dark Wolverine, choosing to focus on “Weapon X” as my go-to Wolvie title. I decided I would give it a go with this issue as part of my imperitive to follow the event through the majority of it’s tie-ins. I was a little surprised by the book, given that the characterization of Daken in his own title as compared to the Avengers appearances I’ve read seems somewhat off kilter. I suppose it could be the characterization in the Avengers titles that is off, but I suppose that’s a matter of perspective.

The book itself is actually quite interesting, and the ending actually shocked me. I know that what we see is some sort of narrative trick, but damned if it didn’t make me want to pick up the next issue.


DEADPOOL : MERC WITH A MOUTH # 7

Deadpool goes dimension hopping, a bunch of artists illustrate the different worlds. Jokes are made, and oddly enough I wasn’t very entertained. The humor on display here wasn’t really up to the general Deadpool snuff. In fact, aside from one panel, I didn’t really so much as chuckle. I find this extremely odd because the previous issues of the book practically had me dying from laughter. I hope the book picks up with the next issue, because Deadpool has three titles, and they had better all be excellent otherwise I might get bitter about Deadpool having multiple titles that aren’t all that good when OTHER AWESOME BOOKS GET THE PLUG PULLED ON THEM UNDESERVINGLY!!!!

Hulk 19Inc Hulk 606

HULK # 19/INCREDIBLE HULK  # 606

I admit that I have not been following these titles as of late, and so I’m going into this whole Fall of the Hulks thing completely blind. That having been said, I think Incredible Hulk did a great job of bringing me up to speed with the book’s status quo without feeling like a major exposition dump and Hulk # 19 was somewhat jumbled but not nearly the clusterfuck I had been led to believe Jeph Loeb would be making out of the title.

I’m not big on the format of this event. I would prefer that the books led into each other in some way rather than telling independent parts of a larger story, as I cannot seem to place the books along any real timeline, though I think that longtime readers may have a better grasp on the comings and goings than I do.

Another small note, the art in Incredible Hulk is some of the best stuff I’ve seen in a while. Stylistically interesting while still being technically solid. I wish more books could find that balance.

Joe
Joe The Barbarian # 1

Grant Morrison is an amazing writer. Sean Murphy is an amazing artist. Together what they create should be interesting to say the least. Unfortunately not a whole lot happens in the first issue. The idea is presented but we have no real inkling of the direction it will take. I’m going to pick up the second issue, just to get a grasp on where they’re going with this, but if they really wanted to take advantage of that $1.00 cover price, they probably should have given us a little more content.

Power Girl 8
Power Girl # 8

In this book, the words “Pregno Ray” are used. Beyond that, you really should not need any more information.

***

And that’s all I’ve got for this week. Join us next time when I’ll have more than one book from DC on the list (I Hope.)


Flipside Post : The WORST Comics of 2009

I kicked the blog off with a rundown of 2009’s best storyarcs, an entry that was hard as hell to write because honestly there were tons of good books last year and while I wanted to showcase only a chosen few, I didn’t want to leave out anything that needed to be showcased. On the other side of the coin, we have today’s entry, a look at 2009’s most abysmal outings. My criteria for this list is not quite as exclusive as the “best of” list, because sometimes you don’t need a story to be finished to realize it’s a piece of shit. Usually if it’s three issues in and you’d still rather pluck out your own pubic hairs with a rusty pair of tweezers, it won’t change by the end of the arc.

So here we go!

Magneto looks bored...must have read ULTIMATUM
1. ULTIMATUM (Marvel)

It started in ’08 but it ran through the first chunk of ’09 and as far as I can tell, I swear to God, Jeph Loeb is a sleeper agent, placed in the Marvel offices by DC to destroy their publishing lineup from the inside. It’s like a retarded 24 plot played out in slow motion so every mind-numbing detail can be drawn in until the mind can’t handle it anymore.

I’m not going to go after the book for being dumb. I mean, it’s an event book and nobody can make an event book NOT dumb. (I’m looking at you Geoff Johns.) My main problem with the book is that it is so sloppily written, and so disjointed that as a reader you sometimes don’t even know how bad it truly is until you go back and re-read the pages over again trying to figure out exactly what the hell you missed that led you to be so confused.

Also, the Blob eats the Wasp. That’s just wrong.

He'll Be Hungry Again In An Hour


Giant Size Disappointment
2. Wolverine : Old Man Logan (Marvel)

I’m probably gonna catch flak for this one but people, this shit was sub-par and the publishing delays only made it worse. The fact that the “epic conclusion” was a veritible anti-climactic letdown is all you really need to look at in order to see what a throwaway piece of tripe this storyline really is. Aside from some nice art, this whole thing was a wash, no matter what the sales say. People buy dumb shit all the time. Don’t believe me? Go talk to the guy who invented the “Snuggee.”

The truly sad thing is, everybody ate this thing up like it was the best thing since sliced bread when Jason Aaron’s excellent Weapon X book doesn’t get nearly the credit it deserves. That book utilizes the continuity of Wolverine without being confusing, moves at a breakneck pace and is worth every penny while still managing to come out on a monthly basis. Old Man Logan was an uninspired and unoriginal idea that people went nuts over for a reason that eludes me entirely.

Gonna Party Like It's 1994!
3. Image United (Image)

Let’s take everything that drove me away from comics in the 90’s and put it in a single book. That’ll work right? *facepalm*

Google : Facepalm
4. Female Force : Stephanie Meyer (Bluewater Comics)

I would say that my hatred of the Twilight phenomenon is completely rational. After all, how any sane person would look at the success of such a lazy and contrived series and still manage to think that our society hasn’t sunk into an irrepairable cavern of stupidity that is only 15 degrees off “Idiocracy” is completely beyond me. The fact that someone decided it would be a good idea to publish a comic book biography of the woman responsible for this crime against humanity simply edges me toward clawing my own brain out with an olive fork.

The fact that the book exists is enough to qualify it on sheer “WTF-factor” alone, but the book having art so bad that it borders on the laughable earns it a legitimate spot on the list. Not to mention that Stephanie Meyer is essentially the most boring person this side of John Kerry and thus the book itself is nothing short of a chore to read even if you never look at the art.

Comics Alliance basically said everything I ever could in the review they posted back when the book was released on shelves. The only difference is they still have the energy to mock the book whereas I can only shake my head and try not to vomit.

Let's hope this doesn't last forever...
5. X-Men Forever (Marvel)

This should have been excellent, but then I remembered that Chris Claremont hasn’t written anything of any quality since the 80’s and by then it was too late. I had already added the book to my pull and was damned to read what may be one of the most effortlessly tired books in the Marvel publishing line.

The problem with the book is that it wants us to get all nostalgic for the days of Claremont and Byrne but the Claremont we all fell in love with is gone and what remains is a madman who is following up on his own work in such a manner that it’s hard to tell that the same person who wrote all those classic stories is able to give us such a winded and uninteresting take on the X-Men.

This one takes the coveted biggest disappointment award for 2009. Such a tragedy.

NOOOOOOOO JOE!
6. G.I. Joe – Origins (IDW)

Like X-Men Forever, this one makes the list out of disappointment. Larry Hama writing a GI Joe origin story from scratch? Yes please! Wait… What the hell is going on here? What am I reading? MAKE IT STOP! WHY LARRY?!?! WHY?!?!

Yes, the former master of the Joes has turned in one of the sloppiest and mind-boggling Joe stories of all time. Considering that Hama is the man who made GI Joe what it is today, for him to do such a disservice to the franchise by delivering such a bland and cliche outing in the Origins book, it’s like watching your childhood hero bang a tranny hooker on the hood of your car. You’re willing to put up with a lot, given that he’s your hero and all, but this is JUST. GOING. TOO. FAR!

****

And there are others; Green Arrow/Black Canary continued the downward spiral for both characters, Superman didn’t even have Superman and seemed like the title had died but continued on only out of habit, Justice League of America languished in mediocrity, and there are others that fit the bill just as badly. The above are the ones that really stand out as the losers of ’09.