Hey, remember back in 2006 when Bryan Singer hopped off the X-Men train to helm a new Superman film and everybody got their collective geek panties all soiled up and sopping wet only to complain about the end product not being as good as they had hyped it up to be in their mind before walking into the theater?
Get ready to get bumrushed by a striking case of deja vu because we’ve got a similar situation a’brewin at Warner Brothers, once again centered around the floundering Superman franchise and a nerd-christened messiah coming in to save the day.
According to Deadline, Batman Begins & Dark Knight director Christopher “Jesus Christ” Nolan has been brought in by the studio to act as the overseer of a retooling of the Superman franchise. Because, you know, he made those awesome Batman movies so he must be able to work that same kind of magic on a character that is, quite literally, the opposite end of the spectrum as far as what the character is or represents.
I will pause here to say that Nolan is a competent director. Hell, he’s more than competent. He’s actually one of the finest working directors in Hollywood at the moment. But nothing in his long list of credits gives me any indication that he is the right person to manage the creative direction of the Superman franchise. All of Nolan’s work seems to focus on the deeply psychological elements of the characters that inhabit the worlds he creates. I hate to use such a cliche, but Nolan’s work tends to be very dark. Memento, The Prestige, his Batman films, Insomnia… none of those films have the sense of levity that a Superman film needs. Granted he is just the architect here, and not the director, but one would assume he will have a heavy hand in the tone the new film will take.
It’s almost like they are trying to repeat the mistakes of Bryan Singer’s film. While I myself enjoyed Superman Returns, I can see the flaws and pinpoint where and why it did not take off with a mainstream audience. Nobody wants to watch a dour Superman. The tone of a Superman film should be closer to that of Jon Favreau’s first Iron Man, where the sense of adventure is overshadowed by the character drama or serious moments, but instead enhanced by those elements.
These are films based off of comic books after all; and while I won’t be the guy who says that as an art form comics should be light and fluffy, they seem to suffer when they take themselves too seriously.
So what is my point in all this?
Really, this is just a preemtive strike. I want to ask everyone here and now not to start wetting themselves over the prospect of Nolan at the helm of a Superman film. A name does not ensure quality. Just because he gave us two amazing Bat-films does not mean that he will deliver unto us a Superman film with everything we want with no flaws whatsoever.
Just be pragmatic.
That’s all I’m saying.
There’s your disturbing visual for the day.