I wasn’t kidding when I said that school was going to interrupt my working on this site. I didn’t get to do the reviews last week because I was working on another paper. Priorities are making this a bitch to write, so the reviews are going to be a little shorter than usual. Also, the format is going to get a little change. I’m going to review EVERYTHING I possibly can, but they’ll be shorter reviews. Basically I’m trying to cover more ground by hitting the major points as directly as possible. If nobody likes the changes, I’ll switch back, but I think this is better for everybody.
Let’s attempt this, shall we?
AMAZING SPIDER-MAN # 643
I’m still washing the bad taste of OMIT out of my mouth. It seems like the book is back on the right track, but once again, the issue feels a little light. I feel like if I had paid a full 3.99 for this issue I would be a little disappointed because this was probably the quickest read of the week.
BATMAN BEYOND # 4
We find out who Hush is in this issue. And once again, I feel like the reveal was a bit of a cop out. I won’t tell you who it is, I’ll just say that it fits with everything I’ve come to expect both from the Hush character and the Batman Beyond universe. From what I’ve seen so far with this miniseries, I don’t expect myself to pick up the ongoing when it hits stands.
BIRDS OF PREY # 5:
Gail Simone kicks off a new arc on Birds of Prey picking up where she left off last month with Babara trying to make things right with Creote and Savant, and Dinah flying off to China with the White Canary. The issue has Simone’s usual flair for dialogue and the storyline is progressing in a way that seems interesting, with the action having a good amount of organic flow to it, but the artwork leaves something to be desired this time around. It seems like the very definition of “Fill In,” with sketchy line work that seems a bit rushed and doesn’t convey the same amount of detail that there was in the debut arc of the new volume. It’s not horrible, it’s just distracting.
DEADPOOL # 27:
This book is becoming so middle of the road that it frightens me. I think they’re trying to keep the tone at a certain level so that the upcoming MAX title seems to have an edge over the regular 616 version. That’s not to say that the book isn’t worth a read. It’s fun and light. It’s basically worth reading if you want something that makes you laugh while you read it and not much else.
HACK/SLASH : MY FIRST MANIAC # 4
Hack/Slash is pretty consistent. This issue hits all the marks that the series should and I’m primed and pumped for the relaunch under the Image banner. I think having the ongoing back will make up for the flaws of the miniseries, which feels almost too small compared to the overarching continuity of the regular series.
THUNDERBOLTS # 148:
I don’t know why they decided to work this title into the Shadowland crossover. I mean, yeah, Luke Cage is in it, but beyond that it doesn’t seem to fit. I thought the crossover with Avengers Academy made more sense. The issue itself isn’t really bad, especially in the moments that have nothing to do with Shadowland. Anything dealing with the Thunderbolts in the prison setting, where Crossbones and the rest of the team really get a chance to shine are some great moments indeed. It’s only when Luke Cage shows up and reminds us that since he’s involved the Thunderbolts have to be involved as well. Sadly, once the action does move into Shadowland territory it seems to fall apart. It’s all a matter of abrupt change that doesn’t seem to really do much for the story we’ve had thus far.
X-23 # 1:
This one sort of comes off as a New X-Men reunion. It picks up on a lot of threads that have been gestating since the end of that particular series. The characters have been in use since then but it seems like this is the first time in a while since anybody did anything with them that advanced what had been set up before. X-23 was really the only one who had any sort of character development since then, and that’s because she had some time in X-Force to deal with her issues.
Now, with her own ongoing series, she should be able to continue to develop, and it looks like the New X-Men cast will be her supporting cast here. Which is definitely a good thing considering that I loved that series and I still get a little mad that its gone sometimes. The story itself seems to be starting off by tossing Laura into a situation that’s more personal than the usual do-or-die situations she’s been dealing with in X-Force. Hopefully this can grow into a good series with a little time.
It was a pretty small week this week. With the one book I didn’t read being the sixth volume of Empowered which is a perennial favorite of mine. Because, c’mon, bondage. Anyhow, next week might be a bigger one, so we’ll see how things pan out. Later!
You know what the best part of yesterday’s “Avengers Day” festivities were? Seriously? When my co-worker brought in cake. Volstagg understands where I’m coming from when I straight up tell you that even the crappiest day could be saved by cake. I mean, obviously when the zombies come and the fecal matter hits the rotating blades, cake isn’t going to make up for that, but I guarantee you that it won’t not help. That’s a promise.
AVENGERS #1 HA 3.99
BRIGHTEST DAY #2 2.99
DEADPOOL #23 HA 2.99
EXECUTOR HC (MR) 19.99
GALACTA DAUGHTER OF GALACTUS #1 3.99
INVINCIBLE IRON MAN #26 HA 2.99
SCALPED TP VOL 06 THE GNAWING (MR) 14.99
SUPERMAN WAR OF THE SUPERMEN #3 (OF 4) 2.99
X-FACTOR #205 XSC 2.99
X-MEN LEGACY #236 XSC 2.99
ZATANNA #1 2.99
I’m not gonna lie, dear readers…this week was slim pickin’s after last weeks full frontal assault by the big two. I will however give you what I can, as is my journalistic duty.
AVENGERS # 1
Let me get this out of the way, compared to New Avengers, this is about as Avenger-y an Avenger book can get. Sure, there’s a lot of Bendis’ trademark standing around and talking, but having recently re-read Busiek’s awesome run, there was a fair amount of expositional dialogue slinging in that era too, and I don’t know too many people who badmouth that run. Mostly out of fear that George Perez will come for them in the night and annihilate their souls with the power cosmic that he keeps stored in the lining of his Hawai’ian shirts.
Let’s see, Romita artwork? Check.
Clint Barton as Hawkeye? Check.
Steve Rogers giving an inspiring speech? Check
MOTHERF##KING KANG?!?!? CHECK!!!
Seriously, is there anything I think of as being more of an Avengers staple than Kang? No! Because he’s the most ludicrous Avengers villain of all time. He embodies the over-the-top grandiose nature of the book in ways that Dr. Doom or Ultron simply cannot. I know that’s a matter of opinion, but I would consider it to be fact, because that’s just how big my goddamned ego is. Kang has the sort of absurd over the top nature that could only be found within the pages of a comic book. I mean that with all the love and respect it entails. Comics as a medium have the ability to take the completely batshit insane and make it work the way that if you tried it on television or on film, you would be laughed at like a gimpy orangutan in a sailor outfit. Oh, the laughs you would garner if you tried to throw a time traveling despot into the workings of even the most out-there television show you could find. If Kang showed up in his purple helmet on the island on LOST, people would groan and punch themselves in the groin. Well, I would make a high pitched shrieking sound and bounce around the room like a walaby on angeldust, but that’s because I like things that nobody else likes.
The fact of the matter is that Bendis has gone back and made an Avengers book for the people who spent the last six years complaining that his books didn’t feel like they were Avengers books. Are those people really going to be able to make those claims when Kang shows up sporting a doomsday device that was supposedly built by a future version of Tony Stark and tells them that the future of the world depends on their new team triumphing over seemingly insurmountable odds? No, those people will have to eat their words like a slice of spongey Avengers Day cake. How does it taste, people? The answer should be chocolate.
Wanna guess what I love more in comics than Kang? Give up?
Yeah, I went there. You think I stuck around through all of Green Arrow/Black Canary because I enjoyed the story. Nope. It’s because I am bound by honor to purchase any and all comics featuring a character whose costume involves fishnets. My brain is hard wired that way. Is that shallow? Maybe. How many people bought Power Girl just because of the boobage? I bought it because I love the character. The boobs are only a fraction of that element, so I suppose that makes me better than everyone else. That’s me, champion of ethics.
Anyway, this issue begins with Zatanna in full bondage mode, chained to a gigantic St. Andrew’s cross while the Joker is set to ram a gigantic drill through her torso. Fan service? You bet your ass. It’s all a swerve, of course. It’s a Zatanna book, nothing is going to be exactly what it seems like. But do you think anybody who just flipped open the book to see a hot brunette in fishnets and sexy boots bound and gagged in pure fetish fuel fashion is gonna put the book back on the rack after that? No. They’ll buy it. They have to. Unless they’re a female who can’t appreciate how friggin’ hot that opening page is. But take a closer look femi-nazis, that panel is all about the empowerment of the female form, that when we view a woman at her most helpless she’s truly always in control. Satisfied? I hope so, because I don’t really wantto overanalyze the book. It all really boils down to the fishnets. Let’s be honest.
Black Canary is a hard costume to pull off. You really have to have the legs to rock those fishnets and be fully prepared for the attention that said fishnets will garner. You go to a convention wearing those babies and you can expect a plethora of stares and requests for pictures that will probably end up in some nerds fap bank. Thank god a bold few can actually pull it off.
Presented without comment…
I’m back. Though I’m completely sore and drained after an amazing concert last night at the House of Blues, I have found it in my heart to post up this week’s reviews in a manner that vaguely resembles professional.
The Pull List 2-10-2010
ACTION COMICS #886 3.99
ADVENTURE COMICS WITH BLACK LANTERN SUPERBOY #7 3.99
AMAZING SPIDER-MAN #620 GNTLT 2.99
BATGIRL #7 2.99
BATMAN AND ROBIN #8 2.99
BOOSTER GOLD #29 3.99
COLT NOBLE AND MEGALORDS (ONE SHOT) 5.99
GREEN ARROW BLACK CANARY #29 3.99
HAUNT #5 2.99
JSA ALL STARS #3 3.99
NEW MUTANTS #10 2.99
PUNISHERMAX #4 (MR) 3.99
QUEEN SONJA #4 2.99
SCIENCE FICTION & FANTASY ILLUSTRATED #1 4.99
SECRET SIX #18 (BLACKEST NIGHT) 2.99
SUPERGIRL #49 2.99
SWORD #4 (MARVEL) 2.99
TITANS #22 2.99
ULTIMATE COMICS SPIDER-MAN #7 3.99
And now, on with the show…
Amazing Spider-Man has become a freight train style juggernaut that moves along at seemingly breakneck speed without any signs of slowing down. The 3x a month format allows for a cacophony of plot development in a VERY short span of time. What amounts to the third arc of the Gauntlet storyline has come to a close. Were this a traditional Spider-man story, played out once a month, it would have taken 3/4 of a year to get where we are.
Thus far the story has been like the beginnings of a chess game, with pieces being carefully put into position in ways that we can see that an endgame is approaching but don’t yet know how it will truly play out. In this week’s issue, we get a classic Spider-Man throwdown between the webslinger and Mysterio, who constantly plays mindgames with Spidey and the reader, keeping us guessing as to whether he truly is Quentin Beck come back from the dead. Ambiguity breeds interest, and this arc certainy has it in spades.
And, I must once again take a moment to praise the art of this particular story, as it reminds me very much of the 70’s styled Spider-Man stories that I enjoyed so much, with none of the hyper-realistic definition that seems to have plagued the book in the wake of McFarlane in the 90’s. The art is a key componant here in making the story feel like classic Spidey.
MINDLESS ZOMBIE BATMAN!
I am an unabashed lover of Hack/Slash and its creator Tim Seeley, who writes stuff that will never be considered high art but could definately be called high concept. His sense of comedic timing is a wonder to behold and his latest venture, a sci-fi/fantasy romp with a sarcastic comedic flair tossed in to make things interesting is truly worth a read.
Now, at 5.99 it’s a bit pricey. But let me tell you this, the issue had more damned story and content than the majority of the books on the rack this week. Compared with Zenoscopes Sci-Fi Illustrated (Which I will get to in a moment…) which held a pricetag of 4.99 with about 1/4 the content, you cannot argue that you’re not getting a good value.
And honestly, you’re getting more than a good value. One of my major complaints with the comic book industry and its followers today is an overwhelming tendency toward constant negativity and adherence to canon/continuity. Fans tend to feel like everything must be kept in strict order and the line must be towed at every turn. For example, take a look at the fanboys who got worked up into a sweat about how Dick Grayson could have POSSIBLY had Batman’s body at the point in the timeline where Batman & Robin # 7 took place when it was contradicted by Blackest Night. Those questions were answered in # 8 but some fans got so worked up in the specifics that they COMPLETELY sucked all of their own enjoyment out of the issue in question.
Books like Colt Noble and the Megalords are a breath of fresh air. In an industry that seems to be trying so hard to be looked upon as a mature art form, where genuine fun is tossed aside for stern-faced seriousness, Seeley presents us with a book that does exactly what a comic book should; entertain. Look, I get it. There are comics out there that are just as legitimate as certian works of prose fiction and should be regarded as such. Whatever. Don’t act like it all has to be like that. For every “Pride and Prejudice” there is a whole rack of novels that don’t aspire to be “art” or “literature.”
Colt Noble is like the dirty girl you take home from the bar and do things that the Bible expressly forbids. You know that you liked it but you’re not gonna go mouthing off about it to your parents in polite company.
The cover has Magog getting punched in the face. Of course I bought it!
The book has Power Girl beating the snot out of Magog. I think I want to make out with Matt Sturges.
Look folks, you remember how I went on a rant about how comic books don’t have to be serious? Yeah, I stand by that. But that doesn’t mean that comic books get a free pass for being utter crap. And they certainly throw away any right to critical fairness when they charge you $4.99 for such crap.
Science Fiction Illustrated is like bad fanwank to classic Twlight Zone and Outer Limit episodes, spliced with the worst heavy-handed pseudo Skinimax artwork one could possibly lay their hands on. It panders to the comic geek who can’t get a girl with a story about buying a perfect robotic woman that then spends spash pages dressed in various naughty outfits cooking and cleaning for the protaganist schlub.
I love me some smut, but let’s be honest, and I mean brutally honest, if I so chose, I could download multiple terabyte hard-drives full of the most disgusting pornography on the planet for free with a click of a mouse. Why would I pay $4.99 for cheaply and crudely drawn comic book girls if not for a compelling story to go along with it. Remember Boogie Nights where Burt Reynolds got all pissed off about porn without a plot. THIS IS WHAT HE WAS TALKING ABOUT!
There is no fathomable way anyone could read this and say they got their money’s worth. That’s just the plain truth.
Gail Simone is awesome. This issue has explosions and zombies and twisty endings and whatnot. It’s part of a crossover and it didn’t suck. Gail Simone obviously made a pact with the devil. That devil might be John Ostrander. Just sayin’.
And that’s it for this week. Join me next time when hopefully I don’t rant quite so much*.
(*totally not gonna happen)
You see? And I did it without going to the “Wonder Woman well.” I imagine if I did this entry would have over 15,000 images, and I imagine that would be the number of page views as well.
Every week I plan to bring you my personal reviews of the week’s releases, hopefully in a timely manner. This would be easier if Marvel and DC still sent out those preview copies a week ahead of time but those are a distant memory, like good hip-hop.
THE PULL LIST:
ACTION COMICS #885 3.99
ADVENTURE COMICS #6 3.99
AMAZING SPIDER-MAN #617 3.99
ANGEL #29 3.99
AVP THREE WORLD WAR #1 (OF 6) 3.50
BATGIRL #6 2.99
BATMAN #695 2.99
BLACK WIDOW DEADLY ORIGIN #3 (OF 4) 3.99
BOOSTER GOLD #28 3.99
BUFFY THE VAMPIRE SLAYER #31 2.99
CATWOMAN #83 (BLACKEST NIGHT) 2.99
CONAN THE CIMMERIAN WEIGHT OF CROWN ONE SHOT 3.50
DIE HARD YEAR ONE #4 3.99
FEARLESS DAWN #2 (OF 4) 2.95
GREEN ARROW BLACK CANARY #28 3.99
INVINCIBLE IRON MAN #22 2.99
MARVELS PROJECT #5 (OF 8 ) 3.99
NATION X #2 (OF 4) 3.99
PSYLOCKE #3 (OF 4) 3.99
PUNISHERMAX #3 (MR) 3.99
RED HERRING #6 (OF 6) 2.99
SECRET SIX (BLACKEST NIGHT) #17 2.99
SWORD (MARVEL) #3 2.99
TITANS #21 2.99
TRANSFORMERS ONGOING #3 3.99
UNWRITTEN #9 (MR) 2.9
Here begins another chapter in the “Gauntlet” arc of Amazing Spider-Man, detailing one of the viallians who I felt should have been included in the film series somewhow (and hopefully will be when this reboot gets going), the Rhino. Why do I like the Rhino? Because he’s got that classic element of emotional scarring through physical trauma that I like my villains to have. (See also Two-Face, Killer Croc, etc.)
Here we see Rhino doing the whole “I’m a good guy because I found a woman” routine and we’re introduced to a new character taking up the Rhino moniker. How many of the original Spider-Man rogues are actually the people they were when they debuted nowdays? Kraven and Scorpion have been replaced by younger more female-type persons, the new Vulture spits acid blood or something like that, now the Rhino is getting an overhaul. I’m not complaining, though. When it comes to the stories presented, if you’d been beaten up by Spider-Man for years you would likely abdicate your cirminal moniker too. The old guard fading away is a big part of what makes certain stories work. By progessing the villains, you progress your hero by proxy. It works.
The main story here is a bit hollow, aside from the fun interplay between Peter and Norah, there’s not much meat to the story. It’s clearly a setup for what will follow in subsequent issues. Even the advancement of Rhino as a character isn’t truly fleshed out until a very well done backup story after the main meat n’ potatoes of the lead-in.
Again, I seem to like where all this is going, and I attribute that mostly to Joe Kelly who is an underappreciated writer in many ways, but I think my feelings toward this issue will be altered one way or the other by how it is followed up down the line.
I’m going to try not to review books, such as this one, that are in the middle of an ongoing arc if I can avoid it. That having been said, I think this issue finally revealed what I’ve been feeling about the “Dick as Bats” experiment and made me grasp what had only been an inkling until reading a few panels presented here; I forgot that Bruce was gone.
Tony Daniel has been doing something that seems to counter-act what Morrison has been doing in “Batman & Robin.” Whereas that book works off of the relation between Damien and Dick and how both are coming to terms with Bruce Wayne’s absence, the main Bat book goes long stretches where Batman is doing his thing and the inner voice of the character is 100% identical to Bruce, generally speaking. It feels as if Daniel is writing Bruce Wayne as Batman and then out of nowhere we are reminded that it’s not Bruce.
Part of me thinks it’s written this way to make the reader accept Dick as the subsitute, leaving the reader in a comfort zone and not changing the tone of the character in any major way. Another part of me thinks that Daniel is not as experienced a writer as he is an artist, and therefore has trouble writing discernable voices for multiple characters. He doesn’t write Dick in the suit, he writes the suit, so to speak.
The book itself feels like a book out of the 80’s or 90’s. It’s very self contained to it’s own universe and almost a slave to it’s own past. The art is solid, which I attribute to Daniel basically writing to his own strengths, seeing how he’s handling the art along with the scripting. It’s refreshing to read a fairly straight-forward Batman narrative again, even if we know that it’s techically just filler until Morrison pulls Bruce out of the past and re-inserts him into the now.
Why are you not reading this? It’s such a great book. I know a few people must have been suckered in during that Blackest Night crossover, but that’s just not enough. This book craves attention. Just like Booster himself, this book is constantly seeking validation. It shouldn’t, because it’s just plain good and that should stand for itself, but everyone should read this book at least once.
This issue is a great place to start. It’s a good jumping on point, with Booster and his sister delivering a nicely done exposition dump and getting everyone back up to speed. The story centers around the “if you travel to the past you can’t change anything” device and takes a look at how, if given the opportunity, such things might play out in the DCU. In this case, it’s trying to avoid the Cyborg Superman Coast City disaster. With time travel being a regular staple of the DC universe, it’s suprising that we don’t see more stories centered around the government or certain heroes trying to go back and reverse history. I mean, Superman flew around the world so fast he turned back time in the original Superman film, so it’s not like it hasn’t been thought of, but Booster Gold seems to be the only series that bothers to look at certain angles of the time-travel element.
I think that’s what I’ve been liking so much about this book. Aside from the Blackest Night tie-in, the book completely covers its own little niche of the DCU that nobody else tramples on and the book acknowleges and presents a reasoning for occupying that very same niche. It’s clever writing at its best and the fact that it makes logical sense is refreshing, especially given what goes on in certain parts of the DC publishing web.
I think out of all the resurrected titles that came about because of Blackest Night, Catwoman was the one I was most looking forward to. I was terribly disapointed when they cancelled the book in the first place. Seriously, it was a solid book and it didn’t need to go away. I love Gotham City Sirens, and that has helped to lessen the blow but crowding the book with three leads makes it hard to really focus on any one character’s needed arcs. It’s almost as if that book was meant to introduce a new status quo in a manner that we all slowly forget what came before and only focus on the current developments.
Resurrecting the Catwoman title proper, allowed the reader to get a little closure in regard to the Black Mask murder storyline that pretty much dangled after the cancellation of Selina’s title. This book puts the endpiece on that particular storyline and organically presents a followup that can be built upon in “Sirens” down the line.
While the Blackest Night banner seems to indicate a quick cash-grab in bringing books like Catwoman back, the content and the fact that it is used to further the development of the character and put old business to bed justifies their existence.
There are Nazis. And I don’t really understand much else. Part of me wants to peg this book as a sort of T&A throwaway book but, there’s not actually much T&A on display. It’s really just an oddball fun book that isn’t too deep or well constructed, but it’s a fun read in the end and considering I only picked up the first issue because the cover looked interesting and I’ll buy anything with Nazi’s as the villain (see also Hellboy) I can’t complain too heavily about what’s presented between the covers.
I recently named Fraction’s “World’s Most Wanted” arc one of my favorites of 2009. He’s still continuing that with the “Stark Disassembled” arc here, but I can’t help but have flashbacks to that season of The Sopranos where Tony was in a coma and we spent so much time in a dream world that interest soon started to dwindle.
That isn’t a problem here, because now Doctor Strange is here and Doctor Strange is awesome.
I predict that the end of this arc will make me do a little fanboy squeal but if I do I won’t tell you about it because I’d like to retain some of my objective dignity, of which I have very little.
Jubilee. That is all you need to know.
Holy fuckshit Jason Aaron is impressing me left and right. His Weapon X book is the best Wolverine in years and now we get a Punisher story that lives up to the legacy that Garth Ennis left with “Welcome Back Frank” without completely aping everything that Ennis did with the character.
The smartest thing Aaron has done is focus more on the Kingpin than on Frank Castle. We’ve seen everything in Frank’s arsenal, honestly. But this new Kingpin is an unknown entity. By establishing this new character and framing the development through the lens of the Punisher and the thugs on the street, we are left wondering if this Kingpin is going to wind up like the rest of the Punisher’s rogues and be dead by the end of the arc or if we’ll finally get another recurring villain worth getting excited over. Ennis gave us Barracuda and The Russian, it seems like Aaron is trying to do the same thing with the Kingpin, and give us a new recurring foe who isn’t named Jigsaw.
This book is everything you could wan’t in a Punisher story. It also has saggy old lady tits, though I’m not sure if that counts for the book or against it.
Ultra Magnus is a dick and a half. Seriously, the guy is so oblivious to his own dickishness that he makes Silver-Age Superman look like a cognitive genius. I’m not exactly sure what continuity this book follows, considering that I haven’t read a Transformers comic in ages, but if there’s one thing that all of them share it is that Ultra Magnus is a total douchebag and he doesn’t even know it. Also Hot Rod.
This book is frustating for me in that I feel as if nothing seems to happen in any of the issues until the final page. It’s like 31 pages of filler and then shocking cliffhanger. It is already getting tiresome. That having been said, I like the angle they’re playing where the Autobots and Decepticons put aside their differences out of a shared sense of nihilistic apathy/exhaustion. It’s basically as if both camps said “screw it,what else is on TV?” It’s different, at least to me, and story structure aside, I want to see where it leads.
And that wraps it up for this week’s reviews. I would like to finish the post with something witty but I really want to finish watching LOST on bluray, so that isn’t gonna be happening.