I feel like these won’t be up to snuff. I’ve been off my game for the last few days, more focused on my novel than the content of the site, sad to say. I know it’s horribly short-sighted of me considering that the novel is in no way a sure thing whereas this site seems to have a dedicated audience if our recent web-numbers mean anything at all. (Hint, they don’t)
So here we go.
AMAZING SPIDER-MAN #635 GRIM 3.99
AVENGERS #2 HA 3.99
BATMAN RETURN OF BRUCE WAYNE #3 (OF 6) 3.99
COVER RUN THE DC COMICS ART OF ADAM HUGHES HC 39.99
DETECTIVE COMICS #866 3.99
FANTASTIC FOUR #580 HA 2.99
FRANKEN-CASTLE #18 2.99
GREEN ARROW #1 (BRIGHTEST DAY) 3.99
HERALDS #4 (OF 5) 2.99
HULK #23 WWHS 4.99
IRON MAN LEGACY #3 2.99
JURASSIC PARK REDEMPTION #1 3.99
JUSTICE LEAGUE GENERATION LOST #4 (BRIGHTEST DAY) 2.99
POWER GIRL #13 2.99
SEA BEAR & GRIZZLY SHARK #1 4.99
SUPERGIRL #53 2.99
SUPERMAN #700 (NOTE PRICE) 4.99
THUNDERBOLTS #145 HA 2.99
ULTIMATE COMICS AVENGERS 2 #4 3.99
WOLVERINE WEAPON X #14 3.99
X-FACTOR #206 XSC 2.99
X-MEN LEGACY #237 XSC 2.99
ZATANNA #2 2.99
I was so wary when I bought this title. I got the distinct feeling that it was going to be just downright abysmal. It had every indicator that it would be. In the wake of what’s going down with Arsenal, which may be the absolute worst storyline/title that DC has published in years, I expected to be equally disappointed in the new Green Arrow title. Despite the fact that I have every issue of Green Arrow from the moment Mike Grell took over the character to the end of the last series, I was seriously considering skipping it this time around because I didn’t have much faith that I would get my money’s worth.
The first issue was largely an exercise in getting people caught up, with Green Arrow telling a would-be victim everything the reader needs to know in order to jump aboard. It feels a little bit like a drag considering that I have been following Green Arrow for a while, but I suppose DC figured this new direction would hook a couple of new readers and they’d need the recap. Still, it could have been done a lot better without seeming like we were being led by the nose.
The new villain who takes control of Ollie’s old company is actually a pretty cool looking figure, she has a graceful mystery to her presence that makes her seem like less of a throwaway villain than other new arrivals, and thank god she’s not another archer (that we know of) because that’s just getting old.
The teaser reel at the end of the book that shows us where the book is headed helps to keep me interested, because it promises a few interesting possibilities. I’m not likely to drop the book as I’m a completist when it comes to Ollie, but I won’t regret my decision to stick around if things stay mostly as they are here.
Man, this thing is a mess. The story is bland and overly familiar, and the art looks like amateur hour. Nostalgia aside, there is no reason for this book to exist because there is nothing to salvage it when it comes to quality. I imagine some people who are really die hard fans of the franchise will stick around to see its completion, but I would have to be handed this book for free the next go-around to read issue two. I really wish I could say more about the book, but it was so mediocre that while reading it, nothing sunk in except how much I disliked it. I even like the second and third films, so it’s not like I’m holding it to any high standard. It’s just not a very good book, and it really could have been. I don’t think anyone will dispute that. It’s just a mess of an issue that turned me off nearly immediately.
Everyone here is probably well acquainted with my eternal love for Power Girl. I think she’s an underrated character who gets shoehorned into a stereotype because of the size of her bazongas. Everyone knows the story where she was supposedly drawn with bigger knockers every month back when she first debuted just to see how far they could go with it before someone noticed.
The thing is, as Jimmy Palmiotti (friend of the site, natch), Justin Gray and Amanda Conner can attest, you can squeeze some great stories out of her if you’re willing to think outside of the box and go places that aren’t readily visited by the majority of the characters in the mainstream. Power Girl operated for twelve months as the most legitimately fun book on the stands with some of the best expressive artwork this side of Kevin Maguire. It was earnest and endearing and I never wanted it to end.
Unfortunately it had to.
Now Judd Winick has taken over the writing duties while new artist Sami Basri has the unenviable task of following Amanda Conner. How do they do? I would put their efforts at “admirable.” Judd Winick does a good job of handling the tone set down by the previous team, but has to work in the events of Generation Lost, so things take a turn toward the more standard superhero fare. It feels kind of like a mash-up of the previous issues of Power Girl with a hint of Sterling Gates’ Supergirl work during the big crossover.
I think that Winick would have done better if he’d kept Generation Lost separate from the Power Girl ongoing, just as the previous team kept Power Girl separate from her interactions with the JSA. I understand the reasoning behind the move, but from a storytelling standpoint it feels like it’s trying too hard to fit into an overall continuity and not concerned with growing organically.
As far as the art is concerned, Basri does a good job but there are instances where it seems like there are three different renditions of Power Girl throughout the book where she doesn’t look like the same person. I think when the artist gets a better grasp of the character, those little nitpicks will slip away.
I just hope that Winick can manage writing the book without fretting over making the character “integral” to the overall scheme of the DCU, because crossovers kill interesting titles. It becomes less about the character and more about the universe and frankly I don’t want that to happen here.
Uh, yeah. I don’t know what to think about this one. Well, I know what I think about it. I just don’t know what to think about my liking it. There is no setup, it’s just a dive-in and go with the flow sort of book. Like it’s an issue of a series that already has four issues on the rack and this is just the next one in the series. There is no rational explaination or origin given for these characters, and nothing makes any real sense but the artwork is genuinely amazing and I don’t think I’ve cough-laughed the way I did with this book in a long time. I mean, a lot of this book caught me off guard and I didn’t know what to think. I can’t really recommend it for general audiences but if you’re looking for dumb violent “WTF” style stuff, this is definitely worth a look.
There has been a lot said about Stracynski’s arrival to the Superman title. Everyone by now knows the premise that Superman will be walking across America trying to reconnect with the people he’s supposed to protect. What I’m wondering is if this little pseudo-art vanity project will end up like Brian Azzarello’s run from a few years back that everyone dismisses as pretentious garbage. I suppose it would be worse if it were happening in Action comics, because I don’t know how much Action you can get out of a brisk jog, but considering that it’s been a while since Superman even appeared in his own book, I don’t know if Superman going through a pseudo Kung Fu “walk the earth” trek is really what we need right now.
I think that the War of the Supermen story was really well done and it had the sort of epic edge-of-your-seat stakes that I require from a Superman story. I doubt I’m going to get that in Stracynski’s run. I don’t doubt that it will be well written, because when he’s not hamstrung by editorial mandate, JMS can crank out some good stories. He knows how to write characters to thei strength and I don’t doubt that we’ll get some interesting moments out of this story arc. What I’m afraid of is when it fails to generate interest and gets cut short because editorial wants to see a bump in numbers but modern comic readers don’t have the patience for a slow burn anymore.
All I’m saying is that it’s off to a decent start, and it has a good chance to be something really great, but I’ll be damned if it doesn’t seem like it’s not going to end well. No matter what happens.
So there you go. Next week I’ll try to have these up in a more timely fashion. But, I’ve said that before and you get where I’m going with this.
You know what the best part of yesterday’s “Avengers Day” festivities were? Seriously? When my co-worker brought in cake. Volstagg understands where I’m coming from when I straight up tell you that even the crappiest day could be saved by cake. I mean, obviously when the zombies come and the fecal matter hits the rotating blades, cake isn’t going to make up for that, but I guarantee you that it won’t not help. That’s a promise.
AVENGERS #1 HA 3.99
BRIGHTEST DAY #2 2.99
DEADPOOL #23 HA 2.99
EXECUTOR HC (MR) 19.99
GALACTA DAUGHTER OF GALACTUS #1 3.99
INVINCIBLE IRON MAN #26 HA 2.99
SCALPED TP VOL 06 THE GNAWING (MR) 14.99
SUPERMAN WAR OF THE SUPERMEN #3 (OF 4) 2.99
X-FACTOR #205 XSC 2.99
X-MEN LEGACY #236 XSC 2.99
ZATANNA #1 2.99
I’m not gonna lie, dear readers…this week was slim pickin’s after last weeks full frontal assault by the big two. I will however give you what I can, as is my journalistic duty.
AVENGERS # 1
Let me get this out of the way, compared to New Avengers, this is about as Avenger-y an Avenger book can get. Sure, there’s a lot of Bendis’ trademark standing around and talking, but having recently re-read Busiek’s awesome run, there was a fair amount of expositional dialogue slinging in that era too, and I don’t know too many people who badmouth that run. Mostly out of fear that George Perez will come for them in the night and annihilate their souls with the power cosmic that he keeps stored in the lining of his Hawai’ian shirts.
Let’s see, Romita artwork? Check.
Clint Barton as Hawkeye? Check.
Steve Rogers giving an inspiring speech? Check
MOTHERF##KING KANG?!?!? CHECK!!!
Seriously, is there anything I think of as being more of an Avengers staple than Kang? No! Because he’s the most ludicrous Avengers villain of all time. He embodies the over-the-top grandiose nature of the book in ways that Dr. Doom or Ultron simply cannot. I know that’s a matter of opinion, but I would consider it to be fact, because that’s just how big my goddamned ego is. Kang has the sort of absurd over the top nature that could only be found within the pages of a comic book. I mean that with all the love and respect it entails. Comics as a medium have the ability to take the completely batshit insane and make it work the way that if you tried it on television or on film, you would be laughed at like a gimpy orangutan in a sailor outfit. Oh, the laughs you would garner if you tried to throw a time traveling despot into the workings of even the most out-there television show you could find. If Kang showed up in his purple helmet on the island on LOST, people would groan and punch themselves in the groin. Well, I would make a high pitched shrieking sound and bounce around the room like a walaby on angeldust, but that’s because I like things that nobody else likes.
The fact of the matter is that Bendis has gone back and made an Avengers book for the people who spent the last six years complaining that his books didn’t feel like they were Avengers books. Are those people really going to be able to make those claims when Kang shows up sporting a doomsday device that was supposedly built by a future version of Tony Stark and tells them that the future of the world depends on their new team triumphing over seemingly insurmountable odds? No, those people will have to eat their words like a slice of spongey Avengers Day cake. How does it taste, people? The answer should be chocolate.
Wanna guess what I love more in comics than Kang? Give up?
Yeah, I went there. You think I stuck around through all of Green Arrow/Black Canary because I enjoyed the story. Nope. It’s because I am bound by honor to purchase any and all comics featuring a character whose costume involves fishnets. My brain is hard wired that way. Is that shallow? Maybe. How many people bought Power Girl just because of the boobage? I bought it because I love the character. The boobs are only a fraction of that element, so I suppose that makes me better than everyone else. That’s me, champion of ethics.
Anyway, this issue begins with Zatanna in full bondage mode, chained to a gigantic St. Andrew’s cross while the Joker is set to ram a gigantic drill through her torso. Fan service? You bet your ass. It’s all a swerve, of course. It’s a Zatanna book, nothing is going to be exactly what it seems like. But do you think anybody who just flipped open the book to see a hot brunette in fishnets and sexy boots bound and gagged in pure fetish fuel fashion is gonna put the book back on the rack after that? No. They’ll buy it. They have to. Unless they’re a female who can’t appreciate how friggin’ hot that opening page is. But take a closer look femi-nazis, that panel is all about the empowerment of the female form, that when we view a woman at her most helpless she’s truly always in control. Satisfied? I hope so, because I don’t really wantto overanalyze the book. It all really boils down to the fishnets. Let’s be honest.
Zatanna # 1
Paul Dini/Stephane Roux
I would try to say something worthwhile, but I believe the pictures speak for themselves.