Allow me to be blunt. This is a comic book where on the second page the words “Activating Attack Sharks” is uttered with not a single hint of irony. Yes, in this issue of Thor, a deep ocean sea-lab run by the Roxxon corporation features a defense system consisting of what appear to be technologically enhanced super-sharks, who eventually engage in underwater combat with an army of invading Frost Giants from Jotunheim.
So, in short, it’s pretty much par for the course when it comes to a Thor comic.
The big hullabaloo about this issue has been that the fellow we have come to know and love as Thor is no longer going to be the titular character of the series. In the wake of the crossover event Original Sin, He is unworthy to wield mighty Mjolnir, the hammer that serves as the symbol of his power. Fans fearing that Thor would simply be discarded to make way for a new character will be relieved however, as this first issue in a new series spends a good majority of its time with Thor Classic.
New Thor does not show her face until the final page of the issue. In many ways, the storytelling structure of this issue of Thor is the polar opposite of something like Ms. Marvel # 1. While that issue and series has been a huge success for Marvel, the baseline of the narrative utilized by writer G. Willow Wilson would not suit the type of story that Jason Aaron is attempting to tell here. By the time the first issue of Ms. Marvel came around, the namesake had been vacant for a while as Carol Danvers had transitioned into being Captain Marvel for a bit by that point. The story was able to focus on Kamala Khan taking up the mantle and the circumstances that surrounded her beginning the hero’s journey. With Thor, Aaron seems to be setting up a dual track that will focus on the way that Thor Classic deals with his fall as much as the exploits of whoever it is that takes up the hammer now.
So, does the issue work?
I would say that overall it is a very interesting Thor book. However, I will also admit that I have no connection to the new “Thor” because no attempt has been made to make her anything more than a mystery at this point. At the end of the first issue in this series, ostensibly her series, she is no more fleshed out than she was before the series hit stands. There is no change in my view of her as a concept. As a debut issue in that regard, the book falls short. The book should have given me a reason to stay on board. It should have made a connection between the reader and our new protagonist. If the series is to succeed based on the merit of this new character, shouldn’t we get some inkling of who this new character is as a person? If this book is supposed to center around her, and we are to accept her as our new Thor, making her a side element in the first issue of her own series is not the boldest move to take. Perhaps taking the time to do more setup in the previous volume or even giving the issue the double-sized treatment might have solved some of these problems.
The book is worth a read if you’re a Thor fan. If you were hoping to find something akin to Ms. Marvel, with a fleshed out new female character that sticks the landing on its first issue, this might not be your best bet. For that reason I’m grading it on two separate scales. For longtime Thor fans, this is a solid 8/10. It plays with the lore, we get familiar faces and the best elements of a Thor book are there. For Marvel fans looking to jump on board, it falls closer to a 5/10. The artwork and writing are excellent but the enjoyment you get out of it is qualified by how intrigued you are by Thor and his mythos.
Here’s to hoping issue number two makes significant strides with regards to setting up the titular character.
I want to readily admit that I did not read the last volume of Wolverine. I just sort of missed out on it while it was going on. When I saw that they were relaunching the book, along with a host of others I thought I would give it a try because aside from Wolverine and the X-Men by Jason Aaron I haven’t been following a Wolverine-centric title in a while. Paul Cornell is always a competent writer and I figured it might be interesting to see where his take on the character has wandered.
The book picks up with a depowered Wolverine, stripped of his immortality and made vulnerable to all manner of hurt and injury. He’s sporting some heavy armor to protect himself from the elements of danger that being a superhero will put him in and he’s npw teamed up with a shady character called “The Offer.” This guy from my deductions is some sort of Vito Corleone “makes you a deal you can’t refuse” sort of fellow and he has tasked Wolverine with breaking someone out of a highly guarded facility with the aid of a couple of other folks that I didn’t recognize offhand. The issue focuses mainly on this little mission but there is some flashback to Wolverine’s conversations with Storm regarding the loss of his healing factor that helps put us in Logan’s headspace a little more firmly, or so we are led to believe.
Wolverine is a character that has gone through a number of different looks, personas, and interpretations. Everyone seems to fall back on the outsider/wandering samurai motif but sometimes it is fun to explore other options. Here we get something more akin to the stories of when he was a mercenary. A rogue agent who hadn’t yet found his true affiliation. This time he has some true friends to guide him along, as a scene with Black Widow is particularly effective in showing how he plans to cope with his new situation. The thing that strikes me about this issue, and this iteration of Wolverine, is that the focus seems to be on telling a fun, action oriented story that focuses less on the mysteries of Logan’s past and how it currently affecting him. In fact, the book seems heavily focused on showing Wolverine as a blank slate and the primary directive of the narrative is driven from where he could go in the future.
The ending of the book is supposed to be a shocker but based on context clues within the issue we could have seen it coming. The resolution of that climax however, could go in any number of ways and I’m interested in seeing how Cornell moves forward on the book.
I really am not the person who needs to be writing this review. There are many people who have more right to tell you why this book existing is good for Marvel, good for comics, good for diversity, good for female readership, just plain good. I am not the person who should be typing these words. I am a straight, white, male. There are plenty of books on the shelves for me. I can read just about any mainstream title and enjoy a sort of wish-fulfillment fantasy by swapping myself out with the title character. I could be Batman. I could be Captain America. I could be Peter Parker or Tony Stark. I could be Bruce Banner or Wolverine or Superman or Cyclops. The generic template for the superhero is one of the straight white male. We are the default, the blank slate. The starting point for 99.99% of mainstream comic characters. There are some wonderful characters that are more diverse and I am sure they are inspirations to the younger generation of readers discovering comics in this sort of geek renaissance that we are experiencing, but the comic book world needs and deserves more. As a white straight male I understand this. I know that seeing the same white straight male characters ad nauseum gets repetitive and boring. I myself am guilty of being repetitive and boring. I imagine that folks who do not identify as straight white males find it frustrating, to say the least, that there aren’t a greater number of characters out there for them to identify with. Marvel seems to be attempting to rectify that by not only developing new characters that stand apart from their white male brethren, but giving them real focus in their own books. We’re getting a Latino Ghost Rider solo book soon, people. Sit and think on that for a minute.
So Ms. Marvel is indeed a refreshing book. We have a female lead, still a teenager dealing with school and family issues in the tradition of great Marvel heroes like Peter Parker. We have a character who is of Pakistani descent living in New Jersey in a post-9/11 world, dealing with the ramifications of her own culture as it relates to her social life or lack thereof. If anything, this book is one of the most honest looks at the perception of “the foreign other” in the high school structure that I can remember in recent memory. I had a good friend in high school who went through much of the same struggle that our protagonist, Kamala, goes through in this issue; the balance of faith and family with school and societal norms. Kamala is a very realized character. She wears her inner conflict on her sleeve. Who she is and who she wants to be are at odds with each other in a way that feels very human and real. She is a teenage girl dealing with serious issues, the escapism that she seeks through writing Avengers fan-fiction is a solid indicator of what Kamala truly is like as a person. She longs for power as a means of control, not of others but of herself. She sees strength in The Avengers and admires it.
From a writer’s standpoint the issue is quite strong. We are introduced to the character and we organically learn her motivation. We take the journey with her and we can empathize with her because even if everyone reading the book isn’t Muslim, we all can sympathize with being a teenager and disagreeing with our parents over the level of trust and responsibility we were mature enough to bear. That is why it is so important to have books and characters like these, because there is an across the board connection that we can feel with the character regardless of our race or upbringing. There is a universal quality to any character in a comic book. We can relate to a talking raccoon and his sapling BFF so we should easily be able to identify with another human being, regardless of their nationality or heritage. But it is important that these characters exist for that one comic reader who is the real-life iteration of Kamala who wants to be represented in graphic fiction. She deserves this character. We all deserve this character.
Artistically speaking the book is an A-plus effort. Adrian Alphona puts some gorgeous artwork on display. It takes me back to the days when Runaways was still being published and makes me wish there was more stylistically emboldened artwork like this on more titles. The colors and the expressiveness of the characters blend together to make a truly astonishing debut issue that sets it apart from the myriad other first issues that hit the stands on any given week. Honestly, the book is simply gorgeous.
I shouldn’t be the one saying this but everyone should buy this book. It is an important book. But it is also a good book. Sometimes we have to suffer through importance but this time around we actually get to enjoy it. So please take the time to do so.
Following up on the news that Inhuman would be getting delayed by months, Bleeding Cool is reporting a major bombshell that Matt Fraction will no longer be writing the title citing “creative and editorial differences.” The book was meant to be a reintroduction of the Inhumans in a big way to the Marvel universe under Fraction’s direction but he has been replaced on the title by writer Charles Soule, who is coming up in a big way at the moment penning books like Superman/Wonder Woman, Letter 44, as well as Marvel’s upcoming She-Hulk # 1.
I don’t want to speculate about what sort of creative decisions may have been made with regard to the series that would have caused Fraction to walk, but I’ll stake my reputation on it being Marvel not wanting to dedicate a six issue arc to Chip Zdarsky’s experiences with the terrigen mists that gave him the power to ink and color his own artwork with lavish strokes of his genitals. [*please note that I do not actually believe this except I sort of do and will not redact it until Chip Zdarsky releases a statement otherwise.]
I liked the first Amazing Spider-Man quite a bit. Everything I have been seeing about the second installment makes me dubious. This trailer has some high points and some low points but I do think that within the world they are building a lot of what they are doing makes sense. Would I prefer a more classic take on Rhino and Electro? Sure. But I think I’ll give this a shot before I tear it apart.
Shockingly, the news has broken that the Matt Fraction penned and Joe Mad illustrated Inhuman # 1 originally slated for a January release will be postponed to a later date (Update: We’re hearing now issue one will ship in April with issue 2 to follow in MAY). All orders for the issue have been cancelled by Diamond Comics Distributors. Considering I recently made a post about how Sandman Overture being late over at DC was a remarkable blunder, I have to reiterate that idea here as well for Marvel. Inhuman spins out of the Inhumanity one shot moving into a full series and rumors have been swirling that it is the blueprint for how Marvel can have “mutant” style characters in their cinematic universe while not stepping on Fox’s toes. Fox’s film rights to the mutant characters are solid and unflinching, so it is not surprising that Marvel might want to have an equivalent in their cinematic world.
The book being late has further repercussions as the Inhumanity tie-ins are already starting to trickle in. Avengers Assemble hits stores today with that branding at the top of the cover. If the book ships that much later than expected it could affect other books in the process. I think that a good portion of people expected this to happen when they saw Joe Madureira’s name on the solicit, but it is still a disappointment that such a hyped event is allowed to ship late.
The folks over at Nerdist broke the news today that Daredevil, previously reported to be ending with issue thirty-six, will be getting an all-new # 1 issue in March with the creative team of Mark Waid and Chris Samnee handling Daredevil’s move to the west coast, San Francisco to be precise. Longtime readers of Daredevil will note that Matt Murdoch spent some time in the city back in the seventies running around town with Black Widow.
I am personally relieved that Mark Waid and Chris Samnee are sticking around, as they have made Daredevil one of Marvel’s best, most consistent titles and I would have been weeping tears of nerdly sadness if they left the book after such a short run. Here’s hoping they get 100 collective issues together before they’re through. I don’t care how many new issue ones it takes.